About the Digital Collection
Paul Kwilecki’s Photograph Collection contains black and white prints made in and around the town of Bainbridge, Georgia from 1960-2008. A self-taught photographer, Kwilecki honed his craft by photographing the broad spectrum of daily life manifested in Bainbridge and the rural areas of Decatur County. From the Shade Tobacco workers in the fields to the tombstones in the cemeteries and the emotional dramas played out in the Decatur County Courthouse, Kwilecki documented everything in an effort to capture and understand humanity. The collection of primarily 11x14 inch prints is organized into subject areas including: agriculture, architecture, county fairs, the Flint River, industry, neighborhoods, the Prom, religious life, shoppers, social events, stores, Willis Park and, workers.
This digital collection comprises selected materials from the following archival collection at David M. Rubenstein Rare Book & Manuscript Library:
Paul Kwilecki photographs and papers circa 1910-2008
Collection #RL.00790 | 42 Linear Feet; 54 boxes; 1 oversize folder; 2 oversize boxes; Approximately 9480 Items
Collection comprises over 500 black-and-white photographic prints, along with negatives, contact sheets, photographer's notes, journals, writings, speeches, correspondence related to photography, and printed material, totaling over 9000 items. Kwilecki's photographic work documents rural and small-town life in and around Bainbridge, Decatur County, Georgia, an undertaking he began as a self-taught photographer in 1960 and continued until his death in 2009. Subjects include local landscapes, tobacco workers, county fairs, hog slaughtering, cemeteries, churches, courthouses, recreation on the Flint River, local industry, shoppers, downtowns, and house porches and interiors. The themes of race relations and religious life predominate. Many of Kwilecki's subjects come from the African American community in Decatur County. Significant correspondents in the manuscripts series include photographers Alex Harris and David Vestal; the collection includes a small set of Vestal photographs. Acquired as part of the Archive of Documentary Arts at Duke University.
by Zeke Graves about 2 months ago
The Coronavirus pandemic has me thinking about labor–as a concept, a social process, a political constituency, and the driving force of our economy–in a way that I haven’t in my lifetime. It’s become alarmingly clear (as if it wasn’t before) that we all need food, supplies, and services to survive past next week, and that … Continue reading Labor in the Time of Coronavirus