Tapes 10 and 11, 2000 April
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Transcript
Transcripts may contain inaccuracies.
- | Emerge a structure. | 0:00 |
Some consensus on an agenda for sure. | 0:04 | |
She definitely believed you should have an agenda | 0:07 | |
that you're pursuing. | 0:10 | |
And I thought, I saw her as being | 0:13 | |
a very business-like person too, in a way. | 0:14 | |
We went to Atlantic City in '64, with the MFDP. | 0:18 | |
I was assigned to accompany Mrs. Hartman Turnbow | 0:22 | |
from Tchula, Mississippi | 0:26 | |
to lobby the Oregon Delegation | 0:30 | |
and Congresswoman Edith Green | 0:32 | |
and Senator Wayne Morse | 0:36 | |
were from Oregon. | 0:41 | |
And Mrs. Turnbow always had this little brown paper bag. | 0:42 | |
I didn't realize until after that, | 0:47 | |
he had made this most eloquent statement | 0:49 | |
on why we should, in fact, be seated. | 0:53 | |
I learned later that, they called 'em Mrs. Turnbow's Sweets. | 1:00 | |
The sweets had a pistol in her brown paper bag. | 1:03 | |
(audience laughter) | 1:07 | |
Let me just wrap up by simply saying | 1:10 | |
that none of us would ever have envisioned | 1:15 | |
our actions, then, would lead to | 1:18 | |
our young people killing each other. | 1:20 | |
Our families being distraught. | 1:23 | |
Our communities being wracked by violence and crack. | 1:27 | |
We would not have imagined that there would be something | 1:30 | |
called an intractable underclass. | 1:33 | |
We would not have envisioned that there would be a time | 1:37 | |
when we would be afraid of our own children. | 1:42 | |
And I think if there is anything that disappoints me, | 1:46 | |
more than anything else, it is that | 1:50 | |
we have come a long way, but in many ways, | 1:54 | |
there's a kind of spiritual poverty | 1:58 | |
that is much more insidious, dangerous, | 2:00 | |
much different than anything I experienced | 2:03 | |
growing up under repressive Mississippi regime. | 2:05 | |
And it's of an onset that each generation | 2:08 | |
must decide, must define it's mission, | 2:14 | |
fulfill it, or betray it. | 2:19 | |
We did ours and I think my son and his generation, | 2:21 | |
your children, the young people here today, | 2:26 | |
have, I believe, a tougher set | 2:28 | |
of problems to solve than we did. | 2:31 | |
Thank you. | 2:33 | |
(audience applause) | 2:34 | |
- | As you know, we've run slightly overtime | 2:45 |
and lunch is waiting at the Student Center. | 2:50 | |
They're holding lunch for us. | 2:53 | |
So anyone is welcome, I think the charge is three dollars | 2:55 | |
if you're not a panelist. | 2:59 | |
This afternoon, the panels will be in the Civic Center, | 3:04 | |
will be back in the Civic Center | 3:07 | |
and there's, on the ground floor, | 3:09 | |
and there should be signs up for the panels. | 3:11 | |
(audience grumbling) | 3:14 | |
I think, let's go for 2:15 because we're, yeah. | 3:20 | |
♪ Stayed on freedom ♪ | 3:29 | |
♪ Hallelu, hallelu, hallelu, hallelujah ♪ | 3:33 | |
♪ Come on and walk, walk ♪ | 3:40 | |
♪ Come on and walk, walk ♪ | 3:42 | |
♪ Come on and walk, walk ♪ | 3:43 | |
♪ With your mind on freedom, walk, walk ♪ | 3:45 | |
♪ Come on and walk, walk ♪ | 3:49 | |
♪ Come on and walk, walk ♪ | 3:51 | |
♪ Come on and walk, walk ♪ | 3:53 | |
♪ Oh, ♪ | 3:55 | |
♪ Walk, walk ♪ | 3:59 | |
♪ Come on and walk, walk ♪ | 4:00 | |
♪ You gotta talk, talk ♪ | 4:02 | |
♪ You gotta talk, talk ♪ | 4:04 | |
♪ You gotta talk, talk ♪ | 4:05 | |
♪ You've got your mind on freedom, talk, talk ♪ | 4:07 | |
♪ You gotta talk, talk ♪ | 4:11 | |
♪ You gotta talk, talk ♪ | 4:12 | |
♪ You gotta talk ♪ | 4:14 | |
♪ With your mind on freedom ♪ | ||
♪ Oh, ♪ | 4:17 | |
♪ Talk, talk ♪ | 4:20 | |
♪ Come on and talk, talk ♪ | 4:22 | |
♪ Oh Lord, ain't no harm to keep'n mind ♪ | 4:23 | |
♪ Your mind stayed on freedom ♪ | 4:27 | |
♪ Oh, ain't no harm to keep'n your mind ♪ | 4:30 | |
♪ Stayed on freedom ♪ | 4:35 | |
♪ You know it ♪ | 4:38 | |
♪ Ain't no harm to keep your mind ♪ | 4:39 | |
♪Stayed on freedom ♪ | 4:42 | |
♪ Hallelu, hallelu, hallelu, hallelu, ♪ | 4:45 | |
♪ Hallelujah ♪ | 4:49 | |
(audience applause) | 4:57 | |
♪ Do you come from ♪ | 5:01 | |
♪ Where ♪ | 5:08 | |
♪ Do you go ♪ | 5:15 | |
♪ Where ♪ | 5:22 | |
♪ Do you come from ♪ | 5:29 | |
♪ My cotton eyed Joe ♪ | 5:36 | |
♪ But if it hadn't been for ♪ | 5:44 | |
♪ But if hadn't been for ♪ | 5:49 | |
♪ My cotton eyed Joe ♪ | 5:55 | |
♪ Where ♪ | 6:07 | |
♪ Do you come from, oh yeah ♪ | 6:15 | |
♪ Where ♪ | 6:23 | |
♪ Do you go ♪ | 6:30 | |
♪ Where ♪ | 6:38 | |
♪ Do you come from ♪ | 6:46 | |
♪ My cotton eyed Joe ♪ | 6:54 | |
- | This has to be written by only guy I know Black | 7:04 |
who sang his way out of possible prison. | 7:07 | |
His name is Huey Lebdow. | 7:10 | |
♪ Well, this little light of mine ♪ | 7:14 | |
♪ I'm gonna let it shine ♪ | 7:18 | |
♪ Oh, this little light of mine ♪ | 7:20 | |
♪ I'm gonna let it shine ♪ | 7:24 | |
♪ Let it shine ♪ | 7:26 | |
♪ This little light of mine ♪ | 7:27 | |
♪ I'm gonna let it shine ♪ | 7:29 | |
♪ Let it shine, let it shine, let it shine ♪ | 7:32 | |
♪ Everywhere I go, ♪ | 7:36 | |
♪ You know that I'm gonna let it shine ♪ | 7:38 | |
♪ Everywhere I go ♪ | 7:41 | |
♪ I'm gonna let it shine ♪ | 7:44 | |
♪ Everywhere I go ♪ | 7:47 | |
♪ I'm gonna let it shine ♪ | 7:50 | |
♪ Let it shine, let it shine, let it shine ♪ | 7:53 | |
♪ Oh tell them they go ♪ | 7:57 | |
♪ I'm gonna let it shine ♪ | 8:01 | |
♪ Tell them let it go ♪ | 8:04 | |
♪ I'm gonna let it shine ♪ | 8:07 | |
♪ Tell them, Lord, Lord ♪ | 8:10 | |
♪ I'm gonna let it shine ♪ | 8:13 | |
♪ Let it shine, let it shine, let it shine ♪ | 8:15 | |
♪ This little light of mine ♪ | 8:20 | |
♪ I'm gonna let it shine ♪ | 8:23 | |
♪ Oh, this little light of mine ♪ | 8:25 | |
♪ I'm gonna let it shine ♪ | 8:29 | |
♪ Let it shine ♪ | 8:31 | |
♪ This little light of mine ♪ | 8:32 | |
♪ I'm gonna let it shine ♪ | 8:35 | |
♪ Let it shine, let it shine, let it shine ♪ | 8:37 | |
♪ Oh down in Raleigh, Carolina ♪ | 8:41 | |
♪ I'm gonna let it shine ♪ | 8:45 | |
♪ Oh down in Raleigh, Carolina ♪ | 8:47 | |
♪ I'm gonna let it shine ♪ | 8:51 | |
♪ Let it shine ♪ | 8:53 | |
♪ Down in Raleigh, Carolina ♪ | 8:54 | |
♪ I'm gonna let it shine ♪ | 8:57 | |
♪ Let it shine, let it shine, let it shine ♪ | 8:59 | |
♪ Oh, shine, shine, shine ♪ | 9:03 | |
♪ I'm gonna let it shine ♪ | 9:07 | |
♪ Oh, shine, shine, shine, shine ♪ | 9:09 | |
♪ I'm gonna let it shine ♪ | 9:12 | |
♪ Oh, shine, shine, shine, shine ♪ | 9:15 | |
♪ I'm gonna let it shine ♪ | 9:18 | |
♪ Let it shine, let it shine, let it shine ♪ | 9:20 | |
♪ Oh Mississippi ♪ | 9:27 | |
Lead | Come on, now. | 9:29 |
♪ I'm gonna let it shine ♪ | 9:29 | |
♪ Oh Mississippi ♪ | 9:32 | |
♪ I'm gonna let it shine ♪ | 9:35 | |
♪ All over Mississippi ♪ | 9:38 | |
♪ I'm gonna let it shine ♪ | 9:41 | |
♪ Let it shine, let it shine, let it shine ♪ | 9:43 | |
♪ This little light of mine ♪ | 9:49 | |
♪ I'm gonna let it shine ♪ | 9:51 | |
♪ Oh, this little light of mine ♪ | 9:53 | |
♪ I'm gonna let it shine ♪ | 9:57 | |
♪ This little light of mine ♪ | 10:00 | |
♪ I'm gonna let it shine ♪ | 10:03 | |
♪ Let it shine, let it shine, let it shine ♪ | 10:05 | |
♪ Tell everybody ♪ | 10:11 | |
♪ I'm gonna let it shine ♪ | 10:13 | |
♪ Tell everybody ♪ | 10:16 | |
♪ I'm gonna let it shine ♪ | 10:19 | |
♪ Tell everybody ♪ | 10:22 | |
♪ I'm gonna let it shine ♪ | 10:25 | |
♪ Let it shine, let it shine, let it shine ♪ | 10:27 | |
(audience applause) | 10:36 | |
Rodney | Good afternoon. | 10:48 |
My name is Rodney Poole and I am the current | 10:50 | |
Student Government Association President | 10:52 | |
here at Shaw University. | 10:54 | |
And I consider it an honor and a privilege | 10:56 | |
to stand before you today on this historic occasion. | 10:58 | |
I'd like to recognize a dignitary in our, | 11:01 | |
one of the many dignitaries in our audience this afternoon. | 11:05 | |
Mayor Clarence Lightner, the first and only | 11:08 | |
African American mayor of Raleigh, North Carolina. | 11:13 | |
(audience applause) | 11:16 | |
We will now have the invocation by Dr. Percy Scott Jones. | 11:22 | |
- | Let us be together with God and one another as we pray. | 11:32 |
Let us pray. | 11:36 | |
Eternal law, mighty and everlasting, God, our Father, | 11:39 | |
we come to this historic moment ever so mindful | 11:42 | |
of the mighty ways in which you have worked | 11:47 | |
through your creation in order | 11:50 | |
to achieve redemption for all human kind. | 11:53 | |
Our spirits are lifted this afternoon, | 11:57 | |
as we recall the likes of one Ella Baker, | 12:00 | |
who in the face of danger | 12:04 | |
and the threat of negative consequences, | 12:06 | |
nevertheless, sought to do your bidding. | 12:09 | |
As we pause to mark her place in history, | 12:13 | |
as we honor her memory and as we celebrate | 12:16 | |
the courageous work of the | 12:20 | |
Student Nonviolent Coordinating Committee. | 12:22 | |
We pray that the flame of such courage and noble cause, | 12:25 | |
might be undamned. | 12:29 | |
That the march towards freedom, justice, and equality | 12:33 | |
might persist. | 12:36 | |
Give us strength to build upon this history | 12:38 | |
till at last, we usher in a new day | 12:41 | |
where community is not defined by color or location, | 12:45 | |
but by those who accept your love | 12:51 | |
and who resolve to do your will. | 12:53 | |
By dedicating this marker, we dedicate ourselves | 12:57 | |
to no less a cause. | 13:01 | |
In the name of the Holy Father, we pray. | 13:05 | |
Amen. | 13:07 | |
- | Thank you, Dr. Scott. | 13:13 |
At this time, we will have words of welcome | 13:14 | |
from our president, Dr. Talbert O. Shaw. | 13:16 | |
President | Thank you. | 13:20 |
(audience applause) | 13:22 | |
- | Ladies and gentlemen, good afternoon. | 13:27 |
We have some dignitaries, here. | 13:32 | |
We have mentioned one. | 13:33 | |
We're all dignitaries. | 13:34 | |
But we have a few that punctuate each in a very special way. | 13:36 | |
We have with us, former Mayor Barry. | 13:41 | |
Come and shake my hand Barry. | 13:43 | |
(audience applause) | 13:45 | |
We also have with us today, the very distinguished leader | 13:52 | |
and one of the founders of SNCC, the honorable Julian Bond, | 13:56 | |
where is he? | 13:59 | |
(audience applause) | 14:00 | |
Again, we want to welcome you to this historic occasion. | 14:07 | |
Years ago, when SNCC was founded, little did I know, | 14:10 | |
that I would have an opportunity to participate | 14:13 | |
in celebrating this most important point | 14:16 | |
in the history of this country. | 14:20 | |
SNCC and others changed the extreme of American history. | 14:23 | |
We're rejoicing today in the commitment | 14:27 | |
and the leadership that they brought forth | 14:30 | |
towards this difficult problem. | 14:33 | |
I want to congratulate Mr. Ward and others, | 14:36 | |
who thought of this celebration | 14:39 | |
and who have spent a long time getting it together. | 14:41 | |
I want to applaud you. | 14:45 | |
(audience applause) | 14:47 | |
And then all those who have stood with you | 14:52 | |
through the immense of preparation. | 14:55 | |
In a sense, we are celebrating | 14:58 | |
three important events here today. | 14:59 | |
We are celebrating SNCC that helps | 15:04 | |
to change the course of history | 15:06 | |
but we are also celebrating a distinguished woman, | 15:09 | |
who has left her mark on American history | 15:13 | |
and particularly on this movement, | 15:16 | |
and that is Ella Baker. | 15:19 | |
She was a most committed woman. | 15:23 | |
(audience applause) | 15:28 | |
And the third thing that we are celebrating today | 15:31 | |
is a historic relationship that this institution has had. | 15:35 | |
With SNCC and with the effort to change human relations. | 15:39 | |
Shaw has been sitting here for 135 years. | 15:45 | |
SNCC was founded in the womb of this university | 15:49 | |
and we are committed to the liberation, | 15:52 | |
not only of the mind, but of the spirit. | 15:54 | |
And so this institution, we can say today | 15:57 | |
that it is a part of history that helped | 16:00 | |
to liberate men and women and we are delighted | 16:03 | |
that Shaw University's a part of it. | 16:06 | |
(audience applause) | 16:08 | |
History unwritten or unspoken is forgotten history. | 16:13 | |
Today, the establishment of this marker | 16:19 | |
punctuates the fact that we are righting this history | 16:21 | |
and in perpetuity, it will remain here | 16:25 | |
to say that there was a group of people | 16:29 | |
who committed their lives and their times | 16:33 | |
in conjunction with this institution | 16:36 | |
to help change the course of American history. | 16:38 | |
We are delighted to be a part of it | 16:41 | |
and we hope that you continue to enjoy | 16:43 | |
the rest of this great event. | 16:45 | |
Congratulations, God bless you all. | 16:47 | |
(audience applause) | 16:49 | |
- | Thank you for those words, Dr. Shaw. | 16:55 |
At this time, we will have remarks from Mrs. Betsy Buford | 16:58 | |
of the Deputy Secretary of the North Carolina Department | 17:01 | |
of Cultural Resources. | 17:04 | |
- | Ladies and gentlemen, it is my honor | 17:08 |
to welcome you on behalf of the state of North Carolina. | 17:10 | |
And to tell those of you who are out of state, especially, | 17:14 | |
what this highway marker means. | 17:17 | |
It means that a group of historians | 17:19 | |
has approved it's incredible validity. | 17:22 | |
There're only so many highway markers | 17:25 | |
that are passed every year | 17:27 | |
and our department of cultural resources, | 17:29 | |
specifically the division of archives and history, | 17:31 | |
approved this marker three years ago | 17:34 | |
but because we have some sense of history, ourselves, | 17:37 | |
we saved it so it could be unveiled with you here | 17:41 | |
to add to it's own sense of momentous in history. | 17:44 | |
(audience applause) | 17:48 | |
So thank you for being here. | ||
Highway markers are very important | 17:52 | |
because they are very exclusive. | 17:54 | |
They're also important, I think, | 17:56 | |
because people take note of them. | 17:58 | |
It's not only the text, which Michael Hill will comment on | 18:00 | |
in just a few moments, but it's grounded here, | 18:04 | |
as most of you probably already noticed, | 18:06 | |
by Martin Luther King Boulevard, | 18:09 | |
and yes, I know you all know he was here, | 18:11 | |
and as President Shaw has already noted, | 18:14 | |
historically grounded here in Shaw University | 18:16 | |
in honor of Ella Baker and those wonderful Shaw students | 18:19 | |
and students from across the nation who came that day. | 18:23 | |
Thank you for being here. | 18:27 | |
There are many giants who have already been recognized | 18:28 | |
and are yet to be recognized in the crowd. | 18:31 | |
I want to evoke the name of my mentor, | 18:34 | |
Terry Sanford, who some of you knew personally, | 18:37 | |
and who as a very young and very brave | 18:41 | |
and very smart governor deputized the Highway Patrol | 18:43 | |
to make certain that SNCC voter registration students | 18:48 | |
in the next two years after it's founding | 18:52 | |
in the following summers stayed safe and were safe. | 18:54 | |
So welcome, thank you for honoring us with your presence | 18:58 | |
and thank you for helping us | 19:02 | |
let us share in your celebration. | 19:04 | |
God bless. | 19:06 | |
(audience applause) | 19:07 | |
Rodney | Thank you Mrs. Buford. | 19:11 |
Now we will have remarks from Mr. Michael Hill, | 19:13 | |
a researcher of the North Carolina Division | 19:16 | |
of Archives and History. | 19:18 | |
Michael Hill | This is a great day. | 19:21 |
These signs, certainly familiar to those of you | 19:22 | |
who are from North Carolina. | 19:25 | |
They're all over the state in every county. | 19:26 | |
But you'll find signs of this type, historical markers, | 19:28 | |
in most every state and a lot of municipalities, | 19:30 | |
there made by a foundery in Ohio. | 19:33 | |
They're made of cast aluminum. | 19:36 | |
They're intended to be permanent markers, memorials. | 19:38 | |
North Carolina got into this business | 19:41 | |
of putting up this type of standard state markers | 19:44 | |
way back in 1936. | 19:47 | |
In the earliest years of the program, | 19:49 | |
not surprisingly, they spent a lot of time | 19:50 | |
marking governors, civil war battles, shrines, | 19:52 | |
those sorts of things, but there was some thought given | 19:56 | |
to African American history in the early years. | 19:59 | |
The very first to a Black North Carolinian | 20:02 | |
was to John Chavis, a name much honored here in Raleigh. | 20:05 | |
That marker is at Chavis park. | 20:09 | |
In fact, it is the original marker. | 20:10 | |
It has been there since 1939. | 20:12 | |
The second one was the one here at Shaw. | 20:14 | |
The original marker up here across from McDonald's | 20:17 | |
was put up in 1939 | 20:20 | |
so there's been an interest but I'm glad | 20:23 | |
to see that in recent years, | 20:25 | |
there have been more markers and more attention | 20:27 | |
to a more inclusive sense of history, | 20:29 | |
bringing everyone in to | 20:33 | |
our history. | 20:37 | |
This is only the second marker we've had | 20:38 | |
that is related to Civil Rights Movement. | 20:40 | |
The first one went up 20 years ago at Greensboro | 20:42 | |
to designate the site of the sit-ins in Greensboro | 20:46 | |
but I could expect that we would see other markers | 20:50 | |
of this type in the future. | 20:52 | |
We, in fact, have had inquiries about Ella Baker. | 20:55 | |
Question may arise, why is Ella Baker's name | 20:57 | |
not on this sign. | 20:59 | |
The text is very limited as it is on all these signs. | 21:00 | |
Our intention with these signs is that | 21:03 | |
we keep the words to a minimum. | 21:05 | |
That they be seen from traffic if possible. | 21:08 | |
This one is well situated so the traffic | 21:11 | |
at the stop sign will be able to read it. | 21:13 | |
Ella Baker's name is not on the sign | 21:15 | |
for a very simple reason. | 21:18 | |
Our guiding legislation | 21:19 | |
prohibits us from naming a person on a sign | 21:22 | |
until 25 years after that person's death | 21:25 | |
and Ms. Baker died in 1986 and I can see that | 21:27 | |
in about 10, 11 years, she will be eligible. | 21:31 | |
(audience laughs) | 21:34 | |
I've already had discussions with people in Halifax County | 21:35 | |
and I think that there will be a lot of interest | 21:38 | |
in Littleton, which is her hometown | 21:40 | |
for the marker but we would be glad | 21:43 | |
to consider other sites. | 21:46 | |
We often have one area. | 21:47 | |
There might be interest here at Shaw. | 21:49 | |
There might be interest in the hometown. | 21:51 | |
I know in the case of John Coltrane. | 21:53 | |
He's a North Carolinian. | 21:55 | |
We had kindof a competition between Hamlet, | 21:56 | |
where he was born and lived till the age of two, | 21:59 | |
and High Point, where he grew up, went to high school. | 22:01 | |
So, at any rate, we'll try to make the best decision | 22:03 | |
when Ella Baker is eligible for this marker. | 22:06 | |
Those decisions are made, as Betsy mentioned, | 22:08 | |
by a committee of historians that meet twice each year. | 22:10 | |
We'll take proposals from anyone that cares | 22:13 | |
to come to us with proposals. | 22:15 | |
In this case, the topic of SNCC came up | 22:16 | |
from discussions within the committee | 22:20 | |
that recognition of the anniversary was approaching | 22:21 | |
and this would certainly be an important topic. | 22:24 | |
They looked for things of statewide significance. | 22:27 | |
In this case, as this conference is designated | 22:29 | |
as a national conference, this clearly was an eligible topic | 22:32 | |
because this is a topic of national importance. | 22:35 | |
The program's cosponsored by | 22:41 | |
the Department of Transportation. | 22:42 | |
DOT comes in for a lot of licks across the state | 22:43 | |
but they do do some things that everyone can applaud. | 22:46 | |
I was out here last Wednesday when the sign went up | 22:49 | |
and DOT did a good job of placing it. | 22:51 | |
As I said, it's in an ideal location, | 22:55 | |
major entrance to Raleigh. | 22:57 | |
Intersection of Martin Luther King and Wilmington Street. | 22:59 | |
Southeastern corner of the Shaw campus. | 23:03 | |
I think it's ideally placed. | 23:06 | |
So to conclude, it's my hope that this marker | 23:08 | |
will play some small part in seeing that SNCC | 23:10 | |
is remembered, memorialized, and honored | 23:15 | |
here in the city where it was created | 23:18 | |
for many, many years to come. | 23:20 | |
(audience applause) | 23:22 | |
- | Thank you Mr. Hill. | 23:28 |
I'd like to recognize three very important people | 23:30 | |
in our audience this afternoon. | 23:32 | |
From the Raleigh Citizens Association of 1960 | 23:34 | |
that cosponsored with the SCLC, | 23:38 | |
the Easter weekend conference, Ms. Vivian Irving, | 23:41 | |
(audience applause) | 23:45 | |
Ms. Mabel Wright, | 23:52 | |
(audience applause) | 23:54 | |
and Dr. John Fleming. | 23:59 | |
(audience applause) | 24:01 | |
Now we'll have remarks from Ms. Camilla Wright | 24:08 | |
of the African American Heritage Society | 24:10 | |
of North Carolina State University. | 24:13 | |
(audience laughter) | 24:20 | |
Camilla Wright | Hi, good afternoon. | 24:21 |
I'm standing in for Mr. Harold Pettigrew, | 24:23 | |
who was unable to be here due to a meeting. | 24:25 | |
He was just recently elected our Student Body President | 24:27 | |
at NC State so I'm quite sure he's busy | 24:29 | |
in having other things to deal with right now. | 24:31 | |
As a student and a president of organization | 24:33 | |
African American Heritage Society on NC State's campus, | 24:36 | |
this conference has been successful. | 24:39 | |
I'm learning things to use with my organization | 24:42 | |
to go back and help motivate the students | 24:46 | |
that are in the organization with me | 24:48 | |
and just to be able to say, well look, we have bigger things | 24:51 | |
to deal with and we can't play around. | 24:54 | |
I'm really, really glad I was able to be here. | 24:57 | |
I'm glad that Dr. Moses pushed me to come | 25:00 | |
as she always does. | 25:03 | |
That is my mentor | 25:04 | |
and I'm just honored | 25:06 | |
to be here with all of these wonderful people, | 25:08 | |
wonderful people who were able to make it possible | 25:11 | |
for me to go to NC State. | 25:13 | |
Thank you. | 25:15 | |
(audience applause) | 25:16 | |
Rodney | And now for the moment, | 25:23 |
we've all been waiting for. | 25:24 | |
I'm going to ask four individuals to come forward. | 25:26 | |
Ms. Eleanor Nunn, | 25:28 | |
Dr. David Forbes, | 25:32 | |
Mr. Chuck McDugh, | 25:36 | |
(audience cheers and applause) | 25:39 | |
and Ms. Connie Curry. | 25:44 | |
(audience cheers and applause) | 25:46 | |
And we're going to make our way | 25:51 | |
to the marker for the unveiling. | 25:52 | |
(audience conversations) | 25:55 | |
- | Here he is over there. | 26:33 |
Julian, stand up over there so he can take a picture. | 26:34 | |
(audience conversations) | 26:37 | |
Audience Member | IS the words on both sides the same? | 26:42 |
- | Alright, y'all. | 26:44 |
One, two, three. | 26:45 | |
(audience cheers and applause) | 26:51 | |
Audience Member | Alright! | 26:53 |
Man In Audience | You have to do it again. | 26:54 |
You have to do it again. | 26:57 | |
Do it again. | 26:59 | |
♪ We have been 'buked ♪ | 27:06 | |
♪ And we've been scorned ♪ | 27:08 | |
♪ We've been talked about ♪ | 27:15 | |
♪ Sure's you're born ♪ | 27:21 | |
♪ But we'll never ♪ | 27:29 | |
♪ Turn back ♪ | 27:36 | |
♪ No, we'll never ♪ | 27:41 | |
♪ Turn back ♪ | 27:47 | |
♪ Until we've ♪ | 27:55 | |
♪ All ♪ | 27:59 | |
♪ Been free ♪ | 28:02 | |
♪ And we have ♪ | 28:06 | |
♪ Equality ♪ | 28:11 | |
♪ We have walked ♪ | 28:21 | |
♪ The shadow of death ♪ | 28:26 | |
♪ We had to walk ♪ | 28:32 | |
♪ All by ourselves ♪ | 28:36 | |
♪ But we'll never ♪ | 28:44 | |
♪ Turn back ♪ | 28:51 | |
♪ No, we'll never ♪ | 28:55 | |
♪ Turn back ♪ | 29:00 | |
♪ Until we all ♪ | 29:07 | |
♪ Been free ♪ | 29:13 | |
♪ And we'll have ♪ | 29:17 | |
♪ Equality ♪ | 29:21 | |
♪ We have hung our ♪ | 29:29 | |
♪ Heads and cried ♪ | 29:35 | |
♪ Cried for those like ♪ | 29:40 | |
♪ Lee who died ♪ | 29:45 | |
♪ Died for you ♪ | 29:51 | |
♪ And died for me ♪ | 29:55 | |
♪ Died for the cause of ♪ | 30:01 | |
♪ Equality ♪ | 30:05 | |
♪ But we'll never ♪ | 30:12 | |
♪ Turn back ♪ | 30:17 | |
♪ No, we'll never ♪ | 30:21 | |
♪ Turn back ♪ | 30:26 | |
♪ Until we've all ♪ | 30:31 | |
♪ Been free ♪ | 30:37 | |
♪ And we have ♪ | 30:41 | |
♪ Equality ♪ | 30:45 | |
♪ And we'll have ♪ | 30:52 | |
♪ Equality ♪ | 30:56 | |
(audience shouting and applauding) | 31:05 | |
Man In Audience | We did it! | 31:19 |
(audience conversations) | 31:22 | |
- | Well we're gonna have some more of these so, | 31:44 |
as we go along. | 31:46 | |
In the next 25 years, a lot of these. | 31:47 | |
- | Long gone. | 31:51 |
- | Yeah, took a long time. | 31:52 |
(man laughs) | 31:54 | |
- | Yes. | 31:59 |
- | It's funny, | 32:05 |
it says Student Nonviolent Coordinating Committee | 32:06 | |
but it doesn't say SNCC, S.N.C.C., | 32:08 | |
but I guess everybody that knows | 32:11 | |
Student Nonviolent Coordinating Committee, SNCC, right? | 32:13 | |
And that S.N.C.C. is SNCC. | 32:17 | |
- | [Man In White Shirt] That is interesting. | 32:19 |
- | Yeah. | 32:21 |
- | There's a little place there, you could write SNCC | 32:23 |
on a black bench in marker. | 32:27 | |
- | Yeah, SNCC, pronounced Snick, S.N.I.C.K. | 32:29 |
(audience conversations) | 32:35 | |
- | That's right. | 32:58 |
- | To come here. | |
- | That's why we're celebrating her too. | 32:59 |
You know, this a part of a trinity. | 33:01 | |
- | Absolutely. | 33:02 |
- | It did, man. | |
- | Absolutely, absolutely. | 33:03 |
(audience conversations) | 33:06 | |
- | Well I think so. | 33:41 |
I think it's a mistake to keep letting the used scipt. | 33:42 | |
And because it's not gonna be told from the outside. | 33:47 | |
- | No. | 33:49 |
- | It's just begun to be told | |
from the inside. | 33:50 | |
- | Yeah. | |
- | But I think it's being told now. | 33:52 |
- | Yeah. | 33:54 |
- | You know, | |
that's my sense and then the whole field operation | 33:56 | |
gets because (woman laughs). | 33:59 | |
- | Well, we're gonna interview you. | 34:05 |
- | Okay, but it's a very different perspective. | 34:07 |
- | I know, yeah, sure is. | 34:09 |
(overlapping conversations) | 34:12 | |
- | Goes back to crucifixion | 34:18 |
and we left on Sunday night | 34:20 | |
because Resurrection night, we respect it ourselves, | 34:22 | |
our moving. | 34:24 | |
Everything else, so it's just a crazy day, I think | 34:24 | |
- | Did you have any idea then? | 34:29 |
That SNCC would be such a powerful station | 34:31 | |
- | No. | 34:35 |
(overlapping conversations) | 34:36 | |
- | Here you go, he's getting the sign. | 35:25 |
He's got the sign. | 35:27 | |
(overlapping conversations) | 35:29 | |
- | You got it? | 35:41 |
Photographer | Up to the sign. | 35:42 |
- | Up to the sign? | 35:43 |
Photographer | At the sign, alright, everybody hold it. | 35:44 |
Hold it. | 35:46 | |
- | You got it? | |
- | He's getting creative now. | 35:47 |
- | Didn't I tell you to spend 35 bucks. | 35:50 |
(men laughing) | 35:52 | |
And get a new camera. | 35:54 | |
Aw man. | 35:59 | |
(overlapping conversation) | 36:00 | |
(audience laughter) | 36:26 | |
Audience Member | Keep your eyes on the prize. | 36:29 |
Photographer | Throw your hands up high | 36:31 |
with your fingers now. | 36:32 | |
- | My finger then marked me just fine. | 36:35 |
(men laugh) | 36:37 | |
That ain't what I ended. | 36:40 | |
- | Oh, towards them? | 36:41 |
Photographer | Maria, move your head over | 36:43 |
so I can see Cleve. | 36:45 | |
- | It wasn't my fingers that got me here. | 36:49 |
Photographer | Thank you. | 36:52 |
(audience laughter) | 36:53 | |
(overlapping conversations) | 36:58 | |
♪ They say in Mississippi ♪ | 37:21 | |
♪ No neutrals have I met ♪ | 37:23 | |
♪ You either be a freedom fighter ♪ | 37:26 | |
♪ Or a Tom for Ross Barnett ♪ | 37:29 | |
♪ Well, which side are you on boys ♪ | 37:31 | |
♪ Which side are you on ♪ | 37:35 | |
♪ Everybody sing ♪ | 37:37 | |
♪ Which side are you on boy ♪ | 37:38 | |
♪ Which side are you on ♪ | 37:40 | |
- | A singing moment among the Freedom singers | 37:46 |
(group laughs) | 37:49 | |
♪ They say in Hinds County ♪ | 37:50 | |
♪ No neutrals have we met ♪ | 37:53 | |
- | We already did that one. | 37:55 |
♪ You either be a freedom fighter ♪ | 37:56 | |
♪ Or a Tom for Ross Barnett ♪ | 37:58 | |
♪ Oh, which side are you on, boy ♪ | 38:00 | |
♪ Which side are you on ♪ | 38:04 | |
♪ Everybody, which side are you on, boy ♪ | 38:06 | |
♪ Which side are you on ♪ | 38:10 | |
♪ Don't tom' for Mister Charlie ♪ | 38:13 | |
♪ Don't listen to his lies ♪ | 38:15 | |
♪ Us colored folks haven't got a chance ♪ | 38:18 | |
♪ Unless we organize ♪ | 38:21 | |
♪ Well, which side are you on boy ♪ | 38:23 | |
♪ Which side are you on ♪ | 38:27 | |
♪ Everybody, which side are you on ♪ | 38:29 | |
♪ Which side are you on ♪ | 38:33 | |
♪ They tell me in Mississippi ♪ | 38:35 | |
♪ No neutral have we met ♪ | 38:37 | |
♪ You either be a freedom fighter ♪ | 38:40 | |
♪ Or a Tom for Ross Barnett ♪ | 38:43 | |
♪ Oh, which side are you on ♪ | 38:46 | |
♪ Which side are you on ♪ | 38:49 | |
♪ Everybody, which side are you on, boy ♪ | 38:52 | |
♪ Which side are you on ♪ | 38:55 | |
♪ I remember a police waggin' a big red line to dry ♪ | 38:58 | |
♪ If you fight for freedom, ♪ | 39:03 | |
♪ It'll take you for a ride ♪ | 39:06 | |
♪ Oh which side are you on boy ♪ | 39:09 | |
♪ Which side you on ♪ | 39:12 | |
♪ Everybody, which side are you on boy ♪ | 39:14 | |
♪ Which side are you on ♪ | 39:18 | |
♪ My daddy was a Freedom Fighter ♪ | 39:21 | |
♪ And I'm his faithful son ♪ | 39:23 | |
♪ I'll stick to the Freedom Fight until every battle is won ♪ | 39:26 | |
♪ Amen, yeah ♪ | 39:31 | |
♪ Which side are you on boy ♪ | 39:32 | |
♪ Which side are you on ♪ | 39:34 | |
♪ Everybody, which side are you on, boy ♪ | 39:36 | |
♪ Which side are you on ♪ | 39:40 | |
♪ Mother, she done told me up on her dying bed ♪ | 39:41 | |
♪ If my son don't get his freedom now ♪ | 39:48 | |
♪ I'd rather see him dead ♪ | 39:51 | |
♪ Everybody, which side are you on boy ♪ | 39:53 | |
♪ Which side you on ♪ | 39:57 | |
♪ Everybody singing, which side are you on boy ♪ | 39:59 | |
♪ Which side are you on ♪ | 40:03 | |
♪ In the year 2000, what do you have to give ♪ | 40:06 | |
♪ Will you be a Freedom Fighter ♪ | 40:11 | |
♪ Or a Black conservative ♪ | 40:14 | |
♪ Which side are you on boy ♪ | 40:17 | |
♪ Which side are you on ♪ | 40:20 | |
♪ Everybody, which side are you on boy ♪ | 40:22 | |
♪ Which side are you on ♪ | 40:26 | |
♪ Everybody singing, which side are you on boy ♪ | 40:28 | |
♪ Which side are you on ♪ | 40:31 | |
♪ Everybody singin', which side are you on boy ♪ | 40:33 | |
♪ Which side are you on ♪ | 40:37 | |
♪ Everybody singin', which side are you on boy ♪ | 40:39 | |
♪ Which side are you on ♪ | 40:44 | |
- | Yeah. | 40:51 |
♪ The Student Nonviolent ♪ | 40:57 | |
♪ Coordinating Committee ♪ | 41:01 | |
♪ Little child sit on my knee ♪ | 41:07 | |
♪ Let me tell you how we got free ♪ | 41:10 | |
♪ Little child, sit on my knee ♪ | 41:13 | |
♪ Let me tell you how we got free ♪ | 41:15 | |
♪ It all started ♪ | 41:19 | |
♪ A long time ago ♪ | 41:20 | |
♪ In 1960 ♪ | 41:22 | |
♪ It was a Student Nonviolent ♪ | 41:25 | |
♪ Coordinating Committee ♪ | 41:29 | |
♪ It was the Student Nonviolent ♪ | 41:32 | |
♪ Coordinating Committee ♪ | 41:39 | |
♪ Do, do, do, do ♪ | 41:42 | |
♪ Do, do, do, do ♪ | 41:44 | |
♪ It all started in a town letter ♪ | 41:48 | |
♪ In city of Greensboro ♪ | 41:51 | |
♪ Was a student from AnT ♪ | 41:55 | |
♪ Decided to stop the white man's terror ♪ | 41:58 | |
♪ Who stopped the terror? ♪ | 42:01 | |
♪ The Student Nonviolent ♪ | 42:03 | |
♪ Coordinating Committee ♪ | 42:06 | |
♪ It was the ♪ | 42:09 | |
♪ Student Nonviolent ♪ | 42:10 | |
♪ Coordinating Committee ♪ | 42:16 | |
♪ Do, do, do, do ♪ | 42:19 | |
♪ Do, do, do, do ♪ | 42:21 | |
♪ Do, do, do, do ♪ | 42:25 | |
♪ In 1960, times were mighty hard ♪ | 42:29 | |
♪ A nonviolent man ♪ | 42:36 | |
♪ His name was Charles Sherrod ♪ | 42:38 | |
♪ Of the Student Nonviolent ♪ | 42:40 | |
♪ Coordinating Committee ♪ | 42:44 | |
♪ It was the ♪ | 42:47 | |
♪ Student Nonviolent ♪ | 42:48 | |
♪ Coordinating Committee ♪ | 42:54 | |
♪ Do, do, do, do ♪ | 42:58 | |
♪ Do, do, do, do ♪ | 43:00 | |
♪ Freedom, Freedom ♪ | 43:04 | |
♪ And they gonna remember their name ♪ | 43:06 | |
♪ Freedom, freedom, ♪ | 43:10 | |
♪ His name was James Forman of the ♪ | 43:13 | |
♪ Student Nonviolent ♪ | 43:17 | |
♪ Coordinating Committee ♪ | 43:20 | |
♪ It was the ♪ | 43:23 | |
♪ Student Nonviolent ♪ | 43:24 | |
♪ Coordinating Committee ♪ | 43:30 | |
♪ Do, do, do, do ♪ | 43:33 | |
♪ It was the ♪ | 43:35 | |
♪ Student Nonviolent ♪ | 43:36 | |
♪ Coordinating Committee ♪ | 43:39 | |
♪ It was the ♪ | 43:42 | |
♪ Student Nonviolent ♪ | 43:43 | |
♪ Coordinating Committee ♪ | 43:49 | |
♪ Do, do, do, do ♪ | 43:52 | |
♪ Do, do, do, do ♪ | 43:55 | |
♪ Do, do, do, do ♪ | 43:58 | |
(overlapping conversations) | 44:01 | |
♪ We went down to the Peach tree manor ♪ | 44:23 | |
♪ To see Oginga Odinga ♪ | 44:27 | |
♪ The police said, what's the matter ♪ | 44:32 | |
♪ To see Oginga Odinga ♪ | 44:36 | |
♪ Police he look mighty hard ♪ | 44:39 | |
♪ At Oginga Odinga ♪ | 44:43 | |
♪ He got scared cause he was an ex-Mau-Mau ♪ | 44:46 | |
♪ To see Ogingo Odinga ♪ | 44:50 | |
♪ Ogingo Odinga Ogingo Odinga Ogingo Odinga of Kenya ♪ | 44:52 | |
♪ Ogingo Odinga Ogingo Odinga Ogingo Odinga of Kenya ♪ | 44:59 | |
♪ Oh, oh, ooh ♪ | 45:05 | |
♪ Oh, oh, ooh ♪ | 45:11 | |
♪ Freedom now ♪ | 45:17 | |
♪ Freedom now ♪ | 45:24 | |
♪ Oginga say look-a here, ♪ | 45:31 | |
♪ What's going on down in Selma ♪ | 45:34 | |
♪ If you white folks don't straighten up, ♪ | 45:37 | |
♪ I'm gonna call Jomo Kenyata ♪ | 45:40 | |
♪ Ogingo Odingo, Ogingo Odinga Ogingo Odinga of Kenya ♪ | 45:42 | |
♪ Ogingo Odingo Ogingo Odinga Ogingo Odinga of Kenya ♪ | 45:49 | |
♪ Oh, hu, hu ♪ | 45:54 | |
♪ Hu, hu ♪ | 45:56 | |
♪ You, hu, hu ♪ | 46:00 | |
♪ Hu, hu ♪ | 46:04 | |
♪ Freedom now ♪ | 46:06 | |
♪ Freedom now ♪ | 46:13 | |
♪ Well the white folk down in Mississippi ♪ | 46:19 | |
♪ They knock you on your rump ♪ | 46:22 | |
♪ And if you holler Freedom, ♪ | 46:25 | |
♪ You'll wind up in the goddamn slump ♪ | 46:28 | |
♪ Ogingo Odingo, Ogingo Odinga Ogingo Odinga of Kenya ♪ | 46:32 | |
♪ Ogingo Odingo, Ogingo Odinga Ogingo Odinga of Kenya ♪ | 46:37 | |
♪ Oh, hu, hu ♪ | 46:42 | |
♪ Hu, hu ♪ | 46:45 | |
♪ Oh, hu, hu ♪ | 46:48 | |
♪ Hu, hu ♪ | 46:51 | |
♪ Freedom now ♪ | 46:54 | |
♪ Freedom now ♪ | 47:00 | |
(group shouting) | 47:07 | |
(overlapping conversations) | 47:11 | |
All | Call the name. | 47:30 |
♪ Ain't gonna let nobody ♪ | 47:38 | |
♪ Turn me round ♪ | 47:41 | |
♪ Turn me round ♪ | 47:43 | |
♪ Turn me round ♪ | 47:45 | |
♪ Ain't gonna let nobody ♪ | 47:48 | |
♪ Turn me round ♪ | 47:50 | |
♪ I'm gonna keep on walking ♪ | 47:52 | |
♪ I'm gonna keep on talking ♪ | 47:54 | |
♪ Marchin up to freedom land ♪ | 47:57 | |
♪ Ain't gonna let injustice ♪ | 48:01 | |
♪ Turn me round ♪ | 48:04 | |
♪ Turn me round ♪ | 48:06 | |
♪ Turn me round ♪ | 48:08 | |
♪ Ain't gonna let injustice ♪ | 48:09 | |
♪ Turn me round ♪ | 48:12 | |
♪ I'm gonna keep on walking ♪ | 48:14 | |
♪ Keep on talking ♪ | 48:16 | |
♪ Marching up the freedom land ♪ | 48:18 | |
♪ Ain't gonna let no jailhouse ♪ | 48:22 | |
♪ Turn me round ♪ | 48:25 | |
♪ Turn me round ♪ | 48:27 | |
♪ Turn me round ♪ | 48:29 | |
♪ Ain't gonna let no jailhouse ♪ | 48:31 | |
♪ Turn me round ♪ | 48:33 | |
♪ I'm gonna keep on walking ♪ | 48:35 | |
♪ Keep on talking ♪ | 48:37 | |
♪ Marching up to freedom land ♪ | 48:39 | |
♪ So don't you let nobody ♪ | 48:43 | |
♪ Turn you around ♪ | 48:46 | |
♪ Turn you around ♪ | 48:48 | |
♪ Turn you round ♪ | 48:50 | |
♪ Don't you let nobody ♪ | 48:52 | |
♪ Turn you round ♪ | 48:54 | |
♪ You gotta keep on walking ♪ | 48:56 | |
♪ You gotta keep on talking ♪ | 48:58 | |
♪ Marching up to freedom land ♪ | 49:00 | |
♪ Don't you let no dog ♪ | 49:03 | |
♪ Turn you round ♪ | 49:07 | |
♪ Turn you round ♪ | 49:09 | |
♪ Turn you round ♪ | 49:11 | |
♪ Don't you let no dogs ♪ | 49:13 | |
♪ Turn you round ♪ | 49:15 | |
♪ You gotta keep on walking ♪ | 49:17 | |
♪ Keep on talking ♪ | 49:19 | |
♪ Marching up to freedom land ♪ | 49:21 | |
♪ Don't you let no ♪ | 49:25 | |
♪ Turn me round ♪ | 49:28 | |
♪ Turn me round ♪ | 49:30 | |
♪ Turn me round ♪ | 49:31 | |
♪ Don't you let no ♪ | 49:33 | |
♪ Turn you round ♪ | 49:35 | |
♪ You gotta keep on walking ♪ | 49:37 | |
♪ Keep on talking ♪ | 49:40 | |
♪ Marching up to freedom land ♪ | 49:41 | |
(group cheering and clapping) | 49:50 | |
Woman | You know what, as we go back | 49:55 |
to our destination, let us sing and march. | 49:57 | |
Right to our destination. | 50:00 | |
This may be our last lunch together. | 50:02 | |
Let's go march together and sing. | 50:04 | |
(overlapping conversations) | 50:07 | |
(distant singing) | 50:37 | |
♪ Deep in my heart, ♪ | 51:00 | |
♪ I do believe ♪ | 51:06 | |
♪ We shall overcome ♪ | 51:13 | |
♪ Someday ♪ | 51:18 | |
♪ We are not afraid ♪ | 51:22 | |
♪ We are not afraid ♪ | 51:28 | |
♪ We are not afraid ♪ | 51:35 | |
♪ Today ♪ | 51:40 | |
♪ Oh, deep in my heart ♪ | 51:46 | |
♪ I do believe ♪ | 51:54 | |
(distant singing) | 51:59 | |
- | I'll get it for you and send it to you. | 52:05 |
Have you gotten that one here? | 52:08 | |
Oh okay, I'll get it and send it to you. | 52:10 | |
But you call me and I'll get it to you. | 52:14 | |
♪ Oh deep in my heart ♪ | 52:34 | |
♪ I know that I do believe ♪ | 52:41 | |
♪ We shall overcome someday ♪ | 52:48 | |
♪ We shall overcome ♪ | 52:57 | |
♪ We shall overcome ♪ | 53:03 | |
♪ We shall overcome someday ♪ | 53:10 | |
♪ Deep in my heart ♪ | 53:22 | |
♪ I do believe ♪ | 53:29 | |
♪ we shall overcome someday ♪ | 53:35 | |
♪ we shall overcome one more time ♪ | 53:42 | |
♪ We shall overcome ♪ | 53:45 | |
♪ We shall overcome ♪ | 53:51 | |
♪ We shall overcome someday ♪ | 53:57 | |
♪ Deep in my heart ♪ | 54:09 | |
♪ I do believe ♪ | 54:15 | |
♪ We shall overcome someday ♪ | 54:21 | |
(group cheering and clapping) | 54:30 | |
(overlapping conversations) | 54:35 | |
- | Save the East Hampton Five. | 55:37 |
(group laughs) | 55:39 | |
Christy, bring this ex-hellsmas | 55:42 | |
- | What are we doing now? | 55:49 |
You guys making nice? | 55:50 | |
John Lewis? | 55:54 | |
What'd you say, where's John Lewis? | 55:55 | |
(overlapping conversations) | 55:57 | |
- | Maybe it's gonna start at 7 o'clock. | 56:26 |
Do you wanna come back? | 56:32 | |
- | I don't wanna be back, why what happens tonight? | 56:34 |
- | Well, it's some students. | 56:37 |
- | No, I don't care about that. | 56:39 |
(overlapping conversations) | 56:40 | |
- | Sherman, now, do you have the sign. | 58:06 |
You got the sign over our heads? | 58:09 | |
- | That's right. | 58:12 |
- | Make sure you get all of us and the sign. | 58:13 |
- | Can you all slide over? | 58:16 |
Be careful. | 58:19 | |
- | There you go. | 58:21 |
Now that's how you fix it. | 58:22 | |
- | [Man With Glasses] That's right. | 58:24 |
- | Get another one to be sure you got it. | 58:26 |
Move your paper. | 58:29 | |
- | Uh oh, your paper. | 58:29 |
- | We don't want that. | 58:30 |
(woman laughs) | 58:31 | |
- | You're all making Sherman nervous. | 58:34 |
- | Tell Walter to move. | 58:37 |
- | Take it. | 58:40 |
(overlapping conversations) | 58:42 |