Spitzer, Mindy - interviewed by Barbara Ester
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Transcript
Transcripts may contain inaccuracies.
| - | Here we go. | 0:00 |
| So, (chuckles) this is fun. | 0:04 | |
| - | Yeah, and I'm gonna try to just relax about it, | 0:07 |
| because this is a lesbian herstory project, | 0:10 | |
| and the reason it's come about | 0:14 | |
| is because Merrell suggested that so little | 0:15 | |
| of Southern lesbian herstory has been documented. | 0:20 | |
| So as you're willing and I am willing | 0:25 | |
| we'll share our story | 0:27 | |
| of our Miami lesbian dyke experience. | 0:29 | |
| You landed there in what year? | 0:34 | |
| - | October of 1975. | 0:37 |
| - | October of '75. | 0:41 |
| And how, what drew you there in the first place, | 0:45 | |
| besides work, finding lesbian community, | 0:47 | |
| how did you even go about that? | 0:50 | |
| First of all, you are a New York dyke, | 0:52 | |
| so you are going to search for lesbians naturally. | 0:55 | |
| - | Absolutely because I cannot live | 0:57 |
| without lesbian family around me. | 1:00 | |
| - | We're you in a relationship at the time? | 1:04 |
| - | No. | 1:06 |
| - | And how involved were you in lesbian, | 1:07 |
| what they called lesbian feminist politics | 1:09 | |
| at the time? | 1:11 | |
| - | Very involved I was leaving New York City | 1:12 |
| where I was still working on the lesbian switchboard, | 1:15 | |
| and in the Women's Center and I was very involved | 1:19 | |
| in the women's community in New York. | 1:23 | |
| And when I got down here, within a week, | 1:26 | |
| I needed to find some lesbians, somewhere. | 1:29 | |
| - | What was the first step you took then? | 1:32 |
| - | I called the National Organization for Women, | 1:34 |
| I called NOW, and I asked them | 1:36 | |
| if they had any lesbians | 1:39 | |
| within their local organization, | 1:43 | |
| and if they knew of any lesbians | 1:45 | |
| or bars or bookstores or anywhere | 1:47 | |
| where I might find a lesbian. | 1:50 | |
| - | Was NOW pretty forthcoming with all that? | 1:53 |
| - | Oh, they were very good. | 1:54 |
| They told me right away about the Lesbian Task Force | 1:56 | |
| and Maryanne and Louise. | 1:59 | |
| And I asked them if they had their phone number. | 2:00 | |
| - | So they mentioned their names right away? | 2:03 |
| - | Oh yes, definitely. | 2:04 |
| And they said that there are other lesbians, | 2:07 | |
| a huge group of lesbians involved | 2:08 | |
| with the Lesbian Task Force, | 2:12 | |
| and to call Maryanne and Louise. | 2:14 | |
| So I remember it was a Saturday night, | 2:16 | |
| and it was probably around | 2:20 | |
| four or five in the afternoon. | 2:22 | |
| And I called up and Maryanne got on the phone | 2:24 | |
| and I said hi I'm a New York dyke | 2:29 | |
| and I just moved down here and I'm looking for lesbians. | 2:32 | |
| I called NOW and they gave me your phone number. | 2:36 | |
| Are you are you the dykes I'm looking for? | 2:38 | |
| And she said we are. | 2:41 | |
| And they invited me over that night, | 2:43 | |
| and I drove over there and met them | 2:47 | |
| and had a good time with them, | 2:49 | |
| and they told me about other dykes | 2:51 | |
| and invited me to a meeting, | 2:55 | |
| of a gay Task Force | 3:00 | |
| it was a mixed Task Force. | 3:02 | |
| - | Was it through NOW, too? | 3:05 |
| - | No. | 3:07 |
| - | Okay. | 3:08 |
| - | And I went with them and I met, Holly Holcomb. | 3:09 |
| - | So you didn't meet them through | 3:15 |
| the NOW lesbian chapter of NOW lesbians? | 3:16 | |
| You met them through a gay Task Force? | 3:19 | |
| - | No, I met, I met Maryanne and Louise through the NOW. | 3:21 |
| - | But when you went to this meeting, | 3:26 |
| now you're meeting other lesbians | 3:27 | |
| but you're meeting them at a gay | 3:29 | |
| - | Yes | 3:30 |
| - | Task force meeting. | |
| - | Yes. | 3:31 |
| - | Where was that at? | 3:32 |
| - | Some place downtown, it was near Holly's apartment, | 3:34 |
| which I think she lives somewhere around Temple Israel, | 3:40 | |
| off of Biscayne or Northeast Second and 19th. | 3:42 | |
| - | What was their reason for existing? | 3:46 |
| what was their mo, did they have a political action | 3:48 | |
| or anything that they were doing at the time? | 3:50 | |
| What did you get out of going to the meeting? | 3:52 | |
| - | Well, I got out of the fact that I am not | 3:56 |
| used to being around gay men, | 3:59 | |
| - | Oh, you weren't? | |
| - | I don't and I still don't like it. | 4:01 |
| And that I could see that they wanted | 4:04 | |
| to take over the conversation, | 4:07 | |
| and that the dykes weren't letting them. | 4:09 | |
| But I didn't really get much out of it. | 4:12 | |
| I wasn't real interested in working with them. | 4:15 | |
| But I did meet Holly. | 4:20 | |
| And I met uh, it's hard to remember | 4:23 | |
| who I met were, you know? | 4:29 | |
| - | Don't worry about that. | 4:31 |
| - | But I met. | 4:32 |
| - | Did you go back. | 4:33 |
| - | Ingrid Hunter. | 4:34 |
| - | Ingrid hunter, yeah, yeah. | 4:37 |
| - | And I met | 4:38 |
| - | Now didn't all these... | |
| - | Sybil Adams. | 4:43 |
| - | All these, these lesbians you're talking about, | 4:44 |
| Do they have like, weren't they in positions of, | 4:47 | |
| because the Task Force was a lesbian, | 4:49 | |
| the Lesbian Task force of NOW | 4:51 | |
| had like chairs or treasuries or secretaries | 4:53 | |
| or whatever that those things are. | 4:59 | |
| Wasn't Ingrid or Maryanne and Louise part of that? | 5:01 | |
| - | Well they claim that there was no leader, | 5:04 |
| - | Okay. | 5:07 |
| - | I remember specifically. | 5:08 |
| - | Now specifically that's the Lesbian Task force of NOW/ | 5:10 |
| - | Yes. | 5:11 |
| - | No leader? | 5:13 |
| - | No leader, although Maryanne and Louise | 5:14 |
| really were the leaders, | 5:16 | |
| but they didn't want to say they were the leaders. | 5:19 | |
| - | You felt they were the leaders? | 5:22 |
| - | Oh, absolutely. | 5:23 |
| - | Oh, well, so, how did you get from, | 5:25 |
| was that the only time you went to the gay... | 5:27 | |
| - | Yeah, that was the only gay meeting I went to. | 5:29 |
| - | I wound up working with gay men again, | 5:33 |
| when Anita Bryant came in. | 5:38 | |
| - | Oh good question, that was later. | 5:40 |
| - | A little bit later. | 5:42 |
| Note that though, because that was | 5:43 | |
| kind of an amazing time. | 5:46 | |
| - | Yeah. | 5:49 |
| - | What, so, from that meeting with Maryanne and Louise | 5:50 |
| and the social connection that you made with them. | 5:52 | |
| what was the next step to you | 5:55 | |
| for getting to the Lesbian Task Force and, | 5:57 | |
| was that next and did you do other things in between? | 5:59 | |
| - | Well, they told me when the next meeting was | 6:02 |
| and it was shortly after I had met them | 6:05 | |
| and I showed up there. | 6:07 | |
| And it was meeting at the Y. | 6:09 | |
| And I met most of my friends there. | 6:12 | |
| And after the Y we would go out | 6:20 | |
| and go have a couple of drinks and go dancing. | 6:23 | |
| - | Where'd you go, then? | 6:27 |
| - | To the Nook, this little bar in Coral Gables. | 6:30 |
| - | No kidding, wow, I've heard talk of it, | 6:33 |
| I've never been there. | 6:35 | |
| I don't think we ever got there. | 6:36 | |
| - | We would go over to the Nook | 6:37 |
| and get a couple of pitchers of beer and dance. | 6:39 | |
| And I got to know more people. | 6:42 | |
| I got to know Morgana, who was still Morgan. | 6:45 | |
| Jeez, it's so hard to remember who was around. | 6:53 | |
| - | But the characters | 6:56 |
| of our bar-going to Miami, | 6:58 | |
| it seems to me that the highlights | 7:02 | |
| that I come up with too, | 7:04 | |
| when I think about going there now, | 7:06 | |
| you were there quite a bit, | 7:08 | |
| like probably the fall, before I was there in the spring. | 7:10 | |
| But actually, when we got there, | 7:13 | |
| and I'd ride with Joan, we were directed | 7:15 | |
| to the Lesbian Task Force and Maryanne as well. | 7:18 | |
| Through Martha and Lucy, | 7:22 | |
| they'd give us Maryanne's phone number. | 7:24 | |
| But you had already been part of the Task Force | 7:26 | |
| and were they doing any kind of political action? | 7:29 | |
| Or what was the formation | 7:31 | |
| of the Task Force's purpose, | 7:33 | |
| did you have, was there anything | 7:36 | |
| that you recollect that you were all organizing | 7:38 | |
| for other than just bring yourselves together? | 7:41 | |
| - | No, and NOW weren't really already | 7:43 |
| politically motivated to do anything | 7:44 | |
| except to grow more lesbians | 7:45 | |
| and be bigger and do more fun things together. | 7:52 | |
| - | So it was a... | 7:57 |
| Would you consider socializing as lesbians | 7:58 | |
| coming together as lesbians in community, | 8:02 | |
| a political action? | 8:03 | |
| - | Oh, absolutely anything that I do as a lesbian | 8:06 |
| is a political statement. | 8:09 | |
| - | But yeah, sure it was a political action | 8:12 |
| and just creating those spaces | 8:15 | |
| is a political action. | 8:17 | |
| - | Excellent, yeah, so yeah I agree with you. | 8:19 |
| - | And we did, we had art shows on the river walk. | 8:21 |
| - | Now you talking about my time, | 8:29 |
| because when I came, after Joan and I arrived, | 8:30 | |
| and we arrived into this huge, huge circle of lesbians | 8:33 | |
| and, in, and it probably was | 8:38 | |
| in the beginning of May of '76. | 8:40 | |
| I'm sure you were there, | 8:44 | |
| Maryanne and Louise were there. | 8:45 | |
| I didn't sense that anyone was a leader either, | 8:46 | |
| except that I sensed that they were organizing | 8:48 | |
| for Dyke Pride Week. | 8:50 | |
| - | Yes. | 8:54 |
| - | Can you say more about that? | 8:56 |
| So you were organizing for a special event, | 8:57 | |
| and it wasn't gay pride. | 8:59 | |
| - | No, no, no, we didn't want to do gay pride, | 9:01 |
| - | Say more about that. | 9:04 |
| How did they come to be? | 9:05 | |
| - | Well I had spoken to them | 9:07 |
| about Lesbian Pride Week in New York, | 9:09 | |
| and that we had split off from the gay men completely, | 9:11 | |
| and we demanded that we walk first | 9:15 | |
| in the parade too, in the New York, lesbian. | 9:19 | |
| We called it the Lesbian and Gay Pride Parade. | 9:22 | |
| And the lesbians marched first, | 9:26 | |
| because we were tired of being behind the men | 9:29 | |
| and the men really didn't represent, who we were. | 9:31 | |
| They would get all dressed up in their costumes | 9:37 | |
| is what I call them. | 9:42 | |
| Their drag queen costumes and carry on | 9:44 | |
| on their roller skates with their feathers and boas, | 9:48 | |
| and that was not us. | 9:51 | |
| We were the dykes. | 9:54 | |
| And so we did that. | 9:55 | |
| We organized and decided | 9:58 | |
| we were not going to march with them. | 9:59 | |
| We were going to do our own march, and they followed. | 10:02 | |
| And so, when it came to gay pride time down here, | 10:05 | |
| it was the same thing, I mean Miami | 10:09 | |
| really didn't have a Gay Pride parade. | 10:12 | |
| Fort Lauderdale did, but there was really | 10:17 | |
| not much Gay Pride going on in Miami. | 10:20 | |
| And we decided that we were going to have | 10:24 | |
| a Lesbian Pride Week of all different kinds of events. | 10:26 | |
| And we had a dance, I remember we had a dance. | 10:32 | |
| And we had the art show. | 10:33 | |
| - | And No Man's Band played. | |
| - | Um hm. | 10:37 |
| - | It was an all women's band called No Man's Band. | 10:38 |
| I remember that dance, | 10:41 | |
| - | Is that your recollection as well? | 10:42 |
| - | Yes, yes, and we just, | 10:45 |
| I remember I organized. | 10:52 | |
| I wanted to just be around lesbians | 10:56 | |
| all the time, I still do. | 10:58 | |
| So I had heard that there was going to be | 11:00 | |
| a bluegrass festival on the grounds off of Coral Way, | 11:04 | |
| and about in the 70s, not the year 70s, | 11:12 | |
| but the streets, at a fairground. | 11:17 | |
| And so I called up all the dykes that I knew | 11:21 | |
| and I said, let's have a picnic | 11:23 | |
| at this music bluegrass festival. | 11:26 | |
| It's free to get in and we'll just make our own. | 11:29 | |
| And I made a big flag. | 11:33 | |
| And I stuck it in the ground. | 11:36 | |
| And all the dykes knew to come looking for the flag. | 11:38 | |
| And they did and I got great pictures. | 11:42 | |
| - | What'd the flag say, or what was it, colored? | 11:44 |
| - | It was lavender and purple | 11:46 |
| and it had women's, double women's symbols | 11:48 | |
| all over it in the stars of the stripes. | 11:50 | |
| And everyone knew to come there | 11:54 | |
| and there must have been about 25-35 of us, | 11:58 | |
| and we just sat and listened to their music | 12:03 | |
| and everybody brought food and just had | 12:06 | |
| our own little, little bluegrass festival there. | 12:08 | |
| And soon our important political action | 12:11 | |
| was creating our own space as lesbians. | 12:13 | |
| And you were to continue some of this | 12:16 | |
| and bring some of your knowledge | 12:20 | |
| and wisdom from New York, and your spark. | 12:21 | |
| Because during that week, I also remember | 12:24 | |
| that there was one evening of, like arts, music, | 12:26 | |
| presentations, and movement. | 12:32 | |
| And I remember Morgana dancing or moving | 12:35 | |
| and Suess who did some kind of, you know, | 12:37 | |
| could have been Tai Chi or some kind of movement | 12:40 | |
| that was very mellow music-wise | 12:45 | |
| and mellow, slow movements and we all | 12:48 | |
| were in an audience kind of sense of watching. | 12:51 | |
| They were, maybe, those are only two names | 12:55 | |
| I remember but there were probably | 12:57 | |
| four or five different modalities of movement, | 12:58 | |
| and then we were in another room. | 13:03 | |
| I think this was all at the YWCA. | 13:05 | |
| And we're another room | 13:06 | |
| and Joan happened to bring her guitar. | 13:09 | |
| Now I don't know why Joan brought her guitar. | 13:11 | |
| I don't know she sang anything or planned on singing. | 13:13 | |
| Do you remember her singing anything, | 13:15 | |
| or playing her guitar? | 13:17 | |
| - | No, I remember I was playing it. | 13:18 |
| - | You borrowed her guitar, | 13:20 |
| and you went on with song after song after song | 13:22 | |
| and everybody was glued to the fact that | 13:26 | |
| except for Joan who was going, wow, that woman's | 13:28 | |
| just taking a long time with my guitar, | 13:30 | |
| but she didn't take it away. | 13:32 | |
| You just kept going, and you had song | 13:35 | |
| after song and lesbian songs. | 13:37 | |
| You had carried songs in your pocket from some of them, | 13:39 | |
| did you remember, if you sang any of yours, at that time? | 13:42 | |
| I know you were singing friends' and Alix's. | 13:46 | |
| - | Yes, I was. | 13:48 |
| - | Do you remember what other music you were singing? | 13:49 |
| - | I might have been singing a couple of mine. | 13:51 |
| - | I don't remember any one else doing that that night, | 13:54 |
| other than you, there might have been. | 13:58 | |
| But you were the person that I remember | 14:00 | |
| being the star attraction, so to speak. | 14:01 | |
| - | Hm, I'm trying to recall | 14:05 |
| if I remember anyone else playing. | 14:06 | |
| - | I know there was an opportunity | 14:11 |
| because it wasn't like Mindy, | 14:12 | |
| and how would you call, | 14:13 | |
| did you use your last name | 14:15 | |
| or were you already Mindy Dyke at the time? | 14:17 | |
| - | I was already Mindy Dyke. | 14:20 |
| - | So, as far as you recall, | 14:22 |
| you were the only one and as far as I recall | 14:26 | |
| you were the only one who did any music, | 14:28 | |
| sharing at that gathering. | 14:30 | |
| Did you know, if any others knew those songs | 14:32 | |
| and sang along? | 14:34 | |
| - | No, nobody knew them, nobody knew them. | 14:35 |
| - | So musically speaking, did you think Miami | 14:39 |
| had not gotten on the wagon | 14:42 | |
| of women's or lesbian music at the time? | 14:45 | |
| - | Yeah, that's what I thought, | 14:48 |
| because I didn't, even in the conversations | 14:50 | |
| amongst the lesbians I didn't really hear them | 14:53 | |
| speaking about women's music. | 14:58 | |
| I didn't hear like Maryanne and Louise, | 15:01 | |
| talking about women's music. | 15:03 | |
| No one had really brought it up until I did. | 15:06 | |
| I don't, I mean they may have, but I don't remember that. | 15:12 | |
| - | But not to your awareness, | 15:15 |
| because when you sang some songs | 15:16 | |
| and you knew about Olivia and everything. | 15:18 | |
| - | Oh, absolutely. | 15:20 |
| - | And you know Joan was distributing Olivia Records | 15:21 |
| in Miami when she arrived? | 15:24 | |
| - | No, I didn't. | 15:25 |
| - | Joan and I were, she was the distributor, | 15:26 |
| I was her helper so to speak. | 15:28 | |
| In San Diego, she got involved with Olivia | 15:30 | |
| so when she came to Miami, | 15:32 | |
| she continued to do Olivia Records. | 15:34 | |
| Now we had a few of them, we had Kay Gardener | 15:38 | |
| and you knew of Kay Gardener from... | 15:39 | |
| - | (in unison) New York. | 15:41 |
| - | And you know Alix from the same place, | 15:42 |
| and your knew Olivia. | 15:45 | |
| - | And I knew of... | 15:46 |
| - | Lewis Williamson, Meg Christian at the time, | 15:49 |
| - | And Lucy and Martha, because they were | 15:52 |
| on that same album from the New York women. | 15:55 | |
| And I was there when they were recording that. | 16:00 | |
| - | So you were there when Martha and Lucy arrived | 16:02 |
| at the Miami Lesbian Task Force too. | 16:04 | |
| - | Yeah. | 16:08 |
| - | Were you there then before they came back to Miami? | 16:09 |
| - | I believe so. | 16:12 |
| - | I'm thinking you were too. | 16:13 |
| I believe so, I remember running into them | 16:15 | |
| and thinking wow, that's really far out. | 16:18 | |
| You know, I didn't even know that they were down here. | 16:20 | |
| - | My story goes that I was living in San Diego | 16:23 |
| and Joan and I pulled up to Las Hermanas, | 16:26 | |
| the woman's coffeehouse. | 16:29 | |
| - | I was there. | 16:30 |
| Not when we were there. | 16:32 | |
| No, no but I have pictures of me there with Meg Christian. | 16:33 | |
| - | Really? | 16:37 |
| - | At Las Hermanas. | 16:38 |
| - | But that was much years and years later. | 16:39 |
| - | Ah that was... | 16:41 |
| - | The '80s then, somewhere in there. | 16:42 |
| - | No, no, in the 70s. | 16:43 |
| - | No kidding. | 16:45 |
| - | I was absolutely there in the 70s, | 16:47 |
| it was the first year that I went to Michigan. | 16:49 | |
| It must have been... | 16:56 | |
| - | '78 or '79, '77? | 16:57 |
| - | Maybe '77. | 17:02 |
| Well 1975, in the fall, | 17:03 | |
| there was a music festival in San Diego. | 17:06 | |
| Hardly anybody knows about Holly nearly wrote about it. | 17:08 | |
| But we also had a very close access to LA | 17:11 | |
| and we went to meet Ginny Berson | 17:16 | |
| and Joan decided to distribute Olivia Records. | 17:19 | |
| And so we were doing it all over San Diego. | 17:24 | |
| All of a sudden she came to Miami | 17:26 | |
| and no one, I agree with you | 17:27 | |
| that no one that we connected with in Miami | 17:29 | |
| at the time at least knew of Olivia Records, | 17:32 | |
| knew of Kay Gardener, we bought Alix Dobkin, | 17:35 | |
| and we would play it loud, | 17:39 | |
| Joan would play it loud at Joyce's house, | 17:42 | |
| when we started living at Joyce's house | 17:44 | |
| and she'd just blast, she'd just blast, | 17:46 | |
| all over Alix Dobkin's records | 17:48 | |
| and she had the one where she changed the cover. | 17:50 | |
| So it was probably the first album or something | 17:53 | |
| but it wasn't the one | 17:54 | |
| that she had to change | 17:55 | |
| the cover because- | 17:56 | |
| - | Yeah. | |
| - | Woodhul didn't like the dykes | 17:57 |
| on the cover or something? | 17:58 | |
| - | Yeah. | 18:00 |
| - | Look, Living with Women. | 18:00 |
| - | Living with Women, yeah. | 18:01 |
| Or is it Living with Lesbians? | 18:03 | |
| Did she do Living with Women | 18:05 | |
| or Living with Lesbians at the time? | 18:07 | |
| I don't know, that's a good question. | 18:10 | |
| I think was Living with Women. | 18:12 | |
| Or Lavender Jane Loves Women. | 18:13 | |
| - | Lavender Jane Loves Women. | 18:14 |
| - | That's it. | 18:16 |
| - | We found it through Ms. magazine in San Diego, | 18:17 |
| San Diego when we're living there. | 18:19 | |
| And we ordered it right away. | 18:21 | |
| - | Yeah, I knew, Alix before the album came out. | 18:22 |
| - | Was she out already then too? | 18:27 |
| - | Oh yeah. | 18:29 |
| - | And how did you meet her? | 18:29 |
| - | At the... | |
| - | Just to backtrack here. | 18:32 |
| - | At the, there was a lesbian group | 18:33 |
| that was a spinoff of the Gay Activist Alliance. | 18:37 | |
| And it was like the Lesbian Committee | 18:42 | |
| of the Gay Activist Alliance. | 18:44 | |
| And again, we were not satisfied with being, | 18:47 | |
| you know, behind the boys. | 18:50 | |
| So we split off from them, and we became LFL, | 18:52 | |
| Lesbian Feminist Liberation. | 18:57 | |
| And we met in the same place that the boys met, | 19:01 | |
| which was at 99 Wooster St. in Soho in old, | 19:04 | |
| it was called the firehouse because | 19:08 | |
| it was an old firehouse and LFL met there. | 19:11 | |
| And I met, Alix through that, | 19:17 | |
| and then I started working on the lesbian switchboard. | 19:21 | |
| And I would publicize all of her concerts. | 19:24 | |
| Anytime anybody called, we had a huge calendar | 19:27 | |
| on the wall and we would tell them | 19:32 | |
| what was going on for lesbians in New York City. | 19:34 | |
| And so I became good friends with her | 19:39 | |
| because I was publicizing her concerts. | 19:42 | |
| - | And did you know Martha and Lucy back then, | 19:46 |
| or just because of the album? | 19:47 | |
| - | No, I knew them because | 19:49 |
| they used to be there all the time. | 19:51 | |
| - | So they were there all the time too? | 19:52 |
| - | Yeah, and and all the women | 19:54 |
| who sang on that first album | 19:56 | |
| of the lesbian collective, yes, | 19:59 | |
| were they are all the time. | 20:02 | |
| They sang all the time. | 20:05 | |
| So when you went to Miami, | 20:06 | |
| did you meet any of these lesbian performers | 20:07 | |
| or did you, have that, or did you, | 20:09 | |
| you were just inspired by them then | 20:12 | |
| because you brought music to Miami? | 20:13 | |
| - | Right, but I knew them all. | 20:15 |
| I knew them all because we met every Sunday, | 20:18 | |
| - | So you were probably one of the largest influences | 20:21 |
| on I'm bringing live, lesbian music to Miami. | 20:27 | |
| - | Oh absolutely, or recorded. | 20:31 |
| - | Because, | 20:33 |
| - | Okay. | |
| - | They didn't know about the recordings either. | 20:36 |
| - | So is that something that you got | 20:38 |
| an opportunity to share in holding gatherings? | 20:40 | |
| - | Absolutely. | 20:42 |
| - | You brought records too, who did you bring? | 20:43 |
| - | I brought whatever was out at the time. | 20:45 |
| I had the Chicago and New Haven | 20:48 | |
| Women's Liberation Rock Band, | 20:53 | |
| the album was already out. | 20:55 | |
| Alix's album was already out. | 20:57 | |
| The Changer and the Changed, Chris Williamson | 20:59 | |
| was already out. | 21:02 | |
| Meg Christian, I know You Know was already out, | 21:04 | |
| and the New York group of women's collective-- | 21:07 | |
| - | So you brought all this music to lesbians in Miami? | 21:12 |
| - | Oh, yeah, and then, Fran's music and poetry. | 21:15 |
| I brought her books down. | 21:18 | |
| - | Yeah, I remember getting a book from you. | 21:20 |
| Yeah, You Know Me by My Teeth, I think it was called. | 21:23 | |
| Is that what it was, her first book? | 21:26 | |
| Her first book was worth Dyke Jacket. | 21:28 | |
| - | Dyke Jacket, yes. | 21:29 |
| - | Yeah. | 21:31 |
| - | Yeah, actually, that was her second book. | 21:32 |
| Her first book was-- | 21:34 | |
| - | You Know Me by My Teeth? | 21:35 |
| Wasn't that one of them? | 21:37 | |
| - | No. | 21:38 |
| - | Okay. | 21:40 |
| - | What was it? | 21:41 |
| - | I'm thinking of the gal in California. | 21:43 |
| - | Okay, Fran's, anyway so you brought some of this art. | 21:45 |
| Yes, the culture of lesbian culture. | 21:50 | |
| And if anyone doesn't think | 21:55 | |
| that that's political and radical. | 21:56 | |
| I don't know what is. | 21:58 | |
| Now I'm just going to do a pause to track two. | 22:00 | |
| - | Aw right. | 22:04 |
| - | So when we're getting into the future thoughts here | 22:07 |
| did I say future? | 22:11 | |
| - | Um hm. | 22:15 |
| - | Our future that began in Miami | 22:16 |
| of a different time of our lives. | 22:19 | |
| How old were you when you went to Miami, anyway? | 22:21 | |
| How old were you? | 22:24 | |
| - | I had just turned. 22. | 22:25 |
| - | Okay, yeah September so you went there. | 22:29 |
| You got the job, did you apply | 22:31 | |
| from New York, by the way? | 22:34 | |
| - | No we just came down, | 22:35 |
| me and my two best friends from x-ray school. | 22:37 | |
| We lived with my parents who were already here. | 22:41 | |
| And we found jobs. | 22:44 | |
| The problem was in New York, there were no jobs. | 22:48 | |
| Too many x-ray tech schools let out at the same time | 22:51 | |
| and the New York Times was on strike. | 22:55 | |
| So between all of that, we had no jobs | 22:58 | |
| and we had to move back to the dorm | 23:02 | |
| that we were living in | 23:03 | |
| because we were no longer students. | 23:05 | |
| - | Had you been to Miami before? | 23:08 |
| - | To visit. | 23:10 |
| - | Your parents moved down there. | 23:11 |
| - | Right so we came down on on spring break, all of us. | 23:13 |
| - | Did you ever discover lesbian culture in that time? | 23:18 |
| - | No, not at all. | 23:20 |
| So now you know you're going to be | 23:22 | |
| permanently down in Miami, or you didn't know that yet | 23:24 | |
| until you've got a job. | 23:25 | |
| Did you contact lesbians and NOW, | 23:26 | |
| before you got your job? | 23:30 | |
| - | No, oh, yeah. | 23:31 |
| - | In other words did you know | 23:33 |
| you're kind of settled there | 23:34 | |
| before you started searching for community, | 23:35 | |
| you know what I mean? | 23:37 | |
| - | Oh no, as soon as I got here | 23:38 |
| I started searching for community | 23:39 | |
| because I knew that there were jobs | 23:41 | |
| because my father was also an x-ray tech | 23:43 | |
| and he used to mail me the Sunday want ads | 23:46 | |
| from the Miami Herald. | 23:51 | |
| And there wasn't one job or two jobs, | 23:52 | |
| there was three columns of jobs, | 23:55 | |
| as opposed to no jobs in New York. | 23:59 | |
| So when we came down here, | 24:01 | |
| we went and applied at different places | 24:03 | |
| and people, the hospitals were so interested in us | 24:06 | |
| because we trained at a very well-known school. | 24:11 | |
| We trained at Cornell University in New York. | 24:14 | |
| So they knew we had a good education. | 24:17 | |
| And so, we would apply one hospital | 24:22 | |
| and then go to the next one | 24:25 | |
| and tell them that we were offered a position | 24:27 | |
| and how much they were paying. | 24:30 | |
| And the next place would up up the price. | 24:32 | |
| We'll pay you 20 cents more an hour | 24:36 | |
| and we'll pay is 40 cents more an hour. | 24:39 | |
| So we went from no jobs to hospitals fighting over us. | 24:42 | |
| I mean it was wonderful. | 24:47 | |
| So the three of us got jobs in different places. | 24:49 | |
| And we did that so that we could meet more people. | 24:51 | |
| Now my two roommates were straight. | 24:57 | |
| They certainly knew about me | 24:59 | |
| and accepted me and love me. | 25:01 | |
| But they were straight at the time. | 25:03 | |
| One of them is still straight | 25:07 | |
| and the other one has been | 25:08 | |
| in a lesbian relationship | 25:10 | |
| with the same woman for the last 35 years. | 25:11 | |
| - | She live in Miami? | 25:12 |
| - | She lives in my apartment building. | 25:15 |
| That's Connie, right? | 25:17 | |
| - | Connie and Lynn. | 25:18 |
| Well Lynn is who I went to school with. | 25:19 | |
| Connie I also went to school with | 25:22 | |
| but that's the straight one | 25:24 | |
| that's in New York with twins. | 25:26 | |
| - | There's two Connies? | 25:29 |
| - | There's two Connies. | 25:30 |
| Connie, Lynn's lover of 35 years, | 25:32 | |
| so it's also an x-ray tech, | 25:35 | |
| and she was the one who was working | 25:37 | |
| with Lynn and Patti Jo West. | 25:40 | |
| The three of them worked in the same hospital, | 25:43 | |
| and my other roommate Connie, | 25:46 | |
| was working with that Connie's lover named Lele. | 25:49 | |
| And that's when we had the big party. | 25:52 | |
| And everybody showed up | 25:54 | |
| and all the dyke's you know, got to meet each other | 25:56 | |
| and that was another way of meeting lesbians. | 26:01 | |
| A whole different group of lesbians. | 26:06 | |
| There was a whole different group of lesbians | 26:09 | |
| in the medical field, | 26:11 | |
| who did not participate in lesbian culture. | 26:13 | |
| - | So lesbian culture, then how are you, | 26:18 |
| what's that line that you would call | 26:20 | |
| lesbian culture and not? | 26:22 | |
| Well, define the way they are saying they were not. | 26:25 | |
| - | Right. | 26:28 |
| - | What are they-- | 26:29 |
| - | Connie and Lele, really didn't have | 26:30 |
| that many friends and most of them were straight. | 26:33 | |
| And in the medical field. | 26:39 | |
| And yet they were lesbians, they were a couple, | 26:42 | |
| they moved here from, they moved to Miami | 26:44 | |
| from Michigan together. | 26:47 | |
| And they wound up breaking up, | 26:49 | |
| and Connie and Lynn got together | 26:51 | |
| and they've been together for 35 years. | 26:53 | |
| - | So define that difference that you're saying, | 26:55 |
| so, did you feel that the Lesbian Task Force | 26:58 | |
| and NOW, that group of lesbians were, | 27:01 | |
| what, more political or? | 27:03 | |
| - | Absolutely. | 27:07 |
| - | How would you define that, the difference. | 27:08 |
| Just by feeling comfortable around lesbians. | 27:13 | |
| Being dykes, being strong Amazons, | 27:17 | |
| having read or now heard women's music, | 27:22 | |
| being introduced to lesbian literature, | 27:32 | |
| Naiad press. | 27:35 | |
| - | Were you involved with NOW | 27:37 |
| or was it the Task Force that drew you? | 27:38 | |
| - | Oh, it was the Task Force. | 27:40 |
| I wasn't a nowee-wowee. | 27:41 | |
| - | A nowee-wowee, why? | 27:43 |
| - | Why, because I didn't feel | 27:45 |
| I had that much in common | 27:48 | |
| with straight women, even though | 27:50 | |
| I was living with two of them. | 27:53 | |
| But that's because we had a different thing, | 27:54 | |
| in common, we had the x-ray thing in common. | 27:56 | |
| We lived together for two years in New York | 27:58 | |
| in the dorm and they loved me and accepted me. | 28:01 | |
| So that was different. | 28:05 | |
| - | So you figured there was, and you've met, | 28:08 |
| a whole group of lesbians, | 28:11 | |
| that revolved in your field in your work. | 28:12 | |
| - | Yeah! | 28:14 |
| - | And you figured this was a less, | 28:15 |
| what was that word, you used? | 28:17 | |
| A less what crowd than the Lesbian Task Force crowd? | 28:19 | |
| - | They certainly were less aware | 28:22 |
| of any lesbian movement. | 28:25 | |
| - | Are you including feminism in this, somehow? | 28:30 |
| - | Yeah, they weren't really involved | 28:34 |
| in any kind of women's or gay or lesbian movement. | 28:36 | |
| - | Oh, any of them, okay. | 28:43 |
| - | The medical crowd that were gay and lesbians | 28:45 |
| certainly knew of each other, | 28:50 | |
| certainly acknowledged each other, | 28:52 | |
| maybe went to the bars together once in awhile, | 28:55 | |
| maybe partied with each other but certainly not | 28:59 | |
| in any kind of lesbian-feminist thought awareness. | 29:06 | |
| - | Okay. | 29:15 |
| - | It was much more of the x-ray connection. | 29:16 |
| - | But it's also, but you also created spaces | 29:20 |
| that you were all together. | 29:22 | |
| So you were still making connections | 29:24 | |
| and community in some ways too, right? | 29:26 | |
| - | Right. | 29:28 |
| - | And is that not again, | 29:29 |
| not a political action of some sort? | 29:30 | |
| Oh sure, but I tried to intermingle. | 29:32 | |
| - | Oh, you did? | 29:35 |
| - | Oh I did, I, you know, having Patti Jo in both places. | 29:37 |
| You know, being on both sides, | 29:42 | |
| being in the x-ray lesbian side | 29:45 | |
| and being in the circle of dykes | 29:49 | |
| that I was hanging out with. | 29:53 | |
| That opened it up more. | 29:54 | |
| My roommates were hanging out | 29:57 | |
| with the lesbians, | 30:00 | |
| because the lesbians | 30:01 | |
| would come to the house and hang out. | 30:03 | |
| And so, you know, they felt very comfortable with them | 30:05 | |
| because they felt very comfortable with me | 30:08 | |
| and they're very open-minded women. | 30:11 | |
| - | So besides this week of Lesbian Pride, Dyke Pride | 30:14 |
| and what's called Dyke Pride Week | 30:19 | |
| or Lesbian Pride whatever it was. | 30:21 | |
| And after that, what I recall is that | 30:23 | |
| there was a dance once a month. | 30:26 | |
| - | Um hm. | 30:28 |
| - | And it was organized by the Task Force. | 30:29 |
| - | Um hm. | 30:31 |
| - | Now somewhere in these months, | 30:31 |
| you met certain ones. | 30:34 | |
| You were talking to Sandra Redwood | 30:35 | |
| in a story about Sandra Redwood. | 30:37 | |
| Was that in the earlier months | 30:39 | |
| or was that later, later too? | 30:40 | |
| - | Probably later, I think Sandra Redwood | 30:43 |
| was part of that but it was-- | 30:46 | |
| - | She was a part of when I met the Task Force. | 30:48 |
| - | But I was specifically talking about | 30:50 |
| we had gone over, either to Maryanne and Louise's | 30:52 | |
| or to Mary Sims house. | 30:57 | |
| - | So Maryanne and Louise, and Mary Sims, | 30:59 |
| as far as I'm aware they both open their homes, | 31:01 | |
| so that if I wanted to go to a music night, | 31:04 | |
| I could walk into Maryanne and Louise's house, | 31:07 | |
| and there was a whole slew of lesbians | 31:09 | |
| sitting there playing anything from pots and pans | 31:13 | |
| to guitars and flutes. | 31:15 | |
| Is this true? | 31:16 | |
| Do you have that, the memories? | 31:18 | |
| - | Oh, absolutely. | 31:19 |
| - | And did they do that more than one time? | 31:21 |
| - | Oh, all the time, you never knew | 31:22 |
| who was going to be there. | 31:24 | |
| - | But they always had their home open. | 31:26 |
| - | Yes, and Lynne Blustein too, | 31:27 |
| which was a whole other group of lesbians. | 31:30 | |
| That was a little bit later. | 31:34 | |
| Okay that was more like in the late, late '70s | 31:35 | |
| or early 80s. | 31:40 | |
| But that was, but I remember Maryanne and Louise | 31:43 | |
| being there at Lynne Blustein's house | 31:46 | |
| and Patti Jo for sure, being at Blustein's. | 31:48 | |
| - | I think you took me there and it was before | 31:53 |
| I met Barbara, so it must have been | 31:55 | |
| somewhere in '78. | 31:56 | |
| - | Um hm. | 31:57 |
| - | So Morgana moved up to Pagoda, | 31:59 |
| somewhere in there too. | 32:03 | |
| - | Right. | 32:04 |
| - | And then I remember you coming over to my apartment, | 32:06 |
| and we were singing and I had the apartment | 32:08 | |
| because that was after I moved away from Joyce's. | 32:10 | |
| - | Tenant? | 32:12 |
| - | In her yard, and there's a lot of other things | 32:13 |
| probably in here, and Sandra Redwood | 32:16 | |
| was someone that I was hanging out with | 32:19 | |
| a little bit with Joan. | 32:22 | |
| She was showing Joan and I how to harvest coconuts | 32:23 | |
| and Mary Sims was telling us | 32:25 | |
| how to pick up cans in the park or bottles | 32:27 | |
| to make a little extra money on the side | 32:30 | |
| because we were not working at the time. | 32:32 | |
| - | Right. | 32:34 |
| - | And so, they both were helping us survive | 32:34 |
| even down in Homesteads. | 32:37 | |
| Helise lived there and there was | 32:40 | |
| this beautiful coconut tree | 32:40 | |
| out in front of Helise's house | 32:42 | |
| and she said come on down, | 32:43 | |
| help me move some books and records and stuff | 32:44 | |
| and she had records. | 32:46 | |
| And she had records, I don't know, | 32:48 | |
| did you remember if she was aware | 32:49 | |
| of some of the lesbian and women's music | 32:50 | |
| that you were? | 32:53 | |
| - | Oh, absolutely. | 32:53 |
| - | Really, and did you know her through the Task Force? | 32:55 |
| - | I believe that she and I met in New York, | 32:58 |
| in upstate New York. | 33:01 | |
| - | Really? | 33:03 |
| - | Right around Woodstock, I think. | 33:03 |
| - | So did she come and migrate to Miami too or... | 33:05 |
| - | Yes. | 33:09 |
| - | Ooh. | 33:10 |
| - | And I just spent time with her, | 33:11 |
| right before we came here, | 33:14 | |
| going through some of her records. | 33:16 | |
| - | No way. | 33:19 |
| - | Yeah, so they were old ones too, like-- | 33:19 |
| - | Yes. | 33:20 |
| Like you knew and so you had. | 33:22 | |
| - | Yes. | |
| - | Did you ever know that at the time | 33:24 |
| that you had this in common, when you met? | 33:26 | |
| I think Helise was there the night | 33:28 | |
| that we met you and Joan. | 33:31 | |
| - | I think so too. | 33:33 |
| - | And I think Helise played some music on that guitar. | 33:34 |
| - | You may be correct, and she might've had her own. | 33:37 |
| - | Yes. | 33:40 |
| - | She had her own guitar | 33:41 |
| and she had had her own songs she wrote. | 33:42 | |
| - | Yes. | 33:43 |
| - | Oh, you think she was there that, you know, | 33:44 |
| - | I do. | 33:46 |
| - | That's very strongly possible, | 33:47 |
| I'll check in with her about it too. | 33:48 | |
| I will check in with her about it, wow. | 33:49 | |
| - | I just spent time with her. | 33:53 |
| - | Getting rid of those records, | 33:55 |
| so she had some of the older records too. | 33:57 | |
| - | Yeah. | 33:59 |
| - | Wow, wow, huh, your collections were similar. | 34:00 |
| - | Yeah. | 34:04 |
| - | She trying to go through stuff I know now isn't she? | 34:05 |
| - | Yeah. | 34:08 |
| - | Hard job, she has Susan's stuff, | 34:09 |
| and she's got Sherry Cooper's stuff | 34:11 | |
| and she's got her own stuff. | 34:16 | |
| And she's considering moving out West, | 34:18 | |
| to Arizona, New Mexico. | 34:20 | |
| - | Yeah, she's thinking about that. | 34:23 |
| - | She's trying to get rid of it, | 34:25 |
| because she's got stuff in different rental warehouses. | 34:27 | |
| She's got like three different ones, yeah. | 34:34 | |
| - | Alrighty, so we're at the Task Force, | 34:39 |
| and then there was some point in time | 34:42 | |
| that this co-group that Joan and I met. | 34:44 | |
| Morgan, Morgan, not Morgana. | 34:47 | |
| Morgan, Una, Justine and they were all | 34:50 | |
| staying in Joyce's house. | 34:52 | |
| - | Right. | 34:54 |
| - | And they were all from up in the northeast, | 34:54 |
| but they, and through somehow, | 34:57 | |
| and I think Louise Griffin was on one side of the road. | 34:59 | |
| Louise Caseon was on another side of the road, | 35:03 | |
| and being in the medical profession, | 35:06 | |
| there were several in the medical profession, | 35:08 | |
| Ingrid was another one. | 35:10 | |
| And they all seem like very powerful lesbians | 35:11 | |
| in the Task Force. | 35:13 | |
| However, there was a split that happened. | 35:15 | |
| Do you remember that? | 35:18 | |
| Do you remember there was a split | 35:19 | |
| in the lesbian Task Force? | 35:21 | |
| - | No. | 35:24 |
| - | Yeah, one of the reasons was | 35:25 |
| that to be in the Task Force | 35:28 | |
| you now had to become a member of NOW. | 35:30 | |
| And some of the lesbians, | 35:35 | |
| like the ones I just mentioned | 35:36 | |
| were resisting being members of NOW, | 35:38 | |
| and yet some of them already were members of NOW | 35:41 | |
| and they were not resisting it at all. | 35:43 | |
| They figured well, we're members of NOW | 35:44 | |
| and we have a Lesbian Task Force. | 35:46 | |
| But nothing like that came up to you? | 35:48 | |
| - | I don't ever remember that. | 35:51 |
| - | Okay. | 35:56 |
| - | It might have happened. | 35:57 |
| - | It did happen, yeah. | 35:58 |
| - | I don't, I think I was probably a member of NOW. | 35:59 |
| - | Did you split from my Miami, at some point in time | 36:04 |
| and then come back? | 36:08 | |
| - | I did. | 36:09 |
| - | Was that earlier on then? | 36:11 |
| ??? Years perhaps or no, later? | 36:11 | |
| - | I left for less than one year. | 36:15 |
| In at the end of 1978, | 36:20 | |
| and in the winter of '78 | 36:27 | |
| I was in New York. | 36:30 | |
| I moved back to New York | 36:31 | |
| and I moved back to Miami in the fall. | 36:34 | |
| - | Okay. | 36:42 |
| - | So before this time, when I had my apartment, | 36:43 |
| you came over one time and you asked me, | 36:45 | |
| well, there were two things | 36:47 | |
| that I remember, adventures with you. | 36:49 | |
| Wanna go see Donna Summer? | 36:50 | |
| Let's smoke a doobie | 36:52 | |
| and go on up to see Donna Summer. | 36:54 | |
| Which was Donna Summer, | 36:56 | |
| and all that music was happening | 36:57 | |
| in particularly at Sebastian's. | 37:00 | |
| - | Right. | 37:02 |
| - | And many of us to go to Sebastian's | 37:02 |
| and dance to disco. | 37:04 | |
| - | Yes. | 37:06 |
| - | And disco and Donna Summer we're synonymous, hot, hot. | 37:07 |
| - | Yes, then another time you came and said, | 37:10 |
| there's this place called Pagoda. | 37:13 | |
| - | Um hm. | 37:16 |
| - | And how did you hear about Pagoda? | 37:17 |
| And what was that year. | 37:20 | |
| Do you remember that year, | 37:21 | |
| you were going to tell me to see, | 37:21 | |
| we're going to go up to see | 37:23 | |
| Berkeley Women's Music Collective. | 37:24 | |
| We're going to see the opening of Pagoda, | 37:25 | |
| I believe it was the first time | 37:27 | |
| there was any performance. | 37:28 | |
| We saw Morgana do belly dancing. | 37:29 | |
| You wore balloons. | 37:31 | |
| You wore balloons. | 37:33 | |
| We saw Flash and Pandora. | 37:36 | |
| We saw the Berkeley Women's Music Collective. | 37:38 | |
| Those were the particular highlights that I remember. | 37:40 | |
| - | I think Flash called me and told me about it. | 37:42 |
| - | Flash called you? | 37:45 |
| - | I was very, very good friends | 37:46 |
| with Flash and Pan, in New York | 37:48 | |
| And I think Flash called me to tell about it. | 37:52 | |
| - | So you stayed connected | 37:55 |
| as you both all moved to Flo-- | 37:56 | |
| - | Oh yeah, we're still all connected. | 37:58 |
| - | Yeah, I know that's right. | 37:59 |
| - | Oh, yeah, and especially now with Facebook. | 38:01 |
| I mean, we Facebook each other, | 38:04 | |
| at least once a week. | 38:06 | |
| But yeah, so Flash and I are connected | 38:08 | |
| in really special ways.. | 38:12 | |
| - | So it wasn't through Morgana, | 38:14 |
| and that whole experience | 38:16 | |
| that you knew that she had started | 38:18 | |
| or was part of the founding of Pagoda. | 38:19 | |
| It was Flash that got you up to Pagoda. | 38:21 | |
| - | I don't think so. | 38:23 |
| - | And it would be you Deanna, Ramona and me, | 38:25 |
| the four of us and I think it was wasn't my car | 38:28 | |
| I didn't have none. | 38:31 | |
| - | No, it was my car. | 38:32 |
| - | Was it your car? | 38:33 |
| - | We all drove up, stayed at the motel and had | 38:34 |
| a marvelous experience at this place called Pagoda, | 38:38 | |
| the theater, and there was all this music-making. | 38:43 | |
| - | Yes. | 38:46 |
| - | Wonderful. | 38:47 |
| - | Yes, I still have pictures of that. | 38:48 |
| - | I have the couple pictures on the beach, | 38:50 |
| do you have others in that? | 38:52 | |
| - | Yeah, I think i have pictures | 38:53 |
| of the Berkeley Women's Music Collective | 38:54 | |
| - | Oh wow. | 38:56 |
| - | And I'd heard them in Michigan. | 38:58 |
| - | See, I heard them at that, | 39:02 |
| I was talking about the San Diego Music Festival, | 39:04 | |
| years ago, in the fall of '75 that's, they were there. | 39:06 | |
| They were there too, with many of the other performers | 39:12 | |
| but that was amazing, and it was amazing to see | 39:15 | |
| Flash and Pandora they were just amazing musicians | 39:18 | |
| and powerful, | 39:20 | |
| Flash was, powerful, powerful singer. | 39:22 | |
| And it was just amazing. | 39:25 | |
| You are just delighted to share this, | 39:27 | |
| as well and, you know, hearing the music | 39:29 | |
| and everything else and being at Pagoda. | 39:31 | |
| And I think you and I went up several times | 39:33 | |
| or at least one of them that I remember. | 39:36 | |
| - | Oh, I remember going up with Nancy and Barb, | 39:37 |
| and you and me. | 39:41 | |
| - | When we did our performances at Pagoda | 39:42 |
| and being upstairs in that loft | 39:44 | |
| and having to climb down the ladder | 39:47 | |
| to go to the bathroom and Barb said, | 39:49 | |
| "Can't we just pee out the window." | 39:51 | |
| (chuckles) | 39:52 | |
| - | Yeah, but you took me there one other time to see | 39:53 |
| Linda Shear too, whom I'd known from Chicago. | 39:57 | |
| And you knew Linda Shear from where? | 39:59 | |
| - | Michigan. | 40:02 |
| - | From Michigan, too. | 40:03 |
| - | Her lover, Trina was a sign-language interpreter. | 40:04 |
| - | Ahhh, and the connection there too came. | 40:10 |
| - | Yeah. | 40:12 |
| - | For you. | 40:13 |
| - | Yeah. | 40:13 |
| So you kept connection with Pagoda, how? | 40:14 | |
| Because I didn't have that connection | 40:18 | |
| to know Linda Shear was going to be there. | 40:20 | |
| How did you stay connected to Pagoda? | 40:21 | |
| - | Probably Morgan. | 40:23 |
| - | Through Morgan, yeah, okay, yeah. | 40:25 |
| So, Michigan, you went up in '78, | 40:29 | |
| I know that. | 40:33 | |
| - | Yeah, I, my first one I'm pretty sure was | 40:34 |
| '70 either '76 or '77. | 40:42 | |
| - | And were you were there for the first? | 40:47 |
| - | I think so that's why I think it was '76. | 40:51 |
| And I think it was the first, | 40:55 | |
| it was on the old land for sure. | 40:56 | |
| - | So it's was the '78 one, '78 was on the old land. | 40:59 |
| But yeah, you had been there before. | 41:01 | |
| - | Yeah, | 41:04 |
| - | '78 because you tell a story-- | 41:05 |
| - | I had been to the old land | 41:07 |
| for at least three festivals. | 41:09 | |
| Because I remember three different things happening. | 41:12 | |
| - | Well there's a story that you tell | 41:16 |
| about a woman that's passed away. | 41:17 | |
| Did she pass away in Miami? | 41:20 | |
| - | It was my friends, grandmother. | 41:24 |
| - | A grandmother, passed away in Miami? | 41:27 |
| - | No, in New Mexico. | 41:29 |
| My friend, who used to live in New York, | 41:32 | |
| moved to New Mexico. | 41:36 | |
| Her grandmother passed away. | 41:38 | |
| And she wanted to bury her on women's space. | 41:41 | |
| And so she put her in a blue wooden box | 41:47 | |
| on top of her truck and drove her to Michigan. | 41:54 | |
| And when I found my friends in Michigan, | 41:59 | |
| at the festival, she told me that her grandmother | 42:02 | |
| had passed and I remember her telling me stories | 42:05 | |
| about her grandmother for years. | 42:09 | |
| And she said were going have a little ceremony, | 42:12 | |
| you know, to bury her. | 42:15 | |
| And so I thought, you know she had the ashes or something. | 42:19 | |
| And she said we're going to meet | 42:24 | |
| at this particular spot at midnight. | 42:26 | |
| And would you be part of the ceremony? | 42:29 | |
| And I was honored, of course, sure. | 42:31 | |
| Well, as I started getting closer and closer | 42:34 | |
| something started smelling worse and worse. | 42:38 | |
| And when I got there, | 42:42 | |
| I said oh my god, what is that smell. | 42:44 | |
| And she said oh that's Granny. | 42:47 | |
| I said, What do you mean it's Granny? | 42:49 | |
| I said, you didn't bring | 42:52 | |
| your dead grandmother here, like in one piece | 42:57 | |
| did you, she said, "Yeah, on top of the truck." | 43:02 | |
| I said, oh Sue, Oh my goodness, | 43:06 | |
| I mean you can smell it for miles. | 43:10 | |
| And we did, we buried her grandmother. | 43:13 | |
| - | It didn't bother you though, did it, | 43:16 |
| that that was the case? | 43:18 | |
| - | Well, it didn't bother me that we were doing it. | 43:19 |
| But the smell bothered me. | 43:23 | |
| But nothing else bothered me about it. | 43:23 | |
| - | So, yeah, I mean you have some amazing stories | 43:26 |
| in your whole life and in Miami. | 43:31 | |
| What, is there any highlights | 43:34 | |
| in those days of '70s and '80s? | 43:35 | |
| - | Oh absolutely, the day, that Sandy McFarlane , | 43:38 |
| the night that Sandy McFarlane , | 43:41 | |
| had a flat tire on her Volkswagen | 43:43 | |
| on 17th Avenue and 69th Street | 43:47 | |
| in the heart of Liberty City. | 43:50 | |
| And there were at least five cars | 43:53 | |
| making a dyke caravan, | 44:02 | |
| and none of us had a jack. | 44:04 | |
| - | Five cars and no jack, wow. | 44:06 |
| - | Five cars, no jack, lots of dykes. | 44:08 |
| Lots of spare tires but no jack. | 44:11 | |
| And so, we all pulled over, | 44:15 | |
| got out of our cars and held up | 44:18 | |
| the back end of the woman's Volkswagen in mid-air. | 44:21 | |
| until she changed the tire. | 44:26 | |
| Because she had a tire iron. | 44:30 | |
| She just didn't have the jack | 44:31 | |
| to pump it up with. | 44:33 | |
| And we stood there in the middle of the street | 44:36 | |
| and cops were going by, just like screeching | 44:39 | |
| to look by didn't stop to help, | 44:42 | |
| they just would stop and look and keep going. | 44:44 | |
| But that had to be one of the funniest things | 44:49 | |
| that and we decided we were really hot one Sunday. | 44:52 | |
| And we wanted to go swimming. | 45:00 | |
| So, Maryanne and Louise knew of this entrance | 45:02 | |
| to Miller Lake, before Tropical Park was ever built. | 45:07 | |
| Miller Lake, went from Miller Drive to Bird Rd. | 45:12 | |
| And there was this man-made lake. | 45:17 | |
| And so, we all drove over there, | 45:22 | |
| parked our cars, took off our clothes, | 45:26 | |
| and we're jumping into the lake. | 45:29 | |
| And there must have been 15 naked dykes in the water | 45:31 | |
| when the police showed up. | 45:36 | |
| And they're like, | 45:39 | |
| You ladies are going to have to | 45:41 | |
| get out of that lake. | 45:43 | |
| And we're like, we're not getting out | 45:45 | |
| until you leave, we'll leave. | 45:47 | |
| But we're not coming out of this water | 45:49 | |
| until you go, oh god it was so funny. | 45:51 | |
| We laughed, for hours and days | 45:56 | |
| about when we got caught in Miller Lake. | 45:59 | |
| And then another time. | 46:02 | |
| I don't know what we were looking for | 46:04 | |
| me and Maryanne and Louise were driving on Bird Rd., | 46:07 | |
| like in around Galloway and 87th Avenue | 46:11 | |
| or something I don't remember | 46:17 | |
| what we were out there looking for. | 46:18 | |
| But we pulled into this strip mall. | 46:20 | |
| And there was a Jamaican restaurant there, | 46:23 | |
| that's not where we were going, though. | 46:27 | |
| And in the window, there was a sign that said | 46:29 | |
| We sell Jamaican Moon Pies. | 46:33 | |
| And Louise said to me, "What's a Jamaican Moon Pie." | 46:37 | |
| And I said, I don't know. | 46:40 | |
| But it was broad daylight, | 46:43 | |
| I pulled my pants down and I said, | 46:45 | |
| but this is a Jewish moon pie. | 46:47 | |
| And she laughed till the day she died. | 46:49 | |
| Even when she was dying, literally I said. | 46:53 | |
| - | You want to hear that story? | 46:58 |
| - | You wanna see a Jewish moon pie, Louise? | 47:01 |
| - | Oh, you showed her your Jewish moon pie. | 47:03 |
| - | I showed her your Jewish moon pie. | 47:05 |
| - | Aww, my god. | 47:07 |
| - | May she rest in peace, | 47:08 |
| she did get to see my Jewish moon pie. | 47:09 | |
| And I must say that Louise's | 47:12 | |
| passing was another event | 47:15 | |
| that was so devastating. | 47:18 | |
| But yet, so incredibly lesbian. | 47:21 | |
| There were, sometimes in her room, 30 - 40 lesbians | 47:26 | |
| in this hospice nursing center. | 47:34 | |
| And she was never alone as she was transitioning | 47:42 | |
| and she knew we were there. | 47:49 | |
| And Maryanne felt like she could go home | 47:52 | |
| and get some sleep because she knew | 47:55 | |
| Louise wouldn't be alone. | 47:56 | |
| Yeah, you know, we took turns in shifts, | 47:58 | |
| Maryanne, on my end, myself | 48:01 | |
| and another friend of ours, Amal. | 48:03 | |
| We were just all there, all the time. | 48:11 | |
| - | Do you recall when Maryanne and Louise | 48:13 |
| decided to open Something Special? | 48:15 | |
| - | I do. | 48:18 |
| - | Yeah? | 48:19 |
| - | Yes, I do. | 48:19 |
| - | What was the circumstances around that? | 48:20 |
| - | It was just about the same time | 48:21 |
| that I was trying to open Bagelgrams. | 48:24 | |
| - | Oh, really? | 48:27 |
| - | And Eli was opening up a new Zum Alten Fritz. | 48:28 |
| So all of us were involved in these new adventures | 48:33 | |
| - | Was that before or after Charlotte being involved | 48:38 |
| in the Women's Preservation Society. | 48:42 | |
| Do you remember that? | 48:43 | |
| - | Yes. | 48:44 |
| - | So this was, Something Special | 48:45 |
| came after the Women's Preservation Society. | 48:46 | |
| - | Yes, yes, and I went to them to ask them about | 48:49 |
| do I report this to the taxes | 48:57 | |
| or you know how to how they do it, what should I do. | 49:02 | |
| What about licenses. | 49:07 | |
| - | This is for your business? | 49:08 |
| - | For my business because | 49:09 |
| they had just started Something Special. | 49:11 | |
| And they were open for lunch. | 49:15 | |
| I remember, on Wednesdays, and Thursdays or something. | 49:16 | |
| And I was taking some classes | 49:23 | |
| at Miami Dade North and I would leave there | 49:25 | |
| and come over and have lunch with them. | 49:29 | |
| They would fix me a big ole salad. | 49:31 | |
| And they stopped doing that | 49:35 | |
| but they would do, they were doing that | 49:38 | |
| and take out orders, at that time. | 49:40 | |
| So that had to be... | 49:43 | |
| Ah, God I don't even remember. | 49:49 | |
| I was working 11 to seven. | 49:50 | |
| - | I think I have that written down somewhere | 49:52 |
| about when they started Something. | 49:54 | |
| - | I was working, I know I was working | 49:56 |
| 11 to seven, because I would get off work, | 49:59 | |
| and drive up to Miami Dade | 50:03 | |
| and take that class and then stop back there, | 50:06 | |
| eat lunch and go home and go to sleep. | 50:10 | |
| And I don't remember where I was working. | 50:14 | |
| - | How about the Bizarres? | 50:16 |
| Oh yes, the Bizarres, they were fun. | 50:18 | |
| We would just set up | 50:22 | |
| in the backyard of Something Special. | 50:25 | |
| Tables and racks and you could buy anything, | 50:28 | |
| exchange anything from sheets to close to crafts. | 50:32 | |
| I remember Lilly doing massages. | 50:38 | |
| - | Oh yeah. | 50:40 |
| - | Lilly was doing the massages | 50:42 |
| - | And her massage chair. | 50:43 |
| oh they were fun, they were fun times. | 50:48 | |
| - | Yeah, a sackful of those. | 50:51 |
| - | Yeah. | 50:53 |
| - | Yeah and then I had that moment I was thinking about | 50:54 |
| Charlotte doing this Women's Preservation Society | 50:57 | |
| and I forget which, somewhere near Bird Rd. | 50:58 | |
| - | Yes, it was off Bird Rd. | 51:00 |
| - | And Charlotte came into your life too early on. | 51:02 |
| I recall you being with Charlotte, somewhat. | 51:06 | |
| I don't know how exactly, and how-- | 51:08 | |
| - | I met Charlotte. | 51:12 |
| - | She came to the Task Force too, | 51:13 |
| she was involved? | 51:15 | |
| - | Yes, she came to the Task Force. | 51:16 |
| And we started talking. | 51:19 | |
| And then we exchanged phone numbers, | 51:23 | |
| and I remember our first sort of date. | 51:27 | |
| We had gone bike riding or something. | 51:40 | |
| And I hurt my ankle. | 51:43 | |
| And she came over the next day to see | 51:47 | |
| how I was doing, she came over to my apartment. | 51:51 | |
| I was living with Connie and Lynne. | 51:54 | |
| And she had biked over | 51:56 | |
| and wound up making love that day, | 51:59 | |
| and we were together for about three years. | 52:05 | |
| - | Oh. | 52:07 |
| - | And that was interesting times, to say the least. | 52:08 |
| - | She had a whole other perspective | 52:16 |
| too when she named this group | 52:18 | |
| Women's Preservation Society. | 52:20 | |
| What I think, I remember about that, | 52:23 | |
| is that what she wanted to do again | 52:26 | |
| was create a community space. | 52:28 | |
| - | Right. | 52:30 |
| - | For lesbians to have meetings, | 52:31 |
| and to do display their arts, their crafts | 52:32 | |
| and have music-making and so on. | 52:36 | |
| Do you remember anything else | 52:39 | |
| about the Women's Preservation Society, | 52:40 | |
| because it didn't last very long. | 52:42 | |
| And that was always something | 52:44 | |
| that Louise would say, | 52:45 | |
| and I don't think, | 52:47 | |
| I don't know if it came before or after | 52:48 | |
| the Friday night, women's group. | 52:49 | |
| I think it came after Friday night women's group, | 52:53 | |
| but I'm not sure. | 52:54 | |
| - | I think it came after Friday night women's group | 52:56 |
| - | But every time Louise would say something like, | 52:57 |
| something ended, something else began, | 53:00 | |
| something ended and something else. | 53:02 | |
| Because the Task Force itself, | 53:03 | |
| I don't recall it lasting very long, | 53:05 | |
| and when the split happened. | 53:07 | |
| I remember Mary, we going over to Mary Sims | 53:09 | |
| and doing, arts and crafts, | 53:11 | |
| still continuing to do some music-making | 53:13 | |
| at Louise and Maryanne's or somewhere else. | 53:16 | |
| I think Sandra McFarlane house | 53:21 | |
| was also a place of lesbian activity. | 53:24 | |
| - | Yeah, she lived up the hill by the Orange Bowl, | 53:26 |
| - | Somewhere in there, yeah, yeah. | 53:29 |
| So I think some of the shifts | 53:32 | |
| always took place and then it was | 53:34 | |
| hard to know where to connect with lesbians again | 53:36 | |
| but softball also was a place. | 53:39 | |
| - | Yeah, down by Ruby Grove they called it, Grooby Grove. | 53:41 |
| And one of the lesbians I met at Women Writes, | 53:45 | |
| Deb, Debbie, can't recall her last name at the moment, | 53:47 | |
| but she ended up knowing, Patti Jo. | 53:52 | |
| - | Debbie DeMars? | 53:56 |
| - | No it wasn't Debbie DeMar. | 53:58 |
| I'd have to look her name up | 54:01 | |
| but she was a softball player. | 54:03 | |
| Butch as can be, just a young, | 54:05 | |
| young guy-looking softball player | 54:06 | |
| and she thought softball was maybe not as political | 54:09 | |
| and organizing is radical. | 54:12 | |
| However, I tend to think that-- | 54:16 | |
| - | You're not thinking of Diane Shepherd? | 54:17 |
| - | No, I'm thinking of a Debbie, Debbie. | 54:18 |
| I'll get you a picture out later | 54:21 | |
| to see you know who she was. | 54:22 | |
| She couldn't remember you, | 54:25 | |
| but she remembered Patty Jo very well | 54:26 | |
| because Patty Joe organized a lot of the baseball. | 54:29 | |
| - | Oh, her and Carol Cotton. | 54:31 |
| - | Yeah, and not only around the area of Coral Gables | 54:34 |
| but also up in, when she moved | 54:38 | |
| up towards Fort Lauderdale way. | 54:39 | |
| So I'm seeing about, | 54:41 | |
| maybe I'll do it one more time. | 54:45 | |
| So, it seems that Patti Jo was also a shaker and mover. | 54:47 | |
| - | Oh yeah, but definitely around the softball courts. | 54:52 |
| - | And you remember Blackies. | 54:59 |
| - | Oh, absolutely. | 55:01 |
| - | But you remember Sebastian's, remember Tops. | 55:03 |
| - | Oh yeah. | 55:05 |
| - | The Nook, did that close after a while? | 55:06 |
| - | Yeah I recall, and was there anything, | 55:08 |
| what do you remember about Blackies specifically? | 55:11 | |
| - | Well, 'cause you I were there, | 55:13 |
| we'd go to Blackies. | 55:15 | |
| - | She had a couple of different places. | 55:16 |
| - | The first one, upstairs. | 55:18 |
| - | Right, on Coral Way. | 55:18 |
| - | Right, well she, she was | 55:21 |
| also involved in the Cherry Grove. | 55:23 | |
| - | Ahhh! | 55:27 |
| - | She was a bartender there. | 55:28 |
| - | So downstairs, that was downstairs. | 55:30 |
| - | Yeah, on 17th, on 17th Avenue, | 55:31 |
| across from way you used to live. | 55:37 | |
| - | I know about what you're talking about now, yeah. | 55:39 |
| - | And then she opened up the place with the upstairs. | 55:41 |
| And then when that closed, she moved it | 55:44 | |
| to off of, it was on Southwest Eighth Street. | 55:49 | |
| A little bit south of Lejeune. | 55:54 | |
| - | Yeah, I went to a wedding there. | 55:56 |
| Now I remember that you performed at Blackies, | 55:58 | |
| the little one upstairs. | 56:02 | |
| And you sang, you brought your guitar. | 56:03 | |
| And again, you were singing songs. | 56:06 | |
| And I don't know if it was a special evening | 56:09 | |
| I don't recall how that was put together. | 56:11 | |
| But I remember that Blackies was first bar | 56:14 | |
| I knew that that played women's lesbian music | 56:16 | |
| on the jukebox. | 56:20 | |
| - | Yeah because Tops wasn't doing it. | 56:23 |
| - | No, Josh wasn't doing it. | 56:25 |
| Tops was strictly for let's go dancing. | 56:27 | |
| - | I remember that freaky looking clown like at Tops. | 56:30 |
| That's what I remember most about Tops, | 56:34 | |
| was that they had this clown-like | 56:36 | |
| that was just scary looking. | 56:39 | |
| It was a lamp. | 56:41 | |
| How about Lou's Back Door. | 56:44 | |
| - | Oh my god, yes, Lou's Back Door, | 56:46 |
| - | And were you around for that time when Louise? | 56:47 |
| It was some incident that happened, based on | 56:53 | |
| race and lesbian, Louise being a black woman, | 56:55 | |
| lesbian being up there, and something about that. | 57:00 | |
| I don't recall the details, | 57:04 | |
| but I remember several of us saying | 57:06 | |
| well we weren't going back to Lou's after that. | 57:08 | |
| Remember anything about that? | 57:11 | |
| That plot's starting to sound familiar | 57:13 | |
| because I remember not going there anymore. | 57:15 | |
| Yeah, we all some of us stopped going there, because-- | 57:18 | |
| - | And that would certainly not surprise me | 57:21 |
| because racism really wasn't tolerated by any of us. | 57:24 | |
| Do you remember any other incidences | 57:30 | |
| about that with lesbians specifically, | 57:32 | |
| that occurred that you are aware of? | 57:34 | |
| - | In Miami? | 57:37 |
| - | Um hum. | 57:38 |
| - | Around the lesbians that we knew? | 57:42 |
| I mean, you remember, Mary Sims getting arrested? | 57:48 | |
| She was driving down the road with Judy. | 57:52 | |
| - | No. | 57:54 |
| - | She had an arrest tacked onto her | 57:56 |
| and Louise got in jail for carrying a pocket knife. | 57:57 | |
| - | Yeah, I remember Louise. | 58:00 |
| Yes, I remember that. | 58:01 | |
| - | What do you remember about that? | 58:06 |
| - | Oh, gee. | 58:07 |
| - | But you remember it happening? | 58:09 |
| - | Yeah, I do. | 58:10 |
| - | But you don't remember the details, | 58:11 |
| the details are kind of-- | 58:13 | |
| - | But I don't remember | 58:15 |
| Mary Sims and Judy getting into something. | 58:16 | |
| - | Yeah, I don't know if it was just Mary | 58:19 |
| or Judy went to jail too, I'm not sure. | 58:20 | |
| - | Well I remember Judy going to jail but it wasn't for that. | 58:21 |
| - | Yeah, I heard about that later on (laughs). | 58:24 |
| Okay, so what else could come to your mind | 58:29 | |
| and if you want to just let this rest. | 58:32 | |
| There's a lot here and we can elaborate | 58:34 | |
| and share as we go along. | 58:36 | |
| As I kind of put this together | 58:39 | |
| some other things might come up | 58:40 | |
| and you say, hey add this, or whatever, | 58:41 | |
| you know, or call me and say hey this is-- | 58:43 | |
| - | Yeah, I'm trying to think if there any-- | 58:46 |
| - | Highlights that brought me into | 58:48 |
| a sense of politics and political connection | 58:50 | |
| that you felt were building your self-esteem as a lesbian. | 58:54 | |
| - | Well certainly, Anita Bryant. | 58:58 |
| - | Ah, say more about that. | 59:01 |
| cause I don't know anything about-- | 59:02 | |
| - | Anita Bryant cannot be left out. | 59:04 |
| - | Tell me, what time period was that? | 59:05 |
| Seven, eighties, wasn't it? | 59:07 | |
| - | No, it was, it was in '78, I think. | 59:09 |
| - | Okay, that would make sense. | 59:13 |
| - | And that was when we were trying | 59:15 |
| to get the legislation passed in Dade County | 59:18 | |
| to, what did we call it, it will come to me. | 59:26 | |
| - | Yeah, but how did you get involved? | 59:36 |
| - | Charlotte and I were still together. | 59:39 |
| - | Okay. | 59:42 |
| - | And a lot of the lesbians | 59:43 |
| within the Task Force, Scabby. | 59:45 | |
| - | Scabby! Oh, wow. | 59:49 |
| - | And Mary Beth. | 59:50 |
| - | Yeah. | 59:51 |
| - | Etta Cemino. | 59:52 |
| - | Etta. Oh wow. | 59:54 |
| - | Yeah. | 59:56 |
| - | Charlotte, myself, Marianne, Louise, | 59:58 |
| a bunch of us worked on the phone banks, | 1:00:03 | |
| calling up registered Democrats. | 1:00:06 | |
| And as has been, explaining-- | 1:00:08 | |
| - | But how did you get the ball rolling | 1:00:11 |
| these phone banks, how did that all get formed. | 1:00:13 | |
| Do you have any thoughts, knowing about that. | 1:00:16 | |
| You just heard about it and you went over? | 1:00:18 | |
| - | Yeah, Jack Campbell, who was the owner | 1:00:20 |
| of the gay man's baths, | 1:00:27 | |
| was also running for city council, okay. | 1:00:30 | |
| And he organized a lot of it. | 1:00:35 | |
| And he had a lot of the money. | 1:00:39 | |
| - | Okay. | 1:00:42 |
| - | And paid for a lot of the phone banks | 1:00:43 |
| that were set up. | 1:00:46 | |
| Mostly, there was a gay men's like hotel | 1:00:48 | |
| on Biscayne Boulevard and in the 50s. | 1:00:53 | |
| I think it was 5500 Biscayne or something like that. | 1:00:59 | |
| And that's where one of the phone banks was. | 1:01:03 | |
| And we would go out there at night | 1:01:08 | |
| and called registered democrats | 1:01:09 | |
| and explain the referendum to them. | 1:01:11 | |
| Because if you voted no, you were voting yes | 1:01:13 | |
| and if you were voting against the gays you voted no, | 1:01:19 | |
| it was a horrible referendum. | 1:01:24 | |
| But I remember Charlotte and I | 1:01:27 | |
| following a car that was putting up posters, | 1:01:31 | |
| against the gay people. | 1:01:37 | |
| And we were like one block behind them | 1:01:41 | |
| and as they would put it up, we would pull it down. | 1:01:43 | |
| (laughing) | 1:01:46 | |
| And every single one that they put up, | 1:01:47 | |
| We pulled down until they figured it out. | 1:01:49 | |
| And then they started chasing us. | 1:01:52 | |
| Oh, we were really scared that night | 1:01:55 | |
| that we were going to get killed. | 1:01:58 | |
| - | Um, um, um. | 1:01:59 |
| - | Because they, it took them a long time | 1:02:00 |
| to figure it out and then when they did | 1:02:05 | |
| they figured out that everything | 1:02:07 | |
| that they had just done for the last three hours | 1:02:09 | |
| was in the back of our car. | 1:02:12 | |
| But you'd be sitting in a traffic jam, | 1:02:16 | |
| like at five o'clock going home from work, | 1:02:20 | |
| which was bumper to bumper and you could be | 1:02:23 | |
| on A36 or an hour trying to get home from work. | 1:02:25 | |
| And the person in front of you would be | 1:02:31 | |
| the person who was in front of you for an hour | 1:02:34 | |
| with a bumper sticker that would say, | 1:02:36 | |
| kill a queer for Christ, | 1:02:38 | |
| or the only good gay is a dead gay, | 1:02:40 | |
| and you'd be sitting behind them | 1:02:43 | |
| for a fuckin' hour? | 1:02:45 | |
| It was insane. | 1:02:47 | |
| And that was a very hot political time yeah. | 1:02:51 | |
| It was when I was working at Jackson for sure, | 1:02:56 | |
| positively, and remember, we were talking yesterday | 1:03:01 | |
| I think about, oh no, this morning. | 1:03:06 | |
| You were resting and Beth and Robin and I | 1:03:09 | |
| were talking about having a little powwow | 1:03:12 | |
| with people at work. | 1:03:15 | |
| When you just needed that extra bit of support | 1:03:17 | |
| from people who understood you. | 1:03:20 | |
| Robin was saying that there was | 1:03:25 | |
| a Jewish group of women that would powwow | 1:03:26 | |
| with each other when they needed | 1:03:30 | |
| that support from each other. | 1:03:32 | |
| While I was working at Jackson | 1:03:34 | |
| and all of the gay x-ray techs | 1:03:37 | |
| would go into this little tiny bathroom. | 1:03:40 | |
| And we would have like a gay hug. | 1:03:43 | |
| And then we would come out | 1:03:45 | |
| and go and do more work and then | 1:03:47 | |
| somebody else would say, | 1:03:48 | |
| Okay, time for the gays to hit the bathroom again. | 1:03:50 | |
| We'd all go in and hug each other. | 1:03:54 | |
| The faggots and the dykes, it didn't matter, | 1:03:56 | |
| We just would go in | 1:03:59 | |
| and and hug each other and come out. | 1:04:00 | |
| - | Wow. And some needed. | 1:04:02 |
| Yeah. Because the political climate, | 1:04:06 | |
| everywhere, it was everywhere. | 1:04:10 | |
| The doctors were talking about it. | 1:04:12 | |
| The patients were talking about it. | 1:04:14 | |
| Everybody, it was all over the news. | 1:04:17 | |
| It was really a very hot climate in New York. | 1:04:19 | |
| - | In New York and Miami. | 1:04:23 |
| - | In Miami, about that. | 1:04:26 |
| And the night of the vote, | 1:04:27 | |
| I was at the Fontainebleau Hotel, | 1:04:30 | |
| waiting for the vote to come in. | 1:04:33 | |
| And I was there by myself. | 1:04:36 | |
| I was sitting at a table. | 1:04:39 | |
| And on the table was a platter of olives | 1:04:41 | |
| and pickles and, and those kinds of things. | 1:04:47 | |
| And this reporter came up to me | 1:04:52 | |
| and he stuck his microphone in my face. | 1:04:55 | |
| And he said, "And what do you think about this," | 1:04:58 | |
| and I grabbed a pickle, | 1:05:01 | |
| and I shoved it in his face and said, | 1:05:02 | |
| and what do you think about this? | 1:05:04 | |
| And the cameraman, got it. | 1:05:07 | |
| And the next day I remember going to work, | 1:05:09 | |
| and one of the radiologists, | 1:05:12 | |
| one of the doctors came up to me. | 1:05:14 | |
| She's still a friend of mine | 1:05:17 | |
| and I just spent time with her | 1:05:18 | |
| these holidays with her. | 1:05:20 | |
| And she was married to a cardiologist, | 1:05:23 | |
| who also worked at Jackson, | 1:05:28 | |
| and she said Mindy, you know what happened last night? | 1:05:30 | |
| I was sound asleep. | 1:05:32 | |
| And my husband woke me up, | 1:05:35 | |
| he said "Margie, Margie, look at the TV", | 1:05:37 | |
| and I opened my eyes and there you were. | 1:05:39 | |
| On television sticking a pickle in some man's face. | 1:05:42 | |
| And my husband said "Isn't that Mindy?" | 1:05:46 | |
| And there you were. | 1:05:48 | |
| Why were you on TV sticking a pickle in some man's face? | 1:05:50 | |
| And I said, Well Dr. Sanders, | 1:05:54 | |
| if they fire me, you know why. | 1:05:57 | |
| And I told her, you know, | 1:06:00 | |
| I was there against Anita Bryant | 1:06:02 | |
| and she said, Oh Mindy, they love you too much here. | 1:06:03 | |
| They're not gonna fire you over anything. | 1:06:07 | |
| And to this day, we are still friends, | 1:06:09 | |
| I worked with her somewhere else. | 1:06:14 | |
| After that, many years after that. | 1:06:16 | |
| And we're still very, very dear friends. | 1:06:19 | |
| - | So how did you feel then when that film came out? | 1:06:22 |
| - | Oh I was devastated. | 1:06:24 |
| - | Yeah. | 1:06:26 |
| - | I was just devastated, I felt like, | 1:06:27 |
| how can these people buy this crock of crap | 1:06:28 | |
| from, you know, and who the fuck was Anita Bryant. | 1:06:35 | |
| And we boycotted, woman-cotted Florida orange juice. | 1:06:38 | |
| She lost her job. | 1:06:45 | |
| - | Oh yeah. | 1:06:47 |
| - | She lost the endorsement. | 1:06:48 |
| - | Yes. | 1:06:49 |
| - | And you couldn't get orange juice | 1:06:51 |
| in a gay bar in Miami for years. | 1:06:52 | |
| - | Yeah. | 1:06:56 |
| - | For years, forget about ordering a screwdriver | 1:06:57 |
| or any drink that contained orange juice | 1:06:59 | |
| and there was signs everywhere in every gay bar. | 1:07:03 | |
| Men's bars, women's bars, bike bars, dyke bars. | 1:07:06 | |
| It didn't matter with orange, and the no sign, | 1:07:12 | |
| the international no sign, no oranges. | 1:07:17 | |
| And a lot of people did not know | 1:07:22 | |
| that Florence Henderson | 1:07:24 | |
| was almost as much involved with that | 1:07:26 | |
| as Anita Bryant, but her name was not out there. | 1:07:30 | |
| And she was in that television show, | 1:07:34 | |
| The Brady Bunch, and her co-actor, | 1:07:38 | |
| her husband in that show | 1:07:42 | |
| was actually gay and wound up dying of AIDS. | 1:07:46 | |
| And she basically had this change of heart | 1:07:50 | |
| and started, you know trying to support | 1:07:55 | |
| AIDS movements and stuff. | 1:07:57 | |
| But that was way after she was right alongside | 1:08:00 | |
| Anita Bryant, trying to kick us into the ground. | 1:08:03 | |
| - | Um um um. | 1:08:06 |
| - | So I've never been Florence Henderson fan either. | 1:08:07 |
| - | I don't remember that because | 1:08:10 |
| Brady Bunch was a little after, wow. | 1:08:12 | |
| - | Wow. | 1:08:15 |
| But yeah, you can't talk about Miami and any kind-- | 1:08:16 |
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