Brock, Rita
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| (chattering) | 0:00 | |
| - | OK, we're now recording, and if you could, | 0:06 |
| thank you so much for agreeing to be interviewed. | 0:08 | |
| And if you could just say your full name, please. | 0:10 | |
| - | Rita Nakashema Brock. | 0:13 |
| - | Thank you very much. | 0:15 |
| And are you layer clergy? | 0:16 | |
| - | I'm neither nor and both in. | 0:19 |
| - | Oh, great, explain this. | 0:21 |
| - | A period of my life where being clergy was | 0:22 |
| useful to the work I did. | 0:27 | |
| I applied for and got regional commissioned | 0:30 | |
| minister standing in the Disciples of Christ denomination. | 0:34 | |
| - | OK. | 0:37 |
| - | So I was at the time I started doing this, | 0:38 |
| they called it licensed ministry, rather than | 0:41 | |
| ordained ministry, now it's commissioned rather than | 0:44 | |
| ordained, but I did , I think it was, three years | 0:46 | |
| at Chapman University as a campus minister while | 0:50 | |
| I was a PHD student, so I was reverend in that period, | 0:53 | |
| when I was a chaplain. | 0:56 | |
| And then | 0:58 | |
| when I moved out to Oakland in 2002 and I was doing | 1:01 | |
| progressive faith organizing, it was helpful to me to be | 1:05 | |
| working with rabbis and imams and people, | 1:09 | |
| and be able to call myself reverend. | 1:12 | |
| It marked me in a certain way, so I applied through | 1:14 | |
| Northern California, and I had commission standing | 1:16 | |
| for about eight or 10 years out there. | 1:18 | |
| And then when I moved to Texas, I got it there. | 1:21 | |
| So for about the last 13 or 14 years, I've been | 1:26 | |
| a commissioned minister for the work I've been doing, | 1:29 | |
| but I'm not ordained, so I can't just leave the region | 1:33 | |
| and call myself reverend and take a church or something. | 1:36 | |
| That's, it's just a different category from what | 1:40 | |
| the work of ministry outside traditional ordained | 1:44 | |
| church membership. | 1:47 | |
| - | Oh, fascinating. | |
| - | Or ministry. | 1:49 |
| Yeah. | 1:50 | |
| - | Yeah, OK. | |
| Well, thank you. | 1:51 | |
| - | So I could work in | |
| a church if I wanted to, but I've never wanted to. | 1:53 | |
| - | Sure, oh, that's interesting. | 1:55 |
| So Rita, where and when were you born? | 1:56 | |
| - | 1950 in Fukuoka, Japan. | 2:00 |
| - | OK. | 2:02 |
| OK, great. | 2:03 | |
| - | Yeah. | |
| - | And then you grew up in Kansas, is that right? | 2:05 |
| - | Well, no, I grew up for six years in Japan. | 2:07 |
| And then I moved to Fort Riley, Kansas when I was six | 2:11 | |
| and changed language, culture, religion, and geography | 2:14 | |
| all at once. | 2:17 | |
| - | OK. | 2:18 |
| - | And I was raised | |
| in a military family. | 2:21 | |
| Six years in Fort Riley, a year in Emily, Mississippi, | 2:22 | |
| in a civilian, very racist environment, | 2:24 | |
| and then three years in Landstuhl, Germany. | 2:27 | |
| And then the last place my father was still | 2:30 | |
| in the military is Barstow, California, where he was | 2:32 | |
| sent to Vietnam. | 2:35 | |
| - | Wow. | |
| - | So because I was already in Southern California, | 2:37 |
| I went to all my higher education there. | 2:39 | |
| So Chapman in Claremont. | 2:43 | |
| - | Great, oh, thank you. | 2:45 |
| And you've already talked about where you went to school. | 2:47 | |
| So Chapman in Claremont, yeah. | 2:51 | |
| And then what work or ministry were you doing at the time of | 2:53 | |
| 1993 to 2003? | 2:57 | |
| - | I was a professor in the endowed chair and humanities | 3:00 |
| at Hamline, University. | 3:03 | |
| And I was there from 1990 to 1997. | 3:05 | |
| I was teaching a women's studies class in religion | 3:07 | |
| at the time, I don't remember what it was called anymore. | 3:11 | |
| But I had about 25 students. | 3:14 | |
| And I made Reimagining a class assignment. | 3:17 | |
| - | Really? | 3:21 |
| - | And I talked to | |
| Sally and the planning committee about letting my students | 3:22 | |
| attend without attending the whole thing, | 3:26 | |
| I just said you have to go and attend one thing. | 3:30 | |
| - | Yes. | 3:32 |
| - | And they let me do that. | 3:33 |
| And a lot of them didn't go to the planning events | 3:35 | |
| when they went to the workshops on topics. | 3:37 | |
| - | Yeah. | 3:40 |
| - | But they all found it amazing, even the men. | 3:41 |
| I had quite a few men in the class. | 3:43 | |
| - | They did, so they were really positive about it. | 3:45 |
| - | I used to have a lot of men in my women's studies classes, | 3:47 |
| it was great. | 3:50 | |
| - | Yes, yes. | |
| That is great. | 3:51 | |
| - | Yeah. | |
| It was Minnesota. | 3:53 | |
| (laughing) | 3:55 | |
| - | That's right. | 3:56 |
| And I know you've done several things after Reimagining. | 3:58 | |
| I'll give you a second there. | 4:01 | |
| - | All right. | 4:02 |
| (laughing) | 4:04 | |
| - | We're having lunch. | 4:06 |
| We want to leave you a little time to eat, too. | 4:08 | |
| - | So, what like? | 4:10 |
| - | Just briefly, what you did after Reimagining. | 4:12 |
| I know it's been several different things. | 4:15 | |
| - | You mean occupationally? | 4:17 |
| - | Occupation, right, yes. | 4:18 |
| - | Oh, I left Hamline to run the Bunting Institute | 4:20 |
| at Harvard University, at Radcliffe College, at the time. | 4:23 | |
| And it was a one year residential fellowship program | 4:27 | |
| for exceptionally talented women early in their careers. | 4:31 | |
| And I ran that for four years, and there were 40 fellowships | 4:37 | |
| a year. | 4:39 | |
| And I directed it. | 4:42 | |
| I was also in the same time put on the strategic planning | 4:44 | |
| team for the Radcliffe Harvard merger, which my group | 4:49 | |
| put together, the plan for the merger and then the | 4:51 | |
| leader of our group was on the negotiating team | 4:54 | |
| with Harvard, and we got everything we wanted. | 4:58 | |
| - | Wow. | 5:00 |
| - | And in my second year, | |
| we became the Radcliffe Institute for Advanced Study | 5:02 | |
| at Harvard University. | 5:04 | |
| And my program became the premiere institute for this | 5:06 | |
| advanced research institute. | 5:09 | |
| And so the last two years I was there, we were at | 5:11 | |
| Harvard University and because we got a lot of money | 5:14 | |
| for going in, $250,000,000 to our, they doubled | 5:18 | |
| our endowment, we got this little cash fund to bring | 5:22 | |
| six senior fellows who had originally been fellows | 5:26 | |
| and early on, and the institute was 37 years old | 5:30 | |
| when I took it over. | 5:34 | |
| These were all women, early fellows that I could invite | 5:36 | |
| back and I got to basically pick a lot of them. | 5:39 | |
| So, I brought back Judith Glasgow. | 5:44 | |
| - | Oh, goodness. | 5:47 |
| - | She'd been a fellow. | |
| I brought back Judith Herman, common recovery. | 5:50 | |
| - | Wow. | 5:58 |
| - | I brought back Nancy Totoro, pre-production of mothering. | 5:59 |
| I brought back Sue Miller, the novelist. | 6:04 | |
| I brought back, | 6:07 | |
| I'm thinking who I brought back. | 6:12 | |
| Judy. | 6:15 | |
| Judith. | 6:16 | |
| Sue. | 6:18 | |
| Nancy Totoro. | 6:19 | |
| I'm trying to think, there was a whole group of them. | 6:21 | |
| It was really fab, oh, Mary Katherine Bateson. | 6:23 | |
| - | Oh, really? | 6:27 |
| - | She was a fellow. | |
| So these were all fellows while I was there, | 6:29 | |
| but they were sort of the senior group. | 6:31 | |
| But the, you know, there were people, Alice Walker | 6:33 | |
| wrote her first novel there. | 6:37 | |
| - | Did she really? | 6:38 |
| - | She did. | |
| And let me think, what else? | 6:40 | |
| (chattering) | 6:42 | |
| The first two poets were Maxine Cuman and Anne Sexton. | 6:47 | |
| They both won Pulitzers. | 6:51 | |
| The number of the writers that won Pulitzers. | 6:53 | |
| Sue Miller wrote her first novel on our kitchen table | 6:58 | |
| while she was at the Bunting. | 7:01 | |
| Marsha McNutt is a junior biologist at MIT came, | 7:03 | |
| now she's editor of Nature Magazine. | 7:08 | |
| Or the Nature Journal, I'm sorry. | 7:10 | |
| And she was chair of the president's science advisory board | 7:12 | |
| for Obama, she was head of | 7:15 | |
| Monterey Bay Aquarium Association. | 7:17 | |
| One of my fellows is now head of the Iowa Writers Workshop. | 7:19 | |
| - | Really? | 7:22 |
| - | Samantha Chang. | |
| You know, it's just, these are the kind of caliber of women | 7:27 | |
| that I got to work with for four years and one of the | 7:30 | |
| women I had was on the truth and reconciliation commission | 7:33 | |
| in South Africa, (foreign language spoken) was her name. | 7:41 | |
| She's a social psychologist. | 7:42 | |
| And a friend of Desmond Tutu, so she got an endorsement | 7:44 | |
| for proverbs of ashes for us from him. | 7:47 | |
| - | Oh my goodness. | 7:51 |
| - | I said, "Do you think?" | |
| I said to her, "Puma, I know that the theological ideas | 7:53 | |
| "in this book are kind of out there, | 7:56 | |
| "but do you think that, you know, Bishop Tutu might | 7:58 | |
| "possibly endorse it?" | 8:02 | |
| She said, "He will if I tell him to." | 8:04 | |
| (laughing) | 8:05 | |
| - | Oh, I love that. | 8:07 |
| - | And he wrote us a three page critique of our theology, | 8:08 |
| but he endorsed it. | 8:10 | |
| - | Did he really? | |
| - | Yeah. | 8:12 |
| - | Oh my goodness. | |
| - | It was wonderful, actually. | 8:14 |
| - | It is. | |
| He really took it seriously. | 8:16 | |
| - | He did. | |
| He was very upset. | 8:17 | |
| - | How fantastic. | |
| (laughing) | 8:19 | |
| - | But he was like gracious about the endorsement, | 8:22 |
| it was all right. | 8:23 | |
| And so I had an amazing experience. | 8:26 | |
| Annette Smith was another graduate of the program. | 8:28 | |
| She was an unknown theater professor at Harvard | 8:32 | |
| and she went, she went, I mean, at Stanford University, | 8:34 | |
| and she went to Broadway with her Bunting project. | 8:37 | |
| Fires in the Mirror was her Bunting project. | 8:41 | |
| - | Really? | 8:42 |
| - | So it was just an astonishing array of talent. | 8:43 |
| I now know things about incredible research areas | 8:46 | |
| that, you know, I know how an X-ray telescope works, | 8:52 | |
| I understand anti-angiogenic cancer therapy. | 8:54 | |
| I understand the P53 grim reaper gene flip switch | 8:57 | |
| that cancer uses to turn. | 9:01 | |
| I know how certain kind of computer science things. | 9:03 | |
| It's just bizarre what I learned in four years. | 9:09 | |
| It's wonderful to know. | 9:11 | |
| - | What a fantastic experience. | 9:13 |
| - | So, of course, now my work | |
| with veterans involves a lot of neuroscience. | 9:15 | |
| - | Yes. | 9:18 |
| - | I had a neuroscientist | |
| explain to us what an MRI was, and then she had this project | 9:20 | |
| and all the fellows volunteered to be part of it and | 9:23 | |
| you know, so I'd had an MRI done and it's like, | 9:25 | |
| OK, it's really very cool. | 9:28 | |
| Yeah, so I just, I understand, basic science stuff doesn't | 9:30 | |
| scare me anymore, you know? | 9:35 | |
| I mean, I was a science major in college, but it's changed | 9:37 | |
| so much, so I had a little tune up in those years. | 9:39 | |
| And so now, you know, neuroscience is hot in pastoral | 9:43 | |
| theology and there are all these people that are | 9:46 | |
| writing books on neuroscience. | 9:49 | |
| You know, they're good books, but what I prefer to do | 9:51 | |
| is to read the journal articles. | 9:53 | |
| - | Yes. | 9:55 |
| - | And I don't get | |
| the entire formulaic and the, you know, I don't get all | 9:57 | |
| of it, but I can read them well enough to understand | 10:00 | |
| whether they're solid studies or not, and what the | 10:02 | |
| conclusions might mean. | 10:05 | |
| - | Yes. | 10:06 |
| - | And that's fun. | |
| - | Yes. | 10:07 |
| - | It is fun. | |
| - | Well, that's wonderful. | 10:09 |
| And it's so relevant for what you're doing. | 10:10 | |
| - | Uh huh. | 10:12 |
| - | Great, that's great. | |
| Shifting to the Reimagining. | 10:14 | |
| - | So sorry. | |
| - | Yes, no, that was fascinating. | 10:16 |
| - | Five years at Harvard cured me of academia. | 10:17 |
| So I moved to Oakland to finish this Singing Paradise | 10:20 | |
| book with Rebecca, I thought I'd do it for two years, | 10:23 | |
| and then become a dean or a president or something, | 10:26 | |
| and the book took six years, so I wound up | 10:28 | |
| self employed for 10 years and in there I had a half time | 10:30 | |
| contract as a senior editor in religion for the new press | 10:33 | |
| in New York, so I got totally introduced to the world | 10:37 | |
| of publishing in New York City. | 10:41 | |
| And they asked me to do a progressive religion series, | 10:43 | |
| so I invited my friends to write books. | 10:46 | |
| Or I asked them who should. | 10:49 | |
| So, you know, I did Jim Forbes' last book. | 10:50 | |
| Dan McGwire did a book for me. | 10:54 | |
| Rebecca Alper. | 10:57 | |
| I had so much fun doing that series. | 10:58 | |
| I got laid off in the LA crash. | 11:00 | |
| - | Oh, yes. | 11:03 |
| - | And now you're doing soul repair. | 11:04 |
| - | Yeah, in that 10 years of self employed work led to this | 11:08 |
| Truth Commission on Conscience and War Project, | 11:10 | |
| and then the Moral Injury Center, and I decided | 11:14 | |
| I needed a pay job anyway, so we wrote a grant | 11:17 | |
| to create the center. | 11:19 | |
| And we waited a year, Lily was the funder, | 11:22 | |
| and they held the money for a year until I found | 11:27 | |
| a home for the seminary, because I wanted it to be | 11:30 | |
| at the seminary. | 11:34 | |
| They wouldn't fund in California, so I had to find | 11:35 | |
| a place outside of the GTU. | 11:36 | |
| Which is where I had originally wanted to do it. | 11:38 | |
| - | Sure. | 11:40 |
| What a fascinating career, and so many different things | 11:42 | |
| coming together, it is fantastic. | 11:44 | |
| So, I know you presented at many, | 11:47 | |
| several of the conferences. | 11:50 | |
| And I'm wondering what led to your initial involvement | 11:54 | |
| in the Reimagining gathering. | 11:56 | |
| Do you remember? | 11:59 | |
| - | Well, I was in the Twin Cities, and a feminist theologian. | 12:00 |
| And I knew some of the people at United that were | 12:03 | |
| on the planning committee and | 12:07 | |
| so I kind of knew it was happening. | 12:09 | |
| I don't think I followed it super closely because I wasn't | 12:15 | |
| one of the clergy people involved. | 12:17 | |
| But I was all excited. | 12:20 | |
| I was really thrilled that it was happening and I was | 12:22 | |
| excited to be presenting at it. | 12:24 | |
| With so many amazing women. | 12:27 | |
| So, you know, I don't know, clearly it became the | 12:29 | |
| feminist theology event of the decade. | 12:33 | |
| And the first one really, of it its magnitude and scope. | 12:37 | |
| - | Say some more about that. | 12:43 |
| What do you recall from that 1993-- | 12:45 | |
| - | I remember Mercy Odiyoya, to have a feminist theology | 12:47 |
| conference in the US, have somebody from Africa, | 12:49 | |
| Asian women, the 27 countries sent women, | 12:53 | |
| I mean, they didn't send them, but women came from | 12:58 | |
| 27 countries, was a testimony to its scope. | 13:00 | |
| And at the time, I think I was a member of the | 13:06 | |
| Ecumenical Association of Third World Theologians, | 13:09 | |
| and it felt like they were really tapping into this | 13:12 | |
| international energy around feminism that was emerging | 13:15 | |
| and so, I wouldn't have missed it. | 13:19 | |
| I mean, in fact, you know, I sent my students | 13:23 | |
| because I thought it was a really important event, | 13:25 | |
| and who knew how important it was going to become, right? | 13:28 | |
| - | Exactly, that's right, yeah. | 13:32 |
| Are there any specific moments from that '93 conference | 13:34 | |
| that you mentioned, Mercy, yeah. | 13:37 | |
| - | Mercy was fabulous. | 13:40 |
| Bernice Johnson Reagan was fabulous. | 13:42 | |
| I remember all of those LGBT women. | 13:44 | |
| It was a huge group. | 13:49 | |
| Some of them had to wear things on their heads. | 13:51 | |
| That was sad, but that they all stood up there | 13:53 | |
| was fabulous, I remember that moment. | 13:55 | |
| I remember the artists painting in the background. | 13:57 | |
| I think Tiny Heck and Judy Chin were both at it, right? | 14:01 | |
| I don't know, I get it confused, but anyway, there was | 14:04 | |
| art going on. | 14:07 | |
| And I remember the set up of the round tables and the | 14:09 | |
| whole way, you know, I haven't even turned that podium, | 14:11 | |
| was really kind of neat because if you had a transition | 14:16 | |
| in your talk, that's when you would turn the podium | 14:20 | |
| and you didn't have to fake a transition, you could just | 14:22 | |
| turn the podium. | 14:24 | |
| - | Yes. | |
| - | Next section. | 14:27 |
| - | Uh huh. | |
| - | SO I really enjoyed that and it was the only time | 14:29 |
| in my life I ever wore my mother's kimono. | 14:32 | |
| - | Is that right? | 14:34 |
| Wow. | 14:36 | |
| - | To give a presentation | |
| because the back of it is beautiful. | 14:37 | |
| - | Oh. | 14:41 |
| - | And whoever looks at | |
| your back? | 14:42 | |
| Right, but in the round, you need to have your back | 14:43 | |
| interesting. | 14:45 | |
| - | Oh, I love that detail. | |
| Yes. | 14:49 | |
| - | Yeah, so I wore it. | |
| And she had gotten it, it wasn't an antique or anything, | 14:51 | |
| she had gotten it like in the '70s when she went | 14:54 | |
| back to Japan, she just wanted to own one. | 14:56 | |
| I got married in it, actually. | 15:00 | |
| - | Wow. | 15:01 |
| - | It doesn't fit me anymore, | |
| but I wore it as a robe rather than as a kimono, | 15:02 | |
| so I didn't have all the accoutrements, I just | 15:06 | |
| wore it so that you could see the back, my back wasn't | 15:08 | |
| so boring. | 15:11 | |
| - | Oh. | |
| - | And that was fun. | 15:13 |
| - | Yes. | |
| - | That was really fun. | 15:15 |
| But I remember, there are several things that still stay | 15:16 | |
| with me, one is the energy in the room. | 15:21 | |
| - | Yeah, yeah. | 15:24 |
| - | The hunger for this, | |
| and the joy of having it. | 15:26 | |
| And all the rituals. | 15:28 | |
| - | What do you remember about the rituals? | 15:33 |
| - | They connected people. | 15:35 |
| A lot of them happened around those round tables. | 15:37 | |
| Little tobacco things and the crayons and then | 15:39 | |
| the singing of La Sofia every time, that sort of | 15:42 | |
| punctuated everything. | 15:48 | |
| I think that was the strength of the whole conference | 15:50 | |
| was the rituals, actually. | 15:53 | |
| I think the content of the talks disappears, | 15:55 | |
| but the embodied ritual process is really, | 15:57 | |
| is what changes people, is really powerful, | 16:00 | |
| and that's what Reimagining did really, really well. | 16:04 | |
| They attended to that with great care. | 16:05 | |
| - | Yes. | 16:08 |
| - | And I think that's why it was so powerful. | 16:09 |
| I mean, the talks were inspiring. | 16:13 | |
| What I know from the neuroscience is, it's really | 16:16 | |
| the rituals that make it work. | 16:18 | |
| And I didn't know that at the time, I just knew they | 16:20 | |
| were really fabulous. | 16:22 | |
| And partly, you know, Mary Hunt and I, | 16:24 | |
| because Mary presented at one of the workshops, | 16:29 | |
| she was asked to do the Nightline show, I wound up doing. | 16:32 | |
| Where she was on vacation, and they asked her, | 16:37 | |
| "Well, who else?" | 16:38 | |
| She said, "Oh, call Rita Brock." | 16:39 | |
| So they called me and I agreed to do it. | 16:41 | |
| Well, Mary Hunt, you know, the backlash and the controversy | 16:42 | |
| erupted, and Mary Hunt one time had, and I had | 16:46 | |
| a conversation about, we said, "You know, | 16:49 | |
| "it's just kind of weird because none of us did | 16:51 | |
| "our really radical feminists, it was a church | 16:54 | |
| "lady conference, so we did church things." | 16:56 | |
| You know, we tried to be attended to who would be there | 17:00 | |
| and help them understand their life and stuff and so, | 17:03 | |
| we didn't do our really radical stuff. | 17:05 | |
| So why are people so upset? | 17:08 | |
| It was like so puzzling to us. | 17:11 | |
| We just, you know, like, well, OK, this must be | 17:13 | |
| a real threat to people, that they're on their | 17:17 | |
| high horse about something so moderate and nice. | 17:19 | |
| - | Exactly. | 17:23 |
| - | So that's what, | |
| you know, yeah. | 17:25 | |
| So the ideas, I don't think it was, I mean, I think | 17:27 | |
| some of the workshops were better in terms of like | 17:30 | |
| Dolores and Prelan and the Christology one and | 17:33 | |
| and lot of my students went to that one, | 17:35 | |
| push it forward, but in terms of the plantery talks, | 17:37 | |
| they were inspiring and really good, but you know, | 17:41 | |
| I don't think that was what made it work. | 17:43 | |
| It was really the power of the ritual and the connections | 17:46 | |
| and women not feeling alone and | 17:49 | |
| so many women came from places where they were | 17:53 | |
| the only feminist in the town and they were pastoring | 17:55 | |
| a church and feeling really alone and for them | 17:58 | |
| it was transformative. | 18:00 | |
| - | Exactly. | 18:02 |
| - | Because they really | |
| made a carefully designed so that women who came alone | 18:04 | |
| had people to sit with. | 18:10 | |
| They got to know. | 18:14 | |
| So I don't think anybody had to go eat alone. | 18:15 | |
| Or you know, they really took care to do that. | 18:19 | |
| I thought that was really fabulous. | 18:21 | |
| - | Yes, yes. | 18:23 |
| Exactly. | 18:25 | |
| And even thinking about mittens for people, I mean, | 18:26 | |
| all the details. | 18:28 | |
| - | All the details. | |
| - | Exactly. | 18:29 |
| - | They got the details right. | |
| - | Yes. | 18:31 |
| Now, you were starting to talk about the backlash. | 18:33 | |
| First of all, did it affect you directly? | 18:35 | |
| - | Mm mm. | 18:37 |
| Well. | 18:38 | |
| It affected me in a positive way. | 18:41 | |
| - | Oh. | 18:43 |
| - | I mean, I'm not | |
| grateful for it or anything, but I thought it was stupid, | 18:45 | |
| but I worked at Hamline, which is a liberal university, | 18:49 | |
| so when I wound up on Nightline, they were just thrilled | 18:55 | |
| I was on anything. | 18:58 | |
| So the PR person came with me to make sure | 19:00 | |
| they said the name right and spelled it correctly. | 19:03 | |
| - | Really? | 19:05 |
| - | Oh yeah. | |
| My name, the school's name. | 19:07 | |
| - | Oh. | 19:09 |
| - | She still, she's a Facebook friend. | 19:10 |
| (laughing) | 19:12 | |
| We used to, you know, so I made a deal with her office, | 19:14 | |
| I said, | 19:18 | |
| "I will do this if you agree to screen any comment | 19:20 | |
| "comes to the university switch board for me." | 19:27 | |
| - | Oh. | 19:29 |
| - | Because people get | |
| death threats and stuff. | 19:31 | |
| - | Right. | |
| - | So she said, "Oh, we're happy to do that." | 19:34 |
| And I said, "And I want," and I told the university, | 19:38 | |
| "I want somebody to open any mail of a name I don't | 19:41 | |
| "recognize--" | 19:44 | |
| - | Very smart. | |
| - | And if there's any threats or something, they need | 19:46 |
| to go in a file and reported to the police. | 19:48 | |
| They said fine. | 19:50 | |
| And so I agreed to do it. | 19:51 | |
| Then Barbara came with me to the studio and it was kind | 19:53 | |
| of neat to have somebody standing there rooting for me | 19:57 | |
| because you don't see anything. | 20:00 | |
| I can't see what's going on on the TV set, | 20:02 | |
| you've got this little thing in your ear, and you're | 20:04 | |
| only listening. | 20:06 | |
| But I got a call from the producer ahead of time | 20:08 | |
| and it was really clear they didn't really understand | 20:12 | |
| what the controversies were. | 20:14 | |
| They thought it was about whether the Bible was | 20:16 | |
| literally true or not. | 20:17 | |
| And I said, "You know, that's kind of like asking | 20:19 | |
| "if Newton's true or not, after the era of Einstein." | 20:22 | |
| - | Right. | 20:25 |
| - | And I said, "You know," it was just when I was working | 20:26 |
| on the opening chapter for an introduction | 20:30 | |
| of feminist theology that my denomination was doing, | 20:34 | |
| I said, "Let them see this little introduction I was | 20:36 | |
| "for clergy women," and so I sent them this 15 page, | 20:39 | |
| you know, double space introduction on | 20:43 | |
| what is feminist theology. | 20:45 | |
| And all the producers that called me were female. | 20:47 | |
| Well, when I got on the, and then I talked to the | 20:51 | |
| communicate, this is all stuff I learned about | 20:55 | |
| when you do these things, what you need to do. | 20:57 | |
| Because I didn't know anything. | 20:59 | |
| I asked the communications people at Hamline about | 21:00 | |
| Nightline. | 21:04 | |
| And this woman said, "Be careful." | 21:06 | |
| She said, "That show is always stacked. | 21:09 | |
| "That first set piece they do that describes the problem, | 21:13 | |
| that always has a slant, so you need to listen | 21:15 | |
| carefully to see if it's gonna go your way | 21:19 | |
| or go against you. | 21:22 | |
| And if it's going your way, you're fine, | 21:24 | |
| but if it goes against you, you need to have | 21:26 | |
| a strategy to returning the momentum of the show. | 21:29 | |
| - | Wow. | 21:32 |
| - | I should really should, they said, "Yeah, be careful. | 21:33 |
| "It's not a neutral news show." | 21:37 | |
| So I thought, "Well, OK." | 21:38 | |
| So I, you know, I sort of called people and said, | 21:41 | |
| "What if they do?" | 21:44 | |
| Sort of strategized how I could turn the momentum | 21:46 | |
| of the show, well, I'm listening to the set piece | 21:48 | |
| at the beginning thinking, "OK, is this going my way | 21:51 | |
| "or not?" | 21:53 | |
| They plagiarized my introduction. | 21:54 | |
| - | No, seriously? | 21:57 |
| - | No, it was fabulous, | |
| I'm just like sitting there thinking, | 22:00 | |
| "I'm riding this baby home." | 22:02 | |
| (laughing) | 22:03 | |
| It was like, "Oh, yes." | 22:05 | |
| Oh yes, right, right. | 22:06 | |
| That's when I learned, be nice to the media. | 22:08 | |
| Don't be offensive. | 22:12 | |
| Give them all the information that will help them. | 22:13 | |
| All of that. | 22:16 | |
| Have a good friend, even if you don't like what they're | 22:17 | |
| asking you, give them, you know. | 22:19 | |
| So that was, so all I had to do was stay with that energy | 22:21 | |
| and the woman from the IRD was-- | 22:26 | |
| - | Susan Cride. | 22:30 |
| - | --Stryden, yes, | |
| she just wasn't very smart about, she didn't know, | 22:33 | |
| obviously they hadn't coached her very well, | 22:34 | |
| and she didn't have, she wasn't very sophisticated, right? | 22:36 | |
| So I remember, and the guy came on the earphones | 22:40 | |
| and he says to me, before the show starts he said, | 22:42 | |
| "Now, remember, this is a debate, don't, you know, | 22:44 | |
| "you need to let your opponents make her points, | 22:48 | |
| "but you don't need to let her go on and on | 22:50 | |
| "if she's already made her point. | 22:51 | |
| "You're free to interrupt." | 22:53 | |
| So, she was saying, she had one point she repeated | 22:55 | |
| over and over, "You can't change God, you can't change God." | 22:58 | |
| So about the second or third time she started into that | 23:01 | |
| trope I said, "Oh, please." | 23:03 | |
| I said, "No right minded theologian ever thinks you're | 23:06 | |
| "actually talking about God, you're talking about | 23:10 | |
| "symbols for God. | 23:12 | |
| "Those change all the time. | 23:14 | |
| "And in fact, people who get PHDs in theology, | 23:15 | |
| "that's what they do. | 23:19 | |
| "They think about how you think about God." | 23:21 | |
| And I said, "We've earned the right to do that | 23:23 | |
| "because we have our doctorates." | 23:26 | |
| - | Great. | 23:28 |
| - | I just wanted | |
| to flat out say that. | 23:29 | |
| We're doing a good job of that, or something like that. | 23:31 | |
| And it just completely took the wind out of her sails. | 23:35 | |
| - | That was her one point. | 23:38 |
| - | That was her one point, | |
| and she really didn't have much more going for her. | 23:39 | |
| So, so, I just learned a lot about how you do media stuff, | 23:41 | |
| from that one experience, and then I got calls | 23:46 | |
| from all over the country, as soon as the show was over. | 23:50 | |
| - | Did you? | 23:53 |
| - | When it aired? | |
| Yeah. | 23:55 | |
| I think, I don't think it was live, I think it was taped | 23:56 | |
| and then aired. | 23:58 | |
| And I got, you know, the woman who was head of the | 24:00 | |
| National Council of Churches call me. | 24:04 | |
| Campbell, Joan Campbell called me. | 24:06 | |
| Her daughter's Joan, is that it? | 24:09 | |
| Jane, her daughter's Jane, she's Joan. | 24:12 | |
| Anyway, she called me, this woman at Connecticut | 24:14 | |
| College of Rights on Women and Humor that I'd had | 24:17 | |
| a conference invite her to, she called me. | 24:19 | |
| She said, "Oh, Michael and I were laying in bed | 24:22 | |
| "watching Nightline and there you were. | 24:23 | |
| "It was really great, you did a great," | 24:25 | |
| it was really funny. | 24:27 | |
| An old boyfriend I didn't know for years called, | 24:28 | |
| I mean from, it was just strange. | 24:30 | |
| So that was, that was a really interesting experience, | 24:32 | |
| but I was protected at Hamline because they were | 24:36 | |
| delighted I was on TV. | 24:40 | |
| They didn't care what I said. | 24:42 | |
| And Barbara would call me, oh, I don't know, | 24:44 | |
| for six months or so, every now and then, | 24:49 | |
| she'd call me, she'd say, "Hey. | 24:51 | |
| "You want to know who called you?" | 24:53 | |
| And she'd tell me the funny calls, the crazy crackpot | 24:55 | |
| calls that would come in for me. | 24:58 | |
| - | I was wondering, did you get those? | 25:01 |
| Yeah, yeah? | 25:02 | |
| - | And I got a few crack, I didn't get any threats, | 25:03 |
| but I got a lot of crackpot letter kind of things | 25:05 | |
| I didn't have to leave. | 25:07 | |
| I just decided I didn't want to have to deal with 'em. | 25:08 | |
| And I didn't read them. | 25:10 | |
| But Barbara just enjoyed the funniness of it, | 25:12 | |
| and so we would have these like humorous moments | 25:14 | |
| where she would tell me, "Oh, we got a call today | 25:16 | |
| "from a mister blah blah blah. | 25:19 | |
| "He thinks some blah." | 25:21 | |
| (laughing) | 25:22 | |
| - | Oh, I'm so glad, I'm so glad. | 25:25 |
| By the way, before I forget. | 25:28 | |
| I have been trying to get, I have a couple people | 25:30 | |
| who might be able to send me the video. | 25:33 | |
| You don't happen to have access to, or know where | 25:34 | |
| I could get it? | 25:37 | |
| - | I have it. | |
| Somewhere in a box on one of those tapes. | 25:38 | |
| - | VCR tapes? | 25:45 |
| - | VCR tapes. | |
| - | Yes, yes, yes. | 25:46 |
| - | I do. | |
| I have that. | 25:48 | |
| - | Well. | 25:49 |
| - | I would love to | |
| turn, I'm sending my archives to the Radcliffe Schlesinger | 25:50 | |
| Library. | 25:54 | |
| - | OK, great. | |
| - | So, it would go there otherwise. | 25:56 |
| - | OK. | 25:57 |
| - | So, I mean, | |
| I can just send it to them and it can be accessible, | 25:59 | |
| but it does exist and I have it. | 26:02 | |
| - | That's great, that's great. | 26:04 |
| Well, good, so. | 26:05 | |
| Because the other thing is, we really want to get it | 26:07 | |
| digitized because that technology is not going to be, | 26:08 | |
| I mean, it's already virtually inaccessible. | 26:12 | |
| - | It actually might be more useful in your hands then, | 26:15 |
| because I don't know that Radcliffe would do that. | 26:16 | |
| - | Yeah, well, if you don't mind doing that, | 26:19 |
| that would be great, and then I can give it to, | 26:21 | |
| well, we can talk later about which archive might want it, | 26:22 | |
| because I'm sure they might want that, too. | 26:25 | |
| So, that'd be great. | 26:27 | |
| But we're trying, we would like to digitize it. | 26:28 | |
| - | Might be union because of the media piece. | 26:30 |
| - | Yeah, that's a good idea. | 26:32 |
| Yes, that would be great. | 26:33 | |
| So, how do you account for the backlash? | 26:35 | |
| You mentioned that a lot of these ideas were | 26:39 | |
| fairly moderate, so what accounts for the backlash? | 26:41 | |
| - | The IRD? | 26:46 |
| The main leader of that. | 26:48 | |
| Was created by Jim Watt and Daniel Patrick Moynihan | 26:51 | |
| and Skip Jackson. | 26:54 | |
| When the Democrats, | 26:56 | |
| it was during the Reagan years. | 27:02 | |
| It's all part of the Reagan resolution, right? | 27:04 | |
| Which killed the mainline churches because | 27:06 | |
| it wasn't created to take out feminist theology, | 27:08 | |
| but it was created to take out the mainline churches | 27:13 | |
| because of the Iran Contra opposition to the | 27:18 | |
| Reagan illegal, and the cocaine trafficking, | 27:22 | |
| and the government used to pay for it. | 27:27 | |
| So all the just say no, drug thing, | 27:31 | |
| was also aided and abetted by Birches, the head of the CIA | 27:34 | |
| and Reagan, the administration using cocaine money. | 27:39 | |
| That's when the streets of the drop, | 27:45 | |
| street value of cocaine dropped a tenth of its | 27:48 | |
| original value because it was so much cocaine in it. | 27:50 | |
| And then crack cocaine epidemic and all that, | 27:53 | |
| that was part of the Contra war thing. | 27:55 | |
| - | Wow. | 27:58 |
| - | I've researched all this really carefully because | 27:59 |
| I wanted to know who my opponents were. | 28:01 | |
| - | Right. | 28:03 |
| - | So, the IRD's mission was to | 28:06 |
| destroy or sort of defang the mainline churches. | 28:11 | |
| One step removed from any political involvement | 28:17 | |
| of any administration. | 28:20 | |
| They called it one step removed. | 28:22 | |
| And so, that's its job. | 28:24 | |
| Still is. | 28:28 | |
| And it tried everybody, and even tried to make the, | 28:29 | |
| their job was to destroy or make the mainlines | 28:31 | |
| go rightward, those were the two objectives. | 28:35 | |
| They even tried to do that to the UU's, | 28:38 | |
| but they gave up. | 28:40 | |
| And they gave up when the UCC pretty early, too. | 28:42 | |
| And the disciples because our right wing screwed up. | 28:44 | |
| It wasn't very smart. | 28:48 | |
| And so it narrowed, finally, its choices to the | 28:50 | |
| Episcopal, Presbyterian and Methodist churches, | 28:53 | |
| and they're still working on them. | 28:56 | |
| But we got in their crosshairs because | 28:58 | |
| we were an easy target. | 29:04 | |
| They could caricature things and they didn't, | 29:10 | |
| their people didn't identify as media, but they | 29:13 | |
| wrote all these trashing articles and | 29:15 | |
| I think by then, abortion had become a big deal | 29:19 | |
| as a wedge issue for them, because that was a change | 29:23 | |
| that happened in the late '70s, | 29:27 | |
| a Southern Baptist convention, and then pro Roe V Wade | 29:29 | |
| suddenly went anti-abortion, all that stuff happened | 29:31 | |
| with the right wing as a strategy for defending Bob Jones. | 29:33 | |
| It was a racist, white supremacist strategy, and the IRD | 29:38 | |
| became all part of that. | 29:42 | |
| So, I think the feminists, there was a lot of, | 29:43 | |
| you know, there was anti-gay, anti-abortion, | 29:49 | |
| all of that stuff was going on and so, | 29:51 | |
| Reimagining just got in those crosshairs. | 29:55 | |
| As collateral damage. | 29:57 | |
| And an easy target. | 30:00 | |
| - | What exactly made it an easy target? | 30:03 |
| - | Well, it's like Bless Sophia and is it gay things? | 30:04 |
| Now it seems so tame, so utterly tame, but at that time, | 30:09 | |
| it was really radical. | 30:15 | |
| And it was multi-racial and international and they were | 30:17 | |
| using Native American things and oh my God. | 30:23 | |
| So it became a really good target and the Presbyterian | 30:27 | |
| layman was the front cutting edge of that. | 30:31 | |
| The Good News Methodists tried, but since the Methodist's | 30:33 | |
| women's desk doesn't care, I mean, they had their own | 30:36 | |
| Good News women that tried to take out the women's desk | 30:40 | |
| and totally failed, so Methodist women didn't pay | 30:43 | |
| the same price as Mary Anne Lundy did because the layman | 30:47 | |
| was really potent and nasty. | 30:50 | |
| So, that all happened. | 30:54 | |
| And what's interesting is, | 30:57 | |
| and this is the unintended consequence of that backlash | 31:02 | |
| attack, is that Reimagining generated more column inches | 31:05 | |
| of media reporting on progressive religion | 31:12 | |
| than any event since the Vietnam war. | 31:17 | |
| Now, I know that because I have a scholar in the academy | 31:23 | |
| who studies media reporting on religion, | 31:27 | |
| and he studied it. | 31:29 | |
| And he said, "Weren't you with?" | 31:31 | |
| You know, we were at some meeting where it was kind of | 31:33 | |
| irrelevant to this, but he said, | 31:36 | |
| "Weren't you at Reimagining?" | 31:38 | |
| I said, "Yeah." | 31:39 | |
| I said, "Yeah, I was even on Nightline, | 31:41 | |
| "it was just awful, you know, then it was on | 31:43 | |
| "Neil Nair News Hour stuff." | 31:45 | |
| And he said, "Yeah," he said, "You know, | 31:49 | |
| "Reimagining generated more column inches for | 31:50 | |
| "progressive religion than any events since the | 31:53 | |
| "Vietnam war," I said, "Your kidding." | 31:55 | |
| He said, "Yeah, I've checked." | 31:56 | |
| - | Wow, who was this? | 31:58 |
| - | Some religion scholar. | |
| I can't remember his name anymore. | 32:00 | |
| It sort of came, it went by in a conversation | 32:01 | |
| about other things. | 32:03 | |
| And I remember thinking, "Huh, OK, wow." | 32:04 | |
| So I mean, somebody else could research this, | 32:08 | |
| it's not hard to dig through, but you know, it was | 32:10 | |
| a little one inch column on page 16 of the New York Times | 32:12 | |
| was the first media report and then suddenly exploded | 32:16 | |
| into Nightline and you know, News Hour and everybody | 32:20 | |
| picked it up and it became a big story. | 32:22 | |
| Not since the Vietnam war. | 32:27 | |
| Had progressive religion done anything controversial | 32:29 | |
| enough to warrant news coverage, right? | 32:31 | |
| - | Wow. | 32:36 |
| - | So. | |
| I was pleased. | 32:39 | |
| - | Yes. | |
| - | But it was a horrible price to pay. | 32:41 |
| But it did kind of jettison feminist theology into | 32:45 | |
| the public sphere in some kind of way. | 32:49 | |
| Suddenly, this is the other benefit of it. | 32:51 | |
| Suddenly churches were talking about it. | 32:53 | |
| Theology and wondering what the hell it was. | 32:55 | |
| - | Right, yes. | 32:57 |
| - | I had so many | |
| theologian friends that were asked to go to churches | 32:59 | |
| and explain atonement theology. | 33:01 | |
| - | Yeah. | 33:03 |
| - | And what were the feminist's | |
| objections to it, right? | 33:05 | |
| Yes, that whole conversation was-- | 33:07 | |
| - | It disrupted the sort of autopilot acceptance of | 33:09 |
| atonement theology. | 33:14 | |
| It is now really being rethought in a lot of churches. | 33:15 | |
| I think that's a long legacy of Reimagining is it's | 33:19 | |
| gonna kill atonement theology. | 33:22 | |
| (laughing) | 33:25 | |
| - | Hooray. | 33:27 |
| - | Yes. | |
| - | And in fact, that's what you talked about in the | 33:28 |
| '94 gathering, you talked about Christology | 33:30 | |
| and Soteriology and you laid out beautifully those | 33:31 | |
| issues. | 33:35 | |
| Do you remember anything in particular? | 33:36 | |
| I know it's been a long time, but anything about | 33:38 | |
| the '94 conference or your thoughts about going back | 33:40 | |
| to another Reimagining conference after what happened? | 33:43 | |
| - | Oh, I loved it. | 33:46 |
| I felt like I was with some communion of saints. | 33:48 | |
| I mean, you know? | 33:51 | |
| - | Yes. | 33:52 |
| - | At that moment, it was a pivot point in feminist theology. | 33:55 |
| - | Say some more. | 34:01 |
| - | Beyond the church thing. | |
| Beyond the church thing. | 34:03 | |
| Churches were asking feminist theology, | 34:06 | |
| feminist theologians who knew about it to come | 34:08 | |
| and talk to them. | 34:11 | |
| That Mary Anne wound up at the World Council, | 34:13 | |
| that was huge. | 34:18 | |
| I remember saying at one of my talks, | 34:19 | |
| about the backlash, I said, you know, | 34:21 | |
| "Poor Mary Anne Lundig, you know, what happened to her," | 34:23 | |
| I said, "But I kind of think she got fired up." | 34:26 | |
| - | That's a great line, yes. | 34:30 |
| - | You know, and I really thought that, I thought, | 34:31 |
| talk about feminist influence. | 34:34 | |
| It went international because of Reimagining and it, | 34:38 | |
| you know, not in a way that anybody would have | 34:41 | |
| wanted to happen, but it happened. | 34:43 | |
| - | Exactly. | 34:45 |
| - | And I'm not sure | |
| it would have for a much longer period of time. | 34:46 | |
| - | Yes. | 34:48 |
| - | It sort of forced | |
| the issue, which it was designed to do. | 34:50 | |
| It would force the issue in the World Council | 34:53 | |
| because they weren't doing anything about the Decade Aid | 34:56 | |
| Committee, or not enough, anyway. | 34:57 | |
| - | Yeah. | 35:00 |
| You know, I saw an online interview with you where you | 35:01 | |
| mentioned that your commitment to, you saw in 1994, | 35:03 | |
| in the crisis in Christianity, really influenced you. | 35:08 | |
| And the direction you took. | 35:12 | |
| Can you say a little bit more about that? | 35:13 | |
| Because that was really interesting. | 35:15 | |
| - | I don't remember what that was. | 35:16 |
| (laughing) | 35:17 | |
| But I did think the mainlines were already in trouble | 35:20 | |
| and they have not, I don't think they're gonna make it. | 35:24 | |
| - | Really? | 35:28 |
| Yeah, say some more about that. | 35:29 | |
| - | I don't think they're gonna make it. | 35:30 |
| In any recognizable form because I think | 35:31 | |
| with very few exceptions, the whole Protestant project | 35:35 | |
| of sectarian denominations is bankrupt. | 35:42 | |
| It's a kind of strange, | 35:47 | |
| now nobody knows, | 35:51 | |
| first of all, | 35:53 | |
| the feminists don't care. | 35:54 | |
| We don't even care about the religious differences, | 35:58 | |
| I mean, you know, we don't show up at meetings | 36:00 | |
| and say, "Well, are you a Christian, Jewish | 36:02 | |
| "or Muslim?" | 36:03 | |
| It's like, I mean, those things matter in some ways, | 36:04 | |
| but they're not the main agenda, so | 36:08 | |
| I have feminist colleagues in Catholicism and | 36:11 | |
| Judaism and Protestantism of various sorts | 36:15 | |
| and even Evangelicalism, it's just, | 36:19 | |
| those boundaries, they're judicatory structures, | 36:22 | |
| they're not an expensive judicatory structures | 36:27 | |
| that I think actually are a part of the problem. | 36:33 | |
| The resources spent. | 36:40 | |
| Sort of like these tiny little seminaries | 36:42 | |
| that are dying that have a president and a missions, | 36:43 | |
| I mean, it's like the money spent on administration | 36:46 | |
| is outrageous for the delivery of the product. | 36:49 | |
| You know? | 36:55 | |
| There are universities that manage to have one | 36:58 | |
| president and have 5,000 levers, or whatever, | 37:00 | |
| students, and yeah, you have to have staffing to run | 37:03 | |
| those places, but it's a matter of economies of scale | 37:06 | |
| and the seminaries are in the opposite direction. | 37:12 | |
| Especially the freestanding ones. | 37:14 | |
| So, it's just, these models don't work | 37:16 | |
| and people are so, I think, obsessed about their | 37:21 | |
| own survival that they can't let it go. | 37:26 | |
| They can't move far enough out of that structural thinking | 37:29 | |
| to actually reimagine church and seminary life. | 37:33 | |
| - | Which brings me to the question, what does | 37:40 |
| Reimagining look like today? | 37:43 | |
| And I mean that in the broad sense. | 37:45 | |
| - | I do mean it's to reimagine Christianity. | 37:46 |
| - | Yeah, and what does reimagining Christianity look like? | 37:49 |
| That's fascinating. | 37:52 | |
| - | I don't know. | 37:54 |
| I don't know anyone knows, but I do think | 37:57 | |
| that the seminary, you know, seminary is the most | 38:00 | |
| endowment driven of all the higher education institutions | 38:06 | |
| because it's an expensive education for alumni | 38:09 | |
| that can never pay you back. | 38:13 | |
| You know, they're not gonna make, and less and less | 38:16 | |
| are they gonna make enough money, unless they do | 38:18 | |
| something besides ministry. | 38:23 | |
| - | Right. | 38:23 |
| - | So, it's not a good model, and I think that this | 38:25 |
| sort of graduate education model that seminaries | 38:31 | |
| have followed where they, you know, somebody comes | 38:36 | |
| and they do three years limping along, working, | 38:40 | |
| and sort of trying to get their education done, | 38:44 | |
| I think it would actually be a better education | 38:48 | |
| to do it in 12 months full time. | 38:53 | |
| And I've thought this since I looked at what the military | 38:56 | |
| does. | 39:00 | |
| - | Oh, interesting. | |
| Yeah. | 39:02 | |
| - | They can take | |
| an 18 to 25 year old in eight to 12 weeks and change | 39:03 | |
| them so dramatically because it's a complete immersion | 39:07 | |
| process. | 39:10 | |
| - | Right. | |
| - | Everything's ritualized. | 39:12 |
| And I don't want to do that, but I think you could, | 39:14 | |
| but I know that if you learn a language in a month, | 39:17 | |
| 40 hours a week, you can do a whole semester. | 39:20 | |
| I did Chinese that way. | 39:24 | |
| And I did enough, I did half a day, | 39:28 | |
| five days a week, for eight weeks, in German, | 39:32 | |
| then I enrolled in the University of Basil. | 39:38 | |
| Now, I had had sixth grade or junior high German, | 39:41 | |
| but you know, I hadn't had anything since. | 39:44 | |
| So I knew a little German, but you know, | 39:48 | |
| I kind of knew how the letters were pronounced and stuff, | 39:51 | |
| but the course I took wasn't like that. | 39:53 | |
| We couldn't, we read things in German on a screen | 39:55 | |
| that were conversations, then we repeated them | 39:59 | |
| and repeated, it was very ritualized. | 40:00 | |
| We weren't allowed to use dictionaries, | 40:03 | |
| we weren't allowed to translate anything. | 40:05 | |
| So I learned to think in German, | 40:09 | |
| I started doing German in eight weeks. | 40:10 | |
| - | Amazing. | 40:12 |
| - | Right? | |
| So because why? | 40:13 | |
| These intensive things reinforce themselves | 40:14 | |
| by constant repetition the way you'd train | 40:17 | |
| an athlete for hours a day to learn a skill, right? | 40:19 | |
| So I think if you did seminary education in one year, | 40:22 | |
| you figured out how to pay for it so that people | 40:25 | |
| didn't have to work, | 40:28 | |
| some people could afford to do it anyway, but for the | 40:31 | |
| people who couldn't, you have scholarships, | 40:33 | |
| but you have to figure out how to make it work, | 40:35 | |
| and figure out what you have to do about, | 40:38 | |
| with those with families and things. | 40:42 | |
| And maybe this is a special program for people | 40:45 | |
| who can do it, but you do it in a year, | 40:48 | |
| and you do it | 40:52 | |
| with understanding they come in cohort groups. | 40:55 | |
| Of maybe a dozen. | 40:59 | |
| And the rule is that the whole group graduates | 41:00 | |
| or no one does. | 41:03 | |
| And you don't use grades. | 41:04 | |
| You have standards and you have feedback and you have | 41:07 | |
| people evaluating saying, "You haven't met it," | 41:11 | |
| but you don't do grades. | 41:13 | |
| - | Yes, yeah. | 41:15 |
| - | And all that | |
| bureaucratic silliness. | 41:17 | |
| - | You know, one of the goals of Reimagining was to bring, | 41:19 |
| to bridge the gap between the academy and the church. | 41:21 | |
| And I'm wondering how you would evaluate, | 41:25 | |
| in terms of inclusive expansive language, | 41:28 | |
| feminist theology, where do you see the church now | 41:30 | |
| and where do you see it going? | 41:34 | |
| - | It slid back so far. | |
| I know churches have stopped using inclusive language. | 41:38 | |
| Lord is back, God the Father is back. | 41:41 | |
| I think it, I think the feminist movement lost traction. | 41:47 | |
| Because we didn't attend enough to the rituals. | 41:56 | |
| So the rituals of the church are 500 years old and molded. | 42:00 | |
| And they're very comfortable for people, | 42:07 | |
| but they're not transformative rituals. | 42:10 | |
| So what happened at Reimagining was a one off rather | 42:13 | |
| than being a thing that began to be used in churches | 42:15 | |
| and permeate churches. | 42:18 | |
| And you can't, you have to change the art forms, | 42:22 | |
| you have to change the structures, the choreography, | 42:25 | |
| you have to do a lot with the ritual world. | 42:27 | |
| Because it's not the sermons and the ideas | 42:30 | |
| that deliver the change, it's the constant repetition. | 42:32 | |
| - | Do you see that happening in the mainline church | 42:38 |
| or do you see it happening more in | 42:39 | |
| feminist interfaith things, or something different? | 42:41 | |
| - | I don't see it happening much. | 42:45 |
| I mean, I haven't been recently to a lot of, | 42:47 | |
| I just dropped out of the theological world for a while | 42:51 | |
| and I go to the American Academy of Religion because | 42:55 | |
| it's a professional thing, but | 42:58 | |
| I don't remember the last feminist theology conference | 43:03 | |
| I went to, I just haven't been to many in recent years. | 43:05 | |
| So I just don't know what's going on in that world, | 43:09 | |
| but I don't see it permeating in a profound way | 43:12 | |
| in churches and you know, it's been almost 25 years. | 43:17 | |
| - | 2018 will be 25 years. | 43:23 |
| - | Yeah. | |
| It should've done that by now. | 43:26 | |
| If it had been a sustained initiative to do that. | 43:28 | |
| I think what we needed to do was to start | 43:31 | |
| rewriting books of prayer, books of prayer and really | 43:35 | |
| pushing forward on the art of ritual. | 43:38 | |
| - | Yes. | 43:43 |
| - | And figuring out | |
| ways to get it into the hands of men and women clergy | 43:45 | |
| who really wanted social transformation and didn't | 43:48 | |
| know how to do it. | 43:52 | |
| I think that's what's needed. | 43:54 | |
| And I worked with Silvia Thorson Smith who's with | 43:56 | |
| Voices of Sea. | 43:58 | |
| And a woman named Alicia Lola Jones, who's a black musician, | 44:00 | |
| musicologist who's a really talented music person. | 44:03 | |
| When we were gonna try to do a summer intensive course | 44:09 | |
| on creating new ritual materials. | 44:13 | |
| But it didn't make. | 44:16 | |
| - | Really? | |
| - | Yeah. | 44:19 |
| Uh uh. | 44:20 | |
| I think people don't get that. | 44:22 | |
| - | Yes. | 44:23 |
| - | Anyway, so that's what I'm, I think has been the missing | 44:26 |
| piece, and it may be too late. | 44:31 | |
| Because the people left in the churches are, | 44:37 | |
| with a few exceptions, over 50. | 44:41 | |
| And the fastest growing group are nones and | 44:46 | |
| spiritual but not religious. | 44:49 | |
| Yeah, so, even the Evangelicals are losing their young | 44:51 | |
| people, so. | 44:53 | |
| - | So where do you think the spiritual life is moving | 44:58 |
| or the focus should be, when we look at Reimagining? | 45:01 | |
| - | I really think it might be interesting to just | 45:09 |
| give up on the mainline churches and start designing | 45:11 | |
| rituals and community life for people who don't have, | 45:13 | |
| for the nones and spiritual but not religious. | 45:15 | |
| Who are feminists and want a spiritual life but not | 45:19 | |
| the moldy kind of thing that they, most of them | 45:23 | |
| walked away from something, they're not nones | 45:29 | |
| because they didn't have a family or, you know, | 45:31 | |
| a lot of them have a religious experience | 45:36 | |
| and they didn't find it satisfying. | 45:38 | |
| - | Yeah, yeah. | 45:41 |
| In the end, how would you define Reimagining? | 45:43 | |
| - | Hmm, that's an interesting question. | 45:49 |
| An international pivotal moment in the life | 45:55 | |
| of feminist theology, | 46:02 | |
| and women in the church. | 46:06 | |
| And not because it changed feminist theology content, | 46:13 | |
| but it moved it suddenly out into the public world, | 46:18 | |
| in a way it never had been before. | 46:22 | |
| - | Great, yes. | 46:27 |
| - | For all the good, | |
| and it was controversial, but it happened, yeah. | 46:29 | |
| - | Yes, yes. | 46:33 |
| And you mentioned ritual, so I'm asking what aspects of | 46:34 | |
| Reimagining are most significant and why, | 46:38 | |
| and you said ritual, is there anything else | 46:40 | |
| you would want to add to that? | 46:42 | |
| - | You know. | 46:45 |
| I really enjoyed the presentations, but they weren't new, | 46:49 | |
| you know what I mean? | 46:52 | |
| They weren't, I didn't suddenly go away thinking, | 46:55 | |
| "Oh, I have to change this thing in my theology," | 46:57 | |
| you know, that isn't what happened to me, it was just | 46:59 | |
| the power of seeing that many amazing women in one room | 47:05 | |
| together. | 47:06 | |
| - | Yes. | |
| - | Committed to feminism, you know, it's sort of, | 47:08 |
| do feminist work, you sometimes feel kind of like | 47:11 | |
| you're the only person on the planet, especially | 47:12 | |
| in the places I was, like Hawkins, Texas, and | 47:14 | |
| I was in really Podunk little places often. | 47:18 | |
| So, for me, I mean, by the time I was in Minnesota, | 47:22 | |
| I didn't feel that way so much because I had plenty | 47:26 | |
| of feminist friends here, but I just, I was just amazed. | 47:29 | |
| - | And for many of the women there, in small towns | 47:34 |
| across the country, this was, yeah. | 47:36 | |
| Exactly. | 47:38 | |
| - | Yeah, I get that. | |
| - | Yeah, well, and it's clear it didn't change your | 47:41 |
| perspective on feminist theology, | 47:44 | |
| did it change your perspective on the church at all? | 47:45 | |
| - | No. | 47:50 |
| - | OK. | |
| (laughing) | 47:52 | |
| - | I was in a great church here. | 47:53 |
| - | Were you? | 47:54 |
| - | Yeah. | |
| - | Where were you? | 47:55 |
| - | Spirit Lakes. | |
| - | Oh, yes, yes. | 47:56 |
| Yeah, and what was great about that church? | 47:59 | |
| - | It was about as far left as you can go in Christianity. | 48:05 |
| You know, with 95% LGBT, liberation theology oriented. | 48:08 | |
| You never got an argument you raised a feminist issue, | 48:13 | |
| you might get some pushback, but you know, | 48:15 | |
| people were like, OK. | 48:17 | |
| And they tried to be inclusive of people of color. | 48:20 | |
| - | Yes. | 48:23 |
| - | I mean, it was, we had a people of color interest group, | 48:26 |
| we had potlucks every month. | 48:30 | |
| We had a support system within the church that way. | 48:32 | |
| - | Nice. | 48:35 |
| - | It was a life giving church in all of its messed up ways. | 48:37 |
| - | Mm hmm, mm hmm. | 48:41 |
| - | It did have major controversies, but you know, | 48:45 |
| yeah. | 48:48 | |
| It was worth the struggle. | 48:50 | |
| - | Yes. | |
| I was thinking about your talk where you talked | 48:52 | |
| about perfection is not the goal. | 48:54 | |
| Integration and wholeness-- | 48:56 | |
| - | No, life. | |
| Some liveliness, some creativity, some sense of energy. | 48:58 | |
| And that church had it. | 49:02 | |
| - | Yes, yes, yeah. | 49:04 |
| So in the end, what do you think the greatest legacy | 49:06 | |
| of Reimagining is? | 49:09 | |
| - | I think it is that sort of launch of a process of | 49:14 |
| mainstreaming feminist theology. | 49:20 | |
| - | Yes, yeah. | 49:24 |
| - | It's no longer some exotic fringe thing. | 49:26 |
| - | Mm hmm. | 49:29 |
| - | I think one reason I haven't gone to very many | 49:33 |
| conferences in recent years is it's so established now | 49:35 | |
| that virtually every mainline seminary has feminists | 49:39 | |
| on the faculty and | 49:42 | |
| read books all the time, publishers want them | 49:45 | |
| because they sell, that tells you something. | 49:48 | |
| - | Again, it's not in the mainline churches. | 49:51 |
| - | No, because it's the idea stuff that is popular, | 49:56 |
| but the rituals haven't changed to go with them. | 49:58 | |
| - | Yeah, yes, yeah. | 50:01 |
| My last question for you, and it's a very specific one, | 50:04 | |
| is the Reimagining community is working on a website | 50:07 | |
| and part of it is going to be historical, making the | 50:09 | |
| conference talks and other things accessible digitally. | 50:13 | |
| But also looking at ways to maybe network, | 50:16 | |
| and do you have any ideas about who maybe benefit | 50:21 | |
| from it, what should be on the website, any thoughts | 50:23 | |
| about what would be valuable? | 50:27 | |
| - | I think it would be really valuable to have a section | 50:32 |
| on trauma. | 50:35 | |
| - | Oh, yes. | |
| Say some more about that. | 50:38 | |
| - | Well, trauma studies is the hottest thing right now | 50:39 |
| in religion, or in theology. | 50:40 | |
| - | Yeah. | 50:43 |
| - | And I think it's not all good work. | 50:45 |
| This is sort of like, now if you suffer at all, | 50:49 | |
| you are traumatized, which isn't true. | 50:50 | |
| But I had this conversation of Shelly Rambo | 50:54 | |
| about her book Spirit and Trauma. | 50:57 | |
| And she said, "You know, I didn't write that book | 50:59 | |
| "to bring atonement theology back, so I don't want you | 51:04 | |
| "to think that's what it's about." | 51:06 | |
| And she said, "But what I noticed was that after | 51:08 | |
| "the feminist theology movement sort of made | 51:11 | |
| "the atonement anathema and you | 51:13 | |
| "just don't read feminist atonement | 51:16 | |
| "theologies anymore, it's like nobody does that," | 51:19 | |
| she said, "But then nobody was writing on trauma." | 51:22 | |
| And she says, "Well, what do you do with human suffering | 51:25 | |
| "if you don't believe in the atonement?" | 51:29 | |
| And I think that that is important. | 51:32 | |
| And so I think something on that goes deeper | 51:37 | |
| than the sort of surface level of anger on feminism. | 51:43 | |
| And I think that would be good to have. | 51:48 | |
| And I think having a whole lot of stuff | 51:53 | |
| on art and ritual would be really, | 51:55 | |
| like maybe even a regular new feature on | 51:57 | |
| electionary cycle of prayers and litanies | 52:02 | |
| and sermon ideas to take you, and take you beyond | 52:09 | |
| the stuff that's going on now and | 52:14 | |
| I have to say, you know, there was this era | 52:17 | |
| of new hymn writing by feminists, | 52:20 | |
| most of it sucks. | 52:23 | |
| Because it's like singing a lecture. | 52:25 | |
| There's no poetry in it, it's very wooden. | 52:29 | |
| Or very preachy. | 52:31 | |
| And a lot of new hymns are that way, anyway. | 52:34 | |
| So, they don't hit you as poetry. | 52:37 | |
| You know, and your brain is changed by poetry. | 52:40 | |
| It's affected by poetry far more than prose. | 52:43 | |
| Because prose has little emotional content in it. | 52:46 | |
| Poetry has a lot of emotional content | 52:50 | |
| and that's how it works. | 52:52 | |
| Memory works by what you perceive hitting your limbic brain | 52:54 | |
| and then it circulates, the perception circulates | 53:00 | |
| in there, and if it flares any kind of emotional content, | 53:04 | |
| it will be stored in your memory banks, | 53:09 | |
| but if it doesn't, it's forgotten. | 53:12 | |
| And so so many hymns are just easily forgettable | 53:15 | |
| because the language is clear this is like | 53:21 | |
| ideologically driven language and poetry | 53:25 | |
| doesn't work very well that way, so | 53:28 | |
| I think we need better resources | 53:31 | |
| and I think it means | 53:35 | |
| bringing in real artists. | 53:38 | |
| I remember I was on a panel at Green Bell in England, | 53:42 | |
| which is a religion and arts festival that | 53:45 | |
| thousands of people come to. | 53:47 | |
| It's a religious Woodstock of England, it's fabulous. | 53:49 | |
| Wild Goose has attempted to do it here, | 53:52 | |
| I've never been to a Wild Goose one, but the one in | 53:54 | |
| England is really interesting, and I was on a panel | 53:58 | |
| with a woman who's a senior minister of a church, | 54:04 | |
| she was maybe in her 30's, she had tattoos and | 54:09 | |
| spiky hair and she had a rock band that did | 54:12 | |
| the main stage worship service that weekend. | 54:15 | |
| You know, piercings. | 54:19 | |
| She did not look like, and she'd have loved it. | 54:21 | |
| You know? | 54:23 | |
| And she was on the panel and then there was a guy | 54:25 | |
| who was a poet on the panel, and a visual artist. | 54:27 | |
| And the question for the panel was, | 54:31 | |
| the difference between art and propaganda. | 54:35 | |
| And we concluded that almost all religious stuff | 54:39 | |
| is propaganda. | 54:43 | |
| Because it's intended to evoke a certain outcome. | 54:47 | |
| Whereas real art is multivalent, | 54:52 | |
| it makes you think, it's transformative because | 54:57 | |
| it doesn't prescribe the outcome, right? | 55:01 | |
| So almost all liturgy is propaganda. | 55:05 | |
| I'd like to see it be art. | 55:09 | |
| I'd love to read a litany sometime that moved me | 55:12 | |
| and didn't preach a theology at me. | 55:14 | |
| To hear a prayer that wasn't like a sermon | 55:16 | |
| with your eyes closed, I mean, you know? | 55:18 | |
| - | Yes. | 55:21 |
| - | It's pretty, the stuff in services is just | 55:22 |
| pretty mediocre. | 55:24 | |
| It's even mediocre propaganda. | 55:27 | |
| It's not even very good propaganda. | 55:29 | |
| Real good propaganda actually works, but. | 55:31 | |
| So, yeah. | 55:34 | |
| - | Those are great ideas, absolutely. | 55:36 |
| - | And even some art, some things that people, | 55:37 |
| you know. | 55:41 | |
| This is why I think the mainlines aren't gonna make it. | 55:43 | |
| Is that one of the agendas of the mainlines, | 55:49 | |
| coming out of the Protestant Reformation, | 55:53 | |
| was to attenuate as much as possible ritual. | 55:56 | |
| Even to demonize ritual and call it superstition | 56:00 | |
| as a Catholic thing. | 56:02 | |
| So, what the mainlines did was retain a very thin | 56:05 | |
| and not very effective set of rituals. | 56:12 | |
| And so | 56:17 | |
| ritual that's powerful has huge juice and creative energy | 56:21 | |
| in it. | 56:25 | |
| I think, I mean, why Protestantism is so desiccated, | 56:27 | |
| it's gonna be hard to revive it without | 56:30 | |
| a whole infusion of a very different set of, | 56:32 | |
| a real belief that ritual matters. | 56:35 | |
| Most protestants don't pay much attention to it | 56:38 | |
| because it's not in the forefront of their thinking, | 56:40 | |
| they're interested in the sermon. | 56:42 | |
| And the Bible. | 56:45 | |
| And so scripture is a really dumb basis for a religion. | 56:46 | |
| - | And you said that it was actually the | 56:54 |
| Reimaging ritual that was so powerful. | 56:56 | |
| - | Yeah, it was, I think it was. | 56:59 |
| I think partly because it was a ritual designed | 57:01 | |
| to bring people together. | 57:04 | |
| And to implant the ideas through the symbol systems | 57:08 | |
| and the things on the tables and the interactions. | 57:11 | |
| - | Yes. | 57:14 |
| - | And the singing. | |
| - | Yes, yes. | 57:16 |
| - | You know. | |
| - | And there was art and there was music and there | 57:18 |
| was dance. | 57:20 | |
| - | There was a lot of art. | |
| And some of it was very high quality. | 57:22 | |
| You know, they really worked hard to make everything | 57:26 | |
| really, really high quality. | 57:28 | |
| - | Yes, they sure did. | 57:30 |
| So is there anything else you would want to add | 57:33 | |
| that we haven't talked about? | 57:35 | |
| This has been wonderful. | 57:37 | |
| - | This is, my hobby horses are education is better | 57:38 |
| when it's prolonged and intensive, | 57:42 | |
| rather than dribbled out in drips and drabs | 57:45 | |
| and very expensive, and it's much better | 57:47 | |
| when you do it with a group and there's something | 57:50 | |
| at stake for the entire group to succeed together. | 57:53 | |
| - | Yes. | 57:55 |
| - | People will try harder | |
| for other people than for themselves a lot of the time. | 57:58 | |
| And what really matters in life is art. | 58:01 | |
| - | That's a great place to end, thank you. | 58:08 |
| That's fantastic. | 58:11 |
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