Ηνίκα δὲ ἐγένετο ο ̕ʹΑβραμ ̕εννενήκοντα ̕εννέα ̕ετω̃ν, ὠφθη ο θεός ; Καὶ ε̃̓ιπεν φησὶ ο Θεὸς τω̨̃ ̕ Αβραάμ ̇ Σάρα η γυνή σου οὐ κληθήσεται Σάρα ἀλλὰ Σάρρα ἔσται τὸ ὄνομα αὐτη̃ς.
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Item Info
- Title:
- Ηνίκα δὲ ἐγένετο ο ̕ʹΑβραμ ̕εννενήκοντα ̕εννέα ̕ετω̃ν, ὠφθη ο θεός ; Καὶ ε̃̓ιπεν φησὶ ο Θεὸς τω̨̃ ̕ Αβραάμ ̇ Σάρα η γυνή σου οὐ κληθήσεται Σάρα ἀλλὰ Σάρρα ἔσται τὸ ὄνομα αὐτη̃ς.
- Alternative Title:
-
- Ēnika de egeneto o Abram ennenēkonta ennea etōn, ōphthē o theos ; Kai eipen phēsi o Theos tō Abraam Sara ē gynē sou ou klēthēsetai Sara alla Sarra estai to onoma autēs.
- Homilies on Genesis. Selections. Byzantine Greek. 1100
- Date:
- 1100s
- Creator:
- John Chrysostom, Saint, -407.
- Description:
-
Forms part of the Kenneth Willis Clark Collection of Greek Manuscripts (David M. Rubenstein Rare Book & Manuscript Library, Duke University)
Format: Manuscript leaves.
Titles from opening rubrics.
Layout: Written in 2 columns of 33 lines; 33 lines ruled with a dry point on the hair side across the full width of the leaf; pricking marks are not visible.
Script: Written in a very regular roundish, smooth flowing hand, letters mostly connected, except where an omicron appears in either the medial or initial position; pendant in brown ink with a rather wide reed pen. The letters slant slightly in the direction of the line of writing with no spacing between words. There are very few uncial letters and none are enlarged abnormally.
Decoration: On fol. 1v at the point in the text to which the reference is made is an outlined penwork initial "A" in red ink with knotted stems and leaf arm in the middle margin. On fol. 2r where Homily 40 on Genesis commences is an ornamental penwork band in red ink, with the width of the column (15 x 75 mm) consisting of running leafy acanthus scrollwork which forms within the running patterns three palmettes shapes, all within double ruled frame with corner trefoil finials. The initial letter phi in red is formed of a compass drawn circle (20 mm in diameter) the inner side with running acanthus leaf pattern, resting on a cone-shaped pedestal supporting the central stem of the letter which had foliate bands, topped by a slender two-part folial finial anchored to the lower by a bud the pointed end of which emerges opposite the end of the stem of the phi inside the top of the circle.
Title cataloged from existing description.
Two leaves with fragmentary portion of at least Homilies 39 (Patrologia Graeca 53, 359) and 40 (PG 53.568) on Genesis; originally used as binding for a book containing Demosthenes in Greek, the name preserved in the space covering the spine.
- Subject:
-
- Orthodox Eastern Church--Sermons--Early works to 1800.
- Orthodox Eastern Church--Sermons--Manuscripts.
- Orthodox Eastern Church--Liturgy--Texts--Early works to 1800.
- Orthodox Eastern Church--Liturgy--Texts--Manuscripts.
- Sermons, Greek--Early works to 1800.
- Sermons, Greek--Manuscripts.
- Homiliaries--Manuscripts.
- Homiliaries--Early works to 1800.
- Manuscripts, Greek (Medieval and modern)
- Format:
- Language:
- Greek, Ancient (to 1453)
- Extent:
- 2 leaves :parchment, illuminations ; 316 x 250 (248 x 178) mm
- Digital Collection:
- Early Manuscripts collection
- Catalog Record:
- https://find.library.duke.edu/catalog/DUKE006050998
- Provenance:
-
- Source of acquisition: Purchase; Acquired with the Spranger Collection; 1972, August.
- Ownership history: Provenance: J.A. Spranger Collection, Old Malt House, Ashford Hill, Nr. Newberry, England.
- Ownership history: Forms part of the Kenneth Willis Clark Collection of Greek Manuscripts (David M. Rubenstein Rare Book & Manuscript Library, Duke University).
- Rights:
- Free Re-UsePublic Domain
- Identifier:
-
- Call number: Greek MS 059
- 006050998
- duke:282442
- emsgk01059
- ark:/87924/r4mw28f2g
- a354c7ae-2045-4d36-aaeb-898cd30b7754
- Permalink:
- https://idn.duke.edu/ark:/87924/r4mw28f2g
- Sponsor:
- Sponsor this Digital Collection
The preservation of the Duke University Libraries Digital Collections and the Duke Digital Repository programs are supported in part by the Lowell and Eileen Aptman Digital Preservation Fund