Thomas G. Long - "The Irony of the Epiphany" (January 6, 1991)
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Transcript
Transcripts may contain inaccuracies.
| Pastor | Today is the 6th of January. | 0:18 |
| The Twelve Days of Christmas were over yesterday, | 0:21 | |
| and today is known, in the calender of the church, | 0:28 | |
| as Epiphany. | 0:30 | |
| Now, in the churches in the East, | 0:32 | |
| on Epiphany they commemorate | 0:34 | |
| the day that Jesus was baptized. | 0:36 | |
| But, in churches in the West, | 0:39 | |
| ironically, | 0:42 | |
| we commemorate visitors from the East. | 0:43 | |
| Let us hear the story of that | 0:47 | |
| as told by Matthew. | 0:49 | |
| "In the time of King Herod, | 0:55 | |
| after Jesus was born in Bethlehem of Judea, | 0:57 | |
| wise men from the East came to Jerusalem, | 1:01 | |
| asking, "Where is the child | 1:07 | |
| "who has been born King of the Jews, | 1:09 | |
| for we observed his star at its rising, | 1:12 | |
| and we have come to pay him homage". | 1:15 | |
| Well, when King Herod heard this, | 1:20 | |
| he was frightened and all Jerusalem with him, | 1:22 | |
| and, calling together all the chief priests | 1:25 | |
| and scribes of the people, | 1:28 | |
| he inquired of them where the Messiah was to be born. | 1:29 | |
| They told him, "in Bethlehem of Judea, | 1:35 | |
| for so it has been written by the prophet, | 1:39 | |
| 'And you, Bethlehem, in the land of Judah, | 1:42 | |
| 'are by no means least among the rulers of Judah. | 1:45 | |
| 'For from you shall come a ruler | 1:49 | |
| 'who is to shepherd my people Israel.'" | 1:51 | |
| Then Herod secretly called for the wise men | 1:57 | |
| and learned from them the exact time | 2:00 | |
| that the star had appeared. | 2:03 | |
| Then he sent them to Bethlehem, saying, | 2:05 | |
| "Go and search diligently for this child, | 2:07 | |
| "and when you have found him, bring me word, | 2:10 | |
| "so that I may also go and pay him homage". | 2:12 | |
| When they had heard the king, | 2:17 | |
| they set out and there, ahead of them, | 2:19 | |
| went the star that they had seen at its rising | 2:21 | |
| until it stopped over the place where the child was. | 2:24 | |
| When they saw that the star had stopped, | 2:30 | |
| they were overwhelmed with joy. | 2:32 | |
| On entering the house, | 2:35 | |
| they saw the child with Mary, his mother, | 2:36 | |
| and they knelt down and worshiped him. | 2:39 | |
| Then, opening their treasure chest, | 2:43 | |
| they offered him gifts of gold, | 2:45 | |
| frankincense, and myrrh. | 2:47 | |
| And having been warned in a dream | 2:49 | |
| not to return to Herod, | 2:52 | |
| they left for their own country | 2:54 | |
| by another road. | 2:57 | |
| This is the Word of the Lord. (Thanks be to God) | 3:00 | |
| As you heard a few minutes ago, | 3:09 | |
| in Nancy's very gracious introduction, | 3:11 | |
| I am a Professor of Homiletics, | 3:14 | |
| which as some of you probably know | 3:18 | |
| is something of a fancy term | 3:20 | |
| for people who teach preaching in a seminary. | 3:22 | |
| That means I have a very unusual job. | 3:27 | |
| I and my colleagues have | 3:32 | |
| as a great part of our task | 3:35 | |
| walking into the classroom, sitting down, | 3:36 | |
| and listening to students' sermons. | 3:39 | |
| Lots of them. | 3:43 | |
| Four, five, six, sometimes as many as eight sermons | 3:45 | |
| in the course of a single day. | 3:49 | |
| My teenage children think | 3:52 | |
| I must have the worst job in all the world. | 3:53 | |
| The reason why we listen, we homileticians, | 3:58 | |
| to so many sermons is that | 4:01 | |
| we are trying to help men and women | 4:02 | |
| who are preparing for the ministry | 4:04 | |
| to get a little more comfortable | 4:06 | |
| with doing this awkward and intimidating thing | 4:08 | |
| that even now I am haltingly trying to do. | 4:12 | |
| To stand up here in a pulpit, | 4:16 | |
| and to look out at a congregation, | 4:18 | |
| and to proclaim the Gospel. | 4:21 | |
| Good ministers never feel completely at home here. | 4:25 | |
| A number of years ago, | 4:33 | |
| I was at the meeting of the Academy of Homiletics, | 4:34 | |
| that's the professional society of homileticians, | 4:37 | |
| people who teach preaching. | 4:41 | |
| We meet every year, | 4:42 | |
| just before Christmas, in December, | 4:44 | |
| and this particular year, | 4:46 | |
| one of the members of the academy | 4:47 | |
| had agreed to show some of his slides | 4:50 | |
| one evening to the academy members. | 4:53 | |
| His hobby is making photographs | 4:55 | |
| of religious art masterpieces. | 4:58 | |
| He's proud of his collection. | 5:01 | |
| He wanted to show us some, | 5:02 | |
| so we agreed to watch. | 5:04 | |
| Because it was near Christmas time, | 5:06 | |
| he had selected slides that dealt with | 5:08 | |
| the birth of Jesus. | 5:11 | |
| Seated directly in front of me | 5:14 | |
| was one of the senior members of the Academy, | 5:16 | |
| a homiletician near retirement age. | 5:19 | |
| God only knows how many sermons | 5:23 | |
| he had listened to in his career. | 5:26 | |
| And, to tell you the truth, it showed. | 5:29 | |
| (congregation laugh) | 5:33 | |
| His body sagged and drooped, | 5:34 | |
| he was near the end of a semester, | 5:38 | |
| near the end of a career, | 5:40 | |
| and he had the slightly jaded look | 5:42 | |
| of one experiencing sermonic battle fatigue. | 5:44 | |
| He had heard it all before, | 5:50 | |
| and once or twice too many, thank you. | 5:53 | |
| In fact, when I saw him there, | 5:56 | |
| he reminded me of Kierkegaard's remark | 5:58 | |
| about a certain religion professor, | 6:00 | |
| that his faith was so weak, | 6:03 | |
| it was like tea brewed from a piece of paper | 6:06 | |
| which had lain once in a drawer | 6:09 | |
| next to a teabag that had already been used | 6:11 | |
| three times. | 6:14 | |
| (congregation laughs) | 6:15 | |
| Well anyway, the lights were lowered | 6:18 | |
| and the slideshow began, | 6:20 | |
| and there, flashing on the screen, | 6:22 | |
| was one extravagant and lavish masterpiece | 6:24 | |
| after another. | 6:28 | |
| Click. There was the shepherd | 6:30 | |
| hovering over the terrified peasant girl, Mary, | 6:32 | |
| announcing the dreadful and wonderful news | 6:35 | |
| of her pregnancy. | 6:38 | |
| Click. There were Bruegal's dark and somber colors | 6:40 | |
| as the crowd jostled in Bethlehem. | 6:44 | |
| Click. There was Rembrandt's shepherd standing | 6:47 | |
| slack-jawed in amazement over the manger, | 6:51 | |
| his face illuminated | 6:53 | |
| not so much by the lantern he carried, | 6:55 | |
| but the face of the Christ child. | 6:57 | |
| Click. There was our story, | 7:00 | |
| the story I just read a few minutes ago from Matthew, | 7:02 | |
| the story of the visit of the Magi, | 7:05 | |
| and there they were on camels, | 7:08 | |
| dressed like oil sheikhs, | 7:10 | |
| Neiman Marcus gifts in their hand, | 7:13 | |
| following the blazing blue star in the cold night. | 7:15 | |
| As one picture flashed on the screen after another, | 7:21 | |
| the man in front of me became | 7:25 | |
| increasingly more animated and alert. | 7:27 | |
| His body tensed forward. | 7:30 | |
| And when the portrait of the wise men | 7:34 | |
| appeared on the screen he turned around, | 7:37 | |
| and in the white light of the projector, | 7:40 | |
| his face was the face of a child. | 7:43 | |
| And he said, to me, I suppose, | 7:46 | |
| I was the nearest one, | 7:47 | |
| but really to the room at large, | 7:49 | |
| "My God! What a fantastic story." | 7:51 | |
| I think old Matthew would have been pleased, | 8:00 | |
| don't you, that once again, | 8:02 | |
| the retelling of the story | 8:06 | |
| had broken through the crust | 8:08 | |
| and the religion weariness of one | 8:11 | |
| who had heard it all before | 8:14 | |
| to inflame his imagination and his heart | 8:16 | |
| once again with wonder. | 8:20 | |
| I think sometimes our deepest problem | 8:24 | |
| with growing in the faith | 8:28 | |
| is not the fact that | 8:29 | |
| we have not heard the Gospel, | 8:30 | |
| but precisely that we have heard it, | 8:32 | |
| and we have heard it, and we have heard it, | 8:35 | |
| and we are weary with its telling. | 8:39 | |
| It has worn its grooves on our ears. | 8:42 | |
| "God was, in Christ, reconciling the world unto Himself." | 8:48 | |
| Yes, I know, we've heard that. | 8:53 | |
| Click, next slide, please. | 8:56 | |
| "Unto you is born this day, in the city of David, | 9:00 | |
| "a savior who is Christ the Lord." | 9:04 | |
| Yes, we know, we just put the decorations away, | 9:08 | |
| and we've only got 353 more shopping days | 9:11 | |
| until we hear that again. | 9:15 | |
| We have heard it, and heard it, | 9:19 | |
| and we are weary with its telling. | 9:23 | |
| A friend of mine tells the story of a man | 9:29 | |
| who walked home through a graveyard every day. | 9:31 | |
| One day, he happened to be | 9:35 | |
| walking through the graveyard | 9:36 | |
| when he saw an old man and a little boy, | 9:38 | |
| a grandfather and a grandson, | 9:41 | |
| standing at a fresh grave. | 9:43 | |
| As he walked by, | 9:46 | |
| he heard a little bit of a conversation, | 9:48 | |
| and realized that they were standing at the grave | 9:51 | |
| of the old man's son, the little boy's father. | 9:53 | |
| And, in stammering words, | 9:58 | |
| the old man was trying to tell the little boy | 9:59 | |
| how it is that they could trust God | 10:03 | |
| even in the face of such a loss. | 10:05 | |
| "I had heard everything | 10:09 | |
| he had said before," said the man. | 10:11 | |
| "But now that I overheard it, | 10:16 | |
| "it seemed to come to me from the outside. | 10:20 | |
| "And I heard it in a way I'd never heard it before. | 10:26 | |
| "My God! What a fantastic story." | 10:32 | |
| I am persuaded that that is precisely the reason | 10:38 | |
| that Matthew includes in his Gospel | 10:41 | |
| this exotic story of the visit | 10:44 | |
| of the wise men from the East. | 10:46 | |
| I am convinced that that is precisely | 10:49 | |
| the way he tells it the way he tells it, | 10:51 | |
| in order to disrupt our religious routine | 10:54 | |
| with a word from the outside. | 10:57 | |
| The point of this story, | 11:01 | |
| if you want to boil it down to a point, | 11:03 | |
| the point of the story is that | 11:05 | |
| even the Gentiles have come to worship the Messiah. | 11:07 | |
| That's the point. | 11:10 | |
| Next slide, please. Click. | 11:12 | |
| But, wait a minute. | 11:16 | |
| Like all works of religious art, | 11:18 | |
| it's not merely making a point, | 11:21 | |
| it's an expression of a way of being in the world. | 11:24 | |
| And when we experience the story | 11:28 | |
| the way Matthew tells it, | 11:31 | |
| it disrupts us, | 11:32 | |
| it invades us from the outside, | 11:34 | |
| and inflames our imagination | 11:36 | |
| so that we, too, fall to our knees | 11:38 | |
| and confess that most basic of all confessions, | 11:41 | |
| "my God, what a fantastic story". | 11:44 | |
| Let's try a little test to see if that's true. | 11:50 | |
| You know the story. | 11:54 | |
| How many wise men were there? | 11:55 | |
| Well, there were three, of course, | 12:00 | |
| everybody knows that. | 12:01 | |
| Uh, everybody knows that but Matthew. | 12:03 | |
| He doesn't tell us how many there are. | 12:07 | |
| We have supplied the number three | 12:09 | |
| from our imaginations. | 12:11 | |
| What did they look like? | 12:14 | |
| Well, when we try to depict them | 12:16 | |
| in our Christmas pageants, | 12:17 | |
| we dress up our sons in royal purple bathrobes, | 12:19 | |
| put Burger King crowns on their heads, | 12:22 | |
| give them jars of perfume | 12:25 | |
| and cigar boxes wrapped in aluminum foil, | 12:27 | |
| and send them down the aisle singing, | 12:30 | |
| "We Three Kings of Orient Are," | 12:32 | |
| just as we sang a few minutes ago. | 12:34 | |
| Kings? Who said they're kings? | 12:37 | |
| Matthew didn't. | 12:39 | |
| We have supplied that with our imagination. | 12:42 | |
| What were their names, do you know? | 12:46 | |
| Well, there was Melchior, he brought the gold, | 12:48 | |
| and there was Caspar, he brought the frankincense, | 12:51 | |
| and there was Balthazar, | 12:54 | |
| he was black, you may remember, | 12:56 | |
| and he brought the myrrh. | 12:58 | |
| In our imagination, | 13:01 | |
| but not in Matthew. | 13:04 | |
| As one of the leading New Testament scholars | 13:07 | |
| on this text has said, | 13:09 | |
| "The pious imagination of the church | 13:10 | |
| "has been hyperactive on this story." | 13:12 | |
| But we should not be embarrassed about that. | 13:14 | |
| As a matter of fact, we should understand | 13:17 | |
| that the story invites it, demands it. | 13:19 | |
| It wishes to disrupt our religious routine | 13:22 | |
| by inflaming our imagination | 13:26 | |
| and bringing us to the place that we say, | 13:28 | |
| "My God, | 13:32 | |
| the Gospel is a fantastic story." | 13:35 | |
| In one of Woody Allen's movies, | 13:43 | |
| he plays the part that he usually plays, | 13:46 | |
| a slightly intellectual, | 13:50 | |
| somewhat neurotic New York Jew. | 13:52 | |
| In the movie, he falls in love | 13:57 | |
| with a Diane Keaton type woman, | 13:59 | |
| a woman who could not be more different | 14:01 | |
| from him, ethically or culturally. | 14:03 | |
| She is a Midwestern Protestant princess. | 14:06 | |
| As the relationship develops, | 14:10 | |
| it becomes time for him to meet her parents, | 14:12 | |
| and so at Thanksgiving | 14:16 | |
| he reluctantly follows her home | 14:17 | |
| to meet her mother and her father | 14:21 | |
| and her grandmama. | 14:23 | |
| And there he sits, | 14:25 | |
| at the Thanksgiving table, | 14:27 | |
| in a whitewashed WASPish home, | 14:28 | |
| being passed the Thanksgiving ham, | 14:32 | |
| as the table hums with conversation | 14:35 | |
| of the Republican Party and the Episcopal Church. | 14:39 | |
| In the middle of it, | 14:44 | |
| using a photographer's trick, | 14:45 | |
| the director Woody Allen allows us to see | 14:48 | |
| how this New York Jew is feeling inside. | 14:51 | |
| Suddenly he grows the beard | 14:55 | |
| of a rabbi and forelocks. | 14:58 | |
| Suddenly he is wearing a wide-brimmed | 15:01 | |
| rabbinical hat and a prayer shawl. | 15:03 | |
| There he sits, | 15:06 | |
| in the Republican heartland of the | 15:08 | |
| midwest, WASP, Episcopal country, | 15:10 | |
| the ultimate, ultimate Jew. | 15:13 | |
| Reverse that story, | 15:19 | |
| and that is precisely what Matthew is trying to say. | 15:21 | |
| Into the Jewish heartland, | 15:27 | |
| into the promise of Israel | 15:30 | |
| come Gentiles. | 15:34 | |
| Not just the Gentiles down the street | 15:36 | |
| that we all know in Jerusalem, mind you, | 15:38 | |
| but Gentiles from the East. | 15:40 | |
| Not just the familiar Gentiles | 15:44 | |
| that hang around the synagogue | 15:46 | |
| that are sort of half-Jewish anyway, you know. | 15:47 | |
| Oh my Gosh, no, astrologers! | 15:50 | |
| "Old Testament, we never heard of it. | 15:54 | |
| "What's your sign?" | 15:55 | |
| These are the ultimate goyim. | 15:58 | |
| And into the insiders' religious routine | 16:04 | |
| comes the disruptive experience | 16:08 | |
| of that which is new and strange and foreign, | 16:12 | |
| so that even those who thought they knew it all | 16:17 | |
| are re-infused with the wonder: | 16:22 | |
| "My God, what a fantastic story." | 16:26 | |
| God will not let us allow | 16:33 | |
| the sediment of our religious weariness | 16:38 | |
| finally to obscure our hearing of the Gospel. | 16:43 | |
| The Lutheran pastor Edmund Steimle | 16:50 | |
| was once the minister at a little church | 16:52 | |
| in the Lower East Side of New York. | 16:55 | |
| He had in his congregation a woman | 16:58 | |
| who had emigrated from Germany. | 17:01 | |
| She and her husband operated | 17:02 | |
| a little tailor shop in New York. | 17:04 | |
| They did not emigrate | 17:08 | |
| from Germany willingly, however. | 17:09 | |
| As a matter of fact, | 17:12 | |
| although she was Lutheran, | 17:13 | |
| he was Jewish, | 17:14 | |
| and he had been turned in to the SS | 17:16 | |
| and they had to flee Germany. | 17:19 | |
| Who turned him in? | 17:20 | |
| His wife's brother. | 17:23 | |
| His own brother-in-law. | 17:26 | |
| One day Steimle | 17:29 | |
| was visiting them in the tailor shop, | 17:30 | |
| went to see her. | 17:32 | |
| She was not in, but he was in, | 17:33 | |
| so Steimle had a conversation with him. | 17:34 | |
| And he'd started to go | 17:37 | |
| when the old man said, "Wait, just a minute, | 17:38 | |
| "Pastor Steimle, I have a question. | 17:40 | |
| "We have just received a letter from my brother-in-law. | 17:42 | |
| "He is now old and sick | 17:48 | |
| "and he is asking for money. | 17:52 | |
| "My wife, she says no. | 17:56 | |
| "Me? I say yes. | 18:02 | |
| "What do you say, Pastor Steimle?" | 18:08 | |
| Steimle said, "I couldn't say anything. | 18:13 | |
| "We Lutheran are supposed to be | 18:17 | |
| "the specialists on grace and forgiveness, | 18:18 | |
| "and here, this one from the outside | 18:23 | |
| "was teaching me what forgiveness is all about." | 18:28 | |
| My God, what a fantastic story. | 18:34 | |
| So look, | 18:41 | |
| I know what the religious self-help manuals say. | 18:44 | |
| They say that in those inevitable dry periods | 18:46 | |
| in our spiritual life, | 18:50 | |
| in those inevitable times when the routine | 18:51 | |
| and the weariness of our faith has set in, | 18:54 | |
| we ought to be about doing spiritual aerobics. | 18:57 | |
| More prayer, more Bible-reading, | 19:01 | |
| more worship, more, more. | 19:04 | |
| Maybe so. | 19:10 | |
| But I think this story tells us | 19:13 | |
| that we ought also to keep watch | 19:16 | |
| for those wise men and women | 19:20 | |
| who come from the East, | 19:25 | |
| from the outside, | 19:28 | |
| from the unexpected, | 19:30 | |
| from the surprising, | 19:32 | |
| to remind us of what the Gospel is all about, | 19:35 | |
| and to bring us to the place | 19:39 | |
| that we even can say, | 19:40 | |
| "my God, what a fantastic story". | 19:42 | |
| When Doctor Elizabeth Kübler-Ross | 19:49 | |
| was doing her research on terminal patients, | 19:51 | |
| she assembled a crack medical team. | 19:54 | |
| Nurses and physicians, | 19:57 | |
| they combed through the hospital | 19:59 | |
| interviewing terminal patients, | 20:01 | |
| recording every blip on the electrocardiogram, | 20:03 | |
| every feeling, every mood. | 20:06 | |
| It was going into a study of scientific precision. | 20:08 | |
| One day, however, Dr Ross began | 20:13 | |
| (sound cuts out) | 20:15 | |
| had just cleaned up their hospital room. | 20:27 | |
| On a hunch, | 20:32 | |
| she stopped the maid in the hall that day, | 20:33 | |
| and said "what are you doing with my patients?" | 20:35 | |
| The maid was frightened, defensive. | 20:39 | |
| "I'm not doing anything with them," she said. | 20:42 | |
| "No, no," said Dr Ross. | 20:44 | |
| "I'm not here to scold, I'm here to learn. | 20:46 | |
| "Sometimes when you're with the patients | 20:48 | |
| "they become very peaceful. | 20:50 | |
| "What are you saying to them?" | 20:52 | |
| The maid turned and said, | 20:56 | |
| "the people in those rooms are dying. | 20:59 | |
| "You know, I've lost two babies on my lap, | 21:03 | |
| "and I have needed Jesus in my grief, | 21:08 | |
| "and I have found that he is always there. | 21:13 | |
| "I tell them that. | 21:18 | |
| "You know, I ain't afraid of death. | 21:21 | |
| "And I think, when I tell 'em that, | 21:24 | |
| "they aren't so much afraid of it either." | 21:27 | |
| And then, taking her mop and her bucket, | 21:31 | |
| this wise woman from the East | 21:36 | |
| turned and walked down the hospital hall. | 21:40 | |
| She, from the outside, | 21:47 | |
| having brought into rooms of despair and death. | 21:50 | |
| the word of a Jesus who bears our pain | 21:55 | |
| and carries our sorrows. | 22:00 | |
| That's the Gospel. | 22:04 | |
| My God, what a fantastic story. | 22:09 | |
| (organ music) | 22:22 |
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