William Zepherin interview recording, 1994 August 02
Loading the media player...
Transcript
Transcripts may contain inaccuracies.
Felix Armfield | Today is August the second, 1994. I'm Felix Armfield, the interviewer, and I'm about to interview Mr. William Zepherin at the Azalea Villa Nursing Home in New Iberia, Louisiana. Mr. Zepherin, would you state your full name for the record, please? | 0:05 |
William Zepherin | William Zepherin. | 0:23 |
Felix Armfield | Mr. Zepherin, how long have you lived here in New Iberia? | 0:26 |
William Zepherin | All my life I lived in Loreauville. | 0:29 |
Felix Armfield | In the Loreauville area? | 0:30 |
William Zepherin | Right. L-O-R-E-A-U-V-I-L-L-E. | 0:30 |
Felix Armfield | Okay. | 0:30 |
William Zepherin | That's home for me. | 0:41 |
Felix Armfield | When were born there in Loreauville? | 0:43 |
William Zepherin | I was born February the eighth, 1932. | 0:43 |
Felix Armfield | February the eighth, 1932, you were born there in Loreauville. | 0:49 |
William Zepherin | That's right. | 0:49 |
Felix Armfield | Were your parents from Loreauville? | 0:49 |
William Zepherin | Yeah. | 0:55 |
Felix Armfield | They were born and raised there, in the Loreauville area? | 0:56 |
William Zepherin | No, they wasn't born. My mama was from West Virginia and my father was from Loreauville. | 0:58 |
Felix Armfield | Okay. But your mother was out of West Virginia? | 1:04 |
William Zepherin | Yeah. | 1:06 |
Felix Armfield | When you were a youngster, what do you recall your parents did? What did they do for a living? | 1:07 |
William Zepherin | They farmed. | 1:11 |
Felix Armfield | They farmed? What kind of farming did they do, Mr. Zepherin. | 1:12 |
William Zepherin | They had sugar cane and corn. | 1:21 |
Felix Armfield | Sugar cane and corn? | 1:22 |
William Zepherin | Mm-hmm. | 1:22 |
Felix Armfield | Now that sugar caning process, did you, in fact, do sugar caning? | 1:22 |
William Zepherin | Mm-hmm. | 1:22 |
Felix Armfield | What was that process like? How did you grow sugar cane, how did you crop sugar cane, and how did you harvest it? | 1:23 |
William Zepherin | You had to get up all day in the morning. You raised that with mules, at that time. | 1:43 |
Felix Armfield | Okay. | 1:43 |
William Zepherin | Had to buy a mule. We had to work them all day until it's night and bring them home and feed them, take their harness off and feed them. Then just first thing in the morning, next day around five o'clock, go back and hitch them up again. | 1:43 |
Felix Armfield | Okay. | 2:02 |
William Zepherin | And you're going back to work again til it's dark. Dusk, dawn. You would come home about twelve, you know what I mean? Get your meals. You got to go back. | 2:05 |
Felix Armfield | Okay, okay. | 2:14 |
William Zepherin | That was at home. That was at home. Now when people would hire you, they were worse than that. | 2:15 |
Felix Armfield | Now when they would hire you, how were the conditions worse? | 2:24 |
William Zepherin | One guy I worked for, he had four mules. He had two for the morning and two for the afternoon. | 2:30 |
Felix Armfield | So he wouldn't work the mules to death? | 2:38 |
William Zepherin | No, he wouldn't. | 2:38 |
Felix Armfield | But you went the morning and afternoon. | 2:38 |
William Zepherin | Right. | 2:38 |
Felix Armfield | Isn't that interesting? | 2:38 |
William Zepherin | Yeah. | 2:38 |
Felix Armfield | Now— | 2:38 |
William Zepherin | And you see, you had so many acres to do. | 2:38 |
Felix Armfield | Mm-hmm. How were the mules important to the process? | 2:38 |
William Zepherin | Oh, man. | 2:38 |
Felix Armfield | What did they do? | 2:38 |
William Zepherin | I had to raise two mules. The last two were in the afternoon. One was put on kind of put on twisted, you know? | 3:00 |
Felix Armfield | Mm-hmm. | 3:04 |
William Zepherin | He was like crock necked. | 3:04 |
Felix Armfield | Mm-hmm. Mm-hmm. | 3:05 |
William Zepherin | And the other one walked so fast, God dang to hell, man, you had to run to keep up with that plow. | 3:08 |
Felix Armfield | Really? | 3:13 |
William Zepherin | Oh, yeah. | 3:15 |
Felix Armfield | So they was swift mules? | 3:16 |
William Zepherin | Oh, definitely. | 3:16 |
Felix Armfield | Mm-hmm. | 3:16 |
William Zepherin | I don't know if he had them trained or what, but I guarantee you, after you made a day's of work with them mules there, you made a day's work. | 3:18 |
Felix Armfield | And you had to walk behind them with the plow? | 3:23 |
William Zepherin | Oh, yeah. You had to hold that plow and walk behind them. | 3:23 |
Felix Armfield | Now what were you plowing? | 3:23 |
William Zepherin | I was plowing that sugar cane. | 3:23 |
Felix Armfield | You were plowing the sugar cane? | 3:23 |
William Zepherin | Yeah. | 3:23 |
Felix Armfield | And you plowed it with a mule, walking behind those mules? | 3:23 |
William Zepherin | With two mules, yeah. | 3:37 |
Felix Armfield | Really? And you had to walk behind them all day? | 3:39 |
William Zepherin | Oh, yeah. Definitely. | 3:41 |
Felix Armfield | Isn't that something? | 3:45 |
William Zepherin | Mm-hmm. | 3:46 |
Felix Armfield | And you would do that from sun up to sun down? | 3:47 |
William Zepherin | Sometimes on Sunday, Saturday and Sunday, too. | 3:53 |
Felix Armfield | Was this when you were there at home or when you were hired out? | 3:55 |
William Zepherin | When they hired out. | 4:02 |
Felix Armfield | Now, were you hired out in the Loreauville area? | 4:02 |
William Zepherin | Yeah. | 4:02 |
Felix Armfield | Or pretty much work most of the time right there in the Loreauville area? | 4:05 |
William Zepherin | I used to work for Zenon Bouille. | 4:08 |
Felix Armfield | Zenot Booty? | 4:08 |
William Zepherin | Yeah. | 4:08 |
Felix Armfield | Okay. Now when you said that your parents worked in sugar cane, what exactly did they do? | 4:21 |
William Zepherin | They growed all kind of crops, like peanuts. It wasn't much, a couple of rows, but there was enough for the family all year, you know? | 4:29 |
Felix Armfield | Mm-hmm. | 4:42 |
William Zepherin | Then we've always had our own hogs and everything, our pigs. We had meat for the whole year. | 4:50 |
Felix Armfield | Okay. I see. | 4:52 |
William Zepherin | Our cattle and stuff like that, you know? | 4:54 |
Felix Armfield | Mm-hmm. So did y'all own your own home? | 4:59 |
William Zepherin | Oh, yeah. Definitely. | 5:02 |
Felix Armfield | Owned your own house? | 5:02 |
William Zepherin | Oh, yeah. | 5:02 |
Felix Armfield | So therefore, you weren't sharecroppers? | 5:04 |
William Zepherin | Oh, no. No, no. | 5:05 |
Felix Armfield | You were working— | 5:07 |
William Zepherin | No, no. My grandfather was the only Black that kept his name. | 5:16 |
Felix Armfield | In Loreauville? | 5:16 |
William Zepherin | In Loreauville. | 5:16 |
Felix Armfield | Now when you say he was the only Black that— | 5:16 |
William Zepherin | Only Black. | 5:16 |
Felix Armfield | Were there other Blacks who had land and lost it? | 5:16 |
William Zepherin | Oh, yeah. Loreauville wasn't for the Black. Loreauville wasn't for Black men. | 5:16 |
Felix Armfield | Okay, okay. | 5:16 |
William Zepherin | They lost their land by buying the mule and this here and that there. They needed it because they got to have it to make that crop, you see? | 5:26 |
Felix Armfield | Yeah, yeah | 5:38 |
William Zepherin | Then when go to pay, they've always got to pay more for that mule than what they anticipated, you see? | 5:40 |
Felix Armfield | Oh, I see. | 5:44 |
William Zepherin | See, let's say you bought this mule today. You might sell it to you for seventy dollars. When you go to pay, you owe a hundred and fifty dollars. You understand? | 5:50 |
Felix Armfield | Okay, okay, okay. | 5:59 |
William Zepherin | But you couldn't kick back at the time. You ain't had nobody to fight for you. | 6:02 |
Felix Armfield | Mm-hmm. | 6:06 |
William Zepherin | You couldn't fight for yourself because he did it from back of that desk, it's not so bad. You see? Get you out of his office say you didn't want to pay him, you see? That's used to play that in Loreauville. | 6:07 |
Felix Armfield | And do a lot of Black people lose out like that, Mr. Zepherin? | 6:25 |
William Zepherin | Mm-hmm. Oh, yeah. For 1927— | 6:27 |
Felix Armfield | Mm-hmm. | 6:28 |
William Zepherin | —they had some guys staying way in the back, he was low, you know? The Vitor family. | 6:36 |
Speaker 1 | Felix, excuse me. You have a phone call. | 6:37 |
Felix Armfield | Okay. Hold on. [INTERRUPTION 00:06:53] | 6:53 |
Felix Armfield | Okay, Mr. Zepherin, you were saying? Now, what were you talking about? You were talking about in 1927 and something. | 6:53 |
William Zepherin | About losing their land. | 6:56 |
Felix Armfield | Yeah. They lost the land oftentimes because of the high rent cost of renting the mules? | 7:01 |
William Zepherin | No, they bought the mules, you see? | 7:07 |
Felix Armfield | They bought the mules? | 7:08 |
William Zepherin | But that man they bought them with always would come up with a different price than what he told them when they bought it. | 7:11 |
Felix Armfield | Okay. | 7:17 |
William Zepherin | You see, a guy would leave Loreauville, a man named Jack Brooks, a White guy I know in New Iberia, was the seller of the mules, you see? | 7:19 |
Felix Armfield | Okay. | 7:30 |
William Zepherin | And you— | 7:30 |
Felix Armfield | So it was like a big mule farm in New Iberia? | 7:30 |
William Zepherin | Yeah. He sold the mules. Any time you need a mule you had to go to Jack Brooks. | 7:37 |
Felix Armfield | Okay. | 7:43 |
William Zepherin | In 1927, that lower land, the Vitor was staying on it. They had their own property, too. | 7:44 |
Felix Armfield | The Vit? | 7:51 |
William Zepherin | The Vitor. | 7:57 |
Felix Armfield | Vitor? | 7:57 |
William Zepherin | Yeah. Vitor, it's whatever. | 7:57 |
Felix Armfield | Mm-hmm. | 7:57 |
William Zepherin | And they had to go to camp for high water. | 8:03 |
Felix Armfield | Mm-hmm. | 8:04 |
William Zepherin | And that water got up so high, so high. Well, you see, just before they left, they had bought a mule. When they came back the mule was gone. I don't know if some of them people went pick it up or what or it just died. You know? | 8:07 |
Felix Armfield | Mm-hmm. | 8:25 |
William Zepherin | But the mule wasn't in no position to die, you know? | 8:25 |
Felix Armfield | Yeah. | 8:28 |
William Zepherin | They were fat and everything else. The high water didn't last that long, you know? | 8:28 |
Felix Armfield | Yeah, yeah. | 8:34 |
William Zepherin | Not for a animal to die. Because I seen myself take a calf from water, way back to the woods back there and slowly to the bayou. On the bayou side was high. I mean, it was high, and it didn't die. | 8:35 |
Felix Armfield | Yeah, yeah. | 8:54 |
William Zepherin | It was our best milk cow, man. Oh, yeah. But you did lost twenty-seven acres of land behind that mule. Twenty-seven acres. | 8:55 |
Felix Armfield | That's a quite a bit of acres to be losing. | 9:15 |
William Zepherin | Yeah. That's what they made the agreement on. They made the agreement on— | 9:15 |
Felix Armfield | And these were Black families that lost? | 9:25 |
William Zepherin | Yeah, yeah. | 9:25 |
Felix Armfield | There in Loreauville. | 9:25 |
William Zepherin | Yeah. | 9:25 |
Felix Armfield | Really? How much schooling did you receive, Mr. Zepherin? | 9:29 |
William Zepherin | I went to through eleventh grade. | 9:31 |
Felix Armfield | You went through the eleventh grade? | 9:34 |
William Zepherin | Yeah. | 9:35 |
Felix Armfield | And that was there, in Loreauville? | 9:40 |
William Zepherin | Mm-hmm. Uh-huh. | 9:43 |
Felix Armfield | And was the name of—Where? | 9:43 |
William Zepherin | Loreauville didn't taught no further than fifth, no. | 9:48 |
Felix Armfield | Loreauville only taught fifth for Black children? | 9:50 |
William Zepherin | Yeah. | 9:51 |
Felix Armfield | And where did you go then? | 9:52 |
William Zepherin | New Iberia. | 9:55 |
Felix Armfield | You came in to New Iberia? | 9:55 |
William Zepherin | Yes. Iberia Parish Training School. | 9:57 |
Felix Armfield | Okay. How did you get in to New Iberia? | 9:58 |
William Zepherin | On the bus. | 10:00 |
Felix Armfield | So a bus was carrying you? | 10:02 |
William Zepherin | Yeah, Peg. | 10:03 |
Felix Armfield | You had to pay? | 10:05 |
William Zepherin | No, Peg was picking us up, a guy name Peg. | 10:06 |
Felix Armfield | Peg? Okay. | 10:06 |
William Zepherin | Mm-hmm. | 10:06 |
Felix Armfield | And was this a state school bus he was using or he was providing the transportation? | 10:15 |
William Zepherin | No. He had a bus personally, you know. | 10:21 |
Felix Armfield | Oh, okay. An this was something I've heard that might've been typical to the Black community? | 10:23 |
William Zepherin | Oh, yeah. Definitely. | 10:28 |
Felix Armfield | That they would provide their own school— | 10:29 |
William Zepherin | I was of the first ones they went. | 10:31 |
Felix Armfield | You were one of the first ones— | 10:32 |
William Zepherin | You see, that bus came about maybe five days. | 10:34 |
Felix Armfield | Mm-hmm. | 10:38 |
William Zepherin | And I was on it, back on it. | 10:40 |
Felix Armfield | Really? | 10:42 |
William Zepherin | Before the Black people started it and the children go on the bus. | 10:43 |
Felix Armfield | Mm-hmm. To come into New Iberia at the same time. And you completed the 11th grade? | 10:44 |
William Zepherin | Yeah. | 10:44 |
Felix Armfield | And what religion was the family, Mr. Zepherin? | 10:44 |
William Zepherin | Baptist. | 10:56 |
Felix Armfield | You were Baptist people. Were your mother and father active in the church? | 10:57 |
William Zepherin | Oh, yes. Oh, definitely. | 11:01 |
Felix Armfield | Really? | 11:02 |
William Zepherin | Oh, yeah. They used to make us go to church back forty sometime, wash our feet, grease them. And we would go sit up in the front, too. | 11:03 |
Felix Armfield | With no shoes on? | 11:11 |
William Zepherin | No shoes. No shoes at all. We couldn't afford it, just couldn't afford no shoes. | 11:12 |
Felix Armfield | So you'd make certain— | 11:19 |
William Zepherin | Man, I was eighteen years old before I wore my first pair of shoes of my own. | 11:19 |
Felix Armfield | You were eighteen years old before you owned your own pair of shoes? | 11:26 |
William Zepherin | Right. See, when I'd go work and get paid, I used to come put the money on the bed and let my mama give me fifty cents to go to the store. You see? | 11:36 |
Felix Armfield | I see. | 11:41 |
William Zepherin | And you'd go to the store on a Saturday. All them White people would stack up—they had in that store, George Andrews store, it had a porch. | 11:57 |
Felix Armfield | George Andrews? | 12:09 |
William Zepherin | Right. And all them White people and them White lady would come there. And you'd be walking down to the street going onto the shore. And if they their policeman over there, named Leo. | 12:10 |
Felix Armfield | Leo? | 12:23 |
William Zepherin | Yeah. He'd come there with that Billy, pushing you on the side, "Get out of the way, nigger. Get out of the way, nigger." | 12:27 |
Felix Armfield | So they'd make certain that you got out of the way so these White people could down the sidewalk? | 12:31 |
William Zepherin | Yeah, so White people could. | 12:34 |
Felix Armfield | So what happened if you didn't move? | 12:35 |
William Zepherin | Didn't move? He'd break your head. | 12:43 |
Felix Armfield | Really? | 12:43 |
William Zepherin | Oh, yeah. | 12:43 |
Felix Armfield | So they just— | 12:43 |
William Zepherin | I know some people he'd bust right in the head. He'd slap a girl in—where you get your mail at—post office. | 12:43 |
Felix Armfield | At the post office the police slapped the Black girl. Why did he slap the Black girl? | 12:59 |
William Zepherin | She was getting her mail, you know? | 13:04 |
Felix Armfield | Mm-hmm. | 13:07 |
William Zepherin | Oh, they didn't have to have no reason to do what they wanted to do to you. They'd do whatever they wanted, without no reason. | 13:08 |
William Zepherin | Mm-mm. | 13:15 |
Felix Armfield | So he really didn't have any reason— | 13:28 |
William Zepherin | No. | 13:30 |
Felix Armfield | —for particularly slapping the Black woman in the post office, just felt like slapping her? | 13:31 |
William Zepherin | But you know something? My character caught if it would've been my sister, I believe I would've killed him. | 13:35 |
Felix Armfield | That day in the post office? | 13:42 |
William Zepherin | Oh, yeah. I would've killed him. | 13:43 |
Felix Armfield | What happened that day in the post office, Mr. Zepherin? | 13:44 |
William Zepherin | Oh, let me see. She had Marshall, Harry, [indistinct 00:13:48]. She had four brothers, they didn't do . Now then the guy, after I stopped— | 13:47 |
Felix Armfield | Did you know the woman that was slapped? | 14:01 |
William Zepherin | Oh, yeah. Agnes Anthony. | 14:02 |
Felix Armfield | Agnes who? | 14:03 |
William Zepherin | Anthony. | 14:03 |
Felix Armfield | Anthony? Okay. | 14:09 |
William Zepherin | A-N-T-H-O-N-Y. And let me tell you this. After I got out of the farm, I went and worked for a guy, he had a '47 pickup. We were like brothers, man. We weren't, but we were like brothers. | 14:09 |
Felix Armfield | What kind of work were you doing? | 14:37 |
William Zepherin | I was doing plumbing work. | 14:39 |
Felix Armfield | Plumbing? | 14:39 |
William Zepherin | I was plumbing for Standard Oil. You see, we used to run to Baton Rouge and do some plumbing and we'd come back home. And sometime, I used to drive that eighteen-wheeler, deliver gas. I used to take that eighteen-wheeler out of Baton Rouge and bring it to Loreauville and service station, you see, with gas. It was the first time I got a paid job. | 14:41 |
Felix Armfield | And when did you start doing that job? About what time was it? | 15:14 |
William Zepherin | Oh, it must've been when around '43, '44. | 15:14 |
Felix Armfield | Did you serve in World War II? | 15:14 |
William Zepherin | No. | 15:16 |
Felix Armfield | You didn't go to the war? | 15:16 |
William Zepherin | No. | 15:16 |
Felix Armfield | What happened? You didn't get drafted into the war? | 15:18 |
William Zepherin | Well now, you see, I was still working with Zenon at the time the war started. | 15:20 |
Felix Armfield | For— | 15:28 |
William Zepherin | For that guy had a mule, I tell you that though. | 15:28 |
Felix Armfield | Okay, okay. | 15:28 |
William Zepherin | He was pretty close to about family. He always give us a break. | 15:37 |
Felix Armfield | So he, for the most part, saw to it that you didn't have to go to the war? | 15:42 |
William Zepherin | Yeah, they call that defer. | 15:43 |
Felix Armfield | Okay. So what did— | 15:43 |
William Zepherin | I didn't even know I got that. After I registered, he deferred me before anything happened, questionnaire or anything. He told me that, too. He said, "I ain't going to let you go to war, man." He said, "People are dying up there." You see, that's what war for, See how you can kill or how many can be killed. I went to the Korean War. | 15:52 |
Felix Armfield | So it sounds like there were many White land owners who could have Black workers on their farms deferred from the draft? | 16:24 |
William Zepherin | Yeah, but they didn't though. They had a sheriff here in New Iberia. You see, Loreauville was in Iberia Parish. His name was Ozenne? | 16:40 |
Felix Armfield | Ozenne? | 16:47 |
William Zepherin | Yeah. You see, the deputy, they had some from Loreauville, Olivier, and all over. They had some men working for them. They say, "No, I want this nigger here, I don't want him to go to the war." Well, the sheriff would go to the local board and tell them that, he wouldn't go. Now, if he didn't like you—And they used to draft from eighteen to forty-five. My next door neighbor was forty-seven when they took him in service. | 16:54 |
Felix Armfield | Forty-seven years old and they sent him to the war? | 17:36 |
William Zepherin | Oh, yeah. He was forty-seven. | 17:41 |
Felix Armfield | Why would they do that? | 17:42 |
William Zepherin | Because they didn't like him. If he had something to tell you, he'd tell. He didn't give a damn whether you were White, Black, gray or grizzled. (Armfield laughs) But that's the way he was, you know? | 17:46 |
Felix Armfield | Mm-hmm. And they didn't like him because he spoke his mind? | 17:53 |
William Zepherin | Uh-huh. And he walked with a gun in his pocket all the time. I remember one day, he and I was coming from Loreauville walking here, and the sheriff himself, he stopped boss. He said, "Come here, nigger, I want to talk to you." He said, "I heard you say you pack a gun?" Mayeux said, "You damn right I pack one." And that's the way he spoke to him, yeah. He said, "Now if you keep messing with me," he said, "I'm going to use it on you." He said, "If you don't believe I would," he got out of his car now. Well, he would slap the piss out of him. | 17:57 |
Felix Armfield | Mm-hmm. | 18:37 |
William Zepherin | And Mayeux was a big man. I mean he slapped him, backhand slapped him. He knocked him down. | 18:42 |
Felix Armfield | He slapped the White man? | 18:45 |
William Zepherin | Oh, yeah, he slapped him. | 18:45 |
Felix Armfield | What happened to him? | 18:45 |
William Zepherin | Nothing, not a thing. Now he told him, he said, "Now go get your deputy." He said, "The more y'all come, the more they're going to bury." He said, "You believe I'm joking," he said, "you go get them." That deputy from Loreauville came meet Mayeux that night. He said, "Mayeux, I heard that you and my boys had something." Mayeux said, "Get back in your car and get out my yard." And he did that, too, yeah, man. He ain't even start. He heard it, too, though. Oh, yeah. | 18:48 |
Felix Armfield | So it sounds like neighbor friend of yours was quite a known man in— | 19:23 |
William Zepherin | Oh, yeah. He was known, he was known. And, too— | 19:30 |
Felix Armfield | But it's interesting that none of them tried to kill him. | 19:31 |
William Zepherin | Oh, no. You see, they wasn't killing in them days. I remember they'd fight, cut each other up, some— | 19:34 |
Felix Armfield | Now when was this. | 19:39 |
William Zepherin | Stab each— | 19:39 |
Felix Armfield | In the '40s? | 19:39 |
William Zepherin | Yeah, it was around the '40s. | 19:42 |
Felix Armfield | Okay. Just before the war. | 19:43 |
William Zepherin | Yeah. | 19:43 |
Felix Armfield | I see. | 19:43 |
William Zepherin | But he told Mayeux, he said, "I'll see that you leave here." Three weeks after, Mayeux was drafted. | 19:51 |
Felix Armfield | Did he return from the war? | 19:56 |
William Zepherin | Yeah. Oh, yeah. | 19:57 |
Felix Armfield | Mm-hmm. Mm-hmm. So they have a way of keeping you away from the draft— | 19:59 |
William Zepherin | Yeah. | 20:10 |
Felix Armfield | —if they wanted you— | 20:10 |
William Zepherin | If they wanted. | 20:12 |
Felix Armfield | —to continue working for them— | 20:14 |
William Zepherin | Yeah. | 20:14 |
Felix Armfield | —and they liked you, so to speak. | 20:14 |
William Zepherin | Yeah. | 20:14 |
Felix Armfield | And if they didn't particularly like you or they weren't too fond of you, they had a way of seeing to it— | 20:14 |
William Zepherin | You were the first one to go. | 20:18 |
Felix Armfield | —that they got rid of— | 20:20 |
William Zepherin | Oh, yeah. | 20:21 |
Felix Armfield | They probably saw to it they put you on the front lines. | 20:21 |
William Zepherin | Oh, yeah, definitely. Now, I know three guys that went and didn't come back. | 20:23 |
Felix Armfield | Really? | 20:29 |
William Zepherin | Three weeks after they got there, they send their parents a letter that they had got missing in action. Mm-hmm. Yeah. | 20:30 |
Felix Armfield | So the family received letters of three men you knew, Black men from the military— | 20:43 |
William Zepherin | Yeah, and one— | 21:00 |
Felix Armfield | —that were missing in action. | 21:01 |
William Zepherin | One family, they got a lieutenant or captain and master sergeant. Well, I didn't know that at the time what their rank was, but after I went in the service, I start—you know? | 21:02 |
Felix Armfield | Mm-hmm. | 21:16 |
William Zepherin | They came and then two weeks after—Now you see, some Black people couldn't read, they'd call somebody like me to read the letter if their kids could get a letter, you know? | 21:23 |
Felix Armfield | Mm-hmm. | 21:33 |
William Zepherin | And things like that. I read a lot of them people letters. You know? | 21:33 |
Felix Armfield | Yeah. | 21:39 |
William Zepherin | This old lady, she used to stay by us. Now you know that I told you they drafted? He was living with him and his momma together. | 21:42 |
Felix Armfield | And I thought the situation was— | 21:51 |
William Zepherin | That old lady was about seventy years old. She had to live by herself. | 21:54 |
Felix Armfield | I thought that was the— | 21:57 |
William Zepherin | We used to go sleep— | 21:58 |
Felix Armfield | —case where they didn't draft you if you were an only child living with your parents. | 21:58 |
William Zepherin | Well, no, that was the case. | 22:04 |
Felix Armfield | But in his case— | 22:04 |
William Zepherin | But not here, in Louisiana. | 22:04 |
Felix Armfield | Oh. | 22:04 |
William Zepherin | They did what they wanted in Louisiana. They had to draft both. | 22:09 |
Felix Armfield | And when you say, "They did what they wanted," you mean White folks here? | 22:13 |
William Zepherin | Oh, yeah. They did what they wanted, man. | 22:16 |
Felix Armfield | Really? | 22:17 |
William Zepherin | Mm-hmm. Hell, yeah. | 22:17 |
Felix Armfield | And so what happened to his mother at the time, when he was drafted? | 22:25 |
William Zepherin | Well, you see, we took turn to go sleep over there. | 22:34 |
Felix Armfield | To make certain that someone was with her? | 22:34 |
William Zepherin | Yeah, with her. She had two granddaughters and my brother and I, we used to go over there. | 22:34 |
Felix Armfield | Mm-hmm. To make certain that someone was with her. | 22:48 |
William Zepherin | Mm-hmm. And her son called, I mean, he wrote and asked, "Momma, how you been doing?" She said, "Fine." She said, "Them children staying with me and I'm doing all right." | 22:48 |
Felix Armfield | All right. | 22:56 |
William Zepherin | Yeah. | 22:57 |
Felix Armfield | So the community certainly took care of his mother. | 22:59 |
William Zepherin | Yeah. And she used killed hogs, but big hogs, oh, standing that high man, weighing four and five hundred pounds. | 23:02 |
Felix Armfield | Whoa, that's a big hog. | 23:10 |
William Zepherin | My mom always sent us over with a whole shoulder of meat to bring to that old lady. Oh, yeah. | 23:15 |
Felix Armfield | To make certain she was well taken care of? | 23:22 |
William Zepherin | Yeah. She'd cook till her son came back. She wouldn't miss a meal to cook it. Oh, she'd cook all three meals a day. | 23:26 |
Felix Armfield | Yeah, yeah. You said that you served in the Korean War. | 23:38 |
William Zepherin | Mm-hmm. | 23:45 |
Felix Armfield | When did you go? Were drafted into the Korean War? | 23:45 |
William Zepherin | Yeah, but sort of like drafted. | 23:48 |
Felix Armfield | Okay. And what year did you go in? | 23:54 |
William Zepherin | I went in 1952. | 23:59 |
Felix Armfield | 1952, you went to the Korean War? | 23:59 |
William Zepherin | Yeah. | 23:59 |
Felix Armfield | What branch of the military did you go into? | 24:00 |
William Zepherin | I went in the infantry. | 24:01 |
Felix Armfield | Okay. Was that Army? | 24:03 |
William Zepherin | Yeah. | 24:04 |
Felix Armfield | Okay. You went into the Army. | 24:04 |
William Zepherin | Yeah. | 24:04 |
Felix Armfield | Now was the Army still segregated— | 24:22 |
William Zepherin | Oh, yeah. | 24:27 |
Felix Armfield | —during the Korean War? | 24:27 |
William Zepherin | Mm-hmm. That's when they desegregated. | 24:28 |
Felix Armfield | So Black and White soldiers were living together in the barracks? | 24:32 |
William Zepherin | Uh-huh. | 24:35 |
Felix Armfield | Didn't live together? | 24:35 |
William Zepherin | No, not when I first went in, no. | 24:35 |
Felix Armfield | Okay. Did it happen before the Korean War is over? | 24:36 |
William Zepherin | Oh, yeah. Oh, yeah. | 24:43 |
Felix Armfield | What was the situation like? | 24:43 |
William Zepherin | Oh, it was all right. Some of the Whites from Georgia, they started kicking and you know what I mean, you can tell. But after the Negroes started busted their mouths, you know— | 24:46 |
Felix Armfield | Okay, so there was some— | 24:56 |
William Zepherin | Well, you see, I was sent to Germany. | 25:02 |
Felix Armfield | Okay, so you were stationed in Germany? | 25:04 |
William Zepherin | In Munich, Germany. They got a White boy and a White girl was sitting a table. They had a Black soldier one day, he was going out with one of the White girl. | 25:07 |
Felix Armfield | Mm-hmm. | 25:17 |
William Zepherin | He said, "Hey, look, come here." I was in the military police at the time. "Ain't going to come here." I'll be damned, that woman get up from there and break her neck. He walked up to the table and just kicked him right here, right here. Right under his chin. He almost broke his neck. | 25:23 |
Felix Armfield | Now this is a White boy kicking a Black guy or what? | 25:39 |
William Zepherin | No, no. A Black guy kicked a White boy. | 25:41 |
Felix Armfield | Mm-hmm. | 25:43 |
William Zepherin | And let me—Excuse me. | 25:43 |
Felix Armfield | What were they fighting about? | 25:45 |
William Zepherin | Well, that girl. The White boy didn't wanted that girl to get up. Uh-huh. Man, they were lambs, man, when we got through with them. | 25:48 |
Felix Armfield | So you helped calm them down? | 26:00 |
William Zepherin | Oh, yeah. I was pulling duty one night with a guy from Waco, Texas named Tasbee. He was mean to his shoe, that's how mean he was. Now he used to drive the Jeep. I'd be sitting on the side of him with my .45. | 26:04 |
William Zepherin | One night—They've got a street named [indistinct 00:26:28] Swanson, it was from the camp here. They've got a White boy and a White girl was making love on the ground, man. Tasbee got up there, he like I could kill him. He stopped the Jeep right next to them, right like you and I. Guy said, "Watch, you Black son of a bitch, you're about to run over me." He said, "I'm sorry I didn't run over you, you no good bast—" He made that White boy get in the backseat of the Jeep and he beat him, I mean, on the head. Every time he'd hit him, he'd fall. Fall on his face, too. | 26:24 |
Felix Armfield | This was a White guy beating up a Black guy? | 27:06 |
William Zepherin | No, no, a Black guy. | 27:08 |
Felix Armfield | Then why is the Black guy beating up the White guy? | 27:09 |
William Zepherin | Because he was love to that White girl on the street, on the ground. | 27:14 |
Felix Armfield | Oh, so a Black soldier was beating him up because he was making— | 27:16 |
William Zepherin | Yeah. Because, see, we used to take care of the city and the post, you see? | 27:20 |
Felix Armfield | Mm-hmm. | 27:23 |
William Zepherin | Comrade used to tell us, he said, "If you see something wrong—" You see, it was a black market deal there. Comrade used to have a pillowcase full of cigarettes. You see, we made some money there, too. We'd take that cigarette from Comrade, you see, and we'd go to the next block and sell it to somebody and I'd go back and tell Tasbee. I'd say, "Oh, they've got a Comrade got some long mustache" because— | 27:30 |
Felix Armfield | Now these were comrades? | 28:00 |
William Zepherin | Yeah. | 28:02 |
Felix Armfield | Now who were the comrades? | 28:03 |
William Zepherin | Germans. | 28:04 |
Felix Armfield | Okay. | 28:05 |
William Zepherin | Yeah, the Germans. That's how we used to call them, Comrade. | 28:06 |
Felix Armfield | Now why did you call the Germans comrades? | 28:09 |
William Zepherin | That's how they called us, "Comrade." | 28:17 |
Felix Armfield | Oh, so you called them— | 28:20 |
William Zepherin | "[German language 00:28:22], comrade!" They how they tell you how to [indistinct 00:28:32]. | 28:22 |
Felix Armfield | Mm-hmm, mm-hmm, I see. | 28:31 |
William Zepherin | One time they thought I was a German, I speak somewhat German. | 28:32 |
Felix Armfield | So you, in fact, were speaking German when you were over there? | 28:38 |
William Zepherin | See, I'd pick up that quick, you know? | 28:40 |
Felix Armfield | Mm-hmm, mm-hmm. | 28:42 |
William Zepherin | It's a guy, been over there five years, he couldn't say nothing in German. | 28:44 |
Felix Armfield | Now how long did you stay in the Korean War? | 28:48 |
William Zepherin | I stayed nine years. | 28:53 |
Felix Armfield | So you stayed in service from 1952 until '61? | 28:55 |
William Zepherin | Mm-hmm. | 28:58 |
Felix Armfield | Okay. In 1961, you get out of the military. | 29:01 |
William Zepherin | Yeah, I got a hardship discharge. | 29:08 |
Felix Armfield | Okay. | 29:11 |
William Zepherin | You see, they amputated my mother's leg. | 29:11 |
Felix Armfield | Okay, so you received an honorable discharge? | 29:15 |
William Zepherin | Yeah. Oh, yeah, definitely. Oh, yeah. | 29:16 |
Felix Armfield | Okay. And they amputated your mother's leg in 1961? | 29:17 |
William Zepherin | '61. I made it just in time, too. | 29:20 |
Felix Armfield | Mm-hmm. | 29:24 |
William Zepherin | In Lafayette, they operated on her. Boy, she was glad, yeah, when I came. She said, "You out of service?" And I said, "Yeah. I come to stay with you." | 29:25 |
Felix Armfield | And you went to back to Loreauville to stay with your mother? | 29:39 |
William Zepherin | Mm-hmm. | 29:41 |
Felix Armfield | Okay. In 1961? | 29:41 |
William Zepherin | I've been there ever since. | 29:41 |
Felix Armfield | Okay. Did you ever marry there? | 29:46 |
William Zepherin | Uh-huh. | 29:48 |
Felix Armfield | Never got married, stayed there with your mother after you came out of the military. | 29:48 |
William Zepherin | Yeah. | 29:52 |
Felix Armfield | Did you ever have children? | 29:53 |
William Zepherin | I got a son and a daughter. | 29:55 |
Felix Armfield | Okay. | 29:57 |
William Zepherin | Well, I lived with a woman, you know? | 29:59 |
Felix Armfield | Mm-hmm. | 30:02 |
William Zepherin | But we never was married. | 30:03 |
Felix Armfield | What was Loreauville like in 1961 when you returned? Was segregation still there? | 30:07 |
William Zepherin | No, it had started moving on. | 30:13 |
Felix Armfield | And when you say moving on, what do you mean? What kinds of things were happening? | 30:16 |
William Zepherin | Well, you see, if a White man hit you, you could break a neck in '61. | 30:19 |
Felix Armfield | Why in 1961? | 30:29 |
William Zepherin | Why in 1961? | 30:29 |
Felix Armfield | Yeah, why do you think he could have done that in 1961 but in 1952, when you went to the Korean War, you couldn't? | 30:30 |
William Zepherin | Oh, no, you couldn't. Matter of fact, you couldn't walk on the street in 1952. | 30:38 |
Felix Armfield | Well, what had happened between 1952 and 1961? | 30:45 |
William Zepherin | I don't know. I don't know, I wasn't there. | 30:51 |
Felix Armfield | What kind of work did you find when you came back in 1961? | 30:51 |
William Zepherin | I drove a eighteen-wheeler. | 30:56 |
Felix Armfield | So you drove long-distance trucks? | 30:58 |
William Zepherin | Yes. | 31:00 |
Felix Armfield | Okay. What was that like, as a Black man? | 31:02 |
William Zepherin | Oh, hey. | 31:04 |
Felix Armfield | What kind of things did you encounter? | 31:06 |
William Zepherin | You encountered, like when you stopped to a truck stop, they'd park them trucks any kind of way. And the man would come outside and—Now you see, some of them White women was driving trucks at that time. | 31:10 |
Felix Armfield | Who was driving trucks? | 31:24 |
William Zepherin | White women. | 31:28 |
Felix Armfield | Okay. | 31:28 |
William Zepherin | They had a few Black, but they would have mostly White driving them 18-wheelers. They had a lady named Fast Black— | 31:31 |
Felix Armfield | Who? | 31:39 |
William Zepherin | —that was her handle on the CB. | 31:43 |
Felix Armfield | And what was it? | 31:43 |
William Zepherin | Fast Black. | 31:43 |
Felix Armfield | Flashback? | 31:45 |
William Zepherin | Yeah. And mine was Bull's Road. | 31:47 |
Felix Armfield | Was what? | 31:51 |
William Zepherin | Bull's Road. | 31:52 |
Felix Armfield | Bull? | 31:52 |
William Zepherin | Yeah, I was driving a Peterbilt truck, you know? | 31:52 |
Felix Armfield | Mm-hmm. And it was Bull Flow? | 31:52 |
William Zepherin | Yeah, Bull's Road. I got on the horn one night down there. "Everybody, calling the radio check. Does anybody hear me?" She said, "Yeah." She said, "What's your handle?" I said, "Bull's Road." She said, "Bull's Road, you're coming in wall to all and treetop tall." Boy, she could— (coughs) Excuse me. | 32:00 |
William Zepherin | I had a load of meat in my truck and so she asked me, she said, "Where is the destination?" I said, "Dallas," which I was going to Dallas, Texas, you know? | 32:29 |
Felix Armfield | Mm-hmm. | 32:40 |
William Zepherin | She said, "I'm on my way there now." She was driving a—what'd they call that? A freight, like one of the them fast truck at the time. And she said, "I'll meet there." Or, she said, "You'll meet me there." About ten miles ahead, it was a truck stop. I thought it was a White woman. A Black woman with hair about that long. So we got on. I had about six-hundred dollars in my pocket. I thought I'd buy her something, whatever she wanted. She asked, "If I didn't have that truck," She said, "I'd leave the son of a bitch here and ride with you." (Armfield laughs) "No, you can't do that." | 32:41 |
Felix Armfield | Mm-hmm. | 33:33 |
William Zepherin | Then we was outside, we was talking. We got a White girl came. "Where you going to work to?" I said, "Dallas, Texas." She said, "I'm going to Houston." "Can I ride?" I said, "You can if you want," this White girl. | 33:35 |
Felix Armfield | Mm-hmm. | 33:51 |
William Zepherin | She said, "How much you going to charge for it?" She said, "Oh, I can ride with you a while." You know? | 33:54 |
Felix Armfield | Mm-hmm. | 33:54 |
William Zepherin | I had done been to Germany, you know? | 34:06 |
Felix Armfield | Mm-hmm, mm-hmm. | 34:08 |
William Zepherin | So I brought her. She wanted to go to that beach, around the beach. A lot of people were staying around the beach, out by the beach. | 34:12 |
Felix Armfield | Okay. | 34:24 |
William Zepherin | I went there with that 18-wheeler. Man, you ought to see the people come outside. The whole neighborhood came outside. | 34:25 |
Felix Armfield | What happened? What happened? | 34:26 |
William Zepherin | She started telling her parents that I was good enough to give her a ride. They were looking at me kind of funny, but I— | 34:37 |
Felix Armfield | Okay. | 34:40 |
William Zepherin | I always packed my gun with me, you know? | 34:41 |
Felix Armfield | Mm-hmm, mm-hmm. | 34:43 |
William Zepherin | And they'd start talking, "I'm going to drop one of them." Oh, yeah, I always kept that in mind. But they didn't react. They was surprised to see a White girl riding with me in that big truck, big, big truck. I had Super, you know? | 34:44 |
Felix Armfield | Mm-hmm. | 35:04 |
William Zepherin | When I went back, they gave me a freight line. That's a fast truck, man. | 35:06 |
Felix Armfield | Okay. | 35:11 |
William Zepherin | Them of a guns going to do eighty, ninety miles an hour. I mean— | 35:11 |
Felix Armfield | What company were you driving for? | 35:18 |
William Zepherin | Lafayette—Lafayette Milling Company. | 35:23 |
Felix Armfield | Melon? | 35:29 |
William Zepherin | Milling. Yeah. | 35:32 |
Felix Armfield | Miller? | 35:32 |
William Zepherin | Yeah. Yeah, now when they'd get some new trucks, man, I'd always be the one to break them in. | 35:33 |
Felix Armfield | And how long did you work for Lafayette Mill? | 35:45 |
William Zepherin | Oh, about three years, I'd say. | 35:49 |
Felix Armfield | Okay. So you worked for them from about 1961 up until about 1964, '65? | 35:55 |
William Zepherin | Yeah. | 35:57 |
Felix Armfield | Okay. What did you do after that period? | 35:59 |
William Zepherin | I started doing cement work. | 35:59 |
Felix Armfield | Cement work? | 35:59 |
William Zepherin | Oh, yeah. | 35:59 |
Felix Armfield | Did you find lots of work into Lafayette doing cement? | 35:59 |
William Zepherin | Oh, Lord. Oh, man, it used to make five-hundred dollars a day. | 36:10 |
Felix Armfield | Mm-hmm. | 36:14 |
William Zepherin | It's a guy paradise over there. | 36:14 |
Felix Armfield | Mm-hmm. | 36:14 |
William Zepherin | He and I used to work together sometime. | 36:17 |
Felix Armfield | Okay. | 36:21 |
William Zepherin | Sometime, we'd make up to twelve-hundred dollars a day. | 36:21 |
Felix Armfield | Y'all poured a lot of cement. | 36:25 |
William Zepherin | Oh, yeah. You see, like a building like this? | 36:25 |
Felix Armfield | Mm-hmm. | 36:37 |
William Zepherin | This part, I'd pour that by myself, man. | 36:37 |
Felix Armfield | Mm-hmm. | 36:37 |
William Zepherin | When Alvin had a job he couldn't handle by himself, he'd go work with him. And my brother was doing that, too. | 36:40 |
Felix Armfield | I see. | 36:49 |
William Zepherin | You see, I got that job through my brother, you know? | 36:51 |
Felix Armfield | Mm-hmm. | 36:54 |
William Zepherin | Went work with him and then later on I started working for myself. You see? | 36:54 |
Felix Armfield | Okay. Okay. | 37:06 |
Felix Armfield | When did integration in full swing to Loreauville? | 37:06 |
William Zepherin | Back in the '20s. | 37:12 |
Felix Armfield | Integration came in '20s? | 37:12 |
William Zepherin | No, integration. It must've came there around '62, '63. | 37:14 |
Felix Armfield | Okay. Okay. You saw things getting ready to change? | 37:19 |
William Zepherin | Yeah. Not getting ready, it got ready. | 37:24 |
Felix Armfield | It was ready to change, yeah. | 37:27 |
William Zepherin | You see, I don't know, I don't remember if it's '62, but you remember when Johnson took over presidency? | 37:29 |
Felix Armfield | Yes, sir. | 37:38 |
William Zepherin | He said that we were going to—you know what I mean. And everybody was listening to the radio and this one said, "You heard what happened last night?" | 37:40 |
Felix Armfield | Mm-hmm. | 37:47 |
William Zepherin | And they got that White saloon in Loreauville, "Those damn Negro could to the front." A little Black boy went toward the front, enjoyed that saloon and nothing happened, neither. But we were all watching. We'd give him a little name for [indistinct 00:38:06] bayou though. But he tried anything, him. You see, then they had a breezeway with a freezer, you know, and a White girl was standing in that door, making all the—[indistinct 00:38:21] came there and he pushed on her side, he dropped her on that concrete. They had about 30 White boys there. They didn't do him nothing. Uh-huh. | 37:49 |
Felix Armfield | Mm-hmm. | 38:29 |
William Zepherin | Oh, yeah, and he barely knew me. After he ran home and told his daddy what he had did, he said, "Come on, boy, let's go over there before they come get you." He said, "Let's go." | 38:34 |
Felix Armfield | Yeah. | 38:47 |
William Zepherin | Man, later on, he said, "I don't want him here no more." I'll be God damned, he said, "Take that sign down." He said, "That license and give it to him if you don't want me here no more." | 38:48 |
Felix Armfield | Mm-hmm. | 38:56 |
William Zepherin | And that was it, you didn't hear nothing no more before segregation. I mean, no— | 39:00 |
Felix Armfield | Well, what I'm going to get ready and do, Mr. Zepherin, is do some paperwork with you. We're going to leave the tape recorder on. I'm going to ask you some questions about your family and your family history. And as other stories come to your mind, feel free to talk about them. Okay? | 39:11 |
William Zepherin | All right. | 39:28 |
Felix Armfield | Now, your first name, your full name, is William— | 39:29 |
William Zepherin | Yeah, William. | 39:34 |
Felix Armfield | No, your last name is Zepherin, Z-E-P-H- | 39:34 |
William Zepherin | —E-R-I-N. | 39:39 |
Felix Armfield | —E-R-I-N. And your first name is William? | 39:40 |
William Zepherin | Mm-hmm. | 39:45 |
Felix Armfield | Do you have a middle name, Mr. Zepherin? | 39:46 |
William Zepherin | No, I don't. | 39:47 |
Felix Armfield | Okay. The address you use is here, right? | 39:52 |
William Zepherin | No. P.O. Box 83, Loreauville. | 39:54 |
Felix Armfield | P.O. Box 9766? | 39:54 |
William Zepherin | No, no, that's not this. I don't give that no more. | 39:54 |
Felix Armfield | This is the address here. | 39:54 |
William Zepherin | Well, now it's old number. | 39:54 |
Felix Armfield | So you want me to use the address here? | 39:54 |
William Zepherin | No. I want you to use my address. | 39:56 |
Felix Armfield | Okay and that address is P.O. Box— | 39:58 |
William Zepherin | 382. | 40:03 |
Felix Armfield | 382, and that's Loreauville? | 40:03 |
William Zepherin | Loreauville. | 40:19 |
Felix Armfield | And that's in Iberia Parish? | 40:32 |
William Zepherin | Right. | 40:34 |
Felix Armfield | And what's the zip code out there? | 40:38 |
William Zepherin | 70552. | 40:38 |
Felix Armfield | And what's your date of birth, Mr. Zepherin? | 40:45 |
William Zepherin | February eight, 1932. | 40:54 |
Felix Armfield | February eighth, 1932. You were born right in the Depression. | 40:56 |
William Zepherin | Yeah. | 40:57 |
Felix Armfield | Do you have any memories of how it was like living— | 40:58 |
William Zepherin | No, no I don't. | 41:01 |
Felix Armfield | —during those years? | 41:02 |
William Zepherin | I just know what they told me, you know. | 41:03 |
Felix Armfield | Mm-hmm. Now you were born where? | 41:06 |
William Zepherin | In Loreauville. | 41:09 |
Felix Armfield | In Loreauville. | 41:09 |
William Zepherin | You see, at that time, they had them midwives. | 41:13 |
Felix Armfield | And that's Iberia Parish, Louisiana. | 41:16 |
William Zepherin | I was born in that house, that old man house, you know? | 41:22 |
Felix Armfield | Mm-hmm. | 41:27 |
William Zepherin | Yeah, they had a old [indistinct 00:41:31]. | 41:29 |
Felix Armfield | Who had a what, now? | 41:30 |
William Zepherin | A midwife. | 41:35 |
Felix Armfield | Midwife, okay. | 41:36 |
William Zepherin | Mm-hmm. | 41:39 |
Felix Armfield | Now your principal occupation most of your life was cement work? | 41:39 |
William Zepherin | No, no, farm. | 41:43 |
Felix Armfield | Farm? | 41:43 |
William Zepherin | Mm-hmm. | 41:43 |
Felix Armfield | And you did work in cement for a while. | 41:44 |
William Zepherin | Oh, yeah. Oh, yeah, definitely. Until I retired. | 41:45 |
Felix Armfield | Mm-hmm. | 42:49 |
Felix Armfield | Now for the official records, as this is stuff is going to he housed at Duke University in the archives there, and for all the official records that your name will appear on, you want to appear as William Zepherin, right? | 42:49 |
William Zepherin | Right. | 43:04 |
Felix Armfield | Z-E-P-H-E-R-I-N. | 43:04 |
Felix Armfield | And your marital status is you've been single all your life? | 43:04 |
William Zepherin | All my life, yeah. | 43:19 |
Felix Armfield | Okay. | 43:23 |
Felix Armfield | What was your mother's first name? | 43:23 |
William Zepherin | Bertha Zepherin. | 43:27 |
Felix Armfield | Bertha. Did your mother have a middle name? | 43:27 |
William Zepherin | No, not that I remember. | 43:31 |
Felix Armfield | Okay. | 43:37 |
Felix Armfield | What was your mother's maiden name? | 43:37 |
William Zepherin | Bertha Marsh, M-A-R-S-H. | 43:39 |
Felix Armfield | M-A-R-S-H, Marsh. Okay. Do you know your mother's birth date. | 43:47 |
William Zepherin | No, I don't. | 43:48 |
Felix Armfield | Do you remember when your mother died? | 43:49 |
William Zepherin | Yeah, she died in '73. | 43:51 |
Felix Armfield | Do you know what month it was? | 43:53 |
William Zepherin | February. | 43:54 |
Felix Armfield | February of 1973. | 43:54 |
William Zepherin | The twenty-third of February. | 43:54 |
Felix Armfield | The twenty-third. | 44:03 |
Felix Armfield | Okay. Do you know where your mother was born? Where? | 44:03 |
William Zepherin | In some part of West Virginia. | 44:06 |
Felix Armfield | West Virginia. | 44:22 |
Felix Armfield | What did your mother do for a living? She was a housewife and farmer? | 44:22 |
William Zepherin | Housewife. Mm-hmm. | 44:23 |
Felix Armfield | What was your father's first name? | 44:33 |
William Zepherin | Junius Zepherin. | 44:33 |
Felix Armfield | Who? | 44:33 |
William Zepherin | Junius. | 44:33 |
Felix Armfield | Junius? | 44:33 |
William Zepherin | Right. | 44:38 |
Felix Armfield | Did your father have a middle name? | 44:41 |
William Zepherin | No. | 44:46 |
Felix Armfield | Okay. Do you know your father's birth date? | 44:46 |
William Zepherin | No, I didn't know that. | 44:50 |
Felix Armfield | Do you remember when your father died? | 44:50 |
William Zepherin | He died June sixth, 1952. | 44:50 |
Felix Armfield | Same time you left you left for the war, huh? | 44:55 |
William Zepherin | Mm-hmm. | 44:57 |
Felix Armfield | Did he die before you left for the war or after you? | 44:57 |
William Zepherin | After. | 44:59 |
Felix Armfield | Did you make it back for his funeral? | 45:01 |
William Zepherin | Yeah, I had emergency leave. | 45:02 |
Felix Armfield | Okay. | 45:02 |
William Zepherin | He died in my arms. | 45:02 |
Felix Armfield | Oh, really? | 45:08 |
William Zepherin | Mm-hmm. | 45:08 |
Felix Armfield | Was your father ill? | 45:09 |
William Zepherin | Yeah, he stayed in hospital about three or four months. He wasn't eating. | 45:16 |
Felix Armfield | Where was your father born, Mr. Zepherin? | 45:16 |
William Zepherin | He was born in Loreauville. | 45:34 |
Felix Armfield | In Loreauville. | 45:34 |
Felix Armfield | How did your parents meet? | 45:34 |
William Zepherin | I don't know. | 45:35 |
Felix Armfield | With your mother having been from West Virginia and your father was in Louisiana. | 45:38 |
William Zepherin | I don't know, I believe she came here. | 45:44 |
Felix Armfield | And your father was a farmer, right? | 45:45 |
William Zepherin | Mm-hmm. | 45:46 |
Felix Armfield | Your mother came here? | 45:46 |
William Zepherin | Yeah. | 45:47 |
Felix Armfield | Okay. | 45:48 |
William Zepherin | She has a relative or something, that's how they met. | 45:51 |
Felix Armfield | I see. | 45:53 |
Felix Armfield | Now did you have brothers and sisters? | 45:53 |
William Zepherin | Oh, yeah. | 45:53 |
Felix Armfield | How many brothers and sisters did you have? | 45:53 |
William Zepherin | I had nine altogether. | 45:53 |
Felix Armfield | Okay, can you remember all of their names— | 46:03 |
William Zepherin | Oh, yeah. | 46:06 |
Felix Armfield | —from the oldest to the youngest? | 46:07 |
William Zepherin | Yeah. Evelyn Jack. | 46:08 |
Felix Armfield | Evelyn? | 46:11 |
William Zepherin | Mm-hmm. | 46:14 |
Felix Armfield | Okay and who was after Evelyn? | 46:14 |
William Zepherin | Francis—No, Mag. Magnolia. | 46:16 |
Felix Armfield | Magnolia. | 46:19 |
Felix Armfield | Okay. | 46:24 |
William Zepherin | Then Frances. | 46:26 |
Felix Armfield | Frances? | 46:27 |
William Zepherin | Yeah. | 46:28 |
Felix Armfield | Is that a woman or a man? | 46:28 |
William Zepherin | Woman. | 46:30 |
Felix Armfield | Okay. | 46:35 |
Felix Armfield | Okay. Who was after Frances? | 46:35 |
William Zepherin | Florina. | 46:36 |
Felix Armfield | Florina? | 46:36 |
William Zepherin | Right, Flo. Florina. | 46:36 |
Felix Armfield | Florina. | 46:42 |
Felix Armfield | Okay, who was after Florina? | 46:42 |
William Zepherin | Oh, Betty. | 46:50 |
Felix Armfield | Betty. That was my mother's name. | 46:51 |
Felix Armfield | We're trying to wrap up [indistinct 00:00:02] | 0:01 |
Speaker 1 | If it gets too cold in here for you Felix. | 0:03 |
Felix Armfield | I'm fine. | 0:06 |
Speaker 1 | You're fine? You're okay? | 0:07 |
Felix Armfield | Are you okay, Mr. Zepherin? | 0:07 |
William Zepherin | Oh, yeah. | 0:07 |
Felix Armfield | Okay. | 0:07 |
Speaker 1 | There's some poundcake and some banananut bread. | 0:07 |
Felix Armfield | Believe me, I had my share this morning. | 0:07 |
Speaker 1 | Okay. | 0:07 |
Felix Armfield | All right. Thank you. | 0:07 |
Speaker 1 | You're welcome. | 0:17 |
Felix Armfield | Okay. And who was after for your sister Betty? | 0:18 |
William Zepherin | Junius. | 0:19 |
Felix Armfield | Junius. And who was next? | 0:19 |
William Zepherin | No, no. I made a mistake. | 0:29 |
Felix Armfield | Okay. | 0:31 |
William Zepherin | It wasn't Junius. | 0:31 |
Felix Armfield | Who was after Betty? | 0:32 |
William Zepherin | Well, they were James. J-A-M-E-S. | 0:37 |
Felix Armfield | And all your sisters were the oldest, right? | 1:33 |
William Zepherin | Right. | 1:33 |
Felix Armfield | Evelyn, Magnolia, Frances, Florina, Betty, James, and then who? | 1:33 |
William Zepherin | Junius. | 1:33 |
Felix Armfield | Junius. And who was next? | 1:33 |
William Zepherin | Tony and William. | 1:33 |
Felix Armfield | Who? | 1:33 |
William Zepherin | Tony. | 1:33 |
Felix Armfield | Tony? | 1:33 |
William Zepherin | Yeah. Antoine. | 1:33 |
Felix Armfield | Antoine. Okay. | 1:33 |
William Zepherin | And I'm the last one. | 1:33 |
Felix Armfield | And you were the last one. One, two, three, four, five, six, seven, eight. And everybody went in the last name of Zepherin, right? | 1:33 |
William Zepherin | Yeah. | 1:33 |
Felix Armfield | You were the youngest child. | 1:33 |
William Zepherin | Mm-hmm. | 1:33 |
Felix Armfield | No wonder you never got married to stay home with your mother. | 1:33 |
William Zepherin | Yeah. | 1:33 |
Felix Armfield | Do you remember any of your brothers and sister's birthdays? | 1:33 |
William Zepherin | James is the only one. That was January the thirty-first. That's why I remembered it. | 1:34 |
Felix Armfield | Of what year? Do you remember? | 1:38 |
William Zepherin | No. | 1:39 |
Felix Armfield | When he was born. | 1:39 |
William Zepherin | Oh. | 1:42 |
Felix Armfield | How much older than you was here? | 1:43 |
William Zepherin | Oh, he was quite some. | 1:45 |
Felix Armfield | Okay. Now all your— | 1:45 |
William Zepherin | He died last year. | 1:45 |
Felix Armfield | Okay. What month last year? | 1:52 |
William Zepherin | Mm. | 1:56 |
Felix Armfield | Can't remember the month. | 1:58 |
William Zepherin | No, I was talking about, I don't lose track of. | 1:59 |
Felix Armfield | But you do know that he died last year? | 2:03 |
William Zepherin | Yeah. | 2:05 |
Felix Armfield | In 1993. Okay. Okay. Now all your brothers and sisters, is everyone else living? | 2:21 |
William Zepherin | No. Evelyn died. | 2:24 |
Felix Armfield | Do you remember when your sister Evelyn died? | 2:26 |
William Zepherin | No. I wasn't there when she died. I was in San Diego. | 2:33 |
Felix Armfield | Okay. So you don't remember the birthdates or any of that? | 2:33 |
William Zepherin | No. | 2:35 |
Felix Armfield | So you don't remember Magnolia's birthday? | 2:35 |
William Zepherin | No. | 2:38 |
Felix Armfield | Okay. Now, are any of your brothers and sisters living? | 2:39 |
William Zepherin | Yeah. | 2:42 |
Felix Armfield | Who's living? | 2:43 |
William Zepherin | Most of them. Evelyn and Flo died. | 2:44 |
Felix Armfield | Evelyn and Florina are dead. Do you remember Florina's death date? | 2:49 |
William Zepherin | No, I don't. | 2:59 |
Felix Armfield | Do you know her birthdate? | 2:59 |
William Zepherin | No, I don't know that either. | 3:00 |
Felix Armfield | Okay. But you said you don't remember any of your brothers and sisters' birth, right? | 3:03 |
William Zepherin | Huh? | 3:09 |
Felix Armfield | You don't know any of your brothers and sisters' birthdays? | 3:15 |
William Zepherin | No. | 3:15 |
Felix Armfield | So Magnolia's alive. | 3:15 |
William Zepherin | Mm. | 3:17 |
Felix Armfield | Frances— | 3:17 |
William Zepherin | She's the oldest one. | 3:19 |
Felix Armfield | Okay. She's the oldest one living? | 3:21 |
William Zepherin | Yeah. | 3:22 |
Felix Armfield | Frances is alive. | 3:23 |
William Zepherin | Yes. | 3:24 |
Felix Armfield | And Betty is alive? | 3:25 |
William Zepherin | Yeah. | 3:26 |
Felix Armfield | And Junius and Antoine? | 3:26 |
William Zepherin | Yeah, they're. | 3:30 |
Felix Armfield | —is alive. | 3:30 |
William Zepherin | Mm-hmm. | 3:30 |
Felix Armfield | But Evelyn and James— | 3:32 |
William Zepherin | And Flo. | 3:36 |
Felix Armfield | And Flo. Evelyn Florina and James are dead? | 3:37 |
William Zepherin | Yeah. | 3:40 |
Felix Armfield | Okay. Was everyone born in Loreauville? | 3:40 |
William Zepherin | Yeah. | 3:43 |
Felix Armfield | And you were the ninth child? | 3:56 |
William Zepherin | Right. | 3:57 |
Felix Armfield | Did you have children, Mr— | 4:04 |
William Zepherin | No, I had two. | 4:06 |
Felix Armfield | You have two? What's your oldest child's name? | 4:07 |
William Zepherin | Willy. | 4:10 |
Felix Armfield | What's his last name? | 4:13 |
William Zepherin | Willie Zepherin. Willie Williams Zepherin. | 4:21 |
Felix Armfield | Willie Williams Zepherin. Do you know his birthdate? | 4:21 |
William Zepherin | No. | 4:21 |
Felix Armfield | Okay. And where was he born? | 4:21 |
William Zepherin | In Loreauville. | 4:21 |
Felix Armfield | In Loreauville. Now what's your second child's name? | 4:41 |
William Zepherin | Mary Denise Zacharie. | 4:41 |
Felix Armfield | Married Denise, who? | 4:43 |
William Zepherin | Zacharie. I know you find that funny. That's a child I adopted. | 4:51 |
Felix Armfield | Huh? | 4:56 |
William Zepherin | Is, | 4:56 |
Felix Armfield | Do you know Mary's birthdate? | 4:57 |
William Zepherin | No, I sure don't. | 4:59 |
Felix Armfield | Okay. And where was she born? | 5:01 |
William Zepherin | She was born in [indistinct 00:05:04] Yeah, you see, her sister, when she had her, she came home from the hospital the next day. And she starts swelling up. | 5:02 |
Felix Armfield | Now are both your children living? | 5:19 |
William Zepherin | Yeah. | 5:19 |
Felix Armfield | Okay. Do you have grandchildren? | 5:24 |
William Zepherin | Oh yes. Oh yeah. | 5:27 |
Felix Armfield | How many grandchildren do you have? | 5:28 |
William Zepherin | Don't ask me their name now. | 5:29 |
Felix Armfield | No, you don't have to give me their names. Just how many do you have? | 5:31 |
William Zepherin | Recently, I got five. | 5:34 |
Felix Armfield | Five grandchildren? Okay. But you don't know those grandchildren's names, huh? | 5:35 |
William Zepherin | No. The daughter had one about two weeks ago. | 5:40 |
Felix Armfield | Oh, really? You pretty much lived in Loreauville all your life? | 5:45 |
William Zepherin | Mm-hmm. | 5:52 |
Felix Armfield | Didn't you? Except for the time that you were in the military? | 5:53 |
William Zepherin | Oh yeah. Yeah, them women give them children some funny kind of names. I got. | 6:11 |
Felix Armfield | Now where did you complete the eleventh grade? At New Iberia High? | 6:16 |
William Zepherin | Right. Iberia Parish High. | 6:19 |
Felix Armfield | Iberia Parish High. What dates were you there? | 6:21 |
William Zepherin | Dates? | 6:35 |
Felix Armfield | You started at Iberia Parish High when? | 6:38 |
William Zepherin | Hmm, I believe 1946. | 6:41 |
Felix Armfield | You went up until 1946? | 6:41 |
William Zepherin | Yeah. Yeah. | 6:51 |
Felix Armfield | So, okay, we'll say 1946, completed eleventh grade. Is that good enough? | 6:51 |
William Zepherin | Yeah. That's great. | 7:09 |
Felix Armfield | Okay. Now, what was your last job that you had? | 7:10 |
William Zepherin | Cement. Cement worker. | 7:11 |
Felix Armfield | And who were you working for? Who was the employer? Who employed you? | 7:18 |
William Zepherin | Perry Burke. | 7:25 |
Felix Armfield | Perry Burke. And where was that? | 7:27 |
William Zepherin | New Iberia. | 7:32 |
Felix Armfield | How long did you work for him? | 7:38 |
William Zepherin | Oh, you see, he used to sell concrete. | 7:42 |
Felix Armfield | Okay. | 7:45 |
William Zepherin | And somebody come in, wanted some cement, cement the yard or something, but they ain't had nobody, he called me for— | 7:49 |
Felix Armfield | How many years did you do that? When did you get started? | 7:56 |
William Zepherin | Oh, I did that for about 20 years. | 8:03 |
Felix Armfield | You got started after you got done with driving the truck. | 8:04 |
William Zepherin | Right. | 8:05 |
Felix Armfield | So therefore about 1965? | 8:05 |
William Zepherin | Oh, yeah. | 8:07 |
Felix Armfield | Until you retired, right? | 8:08 |
William Zepherin | Oh, yeah. | 8:09 |
Felix Armfield | And when did you retire? | 8:10 |
William Zepherin | I retired last year. | 8:10 |
Felix Armfield | So 1993. What did you do before that? You drove trucks, right? | 8:13 |
William Zepherin | Yeah. | 8:20 |
Felix Armfield | Truck driver. And you worked for Lafayette Miller, right? | 8:21 |
William Zepherin | Right. I was driving trucks. | 8:29 |
Felix Armfield | And that was in Lafayette? | 8:37 |
William Zepherin | Yeah. | 8:38 |
Felix Armfield | How long did you do that? From about 1961 up until 1965? | 8:44 |
William Zepherin | About. | 8:49 |
Felix Armfield | Four years, right? | 8:50 |
William Zepherin | Right. | 8:51 |
Felix Armfield | Okay. Have you ever received any awards or honors that you'd like to mention? | 8:57 |
William Zepherin | Not really. | 8:59 |
Felix Armfield | Okay. What did you say, Mr. Zepherin? Not really? Now what's your religious denomination? Baptist? | 8:59 |
William Zepherin | Baptist. Speaking of religion. | 9:10 |
Felix Armfield | What church? Do you have a church affiliation? What church do you belong to? | 9:15 |
William Zepherin | St. John's. | 9:18 |
Felix Armfield | St— | 9:18 |
William Zepherin | John's. | 9:18 |
Felix Armfield | Jones. Okay. Are you active in any civic or community organizations or affiliations? | 9:21 |
William Zepherin | Not really. Not since I got sick, no. | 9:34 |
Felix Armfield | Okay. Have you had any past ones? Were you involved with any— | 9:37 |
William Zepherin | Yeah, I was involved in church duties. | 9:53 |
Felix Armfield | Okay. | 9:53 |
William Zepherin | For Number Two church. That's the name of it. One I belonged to, Number Two. | 9:53 |
Felix Armfield | Okay. Now what's your hobby, Mr. William? What do you like doing? Just for leisure. | 10:00 |
William Zepherin | Well, to tell you the truth. That sickness got me with nothing. | 10:04 |
Felix Armfield | You served in the military, in the Army, from 195— | 10:11 |
William Zepherin | Two. | 10:18 |
Felix Armfield | —two to 1961, right? | 10:19 |
William Zepherin | Right. | 10:20 |
Felix Armfield | Okay. So do you have any other hobbies or interests or anything like that? | 10:26 |
William Zepherin | Not really. | 10:29 |
Felix Armfield | All right. | 10:32 |
William Zepherin | Play with my grandchildren. | 10:33 |
Felix Armfield | That's one we want to mention here. | 10:35 |
William Zepherin | Them children spar so quick. | 10:36 |
Felix Armfield | Okay. What I need from you now is just to sign this release form. | 10:36 |
William Zepherin | Yeah. | 10:36 |
Felix Armfield | And the release form is just says that you give us the rights to have the tape that we recorded with you, to store it in the archives at Duke University. Okay? | 11:05 |
William Zepherin | All right. | 11:16 |
Felix Armfield | No one can say that Mr. Zepherin is not in history. You just made history, Mr. Zepherin. Okay, I'm going to fill this side out for you and you can sign it. Okay? | 11:17 |
William Zepherin | All right. | 11:38 |
Felix Armfield | Let me get your signature. | 12:13 |
William Zepherin | Okay. | 12:15 |
Felix Armfield | Right here on this line and that will wrap. | 12:16 |
William Zepherin | Can you understand that? | 12:34 |
Felix Armfield | Oh yeah. Looks like William to me. | 12:34 |
William Zepherin | That's the best I can do. | 12:34 |
Felix Armfield | Oh, that looks good, Mr. Zepherin. As long as we got your signature. Mr. Zepherin, do you have a nickname or does everybody call you William? | 12:54 |
William Zepherin | Yum. | 12:59 |
Felix Armfield | They call you what? | 13:00 |
William Zepherin | Yum. | 13:02 |
Felix Armfield | Yum? Y-U-M. | 13:02 |
William Zepherin | Y-U-M. | 13:02 |
Felix Armfield | And that was your nickname? | 13:02 |
William Zepherin | No, it wasn't my nickname. People just start calling—My daddy start calling me that. Everybody followed suit, you see? | 13:07 |
Felix Armfield | Yum. Okay, now I got that down. | 13:14 |
William Zepherin | That's what I'm better known as Yum around the area. | 13:18 |
Felix Armfield | That's why— | 13:22 |
William Zepherin | Instead of— | 13:22 |
Felix Armfield | That's going to show up on the official records for you. | 13:23 |
William Zepherin | Yeah. | 13:25 |
Felix Armfield | Okay? So people in this area, they might not know who William Zepherin is, but if they see Yum— | 13:26 |
William Zepherin | Oh yeah. | 13:32 |
Felix Armfield | —they'll know. | 13:33 |
William Zepherin | Everybody. | 13:33 |
Felix Armfield | Okay. Yeah. And that pretty much concludes the interview. | 13:36 |
William Zepherin | Is that going be in a book or something? | 13:42 |
Felix Armfield | It may just may make it into a book. I'm sure some parts of it will get into the book. Especially when you talked about your career and war experiences. | 13:42 |
William Zepherin | Yeah, I might read about myself myself. | 13:53 |
Felix Armfield | You just might. So is there anything else you'd like to say in closing? | 14:01 |
William Zepherin | No, that's just about covered it. Covered me. | 14:07 |
Felix Armfield | Okay. All right then. I thank you for your time, Mr. Zepherin. | 14:11 |
William Zepherin | No problem. | 14:17 |
Felix Armfield | Thank you very much. | 14:19 |
William Zepherin | I got a lot of that leisure time. Yeah. | 14:20 |
Item Info
The preservation of the Duke University Libraries Digital Collections and the Duke Digital Repository programs are supported in part by the Lowell and Eileen Aptman Digital Preservation Fund