Hattie Bijou interview recording, 1994 August 11
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Transcript
Transcripts may contain inaccuracies.
| Shirley Bijou Walker | I don't know. | 0:00 |
| Felix Armfield | Today is August the 11th, 1994. I'm Felix Armfield, the interviewer, and I'm about to interview Mrs. Hattie Bijou at her home here on Pershing Street in New Iberia. Mrs. Bijou, would you state your full name just for the record please? | 0:10 |
| Hattie Trainor Bijou | Hattie, should I put my middle name there? | 0:27 |
| Felix Armfield | If you want to. | 0:27 |
| Hattie Trainor Bijou | I'm Hattie Bell Trainor Bijou. I was a Trainor before I was a Bijou. | 0:28 |
| Felix Armfield | Trainor? And that's spelled T-R-A-I-N-E-R? | 0:34 |
| Hattie Trainor Bijou | O-R. | 0:35 |
| Felix Armfield | Trainor. | 0:35 |
| Hattie Trainor Bijou | I always put O, but you can do E, though, but I always used O. | 0:39 |
| Felix Armfield | Okay, now where were you born? How long have you lived here in New Iberia? | 0:40 |
| Hattie Trainor Bijou | Oh, Lord. I just rather say all my whole life because I— | 0:48 |
| Felix Armfield | All your life. Were you born and raised here? | 0:56 |
| Hattie Trainor Bijou | I was born in, I think it was Petit Anse, actually I was born. | 0:56 |
| Felix Armfield | Oh, you were born in Petit Anse. | 0:56 |
| Hattie Trainor Bijou | In Petit Anse, but I wasn't really Petit Anse. You know, I stayed there a while, but I visit and I come here to New Iberia. I've been here ever since. | 1:01 |
| Felix Armfield | Now, when were you born? What's your birthday? | 1:01 |
| Hattie Trainor Bijou | August the 8th, 1908. That's right. | 1:02 |
| Felix Armfield | Ain't that something? That's right. You were having a birthday the day that I met you. | 1:14 |
| Hattie Trainor Bijou | That's right. | 1:23 |
| Felix Armfield | You know, I think there's something to be said about those of us who are August babies. I think we're just the salt of the earth because I certainly think you're wonderful. | 1:23 |
| Hattie Trainor Bijou | I'm wonderful til you step on the wrong foot. | 1:24 |
| Felix Armfield | Well, that goes for all of us. | 1:24 |
| Hattie Trainor Bijou | And I'm telling you, you talk about some H, they get it when they come the wrong way with Hattie. | 1:24 |
| Felix Armfield | I know that's right. And you know what? I was looking at some of those pictures of you as a young woman in there. You look like you were the feisty one indeed. | 1:24 |
| Hattie Trainor Bijou | Mm-hmm, I was all right long as they let me alone. But honey, when you stirred me up, you talk about hell! | 3:10 |
| Felix Armfield | I can imagine. | 3:10 |
| Hattie Trainor Bijou | They have hell on their hands. (laughs) | 3:10 |
| Felix Armfield | See, I knew she would talk for me. (Bijou laughs) | 3:10 |
| Felix Armfield | That's what I wanted to see, somebody who doesn't mind talking. | 3:10 |
| Hattie Trainor Bijou | If you think I'm lying, ask her daddy, my husband. He can tell you all the hell I was with then. | 3:11 |
| Shirley Bijou Walker | Let him ask a question. | 3:11 |
| Hattie Trainor Bijou | I'm a let him ask a question. (laughs) | 3:11 |
| Felix Armfield | Go ahead, let her talk. She doing fine. I want to hear all of it. | 3:11 |
| Felix Armfield | No, Mrs. Bijou, what do you recall about your parents as a young child? What did your father do for a living? What did your mother do? | 3:11 |
| Hattie Trainor Bijou | Well, my father was a tailor, he made clothes. | 3:11 |
| Felix Armfield | Oh, I don't think I've interviewed anyone yet— | 3:11 |
| Hattie Trainor Bijou | And he made men's suits and everything. Women's clothes and all, because he made a lot of them for me, my father. | 3:11 |
| Felix Armfield | Really? And was the family living here in New Iberia? | 3:11 |
| Hattie Trainor Bijou | Alec Trainor? Yeah, there was Trainors, all the Trainors was down here. | 3:11 |
| Felix Armfield | Now, did he have a shop or he worked out of his house? | 3:11 |
| Hattie Trainor Bijou | He had a tailor shop. He used to make clothes, men's clothes and all of that stuff. Alec Trainor. | 3:11 |
| Felix Armfield | Really? | 3:11 |
| Hattie Trainor Bijou | Yes, he was a first class tailor. | 3:11 |
| Felix Armfield | Now, was this like a family business or just his- | 3:11 |
| Hattie Trainor Bijou | Yeah, he stayed there over 15 years and then he moved on up to Texas up there and stayed. That's where he opened his other tailor shop at then. I think that's how he made it in Texas. | 3:11 |
| Felix Armfield | Oh, okay. Now, what do you recall your mother doing for a living? | 3:23 |
| Hattie Trainor Bijou | Well, my mother, she used to work out sometimes. Most of the time, she would be at home, you know, but a lot of times—And then she didn't do much going out working, though. You know, Atlanta didn't go out to work. | 3:23 |
| Shirley Bijou Walker | Domestic worker. | 3:36 |
| Hattie Trainor Bijou | She really, that's what I said— | 3:36 |
| Shirley Bijou Walker | She was in the office, you know. | 3:36 |
| Hattie Trainor Bijou | —mm-hmm, stuff like that. | 3:36 |
| Felix Armfield | So she did basic— | 3:36 |
| Hattie Trainor Bijou | Yeah, uh huh, but she didn't do it too, too out. Mm-hmm, no. | 3:36 |
| Felix Armfield | Oh. And now this other voice that we're hearing from today, just for the transcriber today, is Mrs. Bijou's daughter, Shirley. Shirley, what's your last name? | 3:44 |
| Shirley Bijou Walker | Walker. | 3:59 |
| Felix Armfield | Shirley Walker. Shirley's a friend that I had met through [indistinct 00:04:03] in Flint, Michigan, and this is Mrs. Bijou's daughter and she's here visiting. So she's going to be sitting throughout the taping, so that the the transcribers will know whom this third voice is. And Ms. Shirley's going to help me get through this, as a matter of fact. | 4:00 |
| Felix Armfield | How many children were in the family, Ms. Bijou? | 4:14 |
| Hattie Trainor Bijou | You mean, in— | 4:14 |
| Felix Armfield | In your mother and father's? | 4:14 |
| Hattie Trainor Bijou | Oh Lord. How many were there? | 4:41 |
| Shirley Bijou Walker | Just with your mom, you were the one. | 4:41 |
| Hattie Trainor Bijou | Oh, yeah. I thought he meant the family. The whole big family. Mm-hmm. | 4:41 |
| Felix Armfield | Mm-hmm, just you and your mother and father. | 4:41 |
| Hattie Trainor Bijou | Yes. | 4:41 |
| Felix Armfield | Oh, okay. So you were an only child? | 4:41 |
| Hattie Trainor Bijou | Mm-hmm. | 4:41 |
| Felix Armfield | How spoiled were you? You want to tell me about that? | 4:41 |
| Hattie Trainor Bijou | Say what? | 4:42 |
| Felix Armfield | How spoiled were you as an only child? | 4:42 |
| Hattie Trainor Bijou | Not too bad. I could tell you one thing, after I grew up and everything and then had one, I could tell you who was the rotten one. | 4:43 |
| Felix Armfield | Who was that? | 4:55 |
| Hattie Trainor Bijou | It's sitting right there in that chair. | 4:55 |
| Felix Armfield | Ms. Shirley? I can imagine. | 4:55 |
| Hattie Trainor Bijou | No, that's her! And then when I'd go get the switch, my mama want to kill me. | 5:05 |
| Felix Armfield | I know. It sounds like one of those times anyway. | 5:06 |
| Hattie Trainor Bijou | [indistinct 00:05:12] Lord, don't take— | 5:50 |
| Felix Armfield | Well, look. How much education did you receive? Did you go to school here in New Iberia? | 5:50 |
| Hattie Trainor Bijou | I went to school here, and I remember I didn't—At that time, I didn't go no higher than the 9th grade because I think that's all they would teach us there. No, I went to the 9th grade. | 5:50 |
| Felix Armfield | Oh, you did a major time then if you went to the 9th grade? | 5:50 |
| Hattie Trainor Bijou | I went to the 9th grade, yes. | 5:50 |
| Felix Armfield | And where did you go to school? | 5:50 |
| Hattie Trainor Bijou | What's that? The Douglas Institute there. The Howard, and it had been Howard. I went to Howard and Douglas too, yeah. | 5:50 |
| Felix Armfield | You're one of those people, huh? | 5:50 |
| Hattie Trainor Bijou | Mm-hmm, yeah. | 5:50 |
| Felix Armfield | You went to Howard? | 5:50 |
| Hattie Trainor Bijou | Mm-hmm. | 5:50 |
| Felix Armfield | Now, what was school like at Howard? | 5:50 |
| Hattie Trainor Bijou | It was all right. It was nice. The people was nice and everything, the teachers and all. I didn't have any problems, but just one thing about it. I was a sickly child and I'd get sick sometimes and have to stay out a couple of days, you know. Stuff like that, but it didn't mean nothing because I caught up when I went back again. So, everything worked along. | 5:52 |
| Felix Armfield | Mm-hmm, and what are your thoughts of your teachers there, at Howard? | 6:07 |
| Hattie Trainor Bijou | Well, I thought they was mighty nice. You know, nicer the ones I had to go under. And they'd be having us all Black teachers, mm-hmm. | 6:10 |
| Shirley Bijou Walker | It was more like, people was raised and like, the slang say now, a child should need the village to raise. They need the village to raise one child. Well, that's the way— | 6:12 |
| Hattie Trainor Bijou | Mm-hmm. | 6:12 |
| Felix Armfield | To raise one child. | 6:12 |
| Shirley Bijou Walker | One child, so therefore that's the way it was during those times. | 6:12 |
| Felix Armfield | And pretty much that Howard Institute was somewhat of a center for you all in the Black community. | 6:36 |
| Hattie Trainor Bijou | Mm-hmm, exactly. | 6:37 |
| Shirley Bijou Walker | Well, that was the only place the little kids— | 6:37 |
| Felix Armfield | Now what was Howard Institute? Was it K through nine? How many grades were at Howard Institute? | 6:38 |
| Hattie Trainor Bijou | Well, at Howard Institute, you could go up to wasn't it the 9th grade or the 12th grade? | 6:53 |
| Shirley Bijou Walker | Mom, I don't know. I wasn't here for that. | 6:53 |
| Hattie Trainor Bijou | You wasn't at Howard? | 6:53 |
| Shirley Bijou Walker | It was like, it was nine. Because some of those people came out of Howard and would even start teaching right on from there. | 6:53 |
| Hattie Trainor Bijou | Yeah, and they got me to the 9th grade and I think— | 6:53 |
| Shirley Bijou Walker | But it was like, I think mama went up to about 8th grade or something. | 6:53 |
| Hattie Trainor Bijou | Yeah, I went to the 9th grade. | 6:53 |
| Felix Armfield | Mm-hmm, now you all are saying Howard Institute, but I have always been told that it was Howe Institute? | 7:16 |
| Hattie Trainor Bijou | Howe. | 7:17 |
| Shirley Bijou Walker | By what? Howe? | 7:17 |
| Felix Armfield | Howe. | 7:17 |
| Shirley Bijou Walker | Howe, H-O-W-E? | 7:17 |
| Felix Armfield | Mm-hmm. | 7:17 |
| Shirley Bijou Walker | That's probably what it was. I might be saying the wrong thing. | 7:17 |
| Felix Armfield | Yeah, I think it was Howe. Where was it located, Mrs. Bijou? | 7:17 |
| Shirley Bijou Walker | Right there on the corner— | 7:17 |
| Hattie Trainor Bijou | Right on the corner where Courthouse is. | 7:17 |
| Felix Armfield | Where the courthouse is? Yes, okay. It's Howe. And who was the principal there at Howe Institute? | 7:17 |
| Hattie Trainor Bijou | That JB Henderson, I think it was. Mm-hmm. | 7:17 |
| Shirley Bijou Walker | The old man? | 7:17 |
| Hattie Trainor Bijou | No, not- | 7:17 |
| Shirley Bijou Walker | Not JB's dad. It had to be the father. | 7:17 |
| Hattie Trainor Bijou | Professor Henderson? | 7:17 |
| Shirley Bijou Walker | Yeah. Hi, boy! [indistinct 00:07:53] | 7:17 |
| Speaker 4 | All right. | 7:17 |
| Shirley Bijou Walker | That's the other son. That's— | 7:17 |
| Hattie Trainor Bijou | Hey, sugar. How you doing? | 7:17 |
| Shirley Bijou Walker | —the girl that was standing in here? That's her son. That's my nephew. | 7:17 |
| Felix Armfield | Oh, okay. That's a big kid. | 7:17 |
| Shirley Bijou Walker | Yeah, yeah. | 7:17 |
| Hattie Trainor Bijou | [indistinct 00:08:05] | 7:17 |
| Shirley Bijou Walker | He's right there in the room. Nobody's there, everybody's missing. | 7:17 |
| Hattie Trainor Bijou | Yeah. | 7:17 |
| Felix Armfield | You were telling me that you received about an 8th grade institution from Howe Institute, and what did you do after high school? | 7:17 |
| Hattie Trainor Bijou | I didn't do nothing. | 7:17 |
| Felix Armfield | I mean, after you got through with school? What kind of work were you doing? Did you start to work right away? | 8:25 |
| Hattie Trainor Bijou | No, I was a domestic. | 8:31 |
| Felix Armfield | Is that pretty much what you did most of your life? Is domestic kind of work? | 8:32 |
| Hattie Trainor Bijou | Yeah, yeah. Not necessarily, but— | 8:35 |
| Shirley Bijou Walker | Not necessarily until we went to California during the war, and my dad— | 8:35 |
| Felix Armfield | Okay, because Mr. Bijou did defense kind of work and you went with him. | 8:40 |
| Hattie Trainor Bijou | Uh huh, I worked in— | 8:44 |
| Shirley Bijou Walker | Mm-hmm, and she worked in the factory. | 8:44 |
| Felix Armfield | Our in California. | 8:50 |
| Hattie Trainor Bijou | Alameda, California. I worked in San Francisco a little while, too. | 8:51 |
| Felix Armfield | Now when was it that you went to California? | 8:55 |
| Shirley Bijou Walker | That was in the '40s. | 9:00 |
| Hattie Trainor Bijou | In the '40s. | 9:00 |
| Felix Armfield | So it was during the war? | 9:00 |
| Hattie Trainor Bijou | Yeah. | 9:01 |
| Felix Armfield | So, some time between '41 and '45? | 9:01 |
| Hattie Trainor Bijou | Mm-hmm. | 9:01 |
| Felix Armfield | But then you still returned back to New Iberia. | 9:04 |
| Hattie Trainor Bijou | That's right, been here ever since. | 9:06 |
| Felix Armfield | Okay. What was it like here during the Depression years? | 9:06 |
| Hattie Trainor Bijou | Oh, the time I was here, honey, it was all right in here. You know, I didn't have any problems or nothing, you know. They say like the song says, sometimes the White folks would want to have their say so, but they'd run up on the wrong people. Sometimes we couldn't have it all. Other than that, it was nice. | 9:12 |
| Felix Armfield | Did you ever have any run ins or any incidents? | 9:12 |
| Hattie Trainor Bijou | No. | 9:12 |
| Felix Armfield | They didn't give you no problems? | 9:12 |
| Hattie Trainor Bijou | No problem at all. | 9:12 |
| Felix Armfield | None whatsoever? | 9:12 |
| Hattie Trainor Bijou | Hmm-mm, none whatsoever. I just made it through like that and I'm still here. Hanging in there. | 9:12 |
| Felix Armfield | Mm-hmm, what did you do when you came back to New Iberia in the mid to late '40s? Had your daughter been born then, Shirley? | 9:12 |
| Hattie Trainor Bijou | Yeah. | 9:12 |
| Shirley Bijou Walker | Oh yeah, I was born. Yeah, I was past graduated out of high school in '48. | 9:12 |
| Hattie Trainor Bijou | Mm-hmm. | 9:12 |
| Felix Armfield | Okay, so you remember the family going to California. | 9:12 |
| Shirley Bijou Walker | Yeah. I was living with my grandmother. | 9:12 |
| Felix Armfield | Oh, you didn't go to California. You stayed here. | 9:12 |
| Shirley Bijou Walker | No, yeah. | 9:12 |
| Felix Armfield | With your grandmother? Oh, okay. Okay. And you pretty much, you left your daughter with your mother? | 9:12 |
| Hattie Trainor Bijou | Yes, yes. Because there wasn't much work or nothing going on, so the work he was doing, you could do better up in California than you could do here, you know? My husband. | 9:12 |
| Shirley Bijou Walker | The time was hard. | 9:12 |
| Hattie Trainor Bijou | Mm-hmm. | 9:12 |
| Felix Armfield | And Mr. Bijou was doing? | 9:12 |
| Hattie Trainor Bijou | Carpentry work. Yeah. | 9:12 |
| Felix Armfield | And he'd have a better chance of getting more work if he went out to California. | 9:12 |
| Hattie Trainor Bijou | Yeah, mm-hmm. | 9:12 |
| Shirley Bijou Walker | [indistinct 00:10:16] | 9:12 |
| Felix Armfield | Yeah, I can imagine. | 9:12 |
| Hattie Trainor Bijou | You see, he worked a lot in San Francisco and in Oakland, and all [indistinct 00:10:16]. That's like, Sophie that been—Sophie that talk like they're Syrian, you know? You don't remember Ms. Sophie and Syrian was here. And Sophia says, "Oh, yeah. Oh, yes it i yes it is." I used to laugh at Sophie. | 9:12 |
| Felix Armfield | Now, who was this Ms. Sophia? | 9:12 |
| Hattie Trainor Bijou | The Syrians. | 9:12 |
| Felix Armfield | Oh, okay. | 9:12 |
| Hattie Trainor Bijou | Yes, that was Syrian folks. They worked with them White folks for so long, the White Sophie was out there talking like the Syrians. (Armfield laughs) Sophie was like that. | 9:12 |
| Felix Armfield | She was working for the Syrians? | 9:12 |
| Hattie Trainor Bijou | Yeah, and she talked just like them. Mm-hmm. | 9:12 |
| Felix Armfield | And she had been working with them for so long— | 9:12 |
| Hattie Trainor Bijou | "Yes it is yes it is" And that's the way she would say. "Sophie, hello, yes it is yes it is?" | 10:16 |
| Hattie Trainor Bijou | "Yes it is yes it is." Lord, I used to laugh— | 10:16 |
| Felix Armfield | I imagine that kind of stuff didn't happen— | 10:16 |
| Hattie Trainor Bijou | —at Ms. Sophie. And she never say, "Yeah." | 12:01 |
| Hattie Trainor Bijou | "Yes it is yes it is." I say, "Oh my God." That was the good old days when they can say what they want about her. | 12:01 |
| Felix Armfield | Apologies. Let me get this started. Were your parents, did you ever know French? | 12:02 |
| Hattie Trainor Bijou | No, I can't say nothing in French, only in Creole. | 12:02 |
| Felix Armfield | Did you speak any of the Creole? | 12:03 |
| Hattie Trainor Bijou | Let me see, one or two words I used to use. | 12:17 |
| Hattie Trainor Bijou | What I used to say in French I call that? Let me see. "Sit la" means to sit down. "Bien merci, bien merci." How you feeling? You know, good evening. How you feeling? That's all I can— | 12:18 |
| Shirley Bijou Walker | "Bonjour Madam." | 12:29 |
| Hattie Trainor Bijou | Yeah, mm-hmm. What? | 12:29 |
| Shirley Bijou Walker | "Comment allez-vous?" | 12:29 |
| Hattie Trainor Bijou | No, I couldn't say it. I mean, I did it, but I mess it up so bad trying to say it. | 12:40 |
| Felix Armfield | What Creole you did pick up, did you pick that up from your parents? | 12:45 |
| Hattie Trainor Bijou | Yeah, from my grandmother and grandfather, and all the people. You know, like my mother and father— | 12:48 |
| Felix Armfield | They speak all that Creole, huh? | 12:52 |
| Hattie Trainor Bijou | Oh, Lord. That's all they would say. Angry, just broke up, broke up. | 12:52 |
| Felix Armfield | Just broke up, broke up. | 12:52 |
| Shirley Bijou Walker | Yeah, come see, come [foreign language 00:12:54]. You know, stuff like that. | 12:52 |
| Felix Armfield | Now, what did they mean when they said, "Come see, come [foreign language 00:12:54]"? | 12:52 |
| Hattie Trainor Bijou | How you feeling? [foreign language 00:12:54], that's, "How you feeling?" Then they say, [foreign language 00:12:54]. "All right, how you?" | 12:52 |
| Felix Armfield | You know, I thought you had a bad memory. I do that with some things. | 12:52 |
| Hattie Trainor Bijou | That's all I know, too. | 12:52 |
| Shirley Bijou Walker | [foreign language 00:12:54], 1, 2, 3. | 12:54 |
| Hattie Trainor Bijou | Lord have mercy. | 12:54 |
| Shirley Bijou Walker | I can go on with some of it. My English is so messed up with all that mixed mess. | 13:39 |
| Felix Armfield | Uh huh. Growing up as a child, you didn't know who to sound like, huh? | 13:39 |
| Hattie Trainor Bijou | I didn't know too much of it myself because they didn't speak nothing but all that Creole and French stuff, and I didn't be knowing what they were saying. | 13:42 |
| Felix Armfield | What were conditions like here in New Iberia during that period of what we call the "Jim Crow South"? The days of segregation, before integration. What was New Iberia like? What kind of the things did you have to endure as a Black woman? | 13:54 |
| Hattie Trainor Bijou | I didn't have to do it, but I know some of the other, you had to do what the White folks would say you do, or else it would be a mess of something you had— | 14:04 |
| Felix Armfield | What kinds of things would they do? | 14:14 |
| Hattie Trainor Bijou | Well I mean, if they wanted to do it this way, the White man would want them to do it the other way or something. You know, but I never didn't understand too much of that, but I know I didn't go through all that kind of mess of stuff because I— | 14:15 |
| Shirley Bijou Walker | You want me to tell you? They just accepted. It was just like an acceptance. They knew they'd go to a train station and had to sit in the Colored waiting room. | 14:28 |
| Hattie Trainor Bijou | Mm-hmm, oh yeah. | 14:38 |
| Shirley Bijou Walker | They knew they wanted a drink in the public bathroom, they had to go to the Colored bathroom and drink some water. | 14:41 |
| Hattie Trainor Bijou | Oh, yeah. Oh, yes. I've heard of that. | 14:42 |
| Shirley Bijou Walker | And they accepted that. That was nothing but an acceptance. | 14:47 |
| Hattie Trainor Bijou | That, I know that. | 14:50 |
| Shirley Bijou Walker | It was just the way of life. | 14:52 |
| Hattie Trainor Bijou | Mm-hmm. That's right. I know that. | 14:54 |
| Shirley Bijou Walker | And you could play with a little White girl or little White boy, whatever, and that little White girl and White boy get a certain age, you have to turn around and say Miss or Missus. And that was one reason why my parents would never let me play with any White children at all. I was very lonely person and we lived around White people. And I could not play with the little White girl next door. I didn't know why, which we would play by the fence when no one was looking, but I didn't know that when that little girl grew up to be a certain age, I would have to say Miss Ruby. And my mama resented that. | 15:00 |
| Hattie Trainor Bijou | Mm-hmm, I sure did. | 15:42 |
| Shirley Bijou Walker | So therefore— | 15:42 |
| Felix Armfield | And why did you resent that so much? | 15:42 |
| Hattie Trainor Bijou | Because she didn't have no business. | 15:42 |
| Shirley Bijou Walker | Well, I would assume because we were the same age and we grew up together, and she just didn't want to subject me to that type of embarrassment. | 15:42 |
| Hattie Trainor Bijou | Mm-hmm. | 15:42 |
| Felix Armfield | Did you in fact, refer to White people as Miss or Mister? | 15:42 |
| Shirley Bijou Walker | Oh, yes. | 15:42 |
| Hattie Trainor Bijou | Oh, yeah. You had to say that. Because I worked for a White lady and I had to say Miss so-and-so. And therein, I didn't have anything to do with the husband because they always had husbands and I didn't have to come in contact much with them, but they were nice. | 15:42 |
| Felix Armfield | You very seldom did you come in contact with—You said you were working for a family. Was that just the way things were done? | 15:42 |
| Hattie Trainor Bijou | Yes, yes, yes. | 15:42 |
| Felix Armfield | You referred to the lady of the house as Miss or Missus so-and-so? | 15:42 |
| Hattie Trainor Bijou | Yes, yes. That's right and that's— | 15:42 |
| Felix Armfield | But you very seldom made any contact with the husband. | 15:42 |
| Hattie Trainor Bijou | That's right. | 15:42 |
| Felix Armfield | But when you did run into him, how did you greet him? | 15:42 |
| Hattie Trainor Bijou | Well, I would say Mister to the man, but so if the wife was wanting him, you know, I'd say—If his name was, you know, White people names anyway. I can't- | 15:42 |
| Shirley Bijou Walker | Bower, Mr. Bower. | 15:42 |
| Hattie Trainor Bijou | Mr. Bower. I would say Mrs. Bower and Mr. Bower. You see? That's how it is, supposed to act with her. And got along just like that, we getting along with you or we didn't have any problems at all. Not any. | 15:42 |
| Felix Armfield | But you better not have said to them, "You can call me Felix. You don't have to call me Mister or Miss"? I said it— | 16:57 |
| Hattie Trainor Bijou | I can call you Mister, she'll call you Mister. | 17:00 |
| Felix Armfield | Why should you call me Mister? | 17:06 |
| Hattie Trainor Bijou | Well, because— | 17:08 |
| Felix Armfield | I haven't paid any reverence to you. | 17:09 |
| Hattie Trainor Bijou | There's nothing, but you can be Mister— | 17:10 |
| Shirley Bijou Walker | But you know what something I noticed, and I'm going to interject here. | 17:14 |
| Felix Armfield | Please do. | 17:15 |
| Shirley Bijou Walker | Right now, just like the nurse that came here today to see her, she called me Ms. Shirley. She's White. | 17:18 |
| Hattie Trainor Bijou | She White, sure did. | 17:20 |
| Shirley Bijou Walker | Calls me Ms. Shirley, she calls my mom Ms. Bijou. | 17:20 |
| Hattie Trainor Bijou | Ms. Bijou. She was a nice person. | 17:20 |
| Shirley Bijou Walker | So it's almost like a turnaround situation. | 17:33 |
| Felix Armfield | Mm-hmm, mm-hmm. Now, was she a person that was younger than you? | 17:35 |
| Shirley Bijou Walker | Well, she was yeah, she was like—I think she said she was like, 38, 39 years old. | 17:40 |
| Hattie Trainor Bijou | Yeah, she was really young. | 17:40 |
| Shirley Bijou Walker | But that had no reflection on anyone during those times. They still called you by your first name. Everyone said Hattie. I don't care if it was a little bitty baby, like these kids out here. | 17:49 |
| Hattie Trainor Bijou | Mm-hmm, mm-hmm. | 18:01 |
| Shirley Bijou Walker | These kids and mama would take care of those kids. And they would call her Hattie. | 18:03 |
| Felix Armfield | They'd walk in and say Hattie. Now, what was the situation when you worked for the Balls? The Balls or Bawlings? | 18:05 |
| Shirley Bijou Walker | The Balls. | 18:15 |
| Hattie Trainor Bijou | The Balls. | 18:15 |
| Felix Armfield | How did Mrs. Balls address you? | 18:16 |
| Hattie Trainor Bijou | Well, Hattie. | 18:17 |
| Felix Armfield | And she referred to you as Hattie. | 18:17 |
| Hattie Trainor Bijou | Mm-hmm. And she was, they were nice. | 18:17 |
| Shirley Bijou Walker | Her children did, too. | 18:25 |
| Hattie Trainor Bijou | Oh, all of them. There was nobody— | 18:25 |
| Felix Armfield | And even her children referred to you as Hattie? | 18:25 |
| Hattie Trainor Bijou | Mm-hmm, I think she had two or three in the home. | 18:25 |
| Shirley Bijou Walker | They all. That was an accepted— | 18:30 |
| Felix Armfield | And they didn't even say Ms. Hattie? | 18:31 |
| Shirley Bijou Walker | No. | 18:31 |
| Hattie Trainor Bijou | No, no, no. None of them did. | 18:31 |
| Felix Armfield | Didn't put a handle on it at all? | 18:31 |
| Hattie Trainor Bijou | No, the White folks didn't call you Miss. | 18:31 |
| Felix Armfield | Children didn't? | 18:31 |
| Hattie Trainor Bijou | No! No, they didn't. Just my name, Hattie. They learned what my name is, but then Hattie so-and-so. And when I get ready for them, I would call them by their real name, so-and-so, the children. That just was all children. | 18:39 |
| Felix Armfield | Now, you didn't have to address the children as Mister or Miss. | 18:51 |
| Hattie Trainor Bijou | No, that's what I'm telling you now. All the children, I'd call them by their name, but the man and the wife, it was Missus and Mister. Ms. Ball and Mr. Ball. | 18:55 |
| Felix Armfield | But they called you Hattie, the older people. And the children can— | 19:00 |
| Hattie Trainor Bijou | But they never called you anything out of your name, did they? | 19:00 |
| Felix Armfield | No, no. They just called me Hattie. | 19:00 |
| Hattie Trainor Bijou | They would always call you Hattie? | 19:01 |
| Felix Armfield | Mm-hmm, mm-hmm. | 19:01 |
| Shirley Bijou Walker | They called my daddy Prosper or— | 19:01 |
| Hattie Trainor Bijou | Prosper. | 19:01 |
| Shirley Bijou Walker | Because his nickname was Big Bijou. | 19:01 |
| Felix Armfield | But never Mr. Bijou? | 19:03 |
| Shirley Bijou Walker | No. | 19:05 |
| Hattie Trainor Bijou | Oh, no, no, no. | 19:05 |
| Shirley Bijou Walker | And when I came from southern one year, that was— | 19:24 |
| Hattie Trainor Bijou | They didn't say Ms and Mister. | 19:27 |
| Shirley Bijou Walker | —we were getting ready to sit at the counters and stuff. See, a lot of people don't realize Dr. King did a beautiful job, but some of this work was going on even before Dr. King came on the scene. | 19:30 |
| Felix Armfield | Oh, yeah there were people who were doing grass works before there could've been a Martin Luther King. | 19:41 |
| Shirley Bijou Walker | Now, we had a Reverend Jameson. He came out of Selma, but he took Dr. Gordon C Taylor's church in Baton Rouge, and Dr. James—I think he's president of the Southern Baptist Convention now, something, but during that time he would have the whole stadium where money was put in tin tubs. Where we were boycotting buses before people even talked about boycotting buses. When we were at Southern, we had to get rides. | 19:42 |
| Felix Armfield | Now, when was all this going on? | 20:15 |
| Shirley Bijou Walker | This was in the '50s. I graduated in '52, so— | 20:24 |
| Felix Armfield | So, in the early '50s. | 20:24 |
| Shirley Bijou Walker | —we talking about the early '50s, around '50 or '51. We were in the process of trying to do something in Baton Rouge because every time I had to ride backwards and forward from Baton Rouge on the bus, I had to ride in the back. And we only had about two seats back there. | 20:25 |
| Felix Armfield | What kinds of things—Did you support your daughter being that active in this movement then, Ms. Bijou, in the 1950s? Were you afraid for her, and perhaps her life and her safety? | 20:44 |
| Shirley Bijou Walker | She didn't know anything about it. | 21:00 |
| Felix Armfield | She didn't know that you were doing these kinds of things. | 21:01 |
| Hattie Trainor Bijou | But as a rule, I always been a praying person and talking to the Lord. I come up that way, and when she leave or any of my people, friends or good people did leave, I'm asking God to give them help in going. But I come up that way. | 21:03 |
| Shirley Bijou Walker | What we did, we did as a group on the campus. It never did hit the papers, very seldom. What papers would it be in anyway? | 21:21 |
| Felix Armfield | Okay, and this is when you were a student at Southern University? | 21:23 |
| Shirley Bijou Walker | Right, right. And Dr. Jameson was really the leading force at that time. And I said that to say something else, but I've forgotten. When I said how we were, it was an acceptance during that time with mom because—Oh, I know what I wanted. I came home and the telephone rang. And by daddy doing a lot of carpentry work, the phone rang, I'd say, "Hello?" And he said, "Is Big Bijou there?" I said, "Who?" He said, "Big Bijou." I said, "No one's named Big Bijou here." I said, "There's a Mr. Bijou." | 21:28 |
| Shirley Bijou Walker | And my daddy grabbed the phone and he started going, "Hello," listening, blah, blah, blah. So when he got off the phone he told me, he said, "Don't you ever do that anymore." And I said, "Why?" He said, "Because Big Bijou pays your college bill." He said, "You rock the boat and you don't have the college boat anymore." Well, I couldn't say— | 22:14 |
| Felix Armfield | It was a high price to pay. | 22:44 |
| Shirley Bijou Walker | It was a high price to pay, but this is what was, like I was saying, an acceptance. And I go back into history that Black people probably was ostracized in many ways. They were humiliated in many ways. But also, Black people didn't bother about that some, I would assume, because they got their way anyway. In fact, some of those cooks they had in the kitchen, I wouldn't want to eat what they cook because you didn't know what went on in the kitchen before it got on that table. Okay? | 22:44 |
| Shirley Bijou Walker | Some of those housecleaning jobs they did, they did what they wanted to. And it was also a little smart thing about Blacks; we were able to, how Blacks used to during slavery, communicate by singing a song? They were able to communicate by doing whatever they thought that was not right to their counterparts or their friends, they were able to do something without even, I'll use "their master" knowing. And they were getting back in so many ways they didn't even know. They got back. It might not have been what you or what we would've done, but it was a satisfaction thing. They were consoled by being able to retaliate in their own little way. They just didn't accept, they didn't say, "Well, this is it." You know. | 23:19 |
| Felix Armfield | Mm-hmm, y'all got family here and so the Bijous were a much larger family than you. Okay— | 24:16 |
| Hattie Trainor Bijou | Oh, yeah. The Bijous. | 24:22 |
| Felix Armfield | Now, tell me something. I spoke with your husband, Mr. Bijou, in his interview about that 1943 incident where they run those doctors out of town. | 24:26 |
| Hattie Trainor Bijou | Now, he knew something maybe about it, but I couldn't never get that thing together. But it was rough here when he was doing that. | 24:34 |
| Felix Armfield | What was it you couldn't ever get from it? | 24:38 |
| Hattie Trainor Bijou | One thing probably, he doesn't have much to talk about. You know, you ask him something and he'll answer you. | 24:38 |
| Felix Armfield | He told me a interesting story about it. | 24:38 |
| Hattie Trainor Bijou | [indistinct 00:24:52] Well, you see he know what you do. You don't understand, but he'll answer all that, but I never did even worry too much about asking him nothing because all I just said, "Long as they treat me decent enough to get along and make a living", I was satisfied. | 24:55 |
| Felix Armfield | You weren't ever concerned? | 25:06 |
| Hattie Trainor Bijou | No, no. | 25:07 |
| Felix Armfield | With what happened after that incident? | 25:07 |
| Hattie Trainor Bijou | Prayed and talked a lot. One thing about it, I used to worry the Lord. I still worry now. I say, I punch my hand and I say, "You know everything, Father." I say, "Just take care of Hattie. Take care," and He did just that. | 25:07 |
| Felix Armfield | So at least you did have some concern if you was doing all this prayer? | 25:22 |
| Hattie Trainor Bijou | Yeah, yeah. Oh, yes. Oh, and I still pray too. I still talk to the Lord. | 25:27 |
| Felix Armfield | What were you concerned about? | 25:29 |
| Hattie Trainor Bijou | My health when I was little, coming up. | 25:29 |
| Felix Armfield | No, no. When we was talking about that 1943 incident. | 25:33 |
| Hattie Trainor Bijou | Oh, Lord. | 25:36 |
| Felix Armfield | When they run those doctors out of town. | 25:49 |
| Hattie Trainor Bijou | I didn't like it, but I couldn't do nothing about it. I just prayed and asked God to take care of them. That's all I did. | 25:49 |
| Felix Armfield | Where did you get your healthcare? Where did you go to the doctor after that, if there were no Black doctors in town? | 25:49 |
| Hattie Trainor Bijou | They didn't have no Black doctors. I went to one, and I used to go to Lafayette, to that charity hospital they had in Lafayette there? It's still there, but I'd go to different doctors over there in Lafayette to the hospital. | 25:50 |
| Felix Armfield | Were they Black doctors? | 26:03 |
| Hattie Trainor Bijou | No, they were White doctors. They didn't have no Black doctors. | 26:03 |
| Felix Armfield | So they would treat you in Lafayette? | 26:05 |
| Hattie Trainor Bijou | We'd go over there, yeah. They'd get me. | 26:06 |
| Felix Armfield | Well, why would you drive to Lafayette? Because would they treat you in New Iberia? | 26:07 |
| Hattie Trainor Bijou | Well, they didn't have nothing here hardly to do nothing for you, to treat you or nothing. | 26:11 |
| Felix Armfield | Okay, so medical care was sparse in New Iberia anyway? | 26:16 |
| Hattie Trainor Bijou | Yeah, yeah. Oh, yes. | 26:19 |
| Shirley Bijou Walker | And it didn't last too long. | 26:20 |
| Hattie Trainor Bijou | No, it didn't last long at all. | 26:21 |
| Shirley Bijou Walker | Because there's the Dr. Chatham. | 26:22 |
| Felix Armfield | That was the female doctor that came to town? | 26:25 |
| Shirley Bijou Walker | Yeah. | 26:27 |
| Felix Armfield | But I understand she didn't stay too long. | 26:27 |
| Shirley Bijou Walker | No. | 26:29 |
| Felix Armfield | Because the White males in town weren't pleased with her being here. | 26:30 |
| Hattie Trainor Bijou | Yes. | 26:33 |
| Felix Armfield | She was completely out of line, in their opinion. | 26:33 |
| Hattie Trainor Bijou | Mm-hmm. | 26:37 |
| Shirley Bijou Walker | Then after she left, was it Dr. Diggs that came on? | 26:45 |
| Felix Armfield | From what I hear, Dr. Diggs did come to town. | 26:53 |
| Hattie Trainor Bijou | And the Black doctor, Dr. Diggs and Dr. Dorsey. | 26:53 |
| Shirley Bijou Walker | So while they're being young, the people you're talking to now was younger in age, where a physician wasn't necessary. | 26:53 |
| Felix Armfield | Well, what was the family doing anyway for healthcare? What did people in your community do when they got sick? | 27:00 |
| Shirley Bijou Walker | They went to the charity hospital. | 27:07 |
| Hattie Trainor Bijou | You went to the charity hospital in Lafayette. That's what I was telling you. | 27:09 |
| Felix Armfield | But did everybody go to that? | 27:10 |
| Hattie Trainor Bijou | Mm-hmm, yeah. | 27:10 |
| Shirley Bijou Walker | Well, now we don't know. | 27:10 |
| Hattie Trainor Bijou | We don't know, but I know when it would be my time to go, the place would be full. You know? Yeah. | 27:16 |
| Shirley Bijou Walker | I don't know what people did, what some of them did. | 27:21 |
| Hattie Trainor Bijou | Yeah, she don't know, but yeah, I had to go in there and sometimes I'd be sitting up there and they'd have, look like 20 ahead of me, you know? They had your name down there. | 27:24 |
| Shirley Bijou Walker | But I'm sure the doctors here served some of the Black people. They didn't boycott Blacks for— | 27:31 |
| Hattie Trainor Bijou | No. | 27:32 |
| Shirley Bijou Walker | I don't think so. I haven't heard anything like that and I know I was operated on for tonsillitis in Alfordville. The one operated on my tonsils, but now that was not in the '50s however. That was—Well, that was '48. I was teaching school then. Yeah, that was in the '50s, but it was like, '52, '52. Around '54. | 27:38 |
| Felix Armfield | Mm-hmm, mm-hmm. | 28:05 |
| Hattie Trainor Bijou | But we never did have no hard time. I know I didn't. | 28:12 |
| Felix Armfield | Never did have hard times? | 28:13 |
| Hattie Trainor Bijou | No, no. | 28:15 |
| Shirley Bijou Walker | Well, you had an economical hard time, mama. | 28:16 |
| Hattie Trainor Bijou | I mean that, yeah like that. | 28:18 |
| Shirley Bijou Walker | I mean, people weren't rich. | 28:18 |
| Hattie Trainor Bijou | No, indeed. I worked too. I worked every dang thing that I could work. Oh, Lord. | 28:21 |
| Felix Armfield | Doing domestic kind of work? | 28:26 |
| Hattie Trainor Bijou | Yes, yes. | 28:27 |
| Felix Armfield | Did you only do the Balls' house? | 28:29 |
| Shirley Bijou Walker | Oh, no. She had many of them. | 28:32 |
| Felix Armfield | Oh, so you worked for many families. | 28:34 |
| Hattie Trainor Bijou | Yeah, it was many of them yeah, that I did. | 28:36 |
| Felix Armfield | Did any of them ever mistreat you as far as you were concerned? | 28:38 |
| Hattie Trainor Bijou | Never, never. I'd lie if I say they did. Not a one. | 28:41 |
| Felix Armfield | Not one. Well, I think that may have had something to do with your personality. | 28:43 |
| Hattie Trainor Bijou | Maybe so. | 28:50 |
| Felix Armfield | You knew how to handle yourself. | 28:51 |
| Hattie Trainor Bijou | Oh, Lord. Don't start my mouth. | 28:54 |
| Felix Armfield | We want to hear. How would you handle yourself in the presence of these White people? | 28:56 |
| Hattie Trainor Bijou | I handled them just like I handle anybody else. Make me angry, talking about bologna, but if they were nice, I'm nice. But if they get nasty, Hattie nasty. If I died in that next minute, I didn't care. Hell no, no. And I'm still like that. | 29:02 |
| Felix Armfield | Now, did you have to ever straighten any of them out, per say, when you were working for these White women in their house? | 29:18 |
| Hattie Trainor Bijou | Well, I had to straighten the one out. The only one, but it wasn't bad. The work I was doing, she wanted me to do that and some more extra, you know? Everything, and I told her no. Not unless I was getting paid for it. You see? Now I— | 29:22 |
| Felix Armfield | Ooh, well aren't you little courageous. | 29:36 |
| Hattie Trainor Bijou | Oh, I would tell them. | 29:43 |
| Felix Armfield | And how did she respond to it? | 29:43 |
| Hattie Trainor Bijou | And she didn't say a word. That woman just said, "All right, Hattie." And I stayed there til— | 29:45 |
| Felix Armfield | I get the impression, Mrs. Bijou, that they didn't mess with Hattie. | 29:50 |
| Hattie Trainor Bijou | Well, one thing about it, I'm good as gold and I trust the Lord. I'll give you anything I can to help you if you need it, but don't try to misuse me because you talk about hell! You got hell on your hands. | 29:58 |
| Felix Armfield | Mm-hmm, what was social life like here in New Iberia back in those old days? Did you go to the theater? Did you walk down the street in peace? | 30:07 |
| Hattie Trainor Bijou | I walked down the street. I didn't go to theaters much because I never did like to go to shows and things, you know? I never did like that, but anywhere I would walk or go, they would respect me just like I respected them. So, they didn't get out of line and I didn't have to get out of line. | 30:16 |
| Felix Armfield | You don't recall having to move off the sidewalk? | 30:30 |
| Hattie Trainor Bijou | Oh, no indeed. No. If I did, I bet the flesh would've done left my bones. | 30:33 |
| Felix Armfield | I'm just wondering if that, more or less, something that they expected Black men to do anyways? | 30:39 |
| Hattie Trainor Bijou | Well I never, but I got the— | 30:43 |
| Shirley Bijou Walker | The only incident that happen was, they used to dress me in riding pants and boots to go to school at the elementary. And on this street, there used to be a big ditch before they widened the street out. And I had to walk to school, which was at IPTS. A White boy pushed me in the big ditch. | 30:50 |
| Hattie Trainor Bijou | And only had a— | 31:05 |
| Felix Armfield | He pushed you in the big ditch? | 31:05 |
| Shirley Bijou Walker | Yeah, in the ditch and muddied up my riding pants. I was little, though. | 31:06 |
| Hattie Trainor Bijou | She was a little bitty something, but honey, I— | 31:13 |
| Shirley Bijou Walker | But mama went after the little White boy. | 31:15 |
| Hattie Trainor Bijou | I sure did. | 31:19 |
| Felix Armfield | Wait a minute, I want to hear this story. | 31:20 |
| Hattie Trainor Bijou | Ran into his house. | 31:23 |
| Shirley Bijou Walker | Mama went to the house. | 31:24 |
| Hattie Trainor Bijou | Sure did. Sure did. | 31:25 |
| Felix Armfield | What? He had no business messing with your baby? | 31:27 |
| Hattie Trainor Bijou | No! And then she had on a White dress, I believe or something. | 31:30 |
| Shirley Bijou Walker | I had on riding pants. | 31:30 |
| Hattie Trainor Bijou | Or riding pants and boots. And then shoved in that ditch, that ditch must've been that long, deep down this much. | 31:33 |
| Shirley Bijou Walker | Yeah, but get through the— | 31:38 |
| Felix Armfield | So a White boy pushed your baby— | 31:38 |
| Hattie Trainor Bijou | Her in here, because she was little, you know, going to school. | 31:38 |
| Shirley Bijou Walker | I was walking to school by myself. | 31:42 |
| Felix Armfield | In the ditch? | 31:42 |
| Hattie Trainor Bijou | Mm-hmm. | 31:42 |
| Felix Armfield | And you were standing back, watching? | 31:46 |
| Hattie Trainor Bijou | And then she came, you came back with the dress wet or something? | 31:48 |
| Shirley Bijou Walker | I came home crying. | 31:50 |
| Hattie Trainor Bijou | And another little boy— | 31:51 |
| Shirley Bijou Walker | And another little boy told my mother that he saw it and came and told mama that the two White boys had pushed me. | 31:57 |
| Hattie Trainor Bijou | Honey, I took off. You talk about hell! You see this nigger woman here? I'll die and go to hell in a minute. (Armfield laughs) Oh yes, I will. Right now. | 32:01 |
| Felix Armfield | So what happened, Ms. Bijou? Did you find him? | 32:08 |
| Hattie Trainor Bijou | And did that man beat them little boys. Yeah, there was two of them. I had to beg him to quit beating his own children. | 32:12 |
| Felix Armfield | Really? | 32:21 |
| Hattie Trainor Bijou | I sure did. | 32:21 |
| Felix Armfield | What did you say when you got to the house? | 32:22 |
| Hattie Trainor Bijou | When I got to the house and he asked what's the matter, and she was all wet and everything, and they just looked. They didn't say nothing. He said—At them time, they had them straps but it was like, a belt wide. That man, I had to ask him to quit beating them boys. You get what I'm saying? I got that answer. Oh, yeah. | 32:32 |
| Felix Armfield | But you definitely meant that they weren't going to be pushing nobody in no ditch. | 32:44 |
| Hattie Trainor Bijou | And let me tell you, old as I am today, don't mess with Hattie. | 32:49 |
| Shirley Bijou Walker | See, the problem was, I had to pass a White school to go to a Black school. See? And they were on their way to school— | 32:52 |
| Felix Armfield | And you all crossed paths. | 33:03 |
| Shirley Bijou Walker | Right. | 33:04 |
| Hattie Trainor Bijou | Mm-hmm, but that man told them little boys, his own little boys, tore them up. | 33:04 |
| Speaker 5 | —hospital. They ain't called yet. | 33:04 |
| Hattie Trainor Bijou | Oh, yes child. I was just as good as gold, and I'm still good. But just don't mess with me. That's all I ask you to do because you don't want to. | 33:04 |
| Felix Armfield | I got something I need to ask you in a minute that I hope you're not disturbed by what I'm going to ask you. And I ask you simply because of all the other stories that we've heard in the area, concerning stuff like this. How did you fare as this darker Black woman, married to a man like Mr. Bijou, who oftentimes people confused as a White man? What kinds of things did you run into, in those days? | 33:36 |
| Hattie Trainor Bijou | I didn't run into nothing because when they'd come to me, Lord have mercy. I'd get through talking about them. See, I can— | 34:08 |
| Felix Armfield | It's clear that you handled yourself well. | 34:08 |
| Hattie Trainor Bijou | I can't say what I used to say to people, honey. I ain't had no trouble. | 34:08 |
| Felix Armfield | But what kinds of things would people say to you, or ask you? And this is your old friend here you're talking to. | 34:08 |
| Hattie Trainor Bijou | I know, and I don't mind telling the truth because I don't— | 34:08 |
| Shirley Bijou Walker | You know, I never heard anything. | 34:08 |
| Felix Armfield | You didn't? That's unreal because he told me some interesting stories. | 34:08 |
| Shirley Bijou Walker | Maybe I don't know. | 34:08 |
| Felix Armfield | And maybe he didn't want you to know. That was what he didn't want you to know, because he appeared to be moved by some of the things that was said. So you know, he told me in the end of his interview, "I was a warrior in my home. I was proud of my people, I loved being with my people. And wasn't no White woman worth me." | 34:08 |
| Felix Armfield | And I thought that was a profound statement that he made, in no uncertain terms. And I wanted to get Mrs. Bijou's perspective— | 34:08 |
| Shirley Bijou Walker | Well, I don't know. Maybe she can't remember what happened during that time. | 34:08 |
| Felix Armfield | Mm-hmm. | 34:08 |
| Shirley Bijou Walker | But I never known any— | 34:08 |
| Hattie Trainor Bijou | They never did us nothing, because I used to speak mine little sober mind just working for them and being around them. And then you do that around so many people and know just how far to go. | 35:30 |
| Felix Armfield | Yeah, yeah. And what buttons to push and what buttons not to push. | 35:31 |
| Hattie Trainor Bijou | Mm-hmm. | 35:31 |
| Shirley Bijou Walker | This was a Peyton Place town. That's very small. | 35:31 |
| Felix Armfield | Of course it was. | 35:31 |
| Hattie Trainor Bijou | But one thing about it— | 35:32 |
| Felix Armfield | I have never seen any place where colorization meant everything. | 35:32 |
| Shirley Bijou Walker | It did here, and out from New Iberia, it's called Grand Marais. | 35:48 |
| Felix Armfield | Yeah, I've heard some stories about that. | 35:48 |
| Shirley Bijou Walker | Paper bag, if you put a paper bag on you. | 36:01 |
| Felix Armfield | Paper bag and they had to be the one—They would run their hands through your hair? | 36:10 |
| Shirley Bijou Walker | Right, in your hair and you couldn't walk in— | 36:10 |
| Felix Armfield | And all those kinds of ridiculous tests like that. | 36:10 |
| Shirley Bijou Walker | Mm-hmm, well that has been on TV. That has been on a television that someone made a research on that. Came down here, and they had that, I think like on 60 Minutes. | 36:11 |
| Felix Armfield | I hate I missed it. I'm going to try to catch it the next time it comes up, but you never heard any comments or people never said anything to you or asked you anything that you thought was out of the way? | 36:23 |
| Hattie Trainor Bijou | No, they ain't never did nothing but respected me. They know I kind of, when all I say, I'd die and I'd go to hell before I let anyone misuse me or say things that I didn't like or I'm going to answer you if I got to die dead soon as I get to talking. You see, oh yeah. Honey, and you see, I was a Trainor before I married. I was Hattie Trainor. And all of them say, "Hattie Trainor? Don't mess with her." I said, "You better not." | 36:55 |
| Hattie Trainor Bijou | And I used to even going to school, I had to take up for some of the other poor children's mess they would get into. One time I had to fight and knock somebody out to take care of the one that they was misusing, you know? Man, huh-uh. I was respected and I respect people, and I respect everybody. And I want them all to do the same thing— | 37:02 |
| Felix Armfield | So, it's clear that you took a stance against all that kind of foolishness. | 37:20 |
| Hattie Trainor Bijou | Yes, I had that. And right now, if anything comes up way back, they say, "Who you talking about Hattie Trainor?" Sometimes I had to laugh at myself, then I'd get angry. And the school where I was going to, it was a big high school and didn't know nothing about them. They had plenty of boys and girls, and I mean, they didn't have no lavatory to it. They had them outdoor, the back doors, and then you'd have to go. And when you'd see me coming from upstairs to go down, you'd hear them hollering, "Here come Hattie Trainor! Y'all better get out the way." | 37:26 |
| Hattie Trainor Bijou | But I get out the way, the fastest kid. I think about that now and sometimes I say, "Hattie, you were—" | 37:57 |
| Felix Armfield | And you all had outdoor toilets? | 37:57 |
| Hattie Trainor Bijou | Yeah. Oh, in them days you still going to school, oh, yeah. They didn't have no sanitary toilets, child. No, sir. | 38:08 |
| Felix Armfield | Really? | 38:11 |
| Hattie Trainor Bijou | Girl, oh, they was dirty toilets. | 38:11 |
| Felix Armfield | What the school? | 38:16 |
| Hattie Trainor Bijou | The school had that, the public school. Douglas Institute, yes indeed. But that been 99 years, I'd say it been so long. | 38:16 |
| Felix Armfield | It ain't been no 99 years. | 38:25 |
| Hattie Trainor Bijou | Been a long, long time. | 38:25 |
| Felix Armfield | But you know what? I just wondered about that. And you know, it's clear that you and Mr. Bijou loved each other. | 38:27 |
| Hattie Trainor Bijou | Yes, we did and then he didn't mistreat me and I didn't mistreat him. | 38:35 |
| Felix Armfield | And that you loved him and he loved you, and you've been together all these years. But you know, clearly Mr. Bijou could've passed if he wanted to, you know, but he wasn't interested in that. | 38:35 |
| Hattie Trainor Bijou | Nah, nah. Now you see, I couldn't go nowhere, but couldn't pass as nothing but dirt. | 38:35 |
| Felix Armfield | Stop it! | 38:35 |
| Hattie Trainor Bijou | And I had many troubles. | 38:35 |
| Felix Armfield | So what would kind of happen when you two would be out together? Would people stop and look? | 38:35 |
| Hattie Trainor Bijou | No, anybody that knew us, you know, and speak and they would talk and that. But see, he was a carpenter and everybody, all the White folks knew him. And they would stop and talk to both of us, you know. And talk to him, sometimes I'd finally say, "Come on. Let's go, let's go," you know? Because they'd be talking, but they don't be talking no hateful stuff, you know. Just be talking about being in this and dealing that. | 38:35 |
| Hattie Trainor Bijou | So I must say, as this color, we have had a good life. But we don't know yet, how long we going to live and what is going to happen, you understand? | 38:35 |
| Felix Armfield | None of us do. | 38:35 |
| Hattie Trainor Bijou | But right now, I couldn't complain about nothing. Not nothing. And he wasn't a man that chased women and I wasn't nothing to fool with in men, you know? Not after I met him. Of course when I grew up, I had friends, boyfriends. You know, like— | 39:37 |
| Felix Armfield | You were supposed to. | 39:49 |
| Hattie Trainor Bijou | But that's what I'm saying, but after— | 39:49 |
| Felix Armfield | But when you got married— | 39:49 |
| Hattie Trainor Bijou | —it was different. | 39:49 |
| Felix Armfield | Of course. | 39:49 |
| Hattie Trainor Bijou | Because I talk to people. I laugh and talk with them, and he does the same thing, but that's the furthest it go, you see? And he had one woman that used to like him. She said she didn't see what he wanted to do with me. Honey, when the other woman come towards me, I went and cursed that woman. I can't tell you the words that I used. I cursed that woman out so bad. And was fixing to beat her right then and there. | 39:49 |
| Felix Armfield | This was in your younger days. | 39:49 |
| Hattie Trainor Bijou | Oh yeah, and I didn't take no for an answer. | 39:49 |
| Felix Armfield | Why would she say that? Said she didn't know what he wanted with you? | 39:49 |
| Hattie Trainor Bijou | Because see, he was real light skinned, being younger, and I was the color you see I am right now. So I guess she must said I was too Black for him. | 39:49 |
| Felix Armfield | But what did she look like? | 39:49 |
| Hattie Trainor Bijou | Oh Lord, I don't know. | 39:49 |
| Felix Armfield | I mean, was she one of these light skinned people too? | 39:49 |
| Hattie Trainor Bijou | No, no. But I'd like to see what she had looked like, but you see here, so I just left that part. | 39:49 |
| Hattie Trainor Bijou | But whenever it made me angry, I would say anything come in my head [indistinct 00:40:53] raised your hand. Because they know if they raised the hand, somebody going to die. And I've been like that from a child going to school. I used to even have to fight for some of the school children in school. So you know I was, I'm hell and I'm hell now. I ain't going to take it back, no. I ain't going to take it hell, as old as me, no. Believe me, man, I cursed him out good and he better not open his mouth. | 39:49 |
| Felix Armfield | Who was that? Mr. Bijou? | 39:49 |
| Hattie Trainor Bijou | Yeah, [indistinct 00:41:20] but even then I said, "Take this God damn fool. You got to have a [indistinct 00:41:26]." I got to pray hard there for the Lord to forgive me for some of them things I've done and said to them people. | 41:28 |
| Felix Armfield | Oh, you'll be fine. | 41:28 |
| Hattie Trainor Bijou | I hope so. | 41:28 |
| Felix Armfield | You'll be fine. | 41:28 |
| Hattie Trainor Bijou | I hope so because child, I didn't get— | 41:42 |
| Hattie Trainor Bijou | But one thing they had me on, and I'm still that way, old as I am. | 41:42 |
| Felix Armfield | And what's that? | 41:42 |
| Hattie Trainor Bijou | Dead people. (laughs) | 41:42 |
| Felix Armfield | What was that about dead people? | 41:42 |
| Hattie Trainor Bijou | You and my good friend, know that they die and they put them in the funeral home, and you know they go to the wake or go over there, or go over here. You think I'm going to look at them people by myself when I get in the funeral home? Now, would you believe that? (laughs) | 41:51 |
| Felix Armfield | You're still damn fearful. | 41:57 |
| Hattie Trainor Bijou | Honey, when you're dead, you're done. (Armfield laughs) | 41:58 |
| Hattie Trainor Bijou | And if 10 people say, "Hattie. As brave as you are and all that, you raised your daughter." I said, "I ain't going to like them dead people facing me in that casket, in front of the town." You know, I don't do that now and I'm old as Methuselah. | 41:58 |
| Felix Armfield | But you don't fool around with dead people? | 42:20 |
| Hattie Trainor Bijou | No, no. | 42:21 |
| Felix Armfield | You don't go to funerals? | 42:21 |
| Hattie Trainor Bijou | Oh, I go to funerals. Oh yeah, see the church be packed. (Armfield) | 42:23 |
| Hattie Trainor Bijou | I go to funerals, all right. But Hattie don't bother with dead people. That's the onliest thing I fear til today, and I'll fear that, I guess, the rest of my life. Dead people. | 42:28 |
| Felix Armfield | Really? | 42:39 |
| Hattie Trainor Bijou | And then when I was little like that, my grandmother would take me, you know, in them old everliving, green things out there. They would break two leaves and they would cross it like a cross, and you had to go pin that on the dead person, but they didn't have them in the casket. They had them on the cooling board, they call that. Lord, poor— | 42:39 |
| Felix Armfield | And this was how Black people would do it, when they got ready for funerals? | 43:00 |
| Hattie Trainor Bijou | Yeah, and my grandmother would tease me. And my poor little hands would just be going like that. (Armfield laughs) | 43:03 |
| Hattie Trainor Bijou | You talk about hell, but I caught hell when I was a little bitty something scared of dead folks. And they scared of the live. And then they all would say, "Hattie, the dead can't hurt you." And I say, "Yeah, but they can make you hurt yourself so bad." (Armfield laughs) | 43:07 |
| Hattie Trainor Bijou | I step proper. Though I know when you're dead, you can't hurt me, but honey I can hurt you. Oh, no, no." When you dead, I'm done. And I'll go the last mile of the way through living. A living person can have a gun to shoot you, a knife to cut your throat, anything kill you. | 43:20 |
| Felix Armfield | But you weren't afraid of all these weapons, huh, you would go on top of them. | 43:37 |
| Hattie Trainor Bijou | I'm telling you, it's them dead ones that I was—And right now, I don't like to go look at no wake and a dead person's stretched out there for me to go to there to the casket. Now, when the family been sitting right, you know, on the benches and seats there, and there's the casket, well they all right there, you see? I'm brave. See, I'll walk in here and I'll go look in the casket. They going to be all sitting right across like this. Other than that, huh-uh. No, no, no. | 43:42 |
| Felix Armfield | But you wouldn't go in there if no one was in there with you? | 44:09 |
| Hattie Trainor Bijou | Oh, no. Nobody, huh-uh. | 44:14 |
| Felix Armfield | And you're not afraid when you come back home at night and stuff, are you? | 44:15 |
| Hattie Trainor Bijou | No, you see I don't never be by myself. I didn't even go look at my poor mama by myself. Now you know that's sad, ain't it. You know that's sad. You know that's sad. | 44:18 |
| Felix Armfield | Shirley, she was just telling me about her fear of dead people. | 44:27 |
| Shirley Bijou Walker | See, that's something she's afraid of. | 44:29 |
| Felix Armfield | That's what she says. | 44:32 |
| Hattie Trainor Bijou | She know that. | 44:32 |
| Shirley Bijou Walker | So anytime she get after me, I just try to find a deceased person. (Armfield laughs) | 44:35 |
| Hattie Trainor Bijou | Oh. | 44:36 |
| Felix Armfield | She said, "When you dead, I'm through with you." | 44:36 |
| Hattie Trainor Bijou | Oh, it has been and you know that's crazy. That people don't have good sense, I say. | 44:48 |
| Felix Armfield | That's a fear you got, it's a fear. | 44:54 |
| Felix Armfield | You know, I used to be afraid of dead people too, but after I reached adulthood and close family members began to pass away, I sort of began to think, "Well, Lord. There's no need for me to be afraid of this." | 44:54 |
| Hattie Trainor Bijou | Honey, I've had my mother, my grandmother, my grandfather, my father. All of my family people be dying. How you think I'm going to look in at that casket, or get on that cooling board ready, got them by myself? No. | 45:09 |
| Felix Armfield | Mm-hmm. | 45:25 |
| Hattie Trainor Bijou | I say, now if Prosper die before me, I don't know what I'm going to do about him. I guess his family going to have to come with me just to look at him. (Armfield laughs) | 45:26 |
| Felix Armfield | All of them will have to come, huh? | 45:34 |
| Hattie Trainor Bijou | Somebody. | 45:34 |
| Felix Armfield | Isn't that something? Now, how do you all carry out funerals here? | 45:41 |
| Hattie Trainor Bijou | Well, I go to funerals, you know, at the church when they say it, but I belong to Mount Calvary, there on Beech Street and Barry Norbert is the pastor there. I'll go there and when they say due the body, then the whole church will stand and he marches around. Well, I'm right behind them like that, but I'm brave like that, you see? (Armfield laughs) That's the hook. They say, "Hattie, I done seen crazy people, but I ain't never seen nothing like you." I say, "I guess not." (laughs) I don't know. | 45:42 |
| Felix Armfield | So what is your fear of? That they're going to get up or something? | 46:12 |
| Hattie Trainor Bijou | I don't know how I feel. I feel I'm scared of them, and that's the only thing I fear dead people. Now, you know that. Oh, that doesn't make sense. | 46:14 |
| Felix Armfield | I know some people who are afraid. | 46:18 |
| Hattie Trainor Bijou | Oh, and been like that from a child. That's what I'm trying—But I used to blame my grandmother because she— | 46:26 |
| Felix Armfield | Well, do you all still those things on them? | 46:30 |
| Hattie Trainor Bijou | Yeah. | 46:32 |
| Felix Armfield | The crosses that you— | 46:32 |
| Hattie Trainor Bijou | Yeah, they still pin them on them, but now like now, if they do it now, the way they sit I can afford it. But before honey, you die lonesome, you just lonesome because Hattie ain't going near that. No, sirree. I'm sorry. And I been as old as I am now, that's all right if I was young. You could say— | 46:37 |
| Hattie Trainor Bijou | Oh. Oh. | 0:05 |
| Felix Armfield | [indistinct 00:00:05] He going to go one way and I'm going to go the other. | 0:05 |
| Hattie Trainor Bijou | Yessiree. They tell you life is great if you just don't weaken, and that's the God's truth. That's the true, true, true. Because I just can't take it. But right now. | 0:13 |
| Shirley Bijou Walker | Mamma, tell me about—Oh, this is before. [indistinct 00:00:31] | 0:21 |
| Shirley Bijou Walker | But tell him times when you used to tell us about your grandmother and grandfather, and how he was a preacher and you lived in the country. And when the Night Riders would come. You ever heard about the Night Riders? | 0:21 |
| Felix Armfield | Oh, tell me about the Night Riders, Miss Hattie. | 0:21 |
| Hattie Trainor Bijou | They be on the road on them horses. And they would be going. And all you could hear just clip, clop, clip, clop, them coming. | 0:21 |
| Shirley Bijou Walker | And say, tell them about grandfather, what he had to do. | 0:21 |
| Hattie Trainor Bijou | He had to get on the side and get on the road. You had to get off, let them pass, and let them go on. And if you say anything, they had a rawhide whip like that, right there like that. And that'll teach you. And they'll beat you up if you don't move. | 1:06 |
| Shirley Bijou Walker | And what did he have to say? | 1:24 |
| Hattie Trainor Bijou | Pop would say so many things. | 1:24 |
| Shirley Bijou Walker | [indistinct 00:01:25] bonjour. | 1:24 |
| Hattie Trainor Bijou | Bonjour, yeah. They had to say that to them. | 1:24 |
| Shirley Bijou Walker | "Bonjour, master. Bonjour master." | 1:24 |
| Hattie Trainor Bijou | You had to speak. And then he'd get home, his poor neck, my grandmother, "Ah, I beg you," say "Give me a wet rag." Poor Mom, she had to Pop's neck because the horses was, you see, horses on this side, horses on this side, and they were in the middle. And they, "Bonjour, bonjour, bonjour." And they'd go a mile with that bonjour thing, saying that. Oh, Lord. | 1:31 |
| Felix Armfield | So when the Night Riders would come at night. | 1:54 |
| Hattie Trainor Bijou | Yeah. And they was on horses, and if they didn't say bonjour, they had rawhide whips and, wow, they'd catch them like that. But child, it was bad in them days. Lord. | 1:56 |
| Felix Armfield | Now, would the Night Riders—This is out in the country? | 2:07 |
| Hattie Trainor Bijou | Yeah, that was out in Petite Anse. | 2:09 |
| Felix Armfield | Where your grandfather was a preacher. | 2:09 |
| Hattie Trainor Bijou | Yeah. My poor Pop, he wasn't a sure enough preacher, but he'd preach anyhow [indistinct 00:02:12]. (laughs) | 2:12 |
| Shirley Bijou Walker | [indistinct 00:02:12] | 2:12 |
| Hattie Trainor Bijou | Poor Pop. And I miss them two old people yet. I still think about my grandmother. | 2:12 |
| Hattie Trainor Bijou | Now, my grandmother, she wasn't afraid of nothing, you see? She something like me. But my grandfather would try to—would talk low and didn't raise his voice, but child, you wouldn't mess with my grandmother. That was Elizabeth Daniels, honey. She'd fight you in hell before she'd let you get—Oh, yeah, honey. Lord have mercy. Elizabeth. | 2:26 |
| Hattie Trainor Bijou | And my mamma weren't no better. My mamma named Louisiana. She was a nut. | 2:44 |
| Hattie Trainor Bijou | You know, I thought they were going to send my mamma to the pen, because would you believe her sister and husband was fighting up there on this street and Hopkins Street, and somebody came, knocked at her door and said, "Louisiana, get up."Say, "Sophie and Jules having it on the corner and there going to be policemen." [indistinct 00:03:11] She was there with them. [indistinct 00:03:14] my mamma. "I'm the policeman. I'm the boss. You see, I don't give a goddamn who beating on the street." I said, "Lord have mercy." | 2:51 |
| Felix Armfield | This White woman—she said that to the White woman? | 3:26 |
| Hattie Trainor Bijou | Yes, she did. She sure did. Louisiana Daniels. And you got people telling me today I'm like my mamma. I said "I ain't no Louisiana Daniels." I said, "No." I said, "I don't take nothing from nobody, but I'm not like my mother." And I know that, because I've seen enough and old enough to see what my mother would do. Uh-uh. | 3:27 |
| Hattie Trainor Bijou | And better than that, my father, was liking one of little women belonged to her church, somebody must've gone and told her, and she went to the—stopped to the little church down here on this street, went to the church, she ran in the church and grab him out the seat where he was sitting there, going up to the door where they had cement slides, you know when you get to the door, that's it. She just took him like that—"Broah!" And threw them out there on the street on the cement road. | 3:54 |
| Hattie Trainor Bijou | Child, my mother, you talk about hell. My mother was [indistinct 00:04:24] and I hope her soul is resting in peace today. But that Louisiana didn't take nothing from nobody. | 4:24 |
| Hattie Trainor Bijou | And she got a daughter she left here, Hattie. I ain't taking nothing either from nobody, but I'm scared of dead people. Now, they can't do me nothing in their casket. And that's the only thing I don't fool with. But if you're living and you're breathing, you got to talk to me good. Yes, sir. And I hope to stay like that till— | 4:29 |
| Felix Armfield | Tell me some more about the Night Riders. | 4:58 |
| Hattie Trainor Bijou | The Night Riders, they was just, "Bonjour, bonjour." See, they had to pass and you had to speak to— | 4:58 |
| Felix Armfield | Would the Night Riders come and terrorize people in their homes and stuff? | 4:59 |
| Hattie Trainor Bijou | Not in the home, on the street. See, that was on the dusty roads. And they would be coming, they would have to tell them— | 5:03 |
| Felix Armfield | That's if you got caught out in the street. | 5:08 |
| Hattie Trainor Bijou | Yeah. | 5:08 |
| Felix Armfield | When they were coming through. | 5:10 |
| Hattie Trainor Bijou | Them Night Riders, that was all the time. | 5:10 |
| Felix Armfield | Now, when were the Night Riders? What years were those in? | 5:10 |
| Hattie Trainor Bijou | Oh, Lord. I was small them times. I can't hardly remember, but I know I wasn't old. | 5:10 |
| Felix Armfield | You were born in 1908. | 5:10 |
| Hattie Trainor Bijou | Yes. | 5:10 |
| Felix Armfield | You're talking about the 1910s and 1920s. | 5:10 |
| Hattie Trainor Bijou | Somewhere up in that area. And that was every night them Night Riders would pass. | 5:10 |
| Shirley Bijou Walker | She wasn't 20 years old. | 5:10 |
| Hattie Trainor Bijou | 20 years old, I don't think. | 5:10 |
| Shirley Bijou Walker | This was happening when she was a young girl. | 5:10 |
| Hattie Trainor Bijou | Yeah. | 5:10 |
| Felix Armfield | Really? | 5:10 |
| Hattie Trainor Bijou | Mm-hmm. And you could hear them. And you had to say bonjour. | 5:10 |
| Felix Armfield | And the Night Riders would come every night? | 5:31 |
| Hattie Trainor Bijou | And you had to say, "Bonjour. Bonjour." | 5:34 |
| Felix Armfield | Did they ever harm anybody? | 5:34 |
| Hattie Trainor Bijou | No, no. | 5:34 |
| Felix Armfield | Did they ever kill anyone? | 5:34 |
| Hattie Trainor Bijou | No, they just had that rawhide whip, but everybody knew it, so they wouldn't raise no sound, but if you'd say something, they would throw that rawhide just like that at them. You see? | 5:48 |
| Shirley Bijou Walker | You have to visualize, what she's talking about is the country. | 5:59 |
| Hattie Trainor Bijou | Country. Petite Anse. | 5:59 |
| Shirley Bijou Walker | Country road. | 5:59 |
| Hattie Trainor Bijou | Country road. Nothing but dust. | 5:59 |
| Shirley Bijou Walker | And it's not that many people. | 5:59 |
| Hattie Trainor Bijou | No. | 5:59 |
| Shirley Bijou Walker | Maybe a house here, baker or something, then another house. | 5:59 |
| Felix Armfield | Mm-hmm. | 5:59 |
| Shirley Bijou Walker | And these Whiteys knew that there weren't too many Blacks. But if Blacks was in town, they'd come or going home. They would be prepared to aggravate them. | 5:59 |
| Hattie Trainor Bijou | Mm-hmm. That was so. | 6:17 |
| Felix Armfield | And that was their way of making certain that they also kept enough fear in Black people. | 6:17 |
| Shirley Bijou Walker | Right. | 6:17 |
| Felix Armfield | [indistinct 00:06:32] | 6:17 |
| Shirley Bijou Walker | That was it. | 6:17 |
| Hattie Trainor Bijou | Bonjour. Yeah, bonjour, bonjour. I said, "Lord." | 6:17 |
| Felix Armfield | So you had to say bonjour. | 6:17 |
| Hattie Trainor Bijou | Yeah, they'd say— | 6:37 |
| Shirley Bijou Walker | Bonjour, yeah. [indistinct 00:06:42] | 6:37 |
| Hattie Trainor Bijou | More than anything, bonjour. | 6:37 |
| Shirley Bijou Walker | Whatever. | 6:37 |
| Hattie Trainor Bijou | And poor thing, then you would hit the door, "Oh, I beg you," say, her name was Elizabeth. | 6:44 |
| Felix Armfield | Uh-huh. | 6:44 |
| Hattie Trainor Bijou | "Get Pop a wet rag there." He would put that on his neck. And that's two old people that I love telling about, my grandmother and grandfather. And then she would be, and I said, "Lord have mercy, Jesus." Called them the Night Riders. And they would stay, and wasn't no pavement, no nothing, just dust, just a dirt road. | 8:07 |
| Felix Armfield | Them horses— | 8:07 |
| Hattie Trainor Bijou | Them horses just coming and going. He would come too. I said, "Jesus, Jesus." | 8:07 |
| Felix Armfield | So you would have memories— | 8:07 |
| Hattie Trainor Bijou | Yes, I have been through the mill with them. See, I've been there. She young yet, her. But I've been there, honey. And when you'd see the Night Riders then you'd be coming. And you had better say, "Bonjour," because them rawhide whips they had— | 8:07 |
| Shirley Bijou Walker | Then there were different types of Night Riders, but I guess they just named them Night Riders. | 8:07 |
| Hattie Trainor Bijou | Rawhide Night Riders. Yeah. | 8:07 |
| Speaker 2 | Yeah. | 8:07 |
| Shirley Bijou Walker | Some of the Night Riders, like the Ku Klux Klan— | 8:07 |
| Hattie Trainor Bijou | [indistinct 00:08:07] Shirley, go and answer the telephone. | 8:07 |
| Speaker 2 | [indistinct 00:08:07] | 8:07 |
| Shirley Bijou Walker | That's [indistinct 00:08:07]. | 8:07 |
| Hattie Trainor Bijou | She come and get [indistinct 00:08:07]. | 8:07 |
| Shirley Bijou Walker | [indistinct 00:08:07] but it'd be hanging. [indistinct 00:08:07] | 8:07 |
| Felix Armfield | Were people ever lynched and hung in—When you were a young child, do you recall people being lynched and hung in the neighborhood? | 8:07 |
| Hattie Trainor Bijou | Yeah. | 8:07 |
| Hattie Trainor Bijou | Well, I don't know about the neighborhood, but I heard them say they had that rope and they would put it around their neck. And I've seen the pictures of it, but I've never been around them. But it was true though. They would put that rope around there and then they'd pull something and just choke them, kill them. And then they'd take them down, they're dead. | 8:07 |
| Felix Armfield | Terrible. | 8:20 |
| Hattie Trainor Bijou | But child, I'm telling you, that's some hate there, something. And a lot of times I sit down and think about that, and something say, "Hattie, pray." But I done prayed and talked to the Lord, and I talk to him still I talk, because [indistinct 00:08:35] the Lord, [indistinct 00:08:36]. | 8:26 |
| Hattie Trainor Bijou | But you can say I really do. I really do believe in God, and I know when I leave from here, I tell them all, I say, "If y'all ever get a paper and see Hattie T. Bijou passed, say she going home. She with her Lord." Because I don't mistreat nobody. I don't talk about nobody. But now, if you do me something, you got hell on your hands. Understand? | 8:33 |
| Felix Armfield | [indistinct 00:08:59] | 8:56 |
| Hattie Trainor Bijou | And I got to pray hard to forgive. Child, I'll give you my last nickel if you come to me and say you need certain, certain thing. But you're going to misuse me, because you in trouble, then I don't mind getting back in. I don't give back. I don't give back. I don't treat [indistinct 00:09:19]. | 9:11 |
| Felix Armfield | [indistinct 00:09:19] Can I get ready to do the paperwork so I won't have to keep you too long? | 9:31 |
| Hattie Trainor Bijou | You can stay all day doing your work, child. We ain't doing nothing. It's like the man said— | 9:32 |
| Felix Armfield | I'm going to get ready and go over some stuff with you though. | 9:32 |
| Hattie Trainor Bijou | Okay. | 9:32 |
| Felix Armfield | So that I won't have to keep you too long. This way I can [indistinct 00:09:38] just about an hour, which is [indistinct 00:09:38]. | 9:32 |
| Hattie Trainor Bijou | Oh, shucks. Just ask your questions and I'll answer them the best in my understanding. | 9:38 |
| Felix Armfield | OK. Your last name's spelled B-I-J-O-U? | 9:42 |
| Hattie Trainor Bijou | Right. | 9:45 |
| Felix Armfield | Bijou. And your first name is Hattie, right? | 9:46 |
| Hattie Trainor Bijou | Hattie. | 9:48 |
| Felix Armfield | H-A-T-T— | 9:48 |
| Hattie Trainor Bijou | I-E. | 9:48 |
| Felix Armfield | I-E. Hattie. Middle name is T. | 9:53 |
| Hattie Trainor Bijou | Is T, because that T was Trainor. You see, I was a Trainor before I married. | 9:55 |
| Felix Armfield | And it's spelled T-R-A-I-N-O? | 9:57 |
| Hattie Trainor Bijou | O-R. Either one you put. | 10:02 |
| Felix Armfield | O-R. | 10:06 |
| Hattie Trainor Bijou | You put O-R. That's what I use. | 10:06 |
| Felix Armfield | T-R-A-I-N-O-R. | 10:06 |
| Hattie Trainor Bijou | O-R. That's right. That's right. | 10:06 |
| Felix Armfield | Okay. And what's the address here? | 10:06 |
| Hattie Trainor Bijou | 318 W. Pershing. | 10:09 |
| Felix Armfield | Pershing Street? | 10:22 |
| Hattie Trainor Bijou | Mm-hmm. | 10:25 |
| Felix Armfield | New Iberia. | 10:25 |
| Hattie Trainor Bijou | Mm-hmm. | 10:29 |
| Felix Armfield | Louisiana. | 10:29 |
| Hattie Trainor Bijou | That's right. | 10:29 |
| Felix Armfield | 70560. | 10:29 |
| Hattie Trainor Bijou | Mm-hmm. That's it. | 10:30 |
| Felix Armfield | And where were you born, Miss Hattie? | 10:35 |
| Hattie Trainor Bijou | I was born in Petite Anse. | 10:36 |
| Felix Armfield | Petite Anse. How do you spell that? | 10:36 |
| Hattie Trainor Bijou | Huh? | 10:36 |
| Felix Armfield | How do you spell Petite Anse? | 10:36 |
| Hattie Trainor Bijou | It's just as [indistinct 00:10:46] well, actually, on the telephone. Shirley, got the telephone? It's P-E-T-something. | 10:46 |
| Felix Armfield | Okay. Is that Iberia Parish? | 10:50 |
| Hattie Trainor Bijou | I guess it is. You leave here, you get to Petite Anse before you get to Abbeville. I know. But I know that's where I was born, in Petite Anse. | 10:59 |
| Felix Armfield | Okay. [indistinct 00:11:04] | 11:01 |
| Hattie Trainor Bijou | It's P-E-T-something. Now, she on there. I could get her off the— | 11:01 |
| Felix Armfield | [indistinct 00:11:10] | 11:01 |
| Hattie Trainor Bijou | You do that. Because you see, my memories is bad. I can remember some— | 11:01 |
| Felix Armfield | You remembered a lot of stuff. | 11:01 |
| Hattie Trainor Bijou | I remember some things. Some things I don't remember. I get angry at my own self, say, "Hattie, you been knowing so-and-so and so-and-so, now you don't know nothing." But I say I can't help it. I say, "Y'all know my mind." And say, "Yeah, but [indistinct 00:11:30] raise hell [indistinct 00:11:32]." I said, "No, I sure don't have to raise hell." I sure do that. | 11:16 |
| Felix Armfield | Okay. What's the phone number here in this cottage? | 11:17 |
| Hattie Trainor Bijou | 36—You know I remember my telephone. 369-969—Let me get my—Let me see the telephone book. I'll take off my mic. | 11:17 |
| Felix Armfield | It is good. | 11:17 |
| Hattie Trainor Bijou | 69-7900. You got that? | 11:17 |
| Felix Armfield | 369— | 11:17 |
| Hattie Trainor Bijou | 369-3900. [indistinct 00:12:23] | 11:17 |
| Felix Armfield | How you [indistinct 00:12:24]. Forgetting what? | 11:17 |
| Hattie Trainor Bijou | Everything. | 11:17 |
| Felix Armfield | You don't have to call yourself. You don't have to remember your telephone number. You're not going to call yourself, are you? | 12:28 |
| Hattie Trainor Bijou | No. You got to call me, but I want to be sure to give you the right number, because I could go in there and look at it and come in there and tell you the wrong thing right on, child. | 12:36 |
| Felix Armfield | Hattie Trainor. | 12:37 |
| Hattie Trainor Bijou | Bijou. And I just was Hattie T. Bijou, but you put what you want. | 12:37 |
| Felix Armfield | And your date of birth. | 12:37 |
| Hattie Trainor Bijou | August the 8th, 1908. That's the year I was born, 1908, August the 8th. | 12:37 |
| Felix Armfield | And you're married. Okay. The husband's first name is Prosper. | 12:37 |
| Hattie Trainor Bijou | Prosper Bijou. At least sometimes he puts Prosper, because he's Prosper Albert Bijou, but he puts sometimes Prosper Bijou. | 12:37 |
| Felix Armfield | Prosper Bijou. | 12:37 |
| Hattie Trainor Bijou | Prosper Albert Bijou. | 12:37 |
| Felix Armfield | And what's Mr. Bijou's birthday? | 12:37 |
| Hattie Trainor Bijou | His birthday was just the other day. I think that was June the 11th. I think that was Prosper's birthday. | 12:37 |
| Felix Armfield | I can get his off of the information that you gave me. What year was he born? | 12:37 |
| Hattie Trainor Bijou | 1900— | 12:37 |
| Felix Armfield | [indistinct 00:13:36] older than you? | 12:37 |
| Hattie Trainor Bijou | Oh, yes, years older than me. | 12:37 |
| Felix Armfield | He was? | 12:37 |
| Hattie Trainor Bijou | Eight years, I think it is, yeah. | 12:37 |
| Felix Armfield | Okay. I'll check. | 12:37 |
| Hattie Trainor Bijou | Yeah, he in the bathroom. [indistinct 00:13:44] | 12:37 |
| Felix Armfield | I can get it. Because [indistinct 00:13:45] got the paperwork on it. Now, what was your mother's first name? | 12:37 |
| Hattie Trainor Bijou | Louisiana Daniels. | 13:51 |
| Felix Armfield | Louisiana. | 13:54 |
| Hattie Trainor Bijou | Louisiana Daniels. | 13:55 |
| Felix Armfield | Daniels Bijou, right? | 13:58 |
| Hattie Trainor Bijou | No, she was a Trainor. | 14:00 |
| Felix Armfield | Daniels Trainor. | 14:01 |
| Hattie Trainor Bijou | Mm-hmm. She's Louisiana Trainor. | 14:01 |
| Felix Armfield | And her maiden name was Daniels, right? | 14:05 |
| Hattie Trainor Bijou | Mm-hmm. | 14:07 |
| Felix Armfield | So you remember your mother's birth date? | 14:10 |
| Hattie Trainor Bijou | I know [indistinct 00:14:14] November the—No, that's Shirley's, November the 24th. | 14:13 |
| Felix Armfield | What year? | 14:18 |
| Hattie Trainor Bijou | No, I was thinking about the 24th, I said, but I think that's Shirley, November the 24th, but I got to ask Shirley. | 14:21 |
| Felix Armfield | We'll check with her when she gets off the phone. | 14:24 |
| Hattie Trainor Bijou | Yeah, because I'm going to ask Shirley. | 14:24 |
| Felix Armfield | When did your mother die? | 14:24 |
| Hattie Trainor Bijou | When did she die? | 14:24 |
| Felix Armfield | Mm-hmm. | 14:24 |
| Hattie Trainor Bijou | Lord, Little Addy been dead—I call her Little Addy. I never did call her mom. Little Addy been dead a long, long, long, long time. But we got to wait for Shirley to fix that up. | 14:41 |
| Felix Armfield | Where was your mother born? | 14:41 |
| Hattie Trainor Bijou | When was she born? | 14:45 |
| Felix Armfield | Where? | 14:47 |
| Hattie Trainor Bijou | She must've been born in Petite Anse, where they all come from, the family. There was Petite Anse, Louisiana. | 14:47 |
| Felix Armfield | What did your mother do for a living? | 14:53 |
| Hattie Trainor Bijou | [indistinct 00:14:56] | 14:53 |
| Felix Armfield | She was a housewife. | 14:53 |
| Hattie Trainor Bijou | Yeah, she was a housewife, and then she took in—Sometimes they had fast womens in them days, they would have nice silk clothes and things, she would take that. They'd bring it to her to wash them and things like that. | 15:00 |
| Felix Armfield | What was your daddy's first name? | 15:01 |
| Hattie Trainor Bijou | Elliot Trainor. | 15:01 |
| Felix Armfield | Who? | 15:01 |
| Hattie Trainor Bijou | My daddy's name was Elliott, Elliott, Elliott Trainor. But he and my mother had separated, that's how she got to be that Daniels, because she was a Daniels [indistinct 00:15:30] family. My family was a Daniels. My mother's family. [indistinct 00:15:35] Daniels and Elizabeth Daniels that was her mother and father. | 15:01 |
| Felix Armfield | Now, your father was a tailor, right? | 15:01 |
| Hattie Trainor Bijou | Oh yeah, he was a tailor. He made men's suits. A lot of us wore dresses from him. | 15:01 |
| Felix Armfield | How many brothers and sisters did you have? | 15:01 |
| Hattie Trainor Bijou | I had no brothers and sisters. I had a step-sister, I know, from some woman he had, they had a child from my father. But as for me, I didn't have no— | 15:01 |
| Felix Armfield | You were an only child. | 15:01 |
| Hattie Trainor Bijou | Yeah, just surely my only child, yeah, to Prosper, you know. | 15:01 |
| Felix Armfield | And you have one child yourself. | 15:01 |
| Hattie Trainor Bijou | Mm-hmm. I have one child. | 15:01 |
| Felix Armfield | And what's her full name? Shirley. | 15:01 |
| Hattie Trainor Bijou | Shirley Bijou Walker. | 15:01 |
| Felix Armfield | Bijou. | 15:01 |
| Hattie Trainor Bijou | That's her husband's name is Walker, Charlie Walker. | 15:01 |
| Felix Armfield | What's her birth date? | 15:01 |
| Hattie Trainor Bijou | Now, you know I know that. That's the 24th of September. Better let me ask that to Shirley. | 15:01 |
| Felix Armfield | Wait a minute, you're hooked— | 15:01 |
| Hattie Trainor Bijou | Oh, I'm hooked up there. | 16:25 |
| Felix Armfield | Okay. We can ask her. She'll be back. | 16:26 |
| Hattie Trainor Bijou | She'll be back. | 16:28 |
| Felix Armfield | How many grandchildren do you have? | 16:29 |
| Hattie Trainor Bijou | Grandchildren? | 16:30 |
| Felix Armfield | How many children does Shirley have? | 16:33 |
| Hattie Trainor Bijou | Shirley has one, Mark Robinson, in Detroit, and she don't have no more that I know of. | 16:35 |
| Felix Armfield | So you got one grandchild. | 16:45 |
| Hattie Trainor Bijou | That's all I know of. | 16:47 |
| Felix Armfield | Okay. | 16:48 |
| Hattie Trainor Bijou | Might have step-grandchildren that I don't count them, you know, like that. | 16:49 |
| Felix Armfield | Mm-hmm. | 17:03 |
| Hattie Trainor Bijou | But I don't have no more. Because my mind [indistinct 00:17:05]. | 17:04 |
| Felix Armfield | Now, you've lived here in New Iberia all your life. You haven't lived anywhere else? | 17:07 |
| Hattie Trainor Bijou | Nowhere. You know I lived in Petite Anse. Then my grandmother and grandfather moved from Petite Anse, we moved here to New Iberia, but I stayed in Petite Anse a long time. | 17:08 |
| Felix Armfield | Okay. Now, you went to Howard Institute was the last place you went? | 17:13 |
| Hattie Trainor Bijou | No, Douglass Institute. And I went to Douglass first and then I left there and went to Howard just a little while, but not too long. Then J.B. Henderson after that. | 17:16 |
| Felix Armfield | And you completed 8th grade? | 17:23 |
| Hattie Trainor Bijou | 9th grade. | 17:23 |
| Felix Armfield | You completed 9th grade. | 17:23 |
| Hattie Trainor Bijou | Mm-hmm. And then taught the 3rd grade after all of that. | 17:32 |
| Felix Armfield | You taught the 3rd grade? | 17:33 |
| Hattie Trainor Bijou | Taught the 3rd grade, yeah. | 17:33 |
| Felix Armfield | So you was a teacher at one point? | 17:33 |
| Hattie Trainor Bijou | No, I was a sub teacher. But I did all of the 3rd grade. | 17:33 |
| Felix Armfield | After you finished the 9th grade. | 17:33 |
| Hattie Trainor Bijou | Yeah, yeah, after I finished. | 17:33 |
| Felix Armfield | You started substitute teaching. | 17:33 |
| Hattie Trainor Bijou | Yeah, see, whenever the teacher would get sick, Professor Simon and all them would call for me to go take over. So that was the 3rd grade. And worked there [indistinct 00:17:57] taught the 3rd. Now, [indistinct 00:17:59] know that [indistinct 00:18:01] that was her name, [indistinct 00:18:03] she was, but she died, the man died, they all did. And I didn't stay there too long. | 17:40 |
| Felix Armfield | How did you like substitute teaching? | 18:09 |
| Hattie Trainor Bijou | It was all right, but I used to get tired. But it didn't last too long. Oh, Lord. Mm-mm, Mm-mm, Mm-mm, Mm-mm, Mm-mm. But other than that, it was good. And you had children used to come home for me to get their lesson, and then I'd have to work with that [indistinct 00:18:32]. | 18:15 |
| Felix Armfield | Who was your last employer when you did domestic work? Who was the last person you worked for? | 18:33 |
| Hattie Trainor Bijou | That was—Who was that woman? They were White people though. When I did housecleaning. | 18:57 |
| Felix Armfield | Yeah. Was it the Balls? | 18:57 |
| Hattie Trainor Bijou | Bowen, yeah. It sure was Balls, I believe. Mr. and Mrs. Balls. I worked in Balls. | 18:57 |
| Felix Armfield | [indistinct 00:18:58] | 18:57 |
| Hattie Trainor Bijou | That been so long. Lord have mercy. | 18:57 |
| Felix Armfield | That was the last family you worked for? | 18:57 |
| Hattie Trainor Bijou | That's the one, yes. Only one I do, other than washing and ironing. Not ironing, just washing them silk clothes for them women, fast women used to have them mens at night, you know? | 19:04 |
| Felix Armfield | Oh, really? | 19:05 |
| Hattie Trainor Bijou | But I didn't have to go nowhere to do that. They wore silk clothes. And that's the people that I made good money off of, them fast women with them—That was White people, you know, with those men. | 19:09 |
| Felix Armfield | Mm-hmm. | 19:14 |
| Hattie Trainor Bijou | Oh, Lord, you couldn't hardly find [indistinct 00:19:21] in them women's houses. | 19:14 |
| Felix Armfield | Really? | 19:14 |
| Hattie Trainor Bijou | Oh, Lord. | 19:14 |
| Felix Armfield | Now, what was this, like the red light district or something? | 19:14 |
| Hattie Trainor Bijou | There wasn't no district at all, I don't call it, because they ain't done nothing about it. They let all them [indistinct 00:19:33]. Pershing Street used to be the real fast—we called them fast womens, White womens and White men. Wasn't Colored, they were White. And they didn't wear nothing but fine silk over there. They didn't wear clothes or no material like that. They wore silk clothes. | 19:30 |
| Felix Armfield | Mm-hmm. Why did they wear so much silk? | 19:44 |
| Hattie Trainor Bijou | Well, you see, they used to go have dates so much with the mens that they just had something that you could just rinse out, but they would all just call me to come get their silk gowns and pajamas and stuff. And I just rinsed that out and put that on the clothesline, take it down. [indistinct 00:20:09] They was all living right in our neighborhood. Didn't have to go nowhere hardly to do. | 19:55 |
| Felix Armfield | Right here on Pershing Street? | 20:14 |
| Hattie Trainor Bijou | Pershing Street wasn't nothing but fast White women. Ooh, Lord. This was a bad street. Now it's a good street. | 20:14 |
| Felix Armfield | When was that? | 20:14 |
| Hattie Trainor Bijou | Lord, that been, say like so few years, to years, to years, that been like. That been a long time. That been a long time. I can't really see— | 20:27 |
| Felix Armfield | I mean, you're talking about like the '20s, the '30s? | 20:28 |
| Hattie Trainor Bijou | Well, yeah, yeah. It must've been later than that. Oh, Lord. Maybe— | 20:28 |
| Felix Armfield | '50s, '60s? | 20:42 |
| Hattie Trainor Bijou | This was a long—I tell you who would remember, my husband in that bathroom. | 20:51 |
| Felix Armfield | Mm-hmm. | 20:52 |
| Hattie Trainor Bijou | And maybe and Shirley probably might remember. But this street here was nothing but for fast women, White women. | 20:52 |
| Felix Armfield | Pershing Street. | 20:52 |
| Hattie Trainor Bijou | Pershing Street. | 20:52 |
| Felix Armfield | Have you ever received any awards or honors that you'd like to mention at this time? Or nothing in particular? | 21:04 |
| Hattie Trainor Bijou | No. I'm trying to think what did I do during the war. Something I did one time, been a good while back. | 21:12 |
| Felix Armfield | Okay. | 21:12 |
| Hattie Trainor Bijou | But I can't— | 21:12 |
| Felix Armfield | Are you Baptist? | 21:12 |
| Hattie Trainor Bijou | Yes. | 21:12 |
| Felix Armfield | Okay. | 21:12 |
| Hattie Trainor Bijou | I'm Baptist. And I'm [indistinct 00:21:22] the Baptist Church. Larry Norbert right now is the pastor. Reverend [indistinct 00:21:27] Bolly, Reverend Livingstone. Reverend Livingstone died early. He was an old man. And then Reverend Bolly took it over, then he died. | 21:21 |
| Felix Armfield | Oh, really? | 21:36 |
| Hattie Trainor Bijou | Now Larry Norbert got it, but he's still there. | 21:37 |
| Felix Armfield | Do you belong to any organizations here locally, Miss Hattie? | 21:45 |
| Hattie Trainor Bijou | No, no, I don't belong to nothing no more. No more than church. Mount Calvary Church [indistinct 00:21:53]. No more than Mount Calvary Church. And I haven't been there for years, because I've been sick. The doctor wouldn't let me go nowhere [indistinct 00:22:02]. Can't go nowhere now. I had a very bad heart condition and high blood pressure. [indistinct 00:22:07] like that. And it worries me too sometimes. Now most of the time I got to call him up, or either go to the doctor and all stuff like that stuff. | 21:47 |
| Felix Armfield | What do you like to do in your leisure time? What's your hobby these days? | 22:19 |
| Hattie Trainor Bijou | Not much of nothing no more than maybe something if needs sewing. I quit that because I had my machine, I used to sew. I used to sew for hours when I was younger. But I don't do much of nothing but read and sit on that porch and get on the telephone and talk all day. | 22:26 |
| Felix Armfield | Reading. | 22:38 |
| Hattie Trainor Bijou | Mm-hmm, reading. I [indistinct 00:22:42]. | 22:38 |
| Felix Armfield | Sitting on the porch. | 22:38 |
| Hattie Trainor Bijou | Mm-hmm. And very, very seldom—I don't sew no more. I used to sew for hours, but I cut that out [indistinct 00:23:05] snag something or [indistinct 00:23:05]. | 22:46 |
| Felix Armfield | Talking on the phone. | 23:04 |
| Hattie Trainor Bijou | That's the main thing, talking on the phone. That's right. | 23:04 |
| Felix Armfield | Who do you talk to, your girlfriends that you have in town? | 23:04 |
| Hattie Trainor Bijou | Yeah, girlfriends, long distance calls, and anything else. But the ones here in town, I ain't calling them, they calling me, see? So it's six one of them, half a dozen of the other. | 23:04 |
| Felix Armfield | So would you sign this for me, Miss Hattie? Just to say—I'll hold that for you. That we can use your tape for our work at Duke University. This is basically saying that it's okay for us to use your tape. We're going to put it in the archives there at Duke University. | 23:13 |
| Hattie Trainor Bijou | Now, I sign where? Here? | 23:28 |
| Felix Armfield | Right here. | 23:29 |
| Hattie Trainor Bijou | Oh, right here. | 23:29 |
| Felix Armfield | Right over there. | 23:29 |
| Hattie Trainor Bijou | Just put Hattie Bijou. That's all? | 23:29 |
| Felix Armfield | Mm-hmm. | 23:29 |
| Hattie Trainor Bijou | Let me see. | 23:29 |
| Felix Armfield | Look at that handwriting. | 23:29 |
| Hattie Trainor Bijou | Huh? What you mean? | 23:29 |
| Felix Armfield | Beautiful. | 23:38 |
| Hattie Trainor Bijou | Eh, sure. Hattie Bijou, eh? | 23:42 |
| Felix Armfield | Mm-hmm. That's it. | 23:42 |
| Hattie Trainor Bijou | [indistinct 00:23:52] put that [indistinct 00:23:53]. | 23:42 |
| Felix Armfield | That's okay. | 23:42 |
| Hattie Trainor Bijou | I tell y'all, y'all think I'm lying, but I'm— | 23:42 |
| Felix Armfield | Miss Bijou, what are you talking about? | 23:42 |
| Hattie Trainor Bijou | But I'm telling the truth. I said, "Lord, they're going to send me to find you yet if I stay here much longer." That's the truth. I mean well, but Lord have mercy. Men forget so quick. | 24:04 |
| Felix Armfield | And this is 318, right? | 24:05 |
| Hattie Trainor Bijou | 318 West Pershing. Yes, yes, yes. | 24:05 |
| Felix Armfield | Well, is there anything you want to say in closing, Miss Bijou? Any closing comments you have? | 24:24 |
| Hattie Trainor Bijou | Like what? | 24:29 |
| Felix Armfield | Tell me. Anything you wish to say in closing. | 24:30 |
| Hattie Trainor Bijou | Well, I know one thing, I just enjoy everything here. Enjoy having you coming here to take all that patience and time with me. I enjoy that. And I appreciate that. | 24:36 |
| Felix Armfield | Well, I enjoyed being here with you, listening to your stories. | 24:36 |
| Hattie Trainor Bijou | But other than that, everything else is cut and dry. And I enjoyed everything. I really enjoyed this conversation and all of you. And hope to see you many, many, many, many, many more times to come. Hope you'll still be coming by. | 24:55 |
| Felix Armfield | I'd love to come back. When I come back to Louisiana I'm going to make certain that I see the Bijous. | 25:05 |
| Hattie Trainor Bijou | Yeah, that's right, be sure and come here. And if I die, you'll see in the paper somewhere, or somebody— | 25:13 |
| Felix Armfield | You ain't going to die. | 25:19 |
| Hattie Trainor Bijou | Or somebody in the neighborhood will tell you. You come ring the doorbell, they say, "Oh, Hattie Bijou's gone on." Of course we'll be going one day, but nobody— | 25:19 |
| Felix Armfield | But you ain't going nowhere anytime soon. | 25:19 |
| Hattie Trainor Bijou | No, nobody doesn't get— | 25:19 |
| Felix Armfield | You ain't going nowhere. | 25:31 |
| Hattie Trainor Bijou | I hope not. That will be seen, but if I got to go, you got to go. | 25:36 |
| Felix Armfield | Okay. | 25:39 |
| Hattie Trainor Bijou | When the Lord say, "Let's go," you— | 25:39 |
| Shirley Bijou Walker | [indistinct 00:25:43] | 25:39 |
| Felix Armfield | Oh. | 25:39 |
| Hattie Trainor Bijou | If you want Shirley, something, I can just get off. | 26:05 |
| Shirley Bijou Walker | I was getting ready to come out of college, so it must've been [indistinct 00:26:06]. I'm very [indistinct 00:26:06] so if it was not '51, it was '50. I think it was '51. | 26:05 |
| Hattie Trainor Bijou | Maybe your daddy might know. | 26:05 |
| Felix Armfield | She was born in 1888. And she died in '51, you say? | 26:05 |
| Shirley Bijou Walker | Yeah. | 26:05 |
| Felix Armfield | Okay. Do you happen to know her place? She was Petite Anse also? | 26:15 |
| Shirley Bijou Walker | My grandmother? | 26:19 |
| Felix Armfield | Mm-hmm. | 26:20 |
| Shirley Bijou Walker | Yeah. | 26:20 |
| Felix Armfield | I'll get that spelling tonight. Now, your grandfather, her—Was it Elliott Trainor? | 26:22 |
| Shirley Bijou Walker | [indistinct 00:26:29] | 26:28 |
| Hattie Trainor Bijou | Elliott. | 26:28 |
| Shirley Bijou Walker | That's her father, Elliott Trainor, yeah. | 26:29 |
| Hattie Trainor Bijou | Uh-huh. | 26:29 |
| Felix Armfield | Okay. What was [indistinct 00:26:34] birthday? You know when he died? | 26:32 |
| Shirley Bijou Walker | I know when he died, but I don't know how old he was. | 26:33 |
| Felix Armfield | Well, give me the year he died. | 26:41 |
| Shirley Bijou Walker | I don't know the year. I'll try to think. He came from Detroit to see us, because my husband was so sorry he didn't have a camera [indistinct 00:26:55], because that'd been both generations of us. It was my grandfather, my mom, me, and my son. [indistinct 00:27:08] and he wanted to take a picture. | 26:41 |
| Shirley Bijou Walker | But now, okay, Louisiana, where we are, in 20 years. That would've been 1973, '72 or '73. No, I'm not going to even speculate. | 26:41 |
| Felix Armfield | You don't know. Okay, that's fine. | 26:41 |
| Shirley Bijou Walker | But I would assume it was in the '70s when he died. It was the late '70s. | 26:41 |
| Felix Armfield | Okay. Do you happen to know where he was born? Was he from Petite Anse also? | 26:41 |
| Shirley Bijou Walker | No, I don't know. | 26:41 |
| Felix Armfield | Was your father from Petite Anse? | 26:41 |
| Hattie Trainor Bijou | My father, Elliott Trainor? He was Petite Anse and New Iberia, one of them two. | 26:41 |
| Shirley Bijou Walker | [indistinct 00:27:56] I have no idea. | 26:41 |
| Hattie Trainor Bijou | I don't know where Elliott— | 26:41 |
| Felix Armfield | We can say he was definitely from Louisiana. | 26:41 |
| Hattie Trainor Bijou | Elliott Trainor. | 26:41 |
| Shirley Bijou Walker | But you see what happened, I didn't know him too well. | 26:41 |
| Hattie Trainor Bijou | The Trainors lived here. | 26:41 |
| Shirley Bijou Walker | When I grew up, he was in Texas. | 26:41 |
| Felix Armfield | Mm-hmm. | 26:41 |
| Hattie Trainor Bijou | But I think it— | 26:41 |
| Shirley Bijou Walker | The family separated. | 26:41 |
| Hattie Trainor Bijou | And I think the Trainors was from Petite Anse, if I'm not mistaken, but I don't know. | 26:41 |
| Shirley Bijou Walker | He set up his business as a tailor. | 26:41 |
| Hattie Trainor Bijou | In Houston, Texas. He sure did. He was a good tailor too. Boy, he could make them suits [indistinct 00:28:25] dresses [indistinct 00:28:27]. | 26:41 |
| Shirley Bijou Walker | [indistinct 00:28:29] maybe a line or two will be able to help you. | 26:41 |
| Felix Armfield | Oh, definitely. | 26:41 |
| Shirley Bijou Walker | But like I tell you, Mom wasn't involved too much in the situation, but she [indistinct 00:28:43]. | 26:41 |
| Felix Armfield | Doesn't have to be involved. You were involved just by being Black. | 28:45 |
| Shirley Bijou Walker | You got that right. | 28:48 |
| Felix Armfield | Just by being Black you were involved. | 28:48 |
| Shirley Bijou Walker | But like I said- | 28:49 |
| Felix Armfield | I don't know what you mean when you say she wasn't involved. | 28:52 |
| Shirley Bijou Walker | No, what I meant was they were so satisfied. | 28:53 |
| Felix Armfield | Well, [indistinct 00:28:59] lots of people I've interviewed were fine. | 28:58 |
| Shirley Bijou Walker | [indistinct 00:28:59] There was an acceptance, part of a trend where certain things, you can accept them. | 28:58 |
| Felix Armfield | Mm-hmm. | 28:58 |
| Shirley Bijou Walker | And certain things—Like I could not accept— | 28:58 |
| Felix Armfield | Well, you've been exposed to things that they haven't been. | 28:58 |
| Shirley Bijou Walker | Right. | 28:58 |
| Felix Armfield | You saw that there was more to the world than New Iberia. | 28:58 |
| Shirley Bijou Walker | Right. So therefore, I guess that was one of my reasons for leaving. I could not deal with it. | 28:58 |
| Felix Armfield | Mm-hmm. | 28:58 |
| Shirley Bijou Walker | Yeah. I wanted more out of life at that time. I guess I was experiencing trying to find—well, which I did find, but I could've been more [indistinct 00:29:47]. It was just not enough. Like to visit. But just didn't have enough to offer for me. | 28:58 |
| Felix Armfield | Mm-hmm. | 28:58 |
| Shirley Bijou Walker | All my dreams were get the heck out of this place. And when the time came, I did. | 28:58 |
| Felix Armfield | Yeah. Okay. I thank you all so much for your time spent. Hope I haven't taken too much of it. | 30:08 |
| Shirley Bijou Walker | No, you haven't. | 30:11 |
| Felix Armfield | Thank you so much. | 30:11 |
Item Info
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