Melvenia Durall interview recording, 1994 July 22
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Transcript
Transcripts may contain inaccuracies.
| Melvenia Lelia Polk Durall | Oh, that's Michele Mitchell. | 0:01 |
| Kate Ellis | Yep. | 0:02 |
| Melvenia Lelia Polk Durall | Oh, I thought that was the [indistinct 00:00:05]. | 0:03 |
| Kate Ellis | Would you state your name and when you were born and where you were born? | 0:05 |
| Melvenia Lelia Polk Durall | My name is Melvenia. M-E-L-V-E-N-I-A. | 0:12 |
| Kate Ellis | V-E? | 0:18 |
| Melvenia Lelia Polk Durall | Mm-hmm. N-I-A. | 0:20 |
| Kate Ellis | Oh, N-I-A. Okay. | 0:21 |
| Melvenia Lelia Polk Durall | L. That's my middle name is L, initial is L. P-O-L-K is my maiden name. | 0:22 |
| Kate Ellis | Oh. | 0:29 |
| Melvenia Lelia Polk Durall | And Durall is my marriage. | 0:30 |
| Kate Ellis | Which is? | 0:32 |
| Melvenia Lelia Polk Durall | D-U-R-A-L-L. | 0:33 |
| Kate Ellis | Okay. I'm just going to check that. The most exciting part of the interview. | 0:36 |
| Melvenia Lelia Polk Durall | Yeah. That's all right. | 0:42 |
| Kate Ellis | This is Kate Ellis on, July 22nd, 1994 with Mrs. Melvenia Durall. And we're going to start with the family history and then talk. So what's your address? | 0:43 |
| Melvenia Lelia Polk Durall | 308 Johnson. | 1:00 |
| Kate Ellis | Johnson. When I looked at the map, I saw there's a Johnston. That's what you'd been saying, could be [indistinct 00:01:10]. | 1:03 |
| Melvenia Lelia Polk Durall | Yeah, there's a difference. Right. | 1:10 |
| Kate Ellis | Okay. | 1:11 |
| Melvenia Lelia Polk Durall | New Iberia. | 1:13 |
| Kate Ellis | New Iberia, Louisiana. | 1:14 |
| Kate Ellis | And what's your zip? | 1:16 |
| Melvenia Lelia Polk Durall | 70560. | 1:17 |
| Kate Ellis | And when were you born? | 1:21 |
| Melvenia Lelia Polk Durall | December 1st, 1924. | 1:24 |
| Kate Ellis | And where were you born? | 1:31 |
| Melvenia Lelia Polk Durall | Loreauville. L-O-R-E-A-U-V-I-L-L-E. Louisiana. | 1:32 |
| Kate Ellis | Okay. Do you know what Parish that's in? | 1:38 |
| Melvenia Lelia Polk Durall | Iberia. It's nine miles from here. | 1:42 |
| Kate Ellis | Right. Okay. Iberia Parish. What's been your principal occupation? | 1:46 |
| Melvenia Lelia Polk Durall | Teacher. | 1:55 |
| Kate Ellis | Teacher. Okay. Teacher. Kids are so cool. | 1:56 |
| Melvenia Lelia Polk Durall | The kids, wait, maybe I need to shut that door. | 2:02 |
| Kate Ellis | That's fine. Yeah, that's fine. Okay. And how would you like your name to appear in written documents? | 2:16 |
| Melvenia Lelia Polk Durall | Now you know I had to have a name change. | 2:21 |
| Kate Ellis | You did? When? | 2:26 |
| Melvenia Lelia Polk Durall | In 1985, I sent for my birth certificate and my original name was Roberta. | 2:27 |
| Kate Ellis | Okay. | 2:36 |
| Melvenia Lelia Polk Durall | When I sent for the birth certificate, I'll get ready to retire. I retired. Let me see. I sent for it actually in 1984. The thing, my dad was still living, so I had to get a document from him. But with my birth certificate, all they did was draw a line through Roberta and they put Melvenia. | 2:40 |
| Kate Ellis | On the certificate that you received in the mail? | 3:05 |
| Melvenia Lelia Polk Durall | I now have, yes. | 3:08 |
| Kate Ellis | What did you do? Did you call them and say, "Roberta's not my name?" | 3:09 |
| Melvenia Lelia Polk Durall | I did. Well, I went to the courts. I had to change it in the courts. | 3:12 |
| Kate Ellis | How did they put down Roberta in the first place? | 3:18 |
| Melvenia Lelia Polk Durall | Well, I was delivered by a midwife. And those midwives be to— No doubt, another baby had my name. | 3:20 |
| Kate Ellis | Oh. So they confused the names. | 3:31 |
| Melvenia Lelia Polk Durall | And they just got the name confused. | 3:32 |
| Kate Ellis | So it's the midwife that fills out the birth certificate? | 3:34 |
| Melvenia Lelia Polk Durall | Mm-hmm. During that time. | 3:38 |
| Kate Ellis | And what? Do they take it to the [indistinct 00:03:41]? | 3:39 |
| Melvenia Lelia Polk Durall | They send it. | 3:41 |
| Kate Ellis | They send it in. | 3:41 |
| Melvenia Lelia Polk Durall | They send it in. Yes. It's like the doctors. Now, my son was delivered by a doctor. | 3:42 |
| Kate Ellis | At home or hospital? | 3:53 |
| Melvenia Lelia Polk Durall | At home. He was never registered. The doctor forgot to send his name in, period. | 3:54 |
| Kate Ellis | So he does not have a birth certificate. | 3:59 |
| Melvenia Lelia Polk Durall | He didn't have one. So when I wrote for it, they sent and told me they didn't have one. My husband either. My husband was ready to retire. He had never been registered either. | 4:01 |
| Kate Ellis | Oh, you're kidding. | 4:12 |
| Melvenia Lelia Polk Durall | They do those things, they forget and so forth. Well, I was registered, but under the wrong name. So I had that. It's changed officially now. | 4:12 |
| Kate Ellis | Yeah. Was it a White doctor who forgot? | 4:22 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 4:25 |
| Kate Ellis | I mean, I hate to ask this, but do you think that that was something White doctors are more likely to forget when their— | 4:26 |
| Melvenia Lelia Polk Durall | It was a long— My son was born and he was born in 1947. | 4:33 |
| Kate Ellis | Your son was? | 4:36 |
| Melvenia Lelia Polk Durall | Mm-hmm. And this was a White doctor. | 4:37 |
| Kate Ellis | Do you think that the doctor was neglectful or do you think he just raised— | 4:40 |
| Melvenia Lelia Polk Durall | I think he just forgot. He was kind. Yeah. He was very nice. No, it was a nice guys. | 4:44 |
| Kate Ellis | It wasn't like a— Yeah. | 4:48 |
| Melvenia Lelia Polk Durall | Okay. And then the baby was delivered at home and my mother was in LPN. | 4:51 |
| Kate Ellis | Wow. | 4:58 |
| Melvenia Lelia Polk Durall | And so she knew the doctor and they'd come and sit and drink coffee and everything. They had a good time while I was there [indistinct 00:05:08]. | 4:58 |
| Kate Ellis | In labor. | 5:08 |
| Melvenia Lelia Polk Durall | In labor, honey. Was drinking coffee. They were talking and going on, but it was just an oversight. It wasn't anything malicious with that doctor. | 5:10 |
| Kate Ellis | Oh, well that's good. I had to ask that if that was some sort of— | 5:18 |
| Melvenia Lelia Polk Durall | Yeah. | 5:22 |
| Kate Ellis | I'm sure there's plenty of ways that— | 5:23 |
| Melvenia Lelia Polk Durall | Mm-hmm. That could've happened. | 5:23 |
| Kate Ellis | —To tell you that White people did. | 5:25 |
| Melvenia Lelia Polk Durall | Yes. | 5:26 |
| Kate Ellis | Did sort of do some stuff, but good. That's nice that she knew. | 5:27 |
| Melvenia Lelia Polk Durall | Oh, yes. | 5:37 |
| Kate Ellis | Its kind of reassuring. | 5:37 |
| Melvenia Lelia Polk Durall | Yeah. She had worked with Dr. Edmond. Oh yeah. You knew him very well. | 5:37 |
| Kate Ellis | Dr. Edmond? | 5:39 |
| Melvenia Lelia Polk Durall | Edmond Landry. | 5:39 |
| Kate Ellis | Edmond Landry. | 5:40 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 5:42 |
| Kate Ellis | Okay. So as far as how I should put your name down for again, for the official record, should it be Melvenia? | 5:44 |
| Melvenia Lelia Polk Durall | Yes. That it. | 5:51 |
| Kate Ellis | Melvenia P Durall. | 5:55 |
| Melvenia Lelia Polk Durall | Durall. You can put— | 5:55 |
| Kate Ellis | Polk Durall or how do you like it? | 5:57 |
| Melvenia Lelia Polk Durall | I usually sign Melvenia P Durall. | 6:00 |
| Kate Ellis | Okay. | 6:03 |
| Melvenia Lelia Polk Durall | Well you can put Polk though. | 6:04 |
| Kate Ellis | Put Polk? | 6:08 |
| Melvenia Lelia Polk Durall | Yeah. Put Polk. That's how my diploma is. | 6:09 |
| Kate Ellis | Oh, okay. You're not in any way related to Matthew Polk are you? | 6:16 |
| Melvenia Lelia Polk Durall | First cousin. | 6:20 |
| Kate Ellis | Oh, okay. Okay. Yeah, he's the one that told me to call you, actually. | 6:21 |
| Melvenia Lelia Polk Durall | Oh, okay. | 6:25 |
| Kate Ellis | Yeah. | 6:25 |
| Melvenia Lelia Polk Durall | First cousins, brother's children. | 6:28 |
| Kate Ellis | Okay. Okay. While these questions repeat themselves, I'm just going to— Oh, so you're going to have a birthday. You're going to be 70. | 6:37 |
| Melvenia Lelia Polk Durall | 70. | 6:48 |
| Kate Ellis | Wow, you look great. | 6:49 |
| Melvenia Lelia Polk Durall | 70. Ooh. | 6:49 |
| Kate Ellis | You do. That's great. | 6:50 |
| Melvenia Lelia Polk Durall | 70. Isn't that something? | 6:53 |
| Kate Ellis | I think that's wonderful. | 6:59 |
| Melvenia Lelia Polk Durall | I told my niece, I have a niece here visiting from Texas, and I said, "Did you know in December, I'm going to be 70?" She said, "I can't believe that." | 6:59 |
| Kate Ellis | Yeah. | 7:12 |
| Melvenia Lelia Polk Durall | I said, "Oh, but I can't believe it really," because, but you know what? I have to really slow myself down because I forget. | 7:15 |
| Kate Ellis | Do you? | 7:20 |
| Melvenia Lelia Polk Durall | I have that age because I have a pace that I keep. And sometimes I say, "Well, I better sit down, I'm getting too old to do some of that." | 7:21 |
| Kate Ellis | Yeah. But don't you think your body will tell you when it's too tired? | 7:32 |
| Melvenia Lelia Polk Durall | I think so. It does because sometime it does tell me. | 7:35 |
| Kate Ellis | It says, "That's enough." | 7:40 |
| Melvenia Lelia Polk Durall | Kill [indistinct 00:07:44] and stop hold it. | 7:42 |
| Kate Ellis | Yeah. So you're married, right? | 7:45 |
| Melvenia Lelia Polk Durall | Yes. | 7:49 |
| Kate Ellis | Okay. | 7:49 |
| Melvenia Lelia Polk Durall | My husband's name? | 7:49 |
| Kate Ellis | Yes, please. | 7:52 |
| Melvenia Lelia Polk Durall | J-A-K-E. Jake. | 7:52 |
| Kate Ellis | Jake. Does he have a middle name? | 7:54 |
| Melvenia Lelia Polk Durall | Jake Joseph. | 7:57 |
| Kate Ellis | Joseph. | 7:59 |
| Melvenia Lelia Polk Durall | Durall. Junior. Now he's a junior. | 7:59 |
| Kate Ellis | And when was he born? | 8:06 |
| Melvenia Lelia Polk Durall | February 5th, '25. I'm two months older than he is. February. | 8:09 |
| Kate Ellis | Don't you let him forget it. | 8:15 |
| Melvenia Lelia Polk Durall | 25. I let him know who's older. | 8:16 |
| Kate Ellis | My mother and her husband always have that running joke. She's, I think, three weeks. Oh, but they have it the other way. She's three weeks younger than he is. And she says, "I'm his younger woman." | 8:21 |
| Melvenia Lelia Polk Durall | Cute. | 8:35 |
| Kate Ellis | Okay. Where was he born? | 8:36 |
| Melvenia Lelia Polk Durall | Here, New Iberia. | 8:38 |
| Kate Ellis | Iberia. | 8:39 |
| Melvenia Lelia Polk Durall | Iberia, Louisiana in this neighborhood. | 8:41 |
| Kate Ellis | Really? | 8:45 |
| Melvenia Lelia Polk Durall | We moved here. Now this is the only neighborhood I know because we moved here when I was two. | 8:46 |
| Kate Ellis | To this neighborhood? | 8:52 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 8:53 |
| Kate Ellis | So you grew up in the same neighborhood? | 8:53 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 8:54 |
| Kate Ellis | Did you know each other all your lives? | 8:55 |
| Melvenia Lelia Polk Durall | Mm-hmm. Mm-hmm. | 8:57 |
| Kate Ellis | Really? Since when? How old were you when you— | 8:59 |
| Melvenia Lelia Polk Durall | Oh Lord. Since I can remember— | 9:01 |
| Kate Ellis | Really? | 9:04 |
| Melvenia Lelia Polk Durall | — We knew each other. | 9:05 |
| Kate Ellis | Oh, wow. Oh, that's a story. What is his occupation? | 9:07 |
| Melvenia Lelia Polk Durall | He's a retired contract mail carrier. And he did— | 9:11 |
| Kate Ellis | Now, did you say contract mail carrier? | 9:17 |
| Melvenia Lelia Polk Durall | Mail carrier. Yeah. He used to carry mail from the post office, and bus driver. | 9:20 |
| Kate Ellis | Okay. Carrier and bus driver. So you don't have to answer the question, but when did you start dating? I mean, if you'd known each other most of your life? | 9:26 |
| Melvenia Lelia Polk Durall | Oh, in high school. | 9:39 |
| Kate Ellis | Mm-hmm. Wow. | 9:40 |
| Melvenia Lelia Polk Durall | We dated in high school and didn't matter much to my [indistinct 00:09:47] we get the most stuff now, then we still get the stuff. | 9:42 |
| Kate Ellis | You what? I'm sorry? | 9:47 |
| Melvenia Lelia Polk Durall | We still get into all kinds of misunderstandings. | 9:47 |
| Kate Ellis | It's funny how you can know somebody all your life. | 10:01 |
| Melvenia Lelia Polk Durall | All your life. Yeah. You know them too. Too well. | 10:02 |
| Kate Ellis | Really? | 10:02 |
| Melvenia Lelia Polk Durall | Oh yeah. We dated through the years, but it was from high school. | 10:04 |
| Kate Ellis | Wow. That's great. What was your mother's name? | 10:10 |
| Melvenia Lelia Polk Durall | Virginia, V-I-R Well, you how to spell it. | 10:15 |
| Kate Ellis | Virginia. Does she— | 10:19 |
| Melvenia Lelia Polk Durall | She was a Porter. Her maiden name. | 10:21 |
| Kate Ellis | Her main name is a Porter? | 10:22 |
| Melvenia Lelia Polk Durall | Porter. P-O-R-T-E-R. | 10:24 |
| Kate Ellis | What about her middle name? | 10:24 |
| Melvenia Lelia Polk Durall | I don't think my mother had a middle name. No. | 10:29 |
| Kate Ellis | Okay. And so, I always [indistinct 00:10:35]. And so she was a a Polk? She was Virginia— | 10:31 |
| Melvenia Lelia Polk Durall | Porter, P-O-R-T-E-R. | 10:37 |
| Kate Ellis | Oh, right. Okay. | 10:39 |
| Melvenia Lelia Polk Durall | And she married a Polk. Her maiden name is Porter, and her last name is Polk. Now she's from St. Martin Parish. | 10:39 |
| Kate Ellis | That's where she was born? | 10:49 |
| Melvenia Lelia Polk Durall | Mm-hmm. St. Martin Parish. | 10:49 |
| Kate Ellis | When was she born? | 10:56 |
| Melvenia Lelia Polk Durall | Lord, I got to figure that out. | 11:00 |
| Kate Ellis | Well, let's see. Is she still alive? | 11:02 |
| Melvenia Lelia Polk Durall | No, my mother's dead. | 11:04 |
| Kate Ellis | Okay. Well, I can help you. Do you remember how old she was when she died? | 11:06 |
| Melvenia Lelia Polk Durall | She was 58 in 1967. | 11:09 |
| Kate Ellis | Okay. | 11:13 |
| Melvenia Lelia Polk Durall | That's why I say I had to figure that out because I couldn't work it out. | 11:16 |
| Kate Ellis | So she was born in nine— Yeah, she was born in 1909. Does that sound right to you? She was 58 in 1967. Yeah, so 1909. And when did she pass? | 11:21 |
| Melvenia Lelia Polk Durall | August 26th, 1967. | 11:33 |
| Kate Ellis | August, 1967. | 11:35 |
| Melvenia Lelia Polk Durall | 26, '67. | 11:41 |
| Kate Ellis | And what did she do? | 11:45 |
| Melvenia Lelia Polk Durall | She was an LPN, registered LPN. And my dad, Washington, W-A-S-H-I-N-G-T-O-N. | 11:47 |
| Kate Ellis | Did he have a middle name? | 11:59 |
| Melvenia Lelia Polk Durall | No. P-O-L-K. | 12:00 |
| Kate Ellis | Okay. And when was— | 12:05 |
| Melvenia Lelia Polk Durall | Now, let me see. He was born— I got to figure that out too. He died in 1985 and he was 96. | 12:06 |
| Kate Ellis | Oh. | 12:15 |
| Melvenia Lelia Polk Durall | Yeah. He lived a long time. And he was 20 years older than my mother. | 12:17 |
| Kate Ellis | Yeah, wow. Okay. Kate, let's see. | 12:21 |
| Melvenia Lelia Polk Durall | I think it's 89. | 12:26 |
| Kate Ellis | So that would be— Yeah. | 12:28 |
| Melvenia Lelia Polk Durall | 89. I think it was. 1889. | 12:30 |
| Kate Ellis | Yep. Yeah. | 12:30 |
| Melvenia Lelia Polk Durall | I have to always figure that. He died when he was 96. And he died March 15th, 1985. Now he was just a laborer. | 12:35 |
| Kate Ellis | Okay. | 12:49 |
| Melvenia Lelia Polk Durall | L-A-B. | 12:50 |
| Kate Ellis | Where did he work as a laborer? | 12:51 |
| Melvenia Lelia Polk Durall | He worked on the pipelines. One time he worked at the Salt Mine, Jefferson Island Salt Mine. And he also worked as a night watchman. And he also helped to build the spillway from Walton City to Port Barry. That's the type of work he did. | 12:54 |
| Kate Ellis | So he did some hard work. Where was he born? | 13:23 |
| Melvenia Lelia Polk Durall | Loreauville. | 13:24 |
| Kate Ellis | Okay. | 13:25 |
| Melvenia Lelia Polk Durall | L-O-R-E-A-U-V-I-L-L-E. | 13:27 |
| Kate Ellis | Okay. | 13:37 |
| Melvenia Lelia Polk Durall | I have two children. | 13:38 |
| Kate Ellis | Okay. What are their names? | 13:40 |
| Melvenia Lelia Polk Durall | I have a son, Jake III. Jake Joseph III. | 13:43 |
| Kate Ellis | I like that name. Joseph— | 13:45 |
| Melvenia Lelia Polk Durall | The third. I remember the sisters change his name to Jacob. | 13:46 |
| Kate Ellis | The what? | 13:56 |
| Melvenia Lelia Polk Durall | The sisters, the nuns. | 13:58 |
| Kate Ellis | Oh. | 14:01 |
| Melvenia Lelia Polk Durall | He's Catholic. My husband's Catholic. I'm [indistinct 00:14:02]. He changed his name to Jacob. The biggest mess. Then he had to go back when he got ready to go to the service. That's the funniest thing I don't understand it. They called him to the service and he had never been registered. But the Parish had him listed. I don't— And he went to the service and that's when he had to change his name back because he used to go on Jacob and he had to change his— | 14:01 |
| Kate Ellis | Why did he have to change it back, because they didn't recognize him? | 14:26 |
| Melvenia Lelia Polk Durall | Well, you see his dad, he was named after his dad. And his dad was J-A-K-E. So he had to put J-A-K-E. | 14:29 |
| Kate Ellis | Oh, that's [indistinct 00:14:40]. When was he born? I know you told me. | 14:35 |
| Melvenia Lelia Polk Durall | My son? | 14:42 |
| Kate Ellis | Yeah. | 14:43 |
| Melvenia Lelia Polk Durall | March 6th, '57. '47, I'm sorry. Oh, '47. | 14:43 |
| Kate Ellis | That's okay. So was he born in New Iberia? | 14:48 |
| Melvenia Lelia Polk Durall | New Iberia. | 14:54 |
| Kate Ellis | And your other child? | 14:55 |
| Melvenia Lelia Polk Durall | Nedra. N-E-D-R-A. Faye, F-A-Y-E. Parham. P-A-R-H-A-M. That's from Atlanta. Her husband. | 15:00 |
| Kate Ellis | Her husband is— | 15:13 |
| Melvenia Lelia Polk Durall | Her husband is from Atlanta, and she was born December 25th, 1956. Christmas. | 15:14 |
| Kate Ellis | In New Iberia. | 15:24 |
| Melvenia Lelia Polk Durall | New Iberia. | 15:25 |
| Kate Ellis | Okay. What about, do you have brothers and sister? Well, yeah. | 15:28 |
| Melvenia Lelia Polk Durall | Oh, yeah. | 15:33 |
| Kate Ellis | Can you tell me the names of your brothers and sisters? | 15:34 |
| Melvenia Lelia Polk Durall | Living? | 15:35 |
| Kate Ellis | Both living and dead. | 15:37 |
| Melvenia Lelia Polk Durall | Okay. All right. I have Washington Polk Junior. | 15:38 |
| Kate Ellis | Junior. And when was he born? | 15:46 |
| Melvenia Lelia Polk Durall | Oh, God. I don't know. | 15:48 |
| Kate Ellis | I know these are vexing questions. They always kind of— Let's see. | 15:50 |
| Melvenia Lelia Polk Durall | His birthday is March 4th, I know, but I don't remember the year he was born. | 15:55 |
| Kate Ellis | And he's still alive? | 16:00 |
| Melvenia Lelia Polk Durall | Oh, he's still alive. | 16:02 |
| Kate Ellis | Do you know how old? | 16:03 |
| Melvenia Lelia Polk Durall | Oh yeah. He's 83. | 16:04 |
| Kate Ellis | Okay. And we're nine— | 16:04 |
| Melvenia Lelia Polk Durall | I think he's 83. | 16:07 |
| Kate Ellis | Isn't that, am I right that that'd be 1911? | 16:09 |
| Melvenia Lelia Polk Durall | Uh-huh. They should be, yeah. 1911. | 16:11 |
| Kate Ellis | Okay. And he was born in? | 16:15 |
| Melvenia Lelia Polk Durall | [indistinct 00:16:19]. | 16:17 |
| Kate Ellis | In? | 16:19 |
| Melvenia Lelia Polk Durall | Loreauville. | 16:19 |
| Kate Ellis | Okay. | 16:20 |
| Melvenia Lelia Polk Durall | And you know, all that is documented, but I don't have that written. | 16:22 |
| Kate Ellis | What do you mean? | 16:27 |
| Melvenia Lelia Polk Durall | Yeah, the churches. | 16:29 |
| Kate Ellis | Oh, the church has it. Uh-huh. | 16:30 |
| Melvenia Lelia Polk Durall | Myrtle Butler, that's my sister. | 16:31 |
| Kate Ellis | Now is it M-Y-R- | 16:34 |
| Melvenia Lelia Polk Durall | R-T-L-E. | 16:35 |
| Kate Ellis | What's her second name? Buttle? | 16:37 |
| Melvenia Lelia Polk Durall | Polk. P-O-L-K. And then, and Butler is a marriage name. | 16:38 |
| Kate Ellis | Okay. And her— | 16:44 |
| Melvenia Lelia Polk Durall | Her birthday— Wait a minute. | 16:46 |
| Kate Ellis | Oh, let me take this off here. | 16:48 |
| Melvenia Lelia Polk Durall | Okay. Yeah, look at this. | 16:52 |
| Kate Ellis | Okay. | 16:54 |
| Melvenia Lelia Polk Durall | Is it on? | 16:54 |
| Kate Ellis | It's on. Yeah. Well, I just sort of keep it on. And that was in Loreauville? | 16:54 |
| Melvenia Lelia Polk Durall | Loreauville. And I have a brother, Merlin, M-E-R-L-I-N. | 17:06 |
| Kate Ellis | And he was born? | 17:13 |
| Melvenia Lelia Polk Durall | July the 21st, I think it is. Not two years from— | 17:18 |
| Kate Ellis | From Myrtle? | 17:35 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 17:35 |
| Kate Ellis | 1920. | 17:35 |
| Melvenia Lelia Polk Durall | About 1920. Uh-huh. | 17:35 |
| Kate Ellis | And then? | 17:35 |
| Melvenia Lelia Polk Durall | Okay, then I'll come. Then my brother who is deceased, you just can put it. Sydney, S-I-D-N-E-Y-B, that's his middle initial. Polk. November 22nd, 1926. | 17:37 |
| Kate Ellis | And when did he pass? | 18:00 |
| Melvenia Lelia Polk Durall | October, 1969. | 18:03 |
| Kate Ellis | Hmm. Let's see. So he was in his mid forties. | 18:07 |
| Melvenia Lelia Polk Durall | Uh-huh. 43, I think he was. | 18:22 |
| Kate Ellis | Oh dear. | 18:29 |
| Melvenia Lelia Polk Durall | Okay. Now, Robert. | 18:30 |
| Kate Ellis | Polk? | 18:36 |
| Melvenia Lelia Polk Durall | Uh-huh. January the 14th, 1931. I got to think about that. Hope I'm getting them right. | 18:36 |
| Kate Ellis | If it's close, that's fine. | 18:51 |
| Melvenia Lelia Polk Durall | Okay. Elaine Campbell. Now she has his middle initials. | 18:53 |
| Kate Ellis | She does? | 19:03 |
| Melvenia Lelia Polk Durall | Mm-hmm. Elaine, D R. | 19:04 |
| Kate Ellis | D R. Okay. | 19:10 |
| Melvenia Lelia Polk Durall | And her maiden name, of course, is Polk. February 26th, '33. It's funny, nobody told you to go to her because she's the one— | 19:10 |
| Kate Ellis | They did. And I actually called her and she said that she might do an interview with me and that she's really busy. | 19:27 |
| Melvenia Lelia Polk Durall | Yeah. So she's really, she is busy. | 19:35 |
| Kate Ellis | Yeah. | 19:37 |
| Melvenia Lelia Polk Durall | So call her again because she got a wealth of information. | 19:38 |
| Kate Ellis | Okay. I'll call her. | 19:40 |
| Melvenia Lelia Polk Durall | That's my sister. | 19:40 |
| Kate Ellis | Okay. Is that it? | 19:40 |
| Melvenia Lelia Polk Durall | That's it. | 19:40 |
| Kate Ellis | Okay. Okay. How many grandchildren do you have? | 19:48 |
| Melvenia Lelia Polk Durall | Three. | 19:50 |
| Kate Ellis | Okay. And that's all [indistinct 00:19:54]. Moving right along, I need to list the places, just the cities or towns, whatever, that you have lived in. Have you lived here all your life? Right, okay. So I'm going to say New Iberia. | 19:52 |
| Melvenia Lelia Polk Durall | New Iberia. | 20:06 |
| Kate Ellis | [indistinct 00:20:09]. | 20:06 |
| Melvenia Lelia Polk Durall | I was born in Loreauville, but I didn't ever really live there. | 20:10 |
| Kate Ellis | From 1924 to present. That's easy. Okay. Now I need your education history. The names of all the schools that you've attended. | 20:18 |
| Melvenia Lelia Polk Durall | Graduate of Iberia Parish Training School. | 20:34 |
| Kate Ellis | Okay. Now, was that elementary as well, that go all through from Kindergarten? | 20:38 |
| Melvenia Lelia Polk Durall | All the way through? Yeah. | 20:45 |
| Kate Ellis | Did you have Kindergarten? | 20:47 |
| Melvenia Lelia Polk Durall | No, we had prema. | 20:48 |
| Kate Ellis | Okay, prema. But, okay. So then it's Iberia? | 20:52 |
| Melvenia Lelia Polk Durall | Parish Training School, prema through 11th grade. | 20:53 |
| Kate Ellis | Okay. So you didn't get the 12th grade, huh? | 20:59 |
| Melvenia Lelia Polk Durall | No, no. We had the prema and then we had first through 11. | 21:00 |
| Kate Ellis | Now, what age were you when you started prema? Were you—? | 21:06 |
| Melvenia Lelia Polk Durall | I finished at 17 and I had gone 12 years. | 21:12 |
| Kate Ellis | Okay. So you started when you were five. Reason I to write down the date. So you were there from 1929. | 21:18 |
| Melvenia Lelia Polk Durall | To '43. | 21:23 |
| Kate Ellis | To '43. So you got a high school diploma at the end? | 21:28 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 21:30 |
| Kate Ellis | Okay. | 21:30 |
| Melvenia Lelia Polk Durall | Southern University of Baton Rouge, Bachelor of Science, 1950. | 21:37 |
| Kate Ellis | Bachelor of Science? | 21:54 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 21:55 |
| Kate Ellis | Okay. | 21:57 |
| Melvenia Lelia Polk Durall | Texas Southern University in Houston. I did for the study that I didn't get a degree in '53. | 21:58 |
| Kate Ellis | 1953. Was a year of study, did you say? | 22:06 |
| Melvenia Lelia Polk Durall | Summer. | 22:16 |
| Kate Ellis | A summer of study. Okay. Okay. In what? | 22:16 |
| Melvenia Lelia Polk Durall | Hmm? | 22:20 |
| Kate Ellis | In education? | 22:22 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 22:23 |
| Kate Ellis | Okay. | 22:23 |
| Melvenia Lelia Polk Durall | I was a gym teacher. | 22:24 |
| Kate Ellis | Oh, okay. | 22:26 |
| Melvenia Lelia Polk Durall | Now, University of Southwestern. | 22:28 |
| Kate Ellis | And that's in— | 22:33 |
| Melvenia Lelia Polk Durall | Lafayette. | 22:34 |
| Kate Ellis | Lafayette of Southwestern Louisiana. | 22:35 |
| Melvenia Lelia Polk Durall | Mm-hmm. That's Lafayette, Louisiana. 1970. I got a degree in Administration and Supervision. | 22:37 |
| Kate Ellis | 1970? | 22:50 |
| Melvenia Lelia Polk Durall | '70, uh-huh. Degree in Administration and Supervision. | 22:55 |
| Kate Ellis | Okay. Okay, great. | 23:13 |
| Melvenia Lelia Polk Durall | That's it. | 23:14 |
| Kate Ellis | Okay. Now I need your work history, the current, and— Are you retired? | 23:16 |
| Melvenia Lelia Polk Durall | I'm retired. Okay. Now the schools I worked at? You need that? | 23:22 |
| Kate Ellis | Yeah, no. You've been a teacher the whole time, is that right? | 23:27 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 23:29 |
| Kate Ellis | Okay. Well, let me ask you this. If they're all Iberia Parish public schools, then that's what I would write down. | 23:29 |
| Melvenia Lelia Polk Durall | They're all Iberia. | 23:38 |
| Kate Ellis | As opposed to listing— | 23:39 |
| Melvenia Lelia Polk Durall | The schools. | 23:40 |
| Kate Ellis | — Each one. | 23:40 |
| Melvenia Lelia Polk Durall | Iberia Parish Schools. | 23:40 |
| Kate Ellis | Iberia Parish. Am I right to call it Iberia Parish Public Schools? Or do I say— | 23:42 |
| Melvenia Lelia Polk Durall | Mm-hmm. Public schools. Yeah, public schools. | 23:51 |
| Kate Ellis | And from what year did you start teaching? | 23:56 |
| Melvenia Lelia Polk Durall | '52, '53 to 1985. I retired May 31st, 1985. | 24:00 |
| Kate Ellis | That's long service. Okay. Is there anything else that you— I mean, I'm just saying teacher Iberian Parish public schools, '52 to '85. Does that cover it? | 24:27 |
| Melvenia Lelia Polk Durall | Yeah. Now I did teach veterans. | 24:34 |
| Kate Ellis | You taught veterans? | 24:37 |
| Melvenia Lelia Polk Durall | At night in Iberia Parish. | 24:38 |
| Kate Ellis | Okay. Teacher. What would you call their— | 24:40 |
| Melvenia Lelia Polk Durall | Let me see. Veterans Adult Education. | 24:50 |
| Kate Ellis | Great. | 24:55 |
| Melvenia Lelia Polk Durall | Mm-hmm. Adult Education. 1950 to '52. Because you see, I didn't work in the public schools, I taught veterans during that time. | 24:56 |
| Kate Ellis | So you did that right when you got out of college? | 25:15 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 25:15 |
| Kate Ellis | Okay. And that was Iberia Parish. | 25:24 |
| Melvenia Lelia Polk Durall | Mm-hmm. Iberia Parish. | 25:26 |
| Kate Ellis | Okay. Have you received any awards or honors or held any offices? | 25:35 |
| Melvenia Lelia Polk Durall | I'm a Worthy Matron of Eastern Stars. | 25:53 |
| Kate Ellis | What's it called? The Matron? | 25:57 |
| Melvenia Lelia Polk Durall | Uh-huh. WM. Worthy Matron. W-O-R-T-H-Y. | 25:58 |
| Kate Ellis | Okay. I'm going to have to ask you this. It's the Matron? | 25:58 |
| Melvenia Lelia Polk Durall | Uh-huh. Worthy Matron. | 25:59 |
| Kate Ellis | M-A-T-R-O-N. Of the Worthy— | 26:10 |
| Melvenia Lelia Polk Durall | No. | 26:15 |
| Kate Ellis | [indistinct 00:26:16]. | 26:15 |
| Melvenia Lelia Polk Durall | That's all right. It should have been right in front of it. Okay. | 26:16 |
| Kate Ellis | Worthy Matron. | 26:20 |
| Melvenia Lelia Polk Durall | Of Ernest Gullet Chapter. E-R-N-E-S-T. | 26:25 |
| Kate Ellis | Ernest. | 26:31 |
| Melvenia Lelia Polk Durall | Mm-hmm. Gullet. G-U-L-L-E-T. Chapter number 16, Order of Eastern Stars. | 26:31 |
| Kate Ellis | Order of Eastern Stars. | 26:43 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 26:46 |
| Kate Ellis | Okay. | 26:47 |
| Melvenia Lelia Polk Durall | I have been board member and manager. Oh, well, manager and board member of Iberia Parish Federal Credit Union. President of True Friend, T-R-U-E-F-R-I-E-N-D. True friend Benevolent, B-E-N-E-V-O-L-E-N-T, association. | 26:48 |
| Kate Ellis | Now, am I right that Matthew Polk's father helped found that association? | 27:37 |
| Melvenia Lelia Polk Durall | Mm-hmm. He's been president too. | 27:41 |
| Kate Ellis | Okay. | 27:44 |
| Melvenia Lelia Polk Durall | Okay. I'm the President, Secretary of Mount Zion Baptist Church. And in parenthesis, put the clerk, I should have put secretary Clerk behind. | 27:44 |
| Kate Ellis | Okay. | 28:04 |
| Melvenia Lelia Polk Durall | Mount Zion Baptist Church. That was from over 40 years. | 28:05 |
| Kate Ellis | Oh, now that's the Polks Church, isn't it? In Loreauville? | 28:11 |
| Melvenia Lelia Polk Durall | In Loreauville, yeah. | 28:12 |
| Kate Ellis | I'm going to go there this Sunday for the eight o'clock service. | 28:14 |
| Melvenia Lelia Polk Durall | Oh yeah. Well, good. Eight o'clock. Yeah. That's it. I'm the former secretary. I'm not secretary anymore, I give that up. I've gotten awards. I don't usually like to bother with that. | 28:18 |
| Kate Ellis | Well, can I look over here? Didn't see a plaque over here? | 28:37 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 28:42 |
| Kate Ellis | Certificate of Appreciation. | 28:42 |
| Melvenia Lelia Polk Durall | Mm-hmm. One class of '60. | 28:49 |
| Kate Ellis | 60. | 28:50 |
| Melvenia Lelia Polk Durall | Uh-huh. | 28:52 |
| Kate Ellis | Of JHHS. | 28:52 |
| Melvenia Lelia Polk Durall | Uh-huh. Jonas Henderson High School. | 28:55 |
| Kate Ellis | Okay. | 28:57 |
| Melvenia Lelia Polk Durall | That's the school. And then I have that other one over there from— That plaque against the wall? | 28:57 |
| Kate Ellis | I see. The friendship? | 29:13 |
| Melvenia Lelia Polk Durall | Yeah. | 29:14 |
| Kate Ellis | Oh, okay. | 29:15 |
| Melvenia Lelia Polk Durall | And that was given me from the class of what? | 29:17 |
| Kate Ellis | It says in memory of Mrs. Dorothy— | 29:19 |
| Melvenia Lelia Polk Durall | Babino. And that's the class of what gave me that, I'm trying to think. | 29:27 |
| Kate Ellis | It doesn't say. | 29:30 |
| Melvenia Lelia Polk Durall | It doesn't say. Now that's the class of— I'm trying to think of, that was her class. She died and I took care of her and her class gave me that certificate. | 29:31 |
| Kate Ellis | Oh, okay. | 29:41 |
| Melvenia Lelia Polk Durall | Taking care of her. Good friend of mine. | 29:43 |
| Kate Ellis | Huh. Okay. | 29:47 |
| Melvenia Lelia Polk Durall | And I took care of her. I got several certificates and plaques in the bag. | 29:48 |
| Kate Ellis | You do? Well, I'm going to put the Certificate of Appreciation? | 29:56 |
| Melvenia Lelia Polk Durall | Class of '60. | 29:59 |
| Kate Ellis | Now, you know what I want to do? This makes me think. I think what I'd like to do is where I put teacher Iberia Parish Public Schools, underneath I want to just write the schools that it was. | 30:00 |
| Melvenia Lelia Polk Durall | Okay. | 30:10 |
| Kate Ellis | And I don't need to put the years that you were at each school, but at least, we can list the schools. | 30:10 |
| Melvenia Lelia Polk Durall | Okay. | 30:14 |
| Kate Ellis | So would you— | 30:15 |
| Melvenia Lelia Polk Durall | Okay. Iberia Parish Training School. No, Jonas Henderson Senior High school. | 30:16 |
| Kate Ellis | Now. Did that— | 30:23 |
| Melvenia Lelia Polk Durall | That was a Black school named after Mr. Henderson, father. | 30:27 |
| Kate Ellis | JB Henderson's father? | 30:31 |
| Melvenia Lelia Polk Durall | Yeah. | 30:32 |
| Kate Ellis | Jonas Henderson— | 30:32 |
| Melvenia Lelia Polk Durall | Senior High School. | 30:34 |
| Kate Ellis | Now, did that used to be Iberia Parish Training School? | 30:36 |
| Melvenia Lelia Polk Durall | A long time ago. | 30:40 |
| Kate Ellis | Yes. And so the name changed. | 30:42 |
| Melvenia Lelia Polk Durall | Changed. | 30:43 |
| Kate Ellis | From that to Jonas Henderson? | 30:44 |
| Melvenia Lelia Polk Durall | Right. | 30:47 |
| Kate Ellis | Okay. Do you know the year that that school name changed? | 30:48 |
| Melvenia Lelia Polk Durall | '50. | 30:51 |
| Kate Ellis | Okay. I'm going to put down here. I ask this because I just think it's important to know, and I'm still sort of trying to get it all straight in my head. | 30:51 |
| Melvenia Lelia Polk Durall | Yes. You see, Iberia Parish Training School was the early name of the Black Public School in this city. Okay. In 1950, when Mr. Henderson became president, they changed the name of the school and named it after his father. | 31:02 |
| Kate Ellis | Okay. | 31:22 |
| Melvenia Lelia Polk Durall | Jonas. | 31:22 |
| Kate Ellis | Okay. When JB Henderson became principal. | 31:23 |
| Melvenia Lelia Polk Durall | Principal, they changed it. | 31:26 |
| Kate Ellis | They named after his father. | 31:28 |
| Melvenia Lelia Polk Durall | His father. | 31:28 |
| Kate Ellis | Okay. | 31:29 |
| Melvenia Lelia Polk Durall | Jonas Henderson, who at that time, who prior to that time was a math teacher in this area? | 31:29 |
| Kate Ellis | Jonas Henderson. | 31:37 |
| Melvenia Lelia Polk Durall | Uh-huh. | 31:38 |
| Kate Ellis | And was he just somebody who affected a lot of people and who— | 31:39 |
| Melvenia Lelia Polk Durall | Yes. He then was principal. | 31:42 |
| Kate Ellis | [indistinct 00:31:47]. | 31:45 |
| Melvenia Lelia Polk Durall | Is that my husband? | 31:47 |
| Kate Ellis | I don't know. | 31:48 |
| Melvenia Lelia Polk Durall | Come on. This is my nephew from Houston. | 31:50 |
| Kate Ellis | Oh, hi. Okay. What were you just saying? | 31:53 |
| Melvenia Lelia Polk Durall | It was named after Jonas Henderson. | 31:58 |
| Kate Ellis | Oh, right. Okay. | 32:00 |
| Melvenia Lelia Polk Durall | Who was the principal of High Institute, a private institution where Mr. Polk and Mr. Henderson finished a Baptist school. | 32:01 |
| Kate Ellis | Okay. So that was a Baptist school? | 32:13 |
| Melvenia Lelia Polk Durall | Yes, it was a Baptist school. | 32:15 |
| Kate Ellis | Again, these little things that— | 32:16 |
| Melvenia Lelia Polk Durall | High Institute. | 32:18 |
| Kate Ellis | Okay. | 32:18 |
| Melvenia Lelia Polk Durall | It was controlled by the Baptist, the Union Six District Baptist Association. | 32:21 |
| Kate Ellis | Oh, Union Six Baptist Association. Okay. And I'm sure I can read more about that, but it's still always nice to have somebody tell it to you. So the How Institute was never a part of IPTS? | 32:26 |
| Melvenia Lelia Polk Durall | No. | 32:46 |
| Kate Ellis | Okay. | 32:47 |
| Melvenia Lelia Polk Durall | It was a private school. | 32:47 |
| Kate Ellis | Okay. | 32:50 |
| Melvenia Lelia Polk Durall | And it was under the auspices of the Union Six District Missionary Baptist Association. See, it was private. | 32:52 |
| Kate Ellis | Yeah. | 33:00 |
| Melvenia Lelia Polk Durall | Now Mr. Henderson and Mrs Polk finished from that school. That was prior to my time. | 33:02 |
| Kate Ellis | Okay, good. Okay. So you taught at Jonas Henderson Senior High School. | 33:07 |
| Melvenia Lelia Polk Durall | And New Iberia Freshman High, which was in all ninth grade school. I preferred working with little children. | 33:13 |
| Kate Ellis | Really? | 33:22 |
| Melvenia Lelia Polk Durall | The younger ones. The younger ones. | 33:23 |
| Kate Ellis | Okay. Now the junior, senior high school. And you said that this was all for Black students? | 33:27 |
| Melvenia Lelia Polk Durall | Yes. | 33:32 |
| Kate Ellis | Until 1970? | 33:33 |
| Melvenia Lelia Polk Durall | That's right. Until the integration. | 33:34 |
| Kate Ellis | And same thing with New Liberia Freshman High? | 33:36 |
| Melvenia Lelia Polk Durall | No, no. Freshman High was doing integration. | 33:39 |
| Kate Ellis | Oh, okay. | 33:41 |
| Melvenia Lelia Polk Durall | Okay. You see, this went from Jonas Henderson Senior High cease to exist under that name in 1969. | 33:41 |
| Kate Ellis | Oh. And that's when they changed it to the street name? | 33:57 |
| Melvenia Lelia Polk Durall | To the street name. | 34:01 |
| Kate Ellis | And what was that? And that street name is? | 34:02 |
| Melvenia Lelia Polk Durall | Now, they didn't change that one to the street name. They changed it to New Iberia Freshman High and all ninth grade school. | 34:04 |
| Kate Ellis | Wait a minute. | 34:12 |
| Melvenia Lelia Polk Durall | Okay. | 34:12 |
| Kate Ellis | Okay. The Jonas Henderson Senior High School— | 34:13 |
| Melvenia Lelia Polk Durall | Changed— | 34:16 |
| Kate Ellis | To a new Iberia— | 34:17 |
| Melvenia Lelia Polk Durall | Freshman High, which housed only ninth graders of the parish. | 34:19 |
| Kate Ellis | Well, what happened to those students who would've been— | 34:25 |
| Melvenia Lelia Polk Durall | At senior high? They went to New Iberia Senior High. | 34:28 |
| Kate Ellis | Oh. | 34:31 |
| Melvenia Lelia Polk Durall | Okay. You see this And it's still that way. New Iberia Freshman High is all ninth graders. Okay. Now. And New Liberia Senior High's from 10th through 12th. | 34:31 |
| Kate Ellis | I see. | 34:44 |
| Melvenia Lelia Polk Durall | Okay. Now. | 34:44 |
| Kate Ellis | And so that's how integration. | 34:46 |
| Melvenia Lelia Polk Durall | Yes. | 34:47 |
| Kate Ellis | That's what happened after integration. | 34:47 |
| Melvenia Lelia Polk Durall | That's what happened after integration. | 34:48 |
| Melvenia Lelia Polk Durall | Now I understand that, later they planned to make Freshman High, a senior high school again. They never should have done that in the first place because there's too many students in one place. Okay. | 34:50 |
| Kate Ellis | Mm-hmm. Yeah. Sounds like it. Okay. So these are the place. This is— | 35:03 |
| Melvenia Lelia Polk Durall | That's right. | 35:09 |
| Kate Ellis | Great. | 35:09 |
| Melvenia Lelia Polk Durall | Okay. | 35:09 |
| Kate Ellis | Now, I didn't get finished. I'm going to put this on hold and I'm going to go right down the certificate. | 35:13 |
| Melvenia Lelia Polk Durall | My True Friend Society. I have a plaque from them in the back. | 35:20 |
| Kate Ellis | Okay. | 35:25 |
| Melvenia Lelia Polk Durall | And on my retirement, I have plaques from Omicron organization. That's a social club that I belong to. | 35:26 |
| Kate Ellis | What's it called? | 35:37 |
| Melvenia Lelia Polk Durall | O-M-I-C-R-O-N. That's a great name. | 35:38 |
| Kate Ellis | Omicron. | 35:41 |
| Melvenia Lelia Polk Durall | Uh-huh. | 35:43 |
| Kate Ellis | Social. What's it Omicron? | 35:43 |
| Melvenia Lelia Polk Durall | Civic and Social Club. | 35:46 |
| Kate Ellis | What kind of things does that club do? | 35:46 |
| Melvenia Lelia Polk Durall | Well, we used to present debutantes and we do charitable work. We visit the nursing homes, have bingo games for them. We send baskets. We've made lap robes and we bring articles to the nursing home and so forth. | 35:50 |
| Kate Ellis | How long have you been a part of that club? | 36:07 |
| Melvenia Lelia Polk Durall | Oh Lord. 37 some years. | 36:09 |
| Kate Ellis | Really? | 36:11 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 36:12 |
| Kate Ellis | So from probably around 1960 on? | 36:12 |
| Melvenia Lelia Polk Durall | Mm-hmm. I guess. Right. | 36:14 |
| Kate Ellis | 1960 to present. | 36:14 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 36:14 |
| Kate Ellis | Actually, I was going to ask you about the Earnest Gullet chapter number 16 Order of Eastern Stars. | 36:23 |
| Melvenia Lelia Polk Durall | Of Eastern Stars. | 36:30 |
| Kate Ellis | What is that? | 36:31 |
| Melvenia Lelia Polk Durall | That's a branch of the Masons. | 36:31 |
| Kate Ellis | Oh, okay. | 36:34 |
| Melvenia Lelia Polk Durall | You know about the Masonic Lodge? That's the women branch. They're under the jurisdiction of Mason. | 36:34 |
| Kate Ellis | Okay. How long have you been a part of that organization? | 36:41 |
| Melvenia Lelia Polk Durall | 27 years. | 36:44 |
| Kate Ellis | How many? | 36:44 |
| Melvenia Lelia Polk Durall | 27. And I've only been leading it for four years. The Worthy Matron is the president. | 36:47 |
| Kate Ellis | Oh, all right. | 36:54 |
| Melvenia Lelia Polk Durall | That's like the president. | 36:57 |
| Kate Ellis | Oops. I should say been member of this. | 37:03 |
| Kate Ellis | Okay. Other organizations that you have belonged to or do belong to? And that means civic organizations, community, educational, political, any kind of organizations? | 37:15 |
| Melvenia Lelia Polk Durall | Well, I belong to LRTA. That's the Louisiana Retired Teachers Association. I had almost forgotten all about them. | 37:31 |
| Kate Ellis | Mm-hmm. | 37:42 |
| Melvenia Lelia Polk Durall | The National NRT. If you can list the initials, because that's national, widely known. A-A-R-P. When you put that [indistinct 00:38:03]. | 37:44 |
| Kate Ellis | Oh, okay, AARP, American Association of Retirement. | 38:02 |
| Melvenia Lelia Polk Durall | Yes. A-A-R-P. | 38:05 |
| Kate Ellis | Like NAACP, everybody knows about it. | 38:08 |
| Melvenia Lelia Polk Durall | Right. And NAACP, I belonged to that too. | 38:10 |
| Kate Ellis | Okay. | 38:13 |
| Melvenia Lelia Polk Durall | My alumni chapter seven, alumni chapter, USL Alumni chapter I owe my dues now. | 38:20 |
| Kate Ellis | For which? | 38:32 |
| Melvenia Lelia Polk Durall | USL Alumni Chapter. Let me see what else is there. That's enough. | 38:37 |
| Kate Ellis | That's enough. | 38:38 |
| Melvenia Lelia Polk Durall | That's enough. And I tell you, during the winter now, three of them recessed during the summer. But now with the Federal Credit Union, I have that. | 38:49 |
| Kate Ellis | Well, you have it down here as— Yeah. Okay. | 39:02 |
| Melvenia Lelia Polk Durall | The now with that, that I was a manager and all, but I'm not a manager anymore, but I'm on the board and the credit committee. | 39:05 |
| Kate Ellis | Okay. | 39:17 |
| Kate Ellis | Well, I got here manager, a board member. | 39:21 |
| Melvenia Lelia Polk Durall | Of the— | 39:23 |
| Kate Ellis | Of Iberian Parish Federal Credit Union. | 39:24 |
| Melvenia Lelia Polk Durall | That's what I was. | 39:27 |
| Kate Ellis | Okay. | 39:27 |
| Melvenia Lelia Polk Durall | Now I'm not manager anymore. That's too much trouble. I'm getting too old now. But I do go help. | 39:28 |
| Kate Ellis | You do. Okay. | 39:34 |
| Melvenia Lelia Polk Durall | I go help, I volunteer for that. And I have worked for the Council on Aging. | 39:36 |
| Kate Ellis | Oh, okay. So, I'll put here since [indistinct 00:39:47]. | 39:44 |
| Melvenia Lelia Polk Durall | Council on Aging. I used to help it with the office work, paperwork in the office. Oh, I don't do that anymore because I had too much. | 39:46 |
| Kate Ellis | Yeah. Yeah. | 39:57 |
| Melvenia Lelia Polk Durall | I have volunteered with the library too. | 39:58 |
| Kate Ellis | Really? Liberia Parish Public Library. | 40:01 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 40:10 |
| Kate Ellis | Is it called— Oh no, is it New Liberia Public Library or Liberia Parish Library? | 40:10 |
| Melvenia Lelia Polk Durall | I think it's Liberia Parish Public Library. I volunteered that too. | 40:17 |
| Kate Ellis | Okay. | 40:19 |
| Melvenia Lelia Polk Durall | For a while. I had to stop because my grandson was young and he would come and that would interrupt my volunteering procedure. And I stopped. Okay. | 40:21 |
| Kate Ellis | And then, unless you have something to add to that. | 40:34 |
| Melvenia Lelia Polk Durall | That's enough. | 40:36 |
| Kate Ellis | Then any other activities or affiliations, which is a very broad category, which can include military service, labor, unionizing, hobbies and interests? | 40:37 |
| Melvenia Lelia Polk Durall | Hobby. | 40:48 |
| Kate Ellis | Yeah. | 40:49 |
| Melvenia Lelia Polk Durall | I am a vegetable gardener. I got to show you my garden. | 40:50 |
| Kate Ellis | I would love to see your garden. | 40:55 |
| Melvenia Lelia Polk Durall | When you go back, you just take a look on the other side of this house. We have an extra lot there in that garden. I do that. | 40:56 |
| Kate Ellis | Oh, you do? Oh, I didn't notice it before because I was in my car, but I'll take a look. | 41:06 |
| Melvenia Lelia Polk Durall | A vegetable garden. And I've been doing that since 1984. And that's present. I love that. And flower gardening is my other hobby. And traveling, of course. | 41:10 |
| Kate Ellis | Traveling. | 41:36 |
| Melvenia Lelia Polk Durall | That's one of my biggest interests. | 41:37 |
| Kate Ellis | Is that right? | 41:39 |
| Melvenia Lelia Polk Durall | Mm-hmm. I love that. | 41:41 |
| Kate Ellis | So how far north have you been? You went up to Washington DC? | 41:43 |
| Melvenia Lelia Polk Durall | I've been to New York. Well, no, I've been to Canada. That's the furthest, I think, North Haven. | 41:47 |
| Kate Ellis | Did you go through New York? Did you drive or did you fly? | 41:53 |
| Melvenia Lelia Polk Durall | Oh no, we drive. | 41:56 |
| Kate Ellis | Oh, okay. | 41:57 |
| Melvenia Lelia Polk Durall | I went through Canada, through Detroit. | 41:58 |
| Kate Ellis | Oh, okay. | 42:02 |
| Melvenia Lelia Polk Durall | And I've been Buffalo, New York. That's the furthest. No, but I went to Niagara Falls. I think that would be the furthest point. | 42:02 |
| Kate Ellis | Yep. I think it is. | 42:11 |
| Melvenia Lelia Polk Durall | Niagara Falls. | 42:12 |
| Kate Ellis | I've never been to Niagara Falls. | 42:13 |
| Melvenia Lelia Polk Durall | I've been to Niagara Falls. Canada is the cleanest city that I've been. The farthest south I've been is Mexico City, Mexico. That's the farthest I've been. | 42:14 |
| Kate Ellis | Nice. | 42:27 |
| Melvenia Lelia Polk Durall | South Mexico City. | 42:27 |
| Kate Ellis | Wow. And then finally, do you have any— Well, we are finished the interview, so it's kind of funny. But it says, any comment you'd like to make a favorite saying or a phrase or a quote? | 42:31 |
| Melvenia Lelia Polk Durall | A favorite saying, "I'd like to do unto others as you would have them do unto you." I learned that as a very young child. | 42:43 |
| Kate Ellis | Really? | 42:55 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 42:55 |
| Kate Ellis | Okay. | 42:55 |
| Melvenia Lelia Polk Durall | That's my favorite saying. | 42:55 |
| Kate Ellis | Oh, look what we did. That's great. So what's your schedule like now? It's 15:40 PM. | 43:06 |
| Melvenia Lelia Polk Durall | Oh. | 43:15 |
| Kate Ellis | I'll put this on pause. | 43:18 |
| Melvenia Lelia Polk Durall | Mm-hmm. I did babysitting in the homes when I was real young, and I helped to take care of my younger sisters and brothers. | 43:20 |
| Kate Ellis | But you were in the middle of them. | 43:31 |
| Melvenia Lelia Polk Durall | In the middle. So I took care of all the rest— | 43:32 |
| Kate Ellis | Wow. | 43:35 |
| Melvenia Lelia Polk Durall | — At the bottom. Plus my nieces and nephews had followed because my sister had children. | 43:36 |
| Kate Ellis | Okay. An older sister? | 43:43 |
| Melvenia Lelia Polk Durall | An older sister, Myrtle. I took care of her children and I worked. Now during my early years, I would go to work at 06:30 AM in the morning. | 43:44 |
| Kate Ellis | Doing babysitting? | 43:57 |
| Melvenia Lelia Polk Durall | Housework. I would do housework. I started working when I was in the sixth grade, I did housework. And I can remember I worked for 25 cents a day during that time. And I would go in the morning from 06:30 AM and work until one in the afternoon. | 43:59 |
| Kate Ellis | And then when would you go to school? | 44:22 |
| Melvenia Lelia Polk Durall | That was during the summer. | 44:24 |
| Kate Ellis | Oh, okay. | 44:26 |
| Melvenia Lelia Polk Durall | During the summer and during the school year, I would go sometimes before school in the mornings and in the afternoons after school, then I would take care of my sisters and brothers. I did the cooking a lot because both parents worked. | 44:26 |
| Kate Ellis | Now your mother was an LPN? | 44:45 |
| Melvenia Lelia Polk Durall | Well, she wasn't then. | 44:47 |
| Kate Ellis | What was she doing? | 44:48 |
| Melvenia Lelia Polk Durall | In my early years, she used to cook for Provost Cafe at one time, and she worked for the Iberia General Hospital, but it was called the Old Crawford Hospital at that time. She did cleaning in the hospital. Then that's when she learned to be a nurse's aide. After then, Dr. Crawford got a nurse from Lake Charles that came to teach the Black people, Black ladies who were interested in nursing. And that's how she became an LPN. | 44:49 |
| Kate Ellis | I see. So there wasn't any training for them before? | 45:40 |
| Melvenia Lelia Polk Durall | No, not until Dr. Crawford had the Black nurses trained. And I've forgotten what year that was they graduated from the nursing school, but that was a nurse that came from Lake Charles. | 45:43 |
| Kate Ellis | Now, was she White? | 46:00 |
| Melvenia Lelia Polk Durall | She was White. | 46:01 |
| Kate Ellis | The doctor was White. | 46:01 |
| Melvenia Lelia Polk Durall | And the doctor was White. Yes. | 46:02 |
| Kate Ellis | Why did he decide to have the Black nurses trained here? I mean, do you know what it is that made him decide that? | 46:04 |
| Melvenia Lelia Polk Durall | I guess because they were interested and they had no other outlet of learning. You see, we had no vocational schools or anything in the area because my mother, they'd empty the bed pans and assist the nurses in their duties. And I guess he found out that some of them were very interested. And they were the first Black nurses that graduated. And Mr. Polk wife was one of them. | 46:13 |
| Kate Ellis | Is that right? | 46:40 |
| Melvenia Lelia Polk Durall | Mm-hmm. | 46:40 |
| Kate Ellis | I didn't know that. | 46:41 |
| Melvenia Lelia Polk Durall | She was one— | 46:41 |
| Kate Ellis | Where did they work? I said the name of the hospital. It was the Old Crawford— | 0:01 |
| Melvenia Lelia Polk Durall | Crawford Hospital. | 0:05 |
| Kate Ellis | And so this person came from Lake Charles to teach them— | 0:06 |
| Melvenia Lelia Polk Durall | Lake Charles, to teach them. A nurse that came in. | 0:09 |
| Kate Ellis | Do you know around how old you were when she started this training? | 0:11 |
| Melvenia Lelia Polk Durall | I was about 11 or 12. | 0:16 |
| Kate Ellis | So this was in the thirties that she got this training? | 0:19 |
| Melvenia Lelia Polk Durall | Oh, yeah. The thirties and early forties. | 0:24 |
| Kate Ellis | Okay. And so she was one of the first ones that was trained? | 0:34 |
| Melvenia Lelia Polk Durall | Yeah. She was one of the first ones. Let me see. Rosa? No. It wasn't the early thirties. | 0:36 |
| Kate Ellis | Oh, okay. | 0:43 |
| Melvenia Lelia Polk Durall | It was the early forties. | 0:44 |
| Kate Ellis | Oh, okay. | 0:44 |
| Melvenia Lelia Polk Durall | Because I can remember now. Rosa was one that was in that. She finished high school in 1945, so it started before 1945. A friend of mine. | 0:48 |
| Kate Ellis | Rosa? | 1:02 |
| Melvenia Lelia Polk Durall | She finished. Yeah. She finished in that class, and it had to have been '45. | 1:03 |
| Kate Ellis | Now, can I ask you about Old Crawford Hospital, was that a hospital for Whites? | 1:11 |
| Melvenia Lelia Polk Durall | And Blacks. | 1:16 |
| Kate Ellis | And Blacks. So it served both? | 1:17 |
| Melvenia Lelia Polk Durall | Yes, it served both. It served both. Well, you know there was a special area for Blacks and a special area for Whites. Now, we had a hospital here, that was Dauterive Hospital. At one time, they did not admit Blacks at all. | 1:21 |
| Kate Ellis | Yes. | 1:34 |
| Melvenia Lelia Polk Durall | Someone told you about that? | 1:35 |
| Kate Ellis | No, no. I say yes. I didn't mean to say I understood. I just was sort of saying yes because I'm not surprised. So it was, what was it called, the hospital? | 1:40 |
| Melvenia Lelia Polk Durall | Dauterive. | 1:44 |
| Kate Ellis | Can you spell that? | 1:44 |
| Melvenia Lelia Polk Durall | D-A-U-T-R-I-E-V-E. Dauterive Hospital. | 1:48 |
| Kate Ellis | Dauterive Hospital. And that was around here? | 1:53 |
| Melvenia Lelia Polk Durall | Yeah, right on Duperier. It's where the old convent is. You saw the convent school there? | 1:56 |
| Kate Ellis | I did. | 2:03 |
| Melvenia Lelia Polk Durall | Well, right there. | 2:05 |
| Kate Ellis | Okay. | 2:05 |
| Melvenia Lelia Polk Durall | That used to be the old Dauterive Hospital. | 2:07 |
| Kate Ellis | And they only— | 2:08 |
| Melvenia Lelia Polk Durall | On this side where the gym area is, that's where the hospital, because the convent was always there. | 2:09 |
| Kate Ellis | Oh, okay. | 2:17 |
| Melvenia Lelia Polk Durall | Okay. Where the gym area is, that was where Dauterive Hospital was. And at one time, they did not admit Blacks there. | 2:17 |
| Kate Ellis | So any Black person would go to Old Crawford? | 2:26 |
| Melvenia Lelia Polk Durall | Crawford Hospital or to a clinic we had. What was the name? Tilley's Clinic. | 2:29 |
| Kate Ellis | Tilley's Clinic. | 2:36 |
| Melvenia Lelia Polk Durall | Clinic. And Crawford Hospital. Crawford Hospital. Used to be the Old General Hospital. That's what it was. | 2:39 |
| Kate Ellis | Old General. | 2:50 |
| Melvenia Lelia Polk Durall | That was Old General Hospital. | 2:50 |
| Kate Ellis | Was Tilley's Clinic just for Black people? | 2:55 |
| Melvenia Lelia Polk Durall | No, it was anyone. | 2:57 |
| Kate Ellis | That was also for Whites. | 2:57 |
| Melvenia Lelia Polk Durall | Yeah. They would serve Black there at Tilley's Clinic. | 2:59 |
| Kate Ellis | In a separate section? | 3:02 |
| Melvenia Lelia Polk Durall | Oh, yeah. All of them were separate. | 3:05 |
| Kate Ellis | Right. | 3:06 |
| Melvenia Lelia Polk Durall | The doctor's offices were all separate, waiting rooms and all were separate. | 3:07 |
| Kate Ellis | So as far as the doctor's offices being separate, do you mean that they were Black doctors and White doctors? | 3:12 |
| Melvenia Lelia Polk Durall | No, White doctors with separate waiting rooms for Blacks and Whites. | 3:20 |
| Kate Ellis | Okay. | 3:30 |
| Melvenia Lelia Polk Durall | They were all White. | 3:33 |
| Kate Ellis | They're all, okay. | 3:33 |
| Melvenia Lelia Polk Durall | All White. Now, we had a Black doctor here, but in 1944, they ran all the Black doctors out of city. Now, I know somebody's told you about that already. | 3:33 |
| Kate Ellis | I've heard about that. What do you remember of that? | 3:39 |
| Melvenia Lelia Polk Durall | Well, that was my first year of college. | 3:42 |
| Kate Ellis | And you were in Baton Rouge? | 3:46 |
| Melvenia Lelia Polk Durall | I was in Baton Rouge, and I tell you, when that occurred, I wasn't here and studying my lesson and not reading the newspaper. I didn't know anything about it. And then, of course, it wasn't publicized on the radio. We used to listen to the radio, but I didn't hear. And then newspapers were not as prevalent and the news didn't travel as well then as it did. | 3:48 |
| Melvenia Lelia Polk Durall | And of course, Whites running Blacks out of town, that wasn't news to be put — It was in the paper, but I didn't read that paper. There was a Black paper, the Pittsburgh Courier that we finally got and that's when I found out what was happening here. Because I can remember during that time, I came from summer school. No, the spring semester was over in May, and I came on the bus and I really walked from the bus station to here because I lived on this street. But on the other end of this same street, I've never moved. | 4:12 |
| Kate Ellis | Wow. | 4:54 |
| Melvenia Lelia Polk Durall | And I didn't know that was going on. And when I got home, my mother asked me, she said, "How did you get here?" I said, "I walked." She said, "You don't know what's going on?" I said, "No." She said, "There's a curfew." I said, "There is? For what?" That's when she told me. That's when I really got nervous. I didn't even know anything about it, but nobody bothered me. I saw nobody was on the street, but people just didn't hang too much on the streets then. | 4:55 |
| Kate Ellis | When there was a curfew, what time did you get off the bus to walk home? | 5:22 |
| Melvenia Lelia Polk Durall | About nine something. | 5:25 |
| Kate Ellis | In the night? | 5:26 |
| Melvenia Lelia Polk Durall | In the night. | 5:26 |
| Kate Ellis | So an evening curfew. | 5:28 |
| Melvenia Lelia Polk Durall | Yeah, there was a curfew. Eight o'clock you had to be in. And I had just walked. A car passed, nobody told me anything. And I had my suitcase, because my trunk, I had chipped. And I was surprised when I got home and found out all about that situation, which I know you can get that out of the library because I know they have that. | 5:29 |
| Kate Ellis | But it made you nervous? | 6:00 |
| Melvenia Lelia Polk Durall | Oh, it did. Oh, when I got home and found out all that had gone on, my goodness, I was surprised and shocked. But of course, they were trying to organize NAACP during that time. That's what really caused the ruckus. Now, Southern University would've been here too a long time ago, but the Whites decided they didn't want it here because the Black children had to cut sugar cane and not go to school. So that's why Southerners, when they moved from New Orleans, was not brought here. | 6:02 |
| Kate Ellis | So they considered bringing it here? | 6:34 |
| Melvenia Lelia Polk Durall | That's right. They did. | 6:36 |
| Kate Ellis | And Whites wanted to keep their workers— | 6:37 |
| Melvenia Lelia Polk Durall | Keep workers [indistinct 00:06:42] with cutting sugar cane. So they decided to put it in Scotlandville. And I never knew that until I went to Southern as a freshman and President Clark got up in chapel, giving the history of Southern. And when he said that, I could have died, because the kids who knew me, we were all together, said, "You mean to tell me you all cut sugar cane?" I said, "Well, I didn't." I said, "I worked in the houses." But we didn't cut sugar cane, but some other children did. I had relatives in my family the same age with me who worked out in the fields, but I didn't have to do that because we worked in the city here. | 6:42 |
| Kate Ellis | What was the response when you said that you worked, that they thought you might have worked in sugar cane? | 7:34 |
| Melvenia Lelia Polk Durall | Sugar cane. | 7:39 |
| Kate Ellis | How did they perceive that job? | 7:44 |
| Melvenia Lelia Polk Durall | As a demeaning job. | 7:45 |
| Kate Ellis | Okay. You didn't want to say that you cut sugar cane? | 7:47 |
| Melvenia Lelia Polk Durall | No, well, I really didn't cut sugar cane, but then they said, "Cutting sugar cane, that's field work." | 7:51 |
| Kate Ellis | Right. | 7:58 |
| Melvenia Lelia Polk Durall | You see that's working in the field, a farmer. I said, "Well, no, I hadn't done that." But I have picked okra for my grandfather. I've picked pepper for my grandfather, but I didn't do it as a job, you see. I picked okra, but I love farming. I don't know. I guess, it's a part of my family history, and there's some type of innate, but I like working with the soil, flowers. I grow okra, peas, Lima beans, string beans, tomatoes, bell peppers, eggplants, squash, cucumbers. I had all that. Tomatoes, I've had all that in my garden. And of course, okra. But we've had so much rain there now, the things are playing out. | 7:58 |
| Kate Ellis | So more rain than usual? | 8:54 |
| Melvenia Lelia Polk Durall | Yes. Last year I noticed a trend. We had more rain last year and again this year. | 8:55 |
| Kate Ellis | I wonder why. | 9:01 |
| Melvenia Lelia Polk Durall | Yes. Now, what else you'd like me to dwell on? | 9:03 |
| Kate Ellis | Everything you're saying is really interesting. I'm just thinking, why is it that you and your family, you were able to work in homes instead of in the field? | 9:08 |
| Melvenia Lelia Polk Durall | Well, you see, my mother wanted an education for us. Now, my two older brothers didn't get the opportunity, but my sister, she had the opportunity. She would've been the first one to get a degree. Now, my oldest brother and my oldest sister and my older brother, we don't have the same mother. You see, their mother died and my dad remarried and he married my mother. And you see, they lived with my grandparents, the older two. But my sister lived with us, now, she would've been the first one to finish, but she decided she didn't want to go to college. | 9:21 |
| Melvenia Lelia Polk Durall | You see, now all of us went to college, all those. My sister has a degree, my youngest sister. My brother that's living has a degree in economics. But my brother that died, he went to more colleges than we did, but he never did finish, But he did go. That's the one that drowned. And my mother wanted us to have an education, so this is why she came to the city and worked real hard for us, to educate her children. | 10:09 |
| Kate Ellis | I see. | 10:42 |
| Melvenia Lelia Polk Durall | That's what she wanted. So we worked though, all of us, all but this younger sister, she didn't work out anyway. | 10:43 |
| Kate Ellis | Campbell? | 10:51 |
| Melvenia Lelia Polk Durall | Ms. Campbell, she didn't work out anywhere. | 10:52 |
| Kate Ellis | Why? | 10:53 |
| Melvenia Lelia Polk Durall | Well, first she started school at an early age. She went to school when she was maybe about four. So she never did work out into the homes and things. She never did. And of course, then my mother was able, and my dad had started working. They had better jobs, and the opportunity got better. So she didn't have to, but all of us worked. Now, she went to school at the age of four, she went with Matthew Polk. He took her to school with her. She finished from Jeanerette. | 10:54 |
| Kate Ellis | Okay. | 11:34 |
| Melvenia Lelia Polk Durall | Well, she started here at IPTS. She went a while. Then she stopped. She went to Jeanerette, then she decided she'd moved to Houston. She even went to Jack [indistinct 00:11:47] in Houston with my uncle, my dad's brother. She stayed there a while. And then she came back and she graduated from Boley in Jeanerette, my sister, Elaine. | 11:36 |
| Kate Ellis | From? | 11:57 |
| Melvenia Lelia Polk Durall | Boley High School. | 11:57 |
| Kate Ellis | Boley. Oh, B-O-L-E-Y. | 11:58 |
| Melvenia Lelia Polk Durall | Yes. And that was a Black school named after a minister who worked at the school too. | 12:00 |
| Kate Ellis | And Mr. Matthew Polk was the principal— | 12:07 |
| Melvenia Lelia Polk Durall | At Boley High. Yes. She went there and then when she finished high school, she went to school in San Francisco. | 12:09 |
| Kate Ellis | Oh, wow. | 12:16 |
| Melvenia Lelia Polk Durall | She went to school in San Francisco, and then she decided to come home and she got her degree from Southern University. | 12:17 |
| Kate Ellis | She moved around. | 12:31 |
| Melvenia Lelia Polk Durall | Yeah. Oh yeah, she moved around quite a bit. Now, I finished high school from IPTS, third in the class. I got a scholarship to Southern University. Other than that, I don't guess I would have, but it's something about an individual who has a determination. I always knew I was going to be a teacher. Now, how I was going to reach that goal, I never knew. But this is what I tell the young students today, make up your mind what you want to do and there will always be a way, if you follow the right path, that you can succeed. And as I look back on my life, I just can't see how I had that perspective of going to school. My people did not have money. We did not have money. We just had work. And I had a scholarship to start, and then I had a work scholarship that kept me going as long as I stayed, and then I could get my degree. | 12:32 |
| Kate Ellis | So you've worked the entire time that you went through school? | 13:33 |
| Melvenia Lelia Polk Durall | Oh, yeah. | 13:35 |
| Kate Ellis | Sounds like from sixth grade. | 13:36 |
| Melvenia Lelia Polk Durall | Oh, yeah. Oh, yes. We worked. During that time, we all worked, but we weren't the type of children who spent their own money. We pooled it. | 13:37 |
| Kate Ellis | You did? | 13:50 |
| Melvenia Lelia Polk Durall | My mother. | 13:50 |
| Kate Ellis | And you gave so a lot to— | 13:51 |
| Melvenia Lelia Polk Durall | Right. My parents, my mother, she was the one who got the money and bought whatever we needed to start school the next year and so forth. And that's what we did. And we'd have a little spending change, but we didn't spend money like kids today. | 13:52 |
| Kate Ellis | Right. | 14:09 |
| Melvenia Lelia Polk Durall | That's right. Whatever we made. Now, like my brothers worked at the pool hall, and then they'd rack the balls and things at the pool hall on Main Street, and then they would work caddy on the golf course. | 14:10 |
| Kate Ellis | So it sounds like, yeah. | 14:26 |
| Melvenia Lelia Polk Durall | And we worked. They worked and everything they made, I guess, they kept a little something. And my mother would give us a little something to go to the store and we'd buy candy, to the movies. We'd go to the movie every Saturday and watch the cowboys. | 14:28 |
| Kate Ellis | Which movies did you, what movie theater did you go to? | 14:45 |
| Melvenia Lelia Polk Durall | We had Evangeline and the Palace theaters during that time. | 14:47 |
| Kate Ellis | Okay. | 14:52 |
| Melvenia Lelia Polk Durall | I'm sure you must have that now. | 14:52 |
| Kate Ellis | I've heard of that. What do you mean? | 14:54 |
| Melvenia Lelia Polk Durall | The Palace Theater, I know someone has told you about those too. | 14:56 |
| Kate Ellis | Well, they haven't told us very much. I guess what I was trying to remember is which ones. Well, you tell me about them. They were segregated, right? | 15:00 |
| Melvenia Lelia Polk Durall | Oh, yes. We were in the balconies. | 15:08 |
| Kate Ellis | You were in the balconies. | 15:10 |
| Melvenia Lelia Polk Durall | In the balcony. We couldn't sit downstairs. We went upstairs. It was the balconies. And that's when we would go every Saturday, 5 cents. And sometime Ms. Little used to be a lady who would collect the money, and she would let us go up sometime if we had no money. | 15:11 |
| Kate Ellis | Is that right? That's nice. | 15:30 |
| Melvenia Lelia Polk Durall | Oh yeah. | 15:32 |
| Kate Ellis | Wow. | 15:32 |
| Melvenia Lelia Polk Durall | There was some White people who were very nice. | 15:33 |
| Kate Ellis | Really? She was a White woman. | 15:35 |
| Melvenia Lelia Polk Durall | Yeah. Oh, of course. We didn't have Blacks working. Oh God. No. Because I can remember I had a bad experience one time with a bank teller. | 15:37 |
| Kate Ellis | What happened? | 15:52 |
| Melvenia Lelia Polk Durall | I had a degree too, but he didn't know who I was. And I had gone in there to deposit some money. He didn't know who I was. And I went just at two o'clock when they locked the door. So he was kidding with me. So he said, I guess he was kidding, and he wasn't. He said, "h, we going to lock you up. I'm going to give you a mop and a bucket." And I was so mad, I didn't know what to do. I told him, "Oh no, you're not going to give me a mop and the bucket." I said, "Because if I had the opportunity, I'd take your job from you." That's what I told. And I was so mad. I went there several times and told him about the same thing. | 15:53 |
| Melvenia Lelia Polk Durall | I went in there with my husband one time. Well, he knew my husband, you see, because my husband's dad had houses under rent. And my husband collected the rent, and he'd go turn the rent. Hi, Jake. I said, I used to curse. Well, I said, so and so who want to give me a mop and a bucket. And boy, he was really embarrassed when he found out who I really was, because he knew my husband. He said he didn't tell [indistinct 00:17:03]. So my husband told me, "Oh, that's the vice president of the bank." I said, "I don't give a who he is", because I was really mad. I said, "You just don't tell people this you don't know who they are because I could do just what he's doing there if they let me get back there." I was really mad, because I've run our federal credit union, and that's dealing with loans and money and transactions. | 16:38 |
| Melvenia Lelia Polk Durall | Although I was a PE major, but I had accounting and stuff. And I've done further study in administration and supervision and stuff. So mad. Dealing with statistics now, I was a good statistic student, but I taught PE and I didn't want to move up and do nothing else. Reading all those papers and stuff, it's awful. They tried to get me to teach English once. I pitched a fit, said, "I'm not going to teach any English", my principal. And that was during the time they integrated the schools. And they looked at my transcript. See, because when I went to school with my electives and things, I didn't just take any [indistinct 00:18:13]. | 17:30 |
| Melvenia Lelia Polk Durall | I took English, History and Math. I took all that extra, well, I had had all the sciences, chemistry, biology, zoology, and anatomy. I had had all that in PE, you take all of that in PE. You see, you have to have that. In PE, I had had all of that. Well, they tried to get me to change my major, when I was a junior to Science, but I was a poor girl, and I didn't want to stay in school longer than I had to. I couldn't change my major. Then you got to upset the whole apple cart and go. | 18:13 |
| Melvenia Lelia Polk Durall | Now, when I was a sophomore, physical therapy came out. I could have gone to New York City because there was a man that had come from some university, I don't remember then, and the coach had recommended me to go and take the course. Not a little country girl. And then that time too, that was around 1945, leave and go to New York. | 18:49 |
| Kate Ellis | You didn't like that? | 19:24 |
| Melvenia Lelia Polk Durall | Oh, I wasn't going. They tried. Everything would've been paid for, but then it would've taken me long and I didn't understand anything about physical therapy. That's when it had first come out. And Well, I didn't take that either. Then when I finished from Southern, I could have been teaching at Prairie View, but I was married then and I had a child, and I wouldn't take that job either because my husband had to be uprooted, I had a child. And teaching in a college, I needed money. I didn't have anything. So I wouldn't take that either. And I've done all right. It's been rough. | 19:24 |
| Kate Ellis | Has it? | 20:05 |
| Melvenia Lelia Polk Durall | It's been rough. | 20:07 |
| Kate Ellis | In what ways? | 20:11 |
| Melvenia Lelia Polk Durall | Well, money-wise. Teachers don't make any money. And yet I said that, it is awful because without teachers, you won't have anything else. And that's the people who should be paid. And you know what's happening? All the money is in administration. The supervisors of this, supervisors of that, those people are making the money. Where, down at the basic level, the people who are actually doing the work are not being paid for it. And I think that's an injustice. And I've always questioned that point. | 20:13 |
| Melvenia Lelia Polk Durall | There's a supervisor of this supervisor, supervisor of that supervisor. It's ridiculous. All the money's at the top. That's why the people, the poor people, will always be poor. Okay, they'll throw out a program, program, JPTC, okay, that program, they'll throw that out. By the time they get all the people to operate this program, they can't help the children who need it. And this is what happens. And that's where all the money is going. And that is ridiculous. | 20:52 |
| Melvenia Lelia Polk Durall | Before they get anything done, they have to set it up. And the people who were working out the program was not going to help the people at all, they have spent the money. And by the time the money trickles to the people who actually need it, there's nothing left. And so you're not really helping anybody. Oh, it's awful. I sit and I listen to a lot of stuff and I say, it's pitiful. The people will always be poor. It's not going to be much help. | 21:22 |
| Kate Ellis | Can you tell me more about this neighborhood that you grew up in? What it was like when you were growing up? | 21:58 |
| Melvenia Lelia Polk Durall | Oh, it was wonderful. The older people had more control over the children. My mother could discipline, for instance, if you lived in this neighborhood, you, because your mother would not say anything, you see. I would walk down the street and if a neighbor saw me doing something that I shouldn't be doing, she could discipline me. But not anymore, people do not believe you telling them the truth about their children. And I'm not going to let you see me doing something and I know you going to let my mother know. Or you could even discipline me, even give me a whipping. And I wouldn't tell my mother not one word about it because I would get another one, you see. | 22:03 |
| Kate Ellis | Let's just keep it between us. | 23:01 |
| Melvenia Lelia Polk Durall | I'd leave that alone. And not just that, you had to be respectful. Now, the older people, you would pass by them. You'd say, good afternoon or good morning, or what have you. You didn't pass by these older people. If you just didn't give them the time of the day, well, you're being disrespectful and this is what's happened, no morals. And these children can curse like, ooh, some of the curses I hear them with, it's unbelievable how they can rattle off this stuff. And it gets me mad too. I never did like this. Now, we couldn't call each other a liar when I came up in the house. We said that when you couldn't hear us. My mother and father never heard me say a curse word in the house when I was coming up. And I didn't do it when I was grown in their house either because they didn't allow this. | 23:03 |
| Melvenia Lelia Polk Durall | And sisters and brothers stuck together. They stuck together and they had to go together, come back together. And we didn't go anywhere without a chaperone. | 24:00 |
| Kate Ellis | Really? | 24:10 |
| Melvenia Lelia Polk Durall | And this neighborhood used to be well kept. It was a well kept area, but not anymore, these children. And it's all because the parents do not believe what other people tell them about their children. Now, you can't tell people about their children. And then something else, this child abuse stuff. These children can call the policeman on their parents. It shouldn't be allowed a good tanning is good for a kid to discipline them in the beginning. Now, then you could even talk. My mother just had to talk to us because when she would give us a whipping, we knew what it was for and we felt it. | 24:11 |
| Kate Ellis | And you never forgot it. | 24:59 |
| Melvenia Lelia Polk Durall | Oh, never forgot it. And we did everything we could not to get her mad. And that's the whole thing now, discipline. And it has to start at home. It has to. Now, just like integration. Integration is fine. And people think you want to integrate for intermarriage and all this, that's not necessary. The only integration that we were concerned with, if I have the money to go where you go, I'm allowed to go. I'll go with my own friends. I remember I was asked when we integrated the school, would I want my daughter to marry White? Well, no, I wouldn't want, because I think to each his own kind. Now you could be friendly and be friendly with someone. Because I have some very good friends, we'd go out and drink beer together and they White. But then I have my race and my friends also that I'm comfortable with, and I'm very comfortable with. | 25:00 |
| Melvenia Lelia Polk Durall | We go eat pizza and drink beer and stuff. Have a nice time. But it's not that we like — I'm really not for interracial marriage. But now, if it does occur, that's whom ever wants it. | 26:12 |
| Kate Ellis | But that's not something that you would recommend? | 26:27 |
| Melvenia Lelia Polk Durall | No, no. I don't recommend it that well, because I don't think, maybe in the future things may be different, but I doubt it. There will always be racism because there's a different kind of culture and all of this that when it's mixed, it's fine, but you with your kind. And I remembered when the schools were integrated. I was the Black working with three other Whites, and they used to accuse me of being more prejudice. | 26:28 |
| Kate Ellis | Really? | 27:10 |
| Melvenia Lelia Polk Durall | So I told them, well, I thought I had the right to be more prejudice because they had the better opportunity being White than I had being Black. So I told them, but I really wasn't prejudice. And then now I told them, everyone is prejudice, because actually you don't fool with all White people, do you? | 27:10 |
| Kate Ellis | I don't, I'm sorry. | 27:32 |
| Melvenia Lelia Polk Durall | You don't necessarily be with all White people? | 27:34 |
| Kate Ellis | No. | 27:36 |
| Melvenia Lelia Polk Durall | You see, there are certain, I hate to use classes, but that's what it really is. | 27:37 |
| Kate Ellis | Sure. | 27:43 |
| Melvenia Lelia Polk Durall | There are certain classes that you do not mix with, and that's the same. Blacks are like that too. Blacks have different type of friends that they deal with. It's according to your likes and dislikes. That's who you go with. And that's just the way life is, period. There are some people who are Black I don't have fool with them. I'll give them the time of the day, but they're not really my friends. And that's the way life is, it doesn't matter about color. It's the individual you like. | 27:45 |
| Melvenia Lelia Polk Durall | So one day I took them out in the yard and in the yard there were black birds and white birds. So I took them and I said, "What do you see?" They said, "Well, Miss G, we see black birds and white birds." I said, "Well, how are they?" I said, "Well, the black birds are together and the white birds are together." I said, "Yeah, you see that?" I say, "Each of his kind." I said, "Birds of a feather flock together." | 28:19 |
| Kate Ellis | And this was in your class? | 28:47 |
| Melvenia Lelia Polk Durall | Yeah. And this was in the class. I said, "Now, they're all in the same area, but they are not really mixed. One or two are straight over, but that's life. That's really the way life is." And I said, "And just look at them out there", I said, "And they're all in the same place, but they're with their kind." And that's human nature, that's the way it is. It's just a fact of life. And there will always be racism, and there will always be discrimination among races. You're not going to ever get rid of that, but it doesn't mean that you can't be kind with it. Now, that's what it is. And then of course, it's a rat race of jobs and so forth, just like affirmative action. | 28:52 |
| Melvenia Lelia Polk Durall | I know a lot of people are not for it, but if it were not for it, we wouldn't have jobs at all being Black, because I don't care what you know, it's who you know that will get you a job. And that's life, it's not what you know, it's who you know. And you have to do so much to get a promotion and so forth and so on. And that was down then, it's a little better now, but it's not too much. It's not what you know, it's actually who you know in order to get a job. | 29:47 |
| Kate Ellis | So in this neighborhood, was it a predominantly Black neighborhood? | 30:25 |
| Melvenia Lelia Polk Durall | Just three streets. | 30:31 |
| Kate Ellis | Just these? | 30:32 |
| Melvenia Lelia Polk Durall | This street. The next street predominantly Black, but now we have White neighbors now. | 30:33 |
| Kate Ellis | On this street? | 30:40 |
| Melvenia Lelia Polk Durall | But at one time, this street and the next street, predominantly Black. | 30:43 |
| Kate Ellis | So your friends that you grew up with, they were all Black? | 30:49 |
| Melvenia Lelia Polk Durall | They were all Black. Now, we knew White girls that were on the next couple of streets. Now, the street from the corner here, Black, but the street from the corner over there, White. Now, the next street too, Black, the other end, White. Now we knew all the White children. | 30:51 |
| Kate Ellis | You played together? | 31:14 |
| Melvenia Lelia Polk Durall | Yeah, yeah. We'd play together, but we went to separate schools and they could go to the Burger King and so forth. We couldn't until the integration. And they went downstairs to see the movies. We went upstairs. We couldn't go to their cafes to the front door. We could go buy what we needed at the back door. Now, the grocery stores, we could go in the grocery stores front. | 31:16 |
| Kate Ellis | You could? | 31:46 |
| Melvenia Lelia Polk Durall | Oh yeah. | 31:46 |
| Kate Ellis | So you could shop in the same grocery stores. Cafes, you went in the back? | 31:47 |
| Melvenia Lelia Polk Durall | In the back, right. | 31:51 |
| Kate Ellis | And then— | 31:52 |
| Melvenia Lelia Polk Durall | And some cafes. | 31:55 |
| Kate Ellis | Schools different, separate. | 31:56 |
| Melvenia Lelia Polk Durall | School was separate, yes. | 31:57 |
| Kate Ellis | And then your church. | 31:58 |
| Melvenia Lelia Polk Durall | Church. Oh yeah. The church was — Now, the Catholic church at one time was for both, but the Blacks sat in the back and the Whites had the whole church where they sat, in the Catholic churches. | 32:01 |
| Kate Ellis | What did you think of that as you were coming up, going to these separate places and sitting in the balcony, going in the back, did you ever ask your parents why it had to be like that? | 32:17 |
| Melvenia Lelia Polk Durall | Well, you see, during our time, that's all we knew. We came up like that. We didn't— | 32:29 |
| Kate Ellis | Just the way it was was. | 32:36 |
| Melvenia Lelia Polk Durall | Yeah, we didn't like it, but we couldn't do anything about it. You see, and we went on. That's all. We wondered about it. Oh, we discussed it. | 32:38 |
| Kate Ellis | Did you? | 32:50 |
| Melvenia Lelia Polk Durall | Oh yeah. | 32:51 |
| Kate Ellis | Among your friends? | 32:51 |
| Melvenia Lelia Polk Durall | Oh yeah, around friends, fam, and students in the schools. Now, just in the schools, our books were discarded books from the White schools. Some pages were torn out, but we read everything we could put our hands on then. The Black students then were more interested in learning— | 32:52 |
| Kate Ellis | Really? | 33:14 |
| Melvenia Lelia Polk Durall | Then. Because a lot of the students now, they have everything. They're not learning anything, Black and White. Most of them are not doing too well in school, period. A few are, but not that much. They're not reading enough. Now, we read everything, even though it was, we got everything, what I call, indirectly or secondhand, you see. Like experiments in high school, we didn't have experiments when I was in high school. We read them. Science experiments. We read, you see, about the experiments, but we didn't actually do no practical work at all. With one teacher, we had experiments, Mr. Henderson. | 33:15 |
| Kate Ellis | Oh yeah. Mr. JB. | 34:04 |
| Melvenia Lelia Polk Durall | Mr. J.B. He was my eighth grade science teacher. And I'll never forget this, because he did the process of osmosis. And it was so interesting to us, we never forgot it. How you transfer a liquid from a lower level to higher level and stuff like that. And that was the only experiments that we had during that time. And he had done it by some improvisation, I've forgotten exactly how it was, but I'll never forget that. And then he did it with a siphon. And then we came home and my cousin's father was doing it, but he didn't know what he was doing. | 34:04 |
| Melvenia Lelia Polk Durall | And we used to talk about science so much when we were young. And we'd come talk about science. And he used to say, science, science. And they didn't believe too much in science because science, they felt, contradicted the Bible with creation. And they didn't care too much for science, the older people. Older Black people, they didn't understand. Half of them didn't read either. So we came one day and he was doing this, and we told him what it was. He said, "Oh." We said, "Yeah. Well, we learned it in the book." But he didn't know the process he was doing, but we knew what the process was. And we told him. And he was amazed. | 34:51 |
| Kate Ellis | Really. | 35:32 |
| Melvenia Lelia Polk Durall | And then they started kind of listening to us a little bit. | 35:33 |
| Kate Ellis | The older people did. | 35:37 |
| Melvenia Lelia Polk Durall | Not too much. | 35:38 |
| Kate Ellis | When you could explain what they were doing. | 35:39 |
| Melvenia Lelia Polk Durall | We could explain what they were doing. And they were actually doing this. | 35:42 |
| Kate Ellis | Now, what was he doing that he was actually doing this? | 35:44 |
| Melvenia Lelia Polk Durall | He was taking, suctioning gas out of the tank of a car and had it, see the tank is up this high and he had a tube in there. And he did the suction process with his mouth and then he let the gas fall in the jar. | 35:47 |
| Kate Ellis | Interesting. | 36:07 |
| Melvenia Lelia Polk Durall | And he didn't know what he was doing. And we had had it in the science grade and we were tickled pink. | 36:10 |
| Kate Ellis | I bet you were. | 36:13 |
| Melvenia Lelia Polk Durall | I never did forget them, some experiences. And those are some experiences that we've had with our parents. Now, my dad couldn't read at all. He went to school, but he didn't learn because he was too busy doing other things, cutting, working, and so forth and so on. | 36:14 |
| Kate Ellis | Cutting cane? | 36:38 |
| Melvenia Lelia Polk Durall | Cutting cane. Yeah. | 36:39 |
| Kate Ellis | When he came up, he— | 36:41 |
| Melvenia Lelia Polk Durall | Oh yeah, my daddy and his father was a farmer. he came up in Louisville. And that's where they went to school. | 36:41 |
| Kate Ellis | Now, his father was a farmer. Does that mean he was a sharecropper? | 36:47 |
| Melvenia Lelia Polk Durall | Yeah. Sharecropper. Now they had that own farm, but they couldn't read. And they lost the farm by buying grocery on credit. | 36:50 |
| Kate Ellis | From Whites? | 37:05 |
| Melvenia Lelia Polk Durall | From Whites. And they claimed they didn't pay them. And they would make their crops and they didn't get the right money. They couldn't meet their payments. So they took the farm from them. | 37:06 |
| Kate Ellis | Oh. | 37:17 |
| Melvenia Lelia Polk Durall | They had a lot of property, my dad's people. But not my mother's people, my mother's daddy could read. And she had really no formal education, my mother, but my mother went to public school in the daytime with the children because she wanted to learn to read. | 37:17 |
| Kate Ellis | Like you when you were going to school, she went too. | 37:36 |
| Melvenia Lelia Polk Durall | Well, after I finished high school, my mother went back to school and day she got her ninth grade certificate. | 37:40 |
| Kate Ellis | Wow. So that she could learn to read. | 37:46 |
| Melvenia Lelia Polk Durall | She could learn to read. That's right. | 37:50 |
| Kate Ellis | Now, somebody else had told me that, and I don't know why it surprised me, but it probably shouldn't have surprised me. But I think he was talking about how his, Whites didn't want Blacks to even be able to count. | 37:53 |
| Melvenia Lelia Polk Durall | No. | 38:07 |
| Kate Ellis | Because, that, again— | 38:07 |
| Melvenia Lelia Polk Durall | Because that, again, would keep them from progressing. | 38:07 |
| Kate Ellis | So your father's father who lost the land— | 38:14 |
| Melvenia Lelia Polk Durall | Lost the land. Yeah. | 38:18 |
| Kate Ellis | He probably— | 38:18 |
| Melvenia Lelia Polk Durall | That's right, because they couldn't read and they couldn't figure, you see? And they didn't know how much they were getting or anything. But now my mother's dad, when he came, my mother's dad came from Virginia, at least my dad dad, all of them came from Virginia. All of us. | 38:20 |
| Kate Ellis | Wait, your father's? | 38:39 |
| Melvenia Lelia Polk Durall | Yeah, my grandfather. Both of my grandfathers come from Virginia, the state of Virginia, and from Richmond. That's where they came from. Now my mother's dad could read, because when he came here, he was 12 and he could read. | 38:41 |
| Kate Ellis | He had been taught to read in Virginia? | 38:58 |
| Melvenia Lelia Polk Durall | Yes, in Virginia. And they bought land now. We still have the land in St. Martin Parish. | 38:59 |
| Kate Ellis | Really? | 39:05 |
| Melvenia Lelia Polk Durall | My grandfather's. Oh yeah. My grandfather's on my mother's side. We have 40 some acres of land in— | 39:05 |
| Kate Ellis | What are you doing with it? | 39:12 |
| Melvenia Lelia Polk Durall | They're farming it. | 39:13 |
| Kate Ellis | Farming. | 39:13 |
| Melvenia Lelia Polk Durall | They're farming it. | 39:13 |
| Kate Ellis | Who's farming it? | 39:13 |
| Melvenia Lelia Polk Durall | My mother's nephews. | 39:13 |
| Kate Ellis | Wow. | 39:14 |
| Melvenia Lelia Polk Durall | Yeah. We still have it, we've inherited it because my grandfather's dead. He lived to 94, too, my mother's daddy. And now we still have that land, but my grandfather and them knew how to read. | 39:14 |
| Kate Ellis | He learned that in Richmond? | 39:31 |
| Melvenia Lelia Polk Durall | He learned that in Virginia. They came from Virginia. He was 12 and he could read. And they were able to save their land and farm their own land and made their own money. | 39:33 |
| Kate Ellis | And that's where your mother came from? | 39:46 |
| Melvenia Lelia Polk Durall | That's where my mother came from. | 39:47 |
| Kate Ellis | But you're saying that she still wanted to come into the city. | 39:48 |
| Melvenia Lelia Polk Durall | Yes. | 39:50 |
| Kate Ellis | Because she wanted you all to get an education. | 39:51 |
| Melvenia Lelia Polk Durall | In school. | 39:54 |
| Kate Ellis | What did she tell you about getting an education? | 39:55 |
| Melvenia Lelia Polk Durall | Because I'd live a better life. And you see, during that time, school teaching was the best thing for Black people, period. | 40:00 |
| Kate Ellis | That was the top? | 40:07 |
| Melvenia Lelia Polk Durall | That was the job. And so that's what we all were, school teachers. | 40:09 |
| Kate Ellis | Really? | 40:13 |
| Melvenia Lelia Polk Durall | Most of the folks are school teachers. Now, we've had principals, supervisors, counselors. Now, my son majored in accounting. My daughter majored in marketing. Well, she's in Atlanta. She doesn't live here. And my son is a head of our federal credit union here now. And he did work for the SBA at one time until the grant ran out. And he did work with the oil field. But then, of course, he was an accountant, but he had to start at the bottom and he was driving a truck and he didn't like that and so he stopped. And now you see, even in the banks, banks now, we have men who can't go any higher, like being vice president even though they have degrees in accounting, they can have degrees in I don't know what. But now women are advanced, Black women. | 40:16 |
| Kate Ellis | But not Black men? | 41:21 |
| Melvenia Lelia Polk Durall | Not Black men. | 41:21 |
| Kate Ellis | Why is that, do you think? | 41:23 |
| Melvenia Lelia Polk Durall | Well, because a Black man, that makes a difference with Whites. | 41:23 |
| Kate Ellis | That sounds like your machine. | 41:29 |
| Melvenia Lelia Polk Durall | That's— | 41:29 |
| Kate Ellis | About why Black men— | 41:29 |
| Melvenia Lelia Polk Durall | And of course, that's kind of nationwide too. It's okay for a Black to move up in the banks and they move up like loan officers and everything., But they do not get the pay. It's just a name thing. I'm sorry, but it's just the name thing. Because I can remember, we had a teacher whose son had moved up in the bank. And of course, he was a business major and he had a degree in social studies too. He was teaching school. So he got this job in the bank and he thought he was going to, and he had a big fancy name and everything. And my friend told me, he said, "Nah, it's just a name on it because he not making any money that I'm making teaching school." So there you go. They can't get to be vice president of the banks or anything here. That hasn't happened yet. So there's still a lot of— | 41:40 |
| Kate Ellis | Jim Crow. | 42:45 |
| Melvenia Lelia Polk Durall | Jim Crow. Right. That's your paper. I don't want you to lose, because I have one night that I haven't read my paper today. | 42:46 |
| Kate Ellis | Okay, well I'll take it with me when I go. | 42:52 |
| Melvenia Lelia Polk Durall | Yeah. Don't forget it. That's why I put it there. | 42:54 |
| Kate Ellis | One second. There was something I wanted to just ask you a couple more things. Well, I have a general question. Are there other things that stand out for you as far as life during Jim Crow, segregation? | 42:58 |
| Melvenia Lelia Polk Durall | Yes. In the segregated area, Blacks are not really recognized for their worth. You have to be doubly qualified. And even if you are qualified, you have to go along with what I call, the program. If you disagree with what's going on, you are never pulled in on operational things like in the city. They're not going to call you at all, they'll call somebody else who will go along with what they want done. Like elected officials and stuff like that, you'll never get anywhere with them, not if you have your own opinion. | 43:25 |
| Kate Ellis | Did that happen to you? | 44:23 |
| Melvenia Lelia Polk Durall | Well, actually I've never tried because I don't think I can, I can't be the type of person to just go along with a person. And I know that's not the right thing for me. So I have never actually tried to get into a position. For instance, I've qualified for administration and supervision since the 1970s. And I never applied for any position in that capacity because I didn't think I would be able to function like I would want to function. | 44:25 |
| Kate Ellis | If I can say this within a White structure, basically? | 45:06 |
| Melvenia Lelia Polk Durall | That's right. Because I can't just go along with anything. And I wouldn't be able to work in a position where it's demeaning to me. I'd have to go along with what I thought was the right thing to do. | 45:08 |
| Kate Ellis | You envisioned trouble in a sense if you did work among those people. | 45:29 |
| Melvenia Lelia Polk Durall | And now a lot of people in our area, they prefer, because I notice a lot of them want people in the positions who not really able to function in the capacity, yet those are the people they will select. | 45:38 |
| Kate Ellis | As if there would be puppets in a sense? | 45:59 |
| Melvenia Lelia Polk Durall | In a sense, that's what it's all about. And when our people get up there, they're not able to do anything for the majority of Black people. They can't do that because they're under obligations to others to just do mediocre things, that's the way I look at it. Everything's political, that's what, and I'm not a political person. I don't like politics. I vote my conviction. | 46:02 |
| Kate Ellis | You like to question everything. | 0:01 |
| Melvenia Lelia Polk Durall | If you say, do it this way, I want to know why we can't do it another way. Because I've learned that during integration, whatever a Black person says it's going to be right on the money, but a White person is going to take it and change the language of the meaning. I said, "No, that's not what I," and that's why I'm controversial. And I had that problem with some professors— | 0:06 |
| Kate Ellis | Really? | 0:46 |
| Melvenia Lelia Polk Durall | — in school. | 0:46 |
| Kate Ellis | White professors? | 0:47 |
| Melvenia Lelia Polk Durall | White professors. And nobody would know an answer. And you would come up with the right answer and they would say, "Well, yes, but let's say it this way." And I've had professors to question me. Want to know what I do, and if I've had piano lesson, do I go fishing? I like flowers and things. I said, "Yes, I do all those things. Piano lesson, everything." "We knew there was something different about you." I'm not different. There are many Blacks like me. We are not that different. We like nice things. We like cultural music. I can listen to any kind of music. We came up on country and western music. | 0:48 |
| Melvenia Lelia Polk Durall | Now you see my daughter in Atlanta, she keeps her, now she didn't come up with me. | 1:45 |
| Kate Ellis | She didn't? | 1:52 |
| Melvenia Lelia Polk Durall | Not during my time. She got a certain country and western station she puts on when she's riding in her car. She likes it. I mean, you derive, you get a desire for certain things, certain songs, certain techniques that you like. And you don't have to be of a particular color to like Picasso's stuff. It doesn't take color, just takes the individual. And that's what people don't understand that because you're Black, you are not supposed to. And they're afraid. A lot of Whites are afraid of Black because they're Black, but they don't know them. Now if you are attractive or a lighter color or a lighter hue than they have of a different attitude towards you. And this is really true. | 1:52 |
| Kate Ellis | So you think that Whites treat lighter skinned Blacks— | 2:52 |
| Melvenia Lelia Polk Durall | Oh yes. | 2:56 |
| Kate Ellis | What kind of differences have you seen? | 2:58 |
| Melvenia Lelia Polk Durall | Oh I've seen it because I've had people tell me, "They don't really have a place." This is what it is. They're not, they're too light to be Black and they know they can't actually accept them because they are not White. But then they feel sorry because they're in between and they have no set place. Now Blacks, Blacks have a place, black Blacks, they know where they should be. But then the lighter ones, then they're just misplaced. They have no place. | 3:00 |
| Melvenia Lelia Polk Durall | For instance, this case in Mississippi. I know you've heard an interracial young lady and this prom situation. I know you know about that. Well, he said she was a mistake because she doesn't fit any place. She's actually, and now they're trying to have the race biracial instead of a Black or White or other, you see? Because other, you are a Japanese, Chinese or whatever, you see? But then if you of a mixed race, a Black and a White, then they're trying to get this biracial in there rather than being Black because actually the person is not really a Black person and she's not actually a White person. Now where do I fit? So we don't know where it's going to hold in. | 3:42 |
| Kate Ellis | Well, it sounds like that community, Grand, Grand Marais. | 4:35 |
| Melvenia Lelia Polk Durall | Yes. Oh yes. Now that's a thriving community. Now a lot of them marry Whites, period. And live in the area. | 4:39 |
| Kate Ellis | Well, when you were coming up, were there? | 4:52 |
| Melvenia Lelia Polk Durall | Oh no, they didn't mix with black Blacks. | 4:54 |
| Kate Ellis | When you were coming they stayed— | 4:57 |
| Melvenia Lelia Polk Durall | Oh, no, no, no, no. They had what is known as, they had a Bruce Arts Foam. They had that special amusement place. People of my color could not go there. Now I can remember the owner of Bruce Arts Foam, I taught the daughter. she got married and then they moved to Baton Rouge. She insisted that I go to the wedding. I didn't want to go. | 4:58 |
| Kate Ellis | — Really? | 5:25 |
| Melvenia Lelia Polk Durall | Because I know I didn't want to go because if I know that's how people are, I can stay away from there. I don't have to mix. That's the way I feel about it. | 5:25 |
| Kate Ellis | Why would I want to go someplace around— | 5:36 |
| Melvenia Lelia Polk Durall | But when she came home to get married, she called me and she said, "I want you at my wedding." I was a homeroom teacher for four years and I really didn't know what to do. So I told her, I said, "Well, yes, I will go to the wedding." Well, she married at St. Edwards Catholic Church. I figured I'd go to the church. Now I'm walking out of the church and there's the car. And I waited a long time thinking she would've gone on after the wedding. She put the window down and called me. "I want you to come to the reception." Holy cow. And in St. Edwards Church, there were three people of color. And I was one. | 5:38 |
| Melvenia Lelia Polk Durall | And I had a cousin. My husband had a cousin from Galveston who was here at the time. Well, I took her with me because she was light. | 6:30 |
| Kate Ellis | — Because she was light. | 6:39 |
| Melvenia Lelia Polk Durall | She was light colored. | 6:39 |
| Kate Ellis | So was she— | 6:39 |
| Melvenia Lelia Polk Durall | So we went to the church together. I felt pretty good because I was with her. So they figured, "Well, this Black one is with one of us. So I guess it's okay." So when I get out of church, she wants me to come to the farm. I said, "The heck with it, we're going to the farm." So we went on to the farm and they were, well, a lot of the kids I taught, well, they were coming up to me and everything. So one of the girls say, "Come on, Kathy wants you to come on in inside the house." Go inside the house, she grabs me and kiss me. And they were really lighting. They were all turning beat red because she had kissed me. I'm so dark. Said, "Lord, if I just could get away from here." | 6:43 |
| Melvenia Lelia Polk Durall | So my cousin Ala May, I'll never forget her, we were in there and so I congratulate her and everything. And I knew her parents already and I got the hell on out of there. And she says, "You can't leave now. You have to go into the barn." And they had a big bond. They had a music box, table, chairs and everything because they had their own entertainment. | 7:27 |
| Kate Ellis | Oh, 'cause it was just this— | 7:54 |
| Melvenia Lelia Polk Durall | Riley was a select group, the entertainment they had. The music box and tables, chairs and everything. A dance floor and everything. It was called Broussard's Farm from a lot people. Now you could go there with somebody else, but if they knew you, you could stay, maybe. It all depends. But any other Blacks uninvited— | 7:54 |
| Kate Ellis | No. | 8:18 |
| Melvenia Lelia Polk Durall | — you couldn't go there. So we went on in there, I said, "Ala May, we going to get," and they were serving box lunches. And so the children came, "Oh, Miss [indistinct 00:08:28], you got to get your dinner." I said, "Well look, you go get me a plate. And I'm getting out. I must go because I have another engagement." Girl, I was so glad to get away from there because if you not wanted, I don't care about going where I'm not wanted because I have other places I can go where I am wanted. And so that, yes, that's the way it used to be. And very few of them would— | 8:19 |
| Melvenia Lelia Polk Durall | Now a lot of them who were able, they went to Holy Rosary, which was Catholic, a Catholic school. Now those, and after St. Edwards stopped, it was too costly for them to continue the high school, St. Edwards. So they discontinued the high school. St. Edwards had a high school. Well most of the Malayas would go there because the sisters were White and they taught, but they wouldn't go to the public school because they were mixed up too much with Blacks. | 8:54 |
| Kate Ellis | And the people— | 9:24 |
| Melvenia Lelia Polk Durall | Regular Blacks. | 9:24 |
| Kate Ellis | — the Malayas wanted to stay away from— | 9:25 |
| Melvenia Lelia Polk Durall | You couldn't marry a Malayas. Now they're intermarrying a little bit it's just like we. | 9:27 |
| Kate Ellis | — Now when was this period, the time of the wedding? Around what year was that? I mean, you don't have to remember the exact year of it. | 9:33 |
| Melvenia Lelia Polk Durall | Oh, that was around 1950. | 9:40 |
| Kate Ellis | So 1950. | 9:42 |
| Melvenia Lelia Polk Durall | Around '56, '57 in that area. Oh yeah. And a lot of them are still like that. Oh, they're still like that. | 9:44 |
| Kate Ellis | There's a lot of that— | 9:54 |
| Melvenia Lelia Polk Durall | Oh there's a lot of that. A lot of them, now I know a family, you can mix, but you can't marry dark. All that's today. | 9:55 |
| Kate Ellis | — So you can spend time— | 10:08 |
| Melvenia Lelia Polk Durall | With them. | 10:09 |
| Kate Ellis | — with them, you can have friends who are darker. | 10:10 |
| Melvenia Lelia Polk Durall | Friends, but they don't want you to marry, inter marry when it's too dark. | 10:12 |
| Kate Ellis | That would darken— | 10:15 |
| Melvenia Lelia Polk Durall | Darken their skin. Oh yes. And you don't want it. I got a niece she just left from here. She almost light as you. | 10:16 |
| Kate Ellis | — Really? | 10:27 |
| Melvenia Lelia Polk Durall | That's my sister's child. Wait till you see my sister, we of mixed color. I have a brother who is very light. I have a sister who's very light. Now the darker ones. I'm the darkest. I have a brother that was a little darker than me and I got another brother who is the same color. But I got some real fair, we're mixed. My daddy was very fair. | 10:27 |
| Kate Ellis | So who do you think in his family was White? I'm assuming that somewhere— | 10:56 |
| Melvenia Lelia Polk Durall | My daddy's grandfather was a White man. | 11:03 |
| Kate Ellis | — Was White, okay. | 11:04 |
| Melvenia Lelia Polk Durall | Well look, my husband, step up here. Look at that. Look, you see the picture? There's a man picture and there's a big one up above it. Right there. | 11:06 |
| Kate Ellis | Do you want me to take that off for a second— | 11:16 |
| Melvenia Lelia Polk Durall | Okay. | 11:16 |
| Kate Ellis | — and then you can show me your pictures? | 11:18 |
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