Ansco: Super Anscochrome Film, 1950s-1960s
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| - | Hi, Dad, how are the pictures you took? | 0:01 |
| - | Great, Son, look at that color and action. | 0:03 |
| This time I used Super Anscochrome Film. | 0:05 | |
| Yes, even with fast-action or low-light, | 0:08 | |
| you'll get superb color pictures | 0:10 | |
| from super sensitive Super Anscochrome. | 0:12 | |
| The A+ Color Film from Ansco. | 0:14 | |
| ACE photographer Alex DePaula tells you why. | 0:17 | |
| - | I took two cameras exactly alike, | 0:19 |
| loaded one with ordinary color film, | 0:22 | |
| the other with Super Anscochrome. | 0:25 | |
| Then I shot this fast action scene | 0:27 | |
| with both cameras at the same time. | 0:29 | |
| Look at the results. | 0:32 | |
| With ordinary color film, the action blurred, | 0:33 | |
| but Super Anscochrome stopped the action | 0:36 | |
| with life-like color. | 0:39 | |
| That's why I recommend Super Anscochrome in the red box | 0:41 | |
| for superb color pictures every time. | 0:44 | |
| It gets the action other films miss. | 0:48 | |
| Narrator | Whether it's color films, | 0:51 |
| (camera shutters) | 0:52 | |
| black and white films, | 0:53 | |
| (camera shutters) | 0:53 | |
| cameras, or projectors, | 0:54 | |
| (camera shutters) | 0:55 | |
| if it's from Ansco, you know it's A+. | 0:56 | |
| (bell dings) | 0:58 |
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