Ansco: Super Anscochrome Film, 1950s-1960s
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Transcript
Transcripts may contain inaccuracies.
- | Hi, Dad, how are the pictures you took? | 0:01 |
- | Great, Son, look at that color and action. | 0:03 |
This time I used Super Anscochrome Film. | 0:05 | |
Yes, even with fast-action or low-light, | 0:08 | |
you'll get superb color pictures | 0:10 | |
from super sensitive Super Anscochrome. | 0:12 | |
The A+ Color Film from Ansco. | 0:14 | |
ACE photographer Alex DePaula tells you why. | 0:17 | |
- | I took two cameras exactly alike, | 0:19 |
loaded one with ordinary color film, | 0:22 | |
the other with Super Anscochrome. | 0:25 | |
Then I shot this fast action scene | 0:27 | |
with both cameras at the same time. | 0:29 | |
Look at the results. | 0:32 | |
With ordinary color film, the action blurred, | 0:33 | |
but Super Anscochrome stopped the action | 0:36 | |
with life-like color. | 0:39 | |
That's why I recommend Super Anscochrome in the red box | 0:41 | |
for superb color pictures every time. | 0:44 | |
It gets the action other films miss. | 0:48 | |
Narrator | Whether it's color films, | 0:51 |
(camera shutters) | 0:52 | |
black and white films, | 0:53 | |
(camera shutters) | 0:53 | |
cameras, or projectors, | 0:54 | |
(camera shutters) | 0:55 | |
if it's from Ansco, you know it's A+. | 0:56 | |
(bell dings) | 0:58 |
Item Info
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