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<v Felix Armfield>—that was the first year that the State of North Carolina went full scale integration, so I don't have any recollections of—As a matter of fact, it was one of the reasons that my father was very insistent when I got ready to go off to college, that I get my undergraduate education at a historically Black college because he felt that I had missed something by not having that kind of schooling. He felt, for some reason, that his education was somewhat superior to mine in the sense that all of his high school and formative education had been done by all Black teachers and Black principals and things of that nature. He just was so insistent that I go to a Black college. After I got there, I found that it was the greatest thing that could have ever happened to me, was happening.

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<v Marjorie Belcina Pajeaud>It's interesting because Daphne has a friend who thought the same way. His daughter went to Metairie Country Day School, which is the most prestigious—

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<v Jessie Lawrence Mouton>Most expensive.

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<v Marjorie Belcina Pajeaud>Most prestigious and expensive school here in the New Orleans area. The former Kings of Carnival and Queens of Carnival went to that school and whatnot. They wanted her to go there, and then she went to Mount Carmel. Carmel, I think it is.

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<v Jessie Lawrence Mouton>Carmel.

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<v Marjorie Belcina Pajeaud>Yeah. Carmel. That's an expensive school too and whatnot.

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<v Jessie Lawrence Mouton>It was an all White girls school.

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<v Marjorie Belcina Pajeaud>When it came time to go to college, they took her out I think in about her second year and sent her to the prep because they felt that they wanted her to get in the school with Black children, with her own kids. They had to do that.

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<v Felix Armfield>I went to an integrated school system in high school, but my father was rather concerned that I seek out any one of the historically Black colleges in the country. He said, "There's enough of them out there that you ought to be able to select one and you ought to be able to select a good one." I stayed in my home state and I chose North Carolina Central University, which was a liberal arts college there. I got a fine education and a lifetime of friendships came out of there, but I'm grateful to have had that experience. It was a small college, five to 6,000, and I think that was what I needed at the time. I didn't need one of the big, major institutions in this country.

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<v Marjorie Belcina Pajeaud>My life has been very interesting because I have all of these children in different sets. It's surprising that each family unit has different ideas and whatnot. They're very diverse. Now, the daughter in Albuquerque, all of her children have gone to White schools, and they've gone to White colleges. Now the children here, they've all gone to Black schools and Black colleges.

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<v Felix Armfield>Yeah. Well, then again, does Albuquerque have any Black colleges to offer? New Mexico. Sometimes people have to make choices.

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<v Marjorie Belcina Pajeaud>Yes. They do make choices,

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<v Felix Armfield>Personal choices.

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<v Marjorie Belcina Pajeaud>But when it came to the colleges, they could have sent them to Black colleges.

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<v Felix Armfield>Yeah. I agree with you.

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<v Marjorie Belcina Pajeaud>Yeah, because my son's son, he went to Morehouse and one girl is at Howard. It's strange when they get together, [indistinct 00:03:34] tell the other one, "Why you going to that school?" One of my daughter's sons is in the same fraternity as Bush and Quill. When they came here, Rashida carrying on something awful [indistinct 00:03:50], "Mom, did you hear what he's saying? That he's at this fraternity that Bush and Quill belongs to. Can you feature that?" They carried on something terrible about that. You can imagine that.

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<v Felix Armfield>Yeah.

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<v Marjorie Belcina Pajeaud>It's very interesting, and it's varied, to see how each family thinks.

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<v Felix Armfield>Yeah. It varies across lines.

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<v Marjorie Belcina Pajeaud>Yeah, it does. It does.

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<v Felix Armfield>For one thing, I guess my parents didn't do the college thing. They came out of high school and went to work and that kind of thing. My parents were very concerned that I did receive a college education.

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<v Marjorie Belcina Pajeaud>Yeah. That was important to all families too.

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<v Felix Armfield>Not only that I received a college education, but that I received the kind of education that they thought I should have.

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<v Marjorie Belcina Pajeaud>That they thought that you should have.

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<v Felix Armfield>They came out of school in the early sixties, so Black colleges were a trend at that time. For the most part, if Black students were going off to college, that's the only place they had to go. They were insistent that I selected a Black college, and I'm glad I did. I have no regrets. None whatsoever. None. But I do want to, so we can wrap up talking about this, the educational system. You were talking about the different pay scales?

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<v Marjorie Belcina Pajeaud>When we started teaching, the Black teachers were paid much lower than the White teachers.

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<v Felix Armfield>When Did you start teaching?

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<v Marjorie Belcina Pajeaud>I started '50.

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<v Felix Armfield>Okay. You started in 1950.

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<v Jessie Lawrence Mouton>1961.

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<v Felix Armfield>1961. The pay scale still were not equal?

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<v Jessie Lawrence Mouton>No. Because with the same Mrs. Hill that we referred to. I went to Baton Rouge with the group, and they went with Sarah Reid. You remember? She was a fighter. She was about this big, a little White woman. She's the one who worked with that Veronica Hill, you would say worked with her. But she's the woman who helped Black teachers to get equal pay. I went to Baton Rouge with the group that year when they went to—McKeehan was our governor. She got on that floor and she did, you know what they say about filibuster, and she would not sit down. She told him, "If you want our help, as you said," because his slogan was, "Would you please help me?"

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<v Jessie Lawrence Mouton>She said, "All these teachers here will not vote for you again if you don't do something about this teacher." She would not sit down. They could not make her sit down until the session was over. She stood up there and fought all the way so that we could get equal pay. At that time, the White teachers were getting good salaries, fewer children. They had more schools to go to than we had in the beginning.

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<v Felix Armfield>The classrooms were small?

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<v Jessie Lawrence Mouton>The classrooms were small.

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<v Felix Armfield>Is that what you meant a little while ago, Ms. Pajeaud, when you talked about that you had to work harder than the White teachers?

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<v Marjorie Belcina Pajeaud>Yeah. I had to work harder because we didn't have the supplies and the materials, and the schools were not the same type of schools that we had. That's what they argued so much about, giving the Black children the same type of test that you would test a White child, who was in a fine school with all kind of materials, the beautiful rooms and whatnot, air conditioned and whatnot. And this poor Black child is in the hot classroom, dirty walls and whatnot. So how can you compare the two children on the same test?

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<v Felix Armfield>The environments are totally different.

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<v Marjorie Belcina Pajeaud>Right. Entirely different. They haven't been exposed. For instance, one of the questions on the first grade test was about the seashore. Black children don't know anything about any seashore! You know that.

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<v Felix Armfield>Yeah.

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<v Marjorie Belcina Pajeaud>Especially the Black children from the projects and whatnot and the little towns. They don't know anything about the seashore. They know about the river and the water maybe and the sand, but they don't know the word "seashore." That's not in their vocabulary.

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<v Felix Armfield>Exactly.

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<v Marjorie Belcina Pajeaud>So how can you test a child on a test with words like that that they've never been exposed to?

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<v Jessie Lawrence Mouton>Like the one that says about the toboggan. What does a child who's born and raised in the South know about a toboggan? I used to say all the time, and you would be training them for that test, you'd be trying to help them so they could do a good job on the test. I would say to them, I had a picture that I would get so that they would know that the only way you could have a toboggan, you would ask them first anybody knows what a toboggan is, and nobody knows what a toboggan is. Then I do show them a picture of it so they could know and know that you needed a lot of snow and ice to use that. I don't think we saw snow but twice in our lifetime here.

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<v Marjorie Belcina Pajeaud>No, not in New Orleans. We have to go up—

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<v Jessie Lawrence Mouton>No. I'm saying about here. Us. We saw snow and my little boy was because he made a snowman in the front yard. Schools had to close because we don't even have facilities to fight that kind of weather. And then one other time I remembered it snowed when I was at Village, it snowed, and some other time it snowed. But we are not accustomed to snow. The children who came after me are not accustomed if they've never been out of the city of New Orleans. What do they know about snow? This is the thing that they have those kind of questions on. A lot of the questions I never agreed with that because the questions were for children, California and Boston and those areas. And then, I don't think the questions were geared to the Black children. I think all those questions were to those White children who had everything. That's how I felt about it. It was not geared to what the children hear, not for their climate or anything else. I could say from their backgrounds and from where they came from.

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<v Marjorie Belcina Pajeaud>Our children were not even exposed to books. They didn't have books in the homes and whatnot. How could they read about those things either? The parents didn't know anything about that. No. And the parents didn't know anything about that. You couldn't even tell your children about them. They didn't know what seashore meant themselves.

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<v Felix Armfield>Yeah. Exactly.

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<v Marjorie Belcina Pajeaud>That wasn't in the Black family's vocabulary either.

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<v Felix Armfield>As you said, it has a lot to do with the lack of exposure.

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<v Marjorie Belcina Pajeaud>Right. Yeah. Right. They weren't exposed to that type of environment. To give you an example, one of the teachers taught kindergarten at Tall Timbers. That's a section across the river. Terrytown I think it is. Exclusive section. In fact, the assistant superintendent lived over there and his children went to that school. You know what she told me they did for Halloween Trick or Treat? She took the [indistinct 00:11:46] to the parents, one of the parents is home and the parents played the piano and whatnot and children milled around it and sang songs and whatnot and played games and they passed refreshments, cookies.

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<v Felix Armfield>That's what they did for Halloween?

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<v Marjorie Belcina Pajeaud>That's what they did for Halloween.

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<v Jessie Lawrence Mouton>If a public school didn't give a Halloween party so that the children could attend and have a little fun for Halloween, the children didn't have the exposure of knowing what it was all about if they didn't do it in school, and try to provide those children with some of the activities that they needed to know about here in the city, that they have been deprived so long. Unless you had parents who would insist upon doing some of the things like going to the library with a child like I did. Excuse me. You could tell. May I have some water?

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<v Marjorie Belcina Pajeaud>Sure.

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<v Jessie Lawrence Mouton>A half glass.

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<v Marjorie Belcina Pajeaud>[indistinct 00:13:06].

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<v Jessie Lawrence Mouton>No. You have to have parents who provided and did things like that.

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<v Felix Armfield>I understand.

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<v Jessie Lawrence Mouton>I got pride.

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<v Felix Armfield>Now, this is your father?

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<v Jessie Lawrence Mouton>My father. And it's coming up as children. I've been working crossword puzzles in the paper since I was able to write and read because he used to get the daily paper. We had to study, come from school, you had to stay in and do homework. If you didn't have homework, you had to read because you could read on something else so that tomorrow when you go to school, you'd be better prepared to know what the teacher's talking about because you didn't go outside and stay in the street and drag all over the neighborhood in the first place. But we had to work the crossword puzzle. I've been working crosswords and I love to do it now.

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<v Jessie Lawrence Mouton>The word for a donkey was an ass, three letter word. As children in the family, every time we would get the crossword puzzle in the head donkey, we would say, "Papa, what's a three letter word for a donkey?" Now we knew, but we just wanted him to say ass because we weren't permitted to use that kind of language. Our mama would say to him in Creole that those children are making a fool of you because they know what it is. You see? We knew what it was, but now the children talk about it.

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<v Felix Armfield>Why do you suppose your mother would say it in Creole?

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<v Jessie Lawrence Mouton>So we wouldn't know what she's saying. That's how they used to do.

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<v Felix Armfield>Okay.

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<v Jessie Lawrence Mouton>My grandmother did too. All of them. All of my aunts and everybody, when they didn't want the child to know what they were talking about, they would start talking to each other in Creole so you don't know what they're saying. And then, we didn't understand it because my mother never encouraged us to talk Creole, but my father and his sisters and them when they would get together, that's all they talked.

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<v Felix Armfield>Was Creole.

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<v Jessie Lawrence Mouton>That's right.

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<v Felix Armfield>That's interesting.

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<v Jessie Lawrence Mouton>We had to read. We had to read what was in the paper. We had to read those books. He would buy books when he could afford it and bring it home and put it there so that we could—I have my mother's McGuffey reader that they used to use out in the country in the school. I still have it.

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<v Felix Armfield>Your mother's?

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<v Jessie Lawrence Mouton>My mother's McGuffey Reader.

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<v Felix Armfield>Really?

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<v Jessie Lawrence Mouton>That's right.

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<v Felix Armfield>Is it still in good condition?

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<v Jessie Lawrence Mouton>It's sort of yellow like anything else would get.

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<v Felix Armfield>What's interesting is you still have one of those things.

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<v Jessie Lawrence Mouton>I still have it.

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<v Felix Armfield>The archives may want to borrow that.

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<v Jessie Lawrence Mouton>No, they cannot. I will not part with that. When I was at Dillard, I brought it just to show when the education students. This instructor wanted me to, and I told them no because that's just how things get away from you.

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<v Felix Armfield>You just don't want to part.

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<v Jessie Lawrence Mouton>No, I will not. But that's what I have at my house, that mama. I have books. Like I said, he bought a book that said Negroes in World War I. I have that. Now, when World War II came about, he bought another book that said the Blacks in World War II.

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<v Felix Armfield>Well, your father was certainly making certain that you get some materials around you.

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<v Jessie Lawrence Mouton>He made sure that we went to school. That's what's the problem with a lot of children now.

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<v Felix Armfield>There's no one there to say.

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<v Jessie Lawrence Mouton>They give any excuse and the child won't go to school. I've had it to happen to me too many times when I was teaching a project and I used to didn't go along because I'd tell them all those excuses, I said I was taught that excuse was a sign of ignorance. That's what my papa would say. I never wanted to be ignorant. So now, when you come with all these excuses from one flimsy, that he didn't come to school because I didn't want—they been eating grits every morning, at least he ate. Now what's wrong with grits if you don't have anything else? I had to a lot of mornings right behind. Mama would get up and make biscuits, and we would have preserve and biscuits, milk if they had it, coffee if they didn't, water if they didn't, but you didn't go to school hungry.

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<v Felix Armfield>Yeah.

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<v Jessie Lawrence Mouton>Because I'd say all the time, and people say about the Depression, I don't ever remember being hungry because I had a mother who cooked every day and fed other people in the neighborhood. I don't ever remember being hungry. Maybe she cooked something I didn't like.

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<v Felix Armfield>That's a different story.

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<v Jessie Lawrence Mouton>That was a different story. But they had food.

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<v Felix Armfield>That's a different story. Is there anything else that either of you lovely ladies would like to say concerning your lives here in New Orleans in the Jim Crow South?

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<v Jessie Lawrence Mouton>The last thing I want to say is, even though we went to McDonogh 35 and we walked, and McDonogh 35 was upon Rampart Street, and Rampart Street was an area for Black businesses at that time.

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<v Felix Armfield>So it was quite a business district.

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<v Jessie Lawrence Mouton>Yes. We had to walk up there and the girls were not permitted off the ground on mornings. Now, we were not permitted off the grounds until three o'clock?

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<v Felix Armfield>What do you mean? You couldn't leave the school?

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<v Jessie Lawrence Mouton>No. Unless you were sick and they saw that you got home. Boys could leave at 12 o'clock at lunchtime and go down to the restaurant and get something or go to the bakery and get something.

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<v Felix Armfield>Oh, really?

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<v Jessie Lawrence Mouton>But the girls were not permitted to go off the school grounds. You had to stay once you got to school. You got to school until—

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<v Felix Armfield>And you had to take your lunch there at the school.

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<v Jessie Lawrence Mouton>Yeah. Yes. At that time, most of us brought lunches because 35 didn't even have a cafeteria. Now, lady used to sell us little sandwiches from that little booth, but they didn't have a cafeteria. Most times, we brought lunch.

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<v Felix Armfield>Now, were you and Ms. Marjorie, were the two of you best of friends in high school?

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<v Jessie Lawrence Mouton>No. We were friends. We just were friends. You see, not only did we go to school together, we went to the same church together.

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<v Felix Armfield>So you were neighborhood friends and everything. You went to all the same social.

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<v Jessie Lawrence Mouton>That's it.

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<v Felix Armfield>You went to the carnival together.

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<v Jessie Lawrence Mouton>Yeah.

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<v Felix Armfield>Did you double date and all that kind of good stuff? (laughs)

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<v Marjorie Belcina Pajeaud>No.

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<v Jessie Lawrence Mouton>No.

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<v Felix Armfield>That's why I just said oh, no.

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<v Jessie Lawrence Mouton>You know why? She lived on the other side of Claiborne where as a child growing up that was supposed to be out of bounds for me to be running all over the neighborhood, the street. People didn't let children come all, that came—they lived further from Craig's School. I lived right across the street from Craig. If I went on the other side of Claiborne, I used to go to go Yvonne's because she was just one block off on Claiborne Street. I had to be back home for six o'clock. If I went there and play a little while, I had to be home for six o'clock.

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<v Felix Armfield>Okay.

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<v Jessie Lawrence Mouton>You didn't come back.

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<v Felix Armfield>Just to play there.

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<v Jessie Lawrence Mouton>Yeah. But now Marjorie lives near Galvez Street, didn't you?

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<v Marjorie Belcina Pajeaud>I lived on Lafitte.

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<v Jessie Lawrence Mouton>Yeah, I know. But didn't you live near to Galvez?

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<v Marjorie Belcina Pajeaud>Yeah.

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<v Jessie Lawrence Mouton>Yeah. You see?

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<v Marjorie Belcina Pajeaud>I lived on Lafitte, on Lafitte between Miro and Conti.

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<v Jessie Lawrence Mouton>Yeah.

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<v Marjorie Belcina Pajeaud>Around the corner from Elaine's house.

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<v Felix Armfield>Conti?

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<v Jessie Lawrence Mouton>That was further from my house. You see? That was a good 10 block away.

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<v Felix Armfield>You were always friends and you started school in first grade there.

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<v Jessie Lawrence Mouton>We used to see each other and stop and talk with each other.

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<v Felix Armfield>Was Ms. Marjorie just as—

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<v Jessie Lawrence Mouton>She was a quieter person in school.

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<v Felix Armfield>Oh, she wasn't as witty then as she is now?

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<v Jessie Lawrence Mouton>She was quiet, oh, and scaredy cat. (all laugh) Scaredy cat, the teacher says "Stay in," and look, she started crying before three o'clock. (all laugh) Don't make me laugh.

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<v Felix Armfield>You were already laughing. [indistinct 00:21:56]. Yeah.

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<v Marjorie Belcina Pajeaud>I remember that.

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<v Felix Armfield>You weren't the social butterfly that Ms. Jessie was.

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<v Marjorie Belcina Pajeaud>She was something—she was always the way she is now.

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<v Felix Armfield>Okay.

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<v Jessie Lawrence Mouton>I would talk and laugh and answer back.

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<v Marjorie Belcina Pajeaud>You'd answer teachers back, and in those days nobody answered teachers back.

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<v Felix Armfield>But Ms. Jessie would.

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<v Jessie Lawrence Mouton>Yes, I was. I knew what was going to happen when I got home. I knew that. If you went home and said you were kept in the so and so and such, Mama, teacher said, "Yes. Well, tomorrow mama's going to come to school and get the other side of the story." Now that's the kind of parents we need here. Now, I knew that my parents were not ripping people, but my mother would deprive you of something you like to do. I used to love to play hopscotch in the evening with my friend Louise next door to me and I couldn't go and play hopscotch. I could sit there and watch them play hopscotch, but I couldn't play hopscotch. My brother couldn't shoot marble. Anything that you really like to do, my mother deprived you of that. The next time you would think about it and say, "I'm not going to do so."

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<v Jessie Lawrence Mouton>It was hard for me to get out of that because I'm like that right now. It's just hard. She say you're born with your personality. Every time I think about a teacher who taught all of it, and especially when you see Marjorie didn't have other sisters and brothers. Being the youngest, I had the four of them to go ahead of me. We all used to be most times in those same teacher's rooms. Ms. Thompson, I don't know what Ms. Thompson did me that particular day, but I know I answered Ms. Thompson back. Ms. Thompson told me don't come to school tomorrow until I bring my mama. You see, that morning, mama, when I went home, I had to tell mama she had to go to school tomorrow. You'd be telling your side of the story.

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<v Jessie Lawrence Mouton>Mama had to come to school that morning to talk with Ms. Thompson and Ms. Thompson told my mama—Now Ms. Thompson taught my mama's four other children, a [indistinct 00:24:31] and the twins. When she got out, they were in the hall talking and when she told my mama, she said, "Ms. Lawrence, Jessie is nothing like those other four." My mama said, "No. I know," she said, "Because I birthed them all and they all got different dispositions." And I'm laughing because we didn't say it, "I birthed them all." That was wrong, but that was my mother's way of expressing herself and you dare not to say that that's not what you're supposed to say.

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<v Jessie Lawrence Mouton>She said, "Because I could tell who's coming in by the way the dog react." We had a big shepherd. This is the truth. My mother would be in the kitchen preparing supper and she could tell who, and she would just say, and she didn't even see you, "Jessie?" or if that was sister she would say, "Sister?" because the way the dog reacted to us.

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<v Felix Armfield>Really?

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<v Jessie Lawrence Mouton>I'm telling you. You see, sister never did like animals. When it was her time to feed the dog, she'd get the food and instead of going and putting it in, you know, and saying "Eat," she'd pitch it in the plate. That's true.

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<v Felix Armfield>I just can't imagine Ms. Marjorie without this sense of humor back then.

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<v Jessie Lawrence Mouton>She would sit laughing about things, and maybe she thought something was—But she was a quiet girl, and so was Yvonne. They were quiet in school, scared of being punished, but not me.

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<v Marjorie Belcina Pajeaud>My mama never came to school for me.

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<v Felix Armfield>She just wasn't having that.

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<v Jessie Lawrence Mouton>I don't ever remember her, except the plays or something, and then they would come. And then, we were in all the plays. We were dolls. We were angels one time. We were bumblebees. Do you remember when you were a bumblebee, Marjorie?

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<v Felix Armfield>This is great. (laughing)

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<v Jessie Lawrence Mouton>You remember when we were bumblebees?

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<v Marjorie Belcina Pajeaud>Yes.

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<v Jessie Lawrence Mouton>Yes. My mother used to help make those great paper costumes because my mother sewed.

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<v Marjorie Belcina Pajeaud>I'll never forget. We were in something. I think we were elves. We had pink barrel dresses on that were cut from the bottom and we had to wear tennis shoes.

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<v Jessie Lawrence Mouton>No. We were angels then.

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<v Marjorie Belcina Pajeaud>No. Elves.

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<v Jessie Lawrence Mouton>Elves?

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<v Marjorie Belcina Pajeaud>Yeah. We had pink round dresses on and we had to wear tennis shoes. I was so happy because my mother never would let me wear tennis shoes. She would never buy me a pair of tennis shoes and I wanted to wear tennis shoes so badly. And I could never walk barefoot.

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<v Jessie Lawrence Mouton>Us either.

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<v Marjorie Belcina Pajeaud>When I was an adult, my mother would come to my house and I'd be barefoot. She would say, "Put your shoes on. Put your shoes on before you catch a cold."

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<v Jessie Lawrence Mouton>We see people go to the shopping malls looking like hell and some of them smelling like it. We were not committed to go to Canal Street, which we call uptown, without dressing up. You dressed up to go and you could walk to Canal Street and you weren't that far from Canal, but you didn't go to Canal unless you were dressed.

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<v Felix Armfield>Canal Street was the main [indistinct 00:27:52].

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<v Jessie Lawrence Mouton>It was. It was.

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<v Marjorie Belcina Pajeaud>That's where all the stores were.

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<v Jessie Lawrence Mouton>That's where all the stores were. You just didn't go to Canal Street looking any kind of way or outside playing and pick up and think you're going to Canal Street.

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<v Felix Armfield>Oh, really?

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<v Jessie Lawrence Mouton>Now, when I was going to 35, like I say, we walked to school, we had to walk. There was what they call a red light district had not closed down then. We could not go through that area, through the red light district to go to school. We had to walk all the way to Rampart Street and then go straight up Rampart Street. If anybody saw you going through their district and said that back to my mama, "Why were you coming through that way?" Because you just weren't supposed to. That was off limit to you. You know what the red light district was.

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<v Felix Armfield>Yeah. Red light districts remain the same. They haven't changed.

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<v Jessie Lawrence Mouton>It doesn't change.

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<v Felix Armfield>Red light means red light.

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<v Jessie Lawrence Mouton>That's it.

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<v Marjorie Belcina Pajeaud>Right.

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<v Jessie Lawrence Mouton>We weren't permitted a lot of the things. My grandson will say to me, if my daughter says, "I'm coming to get you and we're going to the shopping mall," and I said all right, I'll get ready to go and, "Grandma, where are you going all dressed?" I said if we pass by somebody who doesn't look like I think presentable, I tell him, I say, "If I would come out with you looking like that, you'd be ready to say, grandma, you look a mess." He say, "I sure would." That's it. You have to instill those things in children. Now, I really don't feel that integration worked down here. I don't know about other areas. Because as soon as integration came about, even in neighborhoods, if you moved in Black, they moved out.

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<v Felix Armfield>White people?

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<v Jessie Lawrence Mouton>White. When the schools became integrated, the White children, I don't know who, they went in other places. They went to other schools. And then eventually, the schools that was predominantly White at one time, they are now predominantly Black. The ones that were Black from the beginning, they're still Black. That's how it is.

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<v Marjorie Belcina Pajeaud>I think that's all over the country.

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<v Jessie Lawrence Mouton>That's all over because when I was working at 42, that's what that used to be, an all White school, the McDonogh number 9, the name is still above it. That's right. Black children had to pass in front of that school to walk away to Jones School.

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<v Marjorie Belcina Pajeaud>But I enjoyed my life. Even though we had segregation, we didn't know any other life. It was good.

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<v Jessie Lawrence Mouton>I enjoyed my Black friends and I still do.

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<v Marjorie Belcina Pajeaud>It was good. You wanted to know what else we did for social life. We were in clubs and we went to club meeting. And then, we went to each other's homes during that time, played bridge and whatnot, and we did a whole lot of social things. We socialized. We went to the movies.

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<v Felix Armfield>Didn't concern yourself what White folks were doing.

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<v Marjorie Belcina Pajeaud>No. We didn't worry about it at all.

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<v Jessie Lawrence Mouton>As long as I didn't have to go and work for them.

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<v Felix Armfield>As long as you didn't have to what?

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<v Jessie Lawrence Mouton>Work. Domestic work for them. I was happy. I did not like doing it.

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<v Marjorie Belcina Pajeaud>Not only that. My parents had a very nice life. I can remember. It wasn't my father so much because he was never a social man too much, but my mother and her sisters had a lot of friends and they used to disguise on mass for Carnival Day. I can remember seeing the other ladies coming to the house and dressing the different costumes. And they'd go out on Carnival Day and they would go to some of the clubs, like the Center Center. What else? Chers Amis, I think another. You see, they used to go, my mother I'm talking about, they used to go to the dances. They used to dance a lot. They would have dances, play dances. My father would bring them, but he wouldn't stay because he didn't like to dance. But as I tell my friends all the time now, they went to dance, the men would dance with them because they like to dance and they would dance. Nowadays, if you don't have your own escort, you don't dance.

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<v Jessie Lawrence Mouton>That's [indistinct 00:32:52].

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<v Marjorie Belcina Pajeaud>Because other guys don't ask you to dance. They're with their own wives or their girlfriends and whatnot, and that's it. But they would go to the affair, not to socialize so much, but to dance.

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<v Felix Armfield>Yeah.

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<v Marjorie Belcina Pajeaud>All the fellas would ask them to dance and they would dance.

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<v Felix Armfield>So you didn't even have to go to the dance with a date.

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<v Marjorie Belcina Pajeaud>No, we didn't. No. As I told you, my father would bring my mother and her sisters and the other girlfriends who wanted to go. And then, he would come back for them when it was all over. And then, they used to go skating. I can remember my mother in a big white sweater. They'd put on their skates and they'd go skating. They had activities.

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<v Felix Armfield>Now, this was when you were a youngster.

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<v Marjorie Belcina Pajeaud>When I was a youngster. I remember seeing them doing that. And then, the friends would come to the house. We had a piano. I never forget, it was Mr. Alfred White, his name was, and he'd come and he'd play the piano and they would sing and whatnot. And then after the piano, we had a Victrola where you'd put the needle on the—

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<v Felix Armfield>It's called a what?

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<v Marjorie Belcina Pajeaud>Victrola. V-I-C-T-R-O-L-A. Where you'd put the needle. It was like this, and you'd put the needle on the record and then it would play and you would [indistinct 00:34:25].

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<v Felix Armfield>Okay.

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<v Marjorie Belcina Pajeaud>And then we had a pianola.

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<v Jessie Lawrence Mouton>And the pianola was that you need to know how to play the piano. You'd put the rollers on and pump.

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<v Marjorie Belcina Pajeaud>You'd put the roller on it. It was like a music sheet and you'd pump with your feet and then it would roll and then the music would come out.

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<v Felix Armfield>And it was called a pianola?

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<v Jessie Lawrence Mouton>Yeah.

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<v Marjorie Belcina Pajeaud>Pianola. We had one of those. Everything came out.

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<v Jessie Lawrence Mouton>But when you played with the rollers, the [indistinct 00:35:30] is moving. You didn't have to [indistinct 00:35:30].

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<v Felix Armfield>But you put the notes in.

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<v Jessie Lawrence Mouton>No. It was like a roller.

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<v Marjorie Belcina Pajeaud>It was like a roller and it had the paper on the roller with the holes which were the notes.

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<v Felix Armfield>And it read from those notes.

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<v Marjorie Belcina Pajeaud>The music. Yeah. And you pumped it with your feet.

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<v Felix Armfield>I've never seen one of those.

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<v Marjorie Belcina Pajeaud>I guess you're right.

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<v Jessie Lawrence Mouton>My mother [indistinct 00:35:31], that's what she had.

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<v Marjorie Belcina Pajeaud>Everything came out.

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<v Jessie Lawrence Mouton>[indistinct 00:35:31] probably had one like that.

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<v Marjorie Belcina Pajeaud>Yeah.

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<v Jessie Lawrence Mouton>We didn't have a piano, but we had a—Papa would buy anything like radio when it first came out, washing machine. That's the kind of person he was.

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<v Marjorie Belcina Pajeaud>You see, the people at that time visited each other and they would come to the house and they would have refreshments and talk and whatnot. You see, they didn't have the TV when you come to visit, which they don't do too much anyhow these days. They turn the TV on for you.

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<v Felix Armfield>Yeah.

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<v Marjorie Belcina Pajeaud>No. They would come and my mother's friends, the ladies would come and they'd have coffee and whatnot and sit down and talk. They visited each other.

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<v Felix Armfield>Really?

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<v Jessie Lawrence Mouton>You can't visit like that after dark, unless we have somebody to bring us places. We don't hardly go out at night anymore. Now, one time you could go out at night and not even be bothered. Nobody would even [indistinct 00:36:37] you or tell you anything. As close as I am now, if I do come here and it gets dark, I'm ready to go back home.

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<v Marjorie Belcina Pajeaud>We had the Lyric Theatre, a Black theater, wasn't it?

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<v Felix Armfield>It was called what?

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<v Jessie Lawrence Mouton>The Lyric.

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<v Marjorie Belcina Pajeaud>L-Y-R-I-C, the Lyric Theatre.

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<v Felix Armfield>That was the Black theater.

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<v Marjorie Belcina Pajeaud>Wasn't it a Black theater?

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<v Jessie Lawrence Mouton>Yeah. Because papa used to take mama, but I didn't ever go there.

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<v Marjorie Belcina Pajeaud>My mother used to take me before I went to school. It was on the corner, [indistinct 00:37:15]. They had a restaurant, a Black restaurant. and they would have, like certain days they'd have cabbage, and other days they'd have red beans and different things. I can remember my aunt going with us and my mother, but of course I was the only child anyway, she made sure to take me. And then, we'd go to the restaurant place and eat our dinner and then we would go to the Lyric Theatre and they'd have live stage.

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<v Jessie Lawrence Mouton>Vaudeville shows.

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<v Felix Armfield>Okay. There were live performances.

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<v Jessie Lawrence Mouton>Yeah. The Palace had that too. The Palace gave that too.

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<v Marjorie Belcina Pajeaud>Performances. Yeah.

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<v Felix Armfield>Now, was The Palace of Black theater?

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<v Jessie Lawrence Mouton>Yes. That was Black. It was at the next corner from the Lyrics, but The Palace was later when we were coming up. Bigger, you may as well say.

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<v Marjorie Belcina Pajeaud>And then we went to the White shows, I guess you'd call it that, the like the Orpheum and the [indistinct 00:38:19]. You need to go up the steps.

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<v Jessie Lawrence Mouton>And you had to sit upstairs.

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<v Marjorie Belcina Pajeaud>[indistinct 00:38:22] sit upstairs. You couldn't sit downstairs.

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<v Felix Armfield>When you went to the White theater, that's what you had to do.

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<v Jessie Lawrence Mouton>Now, The Senger you couldn't go at all.

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<v Marjorie Belcina Pajeaud>I couldn't go at all there.

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<v Felix Armfield>You could not visit the Senger.

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<v Jessie Lawrence Mouton>No. You couldn't go to the Senger.

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<v Felix Armfield>They didn't even allow Blacks to sit in the balcony.

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<v Jessie Lawrence Mouton>No. You couldn't go to the Senger and you couldn't go to the Tudor, which was also on Canal Street.

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<v Felix Armfield>Tudor. Would you spell that?

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<v Jessie Lawrence Mouton>T-U-D-O-R, Tudor. There was another one.

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<v Felix Armfield>I guess the Tudor and the Senger were those places that you talked about your friends would sneak in?

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<v Jessie Lawrence Mouton>Yeah.

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<v Felix Armfield>And come back and tell that they got in.

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<v Marjorie Belcina Pajeaud>Tell they got in. Yeah. They wanted to see what the place was like.

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<v Felix Armfield>I see. Well, it looks like we better wrap this up because my battery is getting low on this thing.

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<v Marjorie Belcina Pajeaud>College. This is not high school.

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<v Felix Armfield>I'm talking back again now with Ms. Pajeaud, and we're having an interesting conversation here where she's talking about her educational experience. That is her advanced education. Now, what were you saying, Ms. Pajeaud, about the fact that from 1952 to 1960, you were pursuing your master's degree? Why such a long period of time?

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<v Marjorie Belcina Pajeaud>I had started that summer in the fall semester. I did enroll in the fall semester. After I started, I found out that I was pregnant, and I knew that I could not return for the January semester because at that time, women were not on the campus pregnant so I did not return. My baby was born July the fourth, and I decided that I was going to enroll in school that fall, which was a September.

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<v Marjorie Belcina Pajeaud>When I went to register, sister Anne Xavier told me definitely that she didn't think that I should return to school so soon because she learned that I had had a baby over the summer. She was very insistent that I did not come back to school so soon. She asked me how old was the baby. I had to tell a little white lie. I told her the baby was older than what it was. Then, she proceeded to ask me who was going to mind the baby. I told her that my mother was going to mind the baby, and I really wanted to return to school to pursue my master's degree. She reluctantly registered me and I was able to continue.

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<v Felix Armfield>But you told her a lie.

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<v Marjorie Belcina Pajeaud>I did. I had to tell a white lie to get back in school. Otherwise, she wasn't going to let me register.

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<v Felix Armfield>Well, the interesting thing is that what you were telling me just a moment ago is the fact that when you discovered that you were pregnant, what was the decision that you made in the middle of your educational process?

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<v Marjorie Belcina Pajeaud>That I was going to stop it because I knew that I could not return. You see?

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<v Felix Armfield>Why couldn't you just continue going?

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<v Marjorie Belcina Pajeaud>Because you see, if I had returned for the January, I would've been in school until May, until the end, and I would've been very much pregnant at that time.

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<v Felix Armfield>What would've been the problem with that?

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<v Marjorie Belcina Pajeaud>Well, they would've asked me to leave. I am positive about that because it was not permitted. Never had pregnant women on that campus.

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<v Felix Armfield>Even though—

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<v Marjorie Belcina Pajeaud>You were married. Sure.

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<v Felix Armfield>And had already had a family in place.

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<v Marjorie Belcina Pajeaud>Right. And I had a husband.

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<v Felix Armfield>Exactly. Well, you were married, so you had to have a husband.

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<v Marjorie Belcina Pajeaud>The husband was there. You could be married and not have the husband there.

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<v Felix Armfield>Yeah.

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<v Marjorie Belcina Pajeaud>No. My husband was there. He was in the home, definitely.

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<v Felix Armfield>You knew that you would've been dismissed from school.

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<v Marjorie Belcina Pajeaud>Yeah. I could not have continued there at that time so I did the wise thing.

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<v Felix Armfield>Pregnant women just were not permitted on college campuses.

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<v Marjorie Belcina Pajeaud>When I am on Xavier's campus now, I look around and first thing I say, "Boy, what is Xavier doing?" (laughs) Now looking at these girls with their shorts on and whatnot. That was not permitted.

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<v Felix Armfield>Yeah. Was there a strict kind of dress code?

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<v Marjorie Belcina Pajeaud>Yes. One day I came to school with a sheer blouse and I was called into the office about my blouse. Yeah.

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<v Felix Armfield>I don't think anybody's getting called into anyone's office today.

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<v Marjorie Belcina Pajeaud>Remember, that was a Catholic school.

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<v Felix Armfield>Yeah. Okay.

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<v Marjorie Belcina Pajeaud>You see? And they were very strict during that time. Very, very strict.

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<v Felix Armfield>Interesting stories. Interesting stories. Yeah. Very interesting. Okay. Anything else you'd like to say, Mr. Pajeaud?

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<v Marjorie Belcina Pajeaud>No.

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<v Felix Armfield>We've had a long evening.

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<v Marjorie Belcina Pajeaud>Yeah, we have.

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<v Felix Armfield>We've had a very long evening. Thank you.
